Shooting an Elephant

Last updated

"Shooting an Elephant"
Short story by George Orwell
ShootingAnElephant.jpg
Cover of first anthology publication
CountryUnited Kingdom
Genre(s)Unknown whether fiction or non-fiction [1]
Publication
Published inNew Writing
Publication date1936

"Shooting an Elephant" is an essay by British writer George Orwell, first published in the literary magazine New Writing in late 1936 and broadcast by the BBC Home Service on 12 October 1948.

Contents

The essay describes the experience of the English narrator, possibly Orwell himself, called upon to shoot an aggressive elephant while working as a police officer in Burma. Because the locals expect him to do the job, he does so against his better judgment, his anguish increased by the elephant's slow and painful death. The story is regarded as a metaphor for colonialism as a whole, and for Orwell's view that "when the white man turns tyrant it is his own freedom that he destroys." [2]

Orwell spent some of his life in Burma in a position akin to that of the narrator, but the degree to which his account is autobiographical is disputed, with no conclusive evidence to prove it to be fact or fiction. [3] After his death in 1950, the essay was republished several times, including in Shooting an Elephant and Other Essays (1950), Inside the Whale and Other Essays (1957), and Selected Writings (1958).

In a 2022 interview, Orwell's son Richard Blair said he thinks Shooting an Elephant is one of the two best essays of his father, together with A Hanging. [4]

Context

White elephants have been venerated in Buddhist Burma for centuries, such as this one at an entrance to a temple 20160802 Elephant Mount Popa 7140 DxO.jpg
White elephants have been venerated in Buddhist Burma for centuries, such as this one at an entrance to a temple

The British Empire gradually annexed Burma over a period of 63 years (1823–1886) during which three Anglo-Burmese Wars took place, and Britain incorporated it into British India. It was administered as a province of India until 1937, when it became a separate, self-governing colony, attaining its independence on January 4, 1948. With a strong interest in the lives of the working class, Orwell, born in India to a middle-class family but brought up in Britain, held the post of assistant superintendent in the British Indian Imperial Police in Burma from 1922 to 1927.

"Moulmein used to be full of elephants" employed to haul logs in the timber firms. "Ordinary tamed elephants have been part of Burmese life for centuries,... the rare and revered white elephant, is believed in Buddhist legend to be a symbol of purity and power". [5] When Orwell moved to Moulmein, in 1926, "he was most probably ambivalent about the colonial state of which he was a part. The Kipling-inspired romance of the Raj had been worn thin by the daily realities of his job in which... he witnessed 'the dirty work of Empire at close quarters'". [5] :223 Orwell writes how he was trapped between his own resentment towards the empire and the Burmese people's resentment towards him. As a member of the ruling power, he is cornered into doing what the "natives" expect of him: "He wears a mask, and his face grows to fit it". [5] :224

Events

A passport photo of Orwell, taken during his time in the Burmese police force. OrwellBurmaPassport.jpg
A passport photo of Orwell, taken during his time in the Burmese police force.

In Moulmein, the narrator, Orwell, writing in the first person is a police officer during a period of intense anti-European sentiment. Although his intellectual sympathies lie with the Burmese, his official role makes him a symbol of the oppressive imperial power. As such, he is subjected to constant baiting and jeering by the local people. [2]

After receiving a call regarding a normally tame elephant's rampage, the narrator, armed with a .44 caliber Winchester rifle and riding on a pony, goes to the town in which the elephant has been seen. Entering one of the poorest quarters, he receives conflicting reports and contemplates leaving since he thinks that the incident is a hoax. The narrator then sees a village woman chasing away children who are looking at the corpse of an Indian, whom the elephant has trampled and killed. He sends an order to bring an elephant rifle and, followed by a group of roughly a few thousand people, heads toward the paddy field in which the elephant has rested in its tracks.

Although he does not want to kill the elephant since it now seems peaceful, the narrator feels pressured by the demand of the crowd for the act to be carried out. After inquiring as to the elephant's behavior and delaying for some time, he shoots the elephant several times and wounds it but is unable to kill it. The narrator then leaves the beast since he is unable to be in its presence as it continues to suffer. He later learns that it was stripped, nearly to the bone, within hours. His elderly colleagues agree that killing the elephant was the best thing to do, but the younger ones believe that it was worth more than the Indian whom it killed. The narrator then wonders if they will ever understand that he shot it "solely to avoid looking a fool". [2]

Themes

Imperialism

An anti-imperialist writer, Orwell promoted the idea that through imperialism, both conqueror and conquered were destroyed. [6] Orwell clearly states his displeasure with the British Empire: "I had already made up my mind that imperialism was an evil thing.... I was all for the Burmese and all against their oppressors, the British". [2] The narrator perceives that the conqueror is not in control, but it is rather the will of the conquered that governs his actions. As ruler, he notes that it is his duty to appear resolute, with his word being final:

I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the "natives," and so in every crisis he has got to do what the "natives" expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man's life in the East, was one long struggle not to be laughed at. [2]

Although it is not the narrator's wish to shoot the elephant, his will is not his own and their expectation makes him realise that he must shoot the elephant: "I was only an absurd puppet pushed to and fro by the will of those yellow faces behind". Reflectively, the narrator realises being forced to impose strict laws and to shoot the elephant. He states his feelings against the act but submits after comprehending he "had got to shoot the elephant"—illustrates an inherent problem of hegemony: "when the white man turns tyrant it is his own freedom that he destroys". [2] [7] By enforcing British colonial rule, he is both forfeiting his freedom and oppressing the Burmese. [1]

Conqueror and conquered

The British Empire at its height, 1921 British Empire 1921.png
The British Empire at its height, 1921

The narrator's situation throughout the essay is one of little prospect or prominence. He comments on how even though he is a member of the ruling class, he finds himself either largely ignored by the Burmese people or hated. He remarks in the first sentence, "I was hated by large numbers of people—the only time in my life that I have been important enough for this to happen to me". Only with the expectation of a killing do the locals find him "momentarily worth watching". He describes how, as a police officer, he was often a target for mockery from the locals, as was any other European who provided an easy target.[ citation needed ]

Orwell recalled he faced hostility from the Burmese, "in the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves". He recalled that "I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible". [8] [9]

In contrast to his description of the natives as "little beasts", the narrator labels the elephant as a "great beast" and suggests that he holds it at a higher status than the locals. That is somewhat paradoxical, however, as the narrator's own job is demeaning and forces him to see "the dirty work of the Empire at close quarters". The narrator singles out "young Buddhist priests" to be "the worst of all" and comments on how he would gladly "drive a bayonet into a Buddhist priest's guts".

Having killed the elephant, the narrator considers how he was glad that it killed the "coolie", as that gave him full legal backing. The essay finishes with him wondering if they will even understand his motive for having killed the elephant, as he merely wishes to salvage his pride. [10]

Conscience

The narrator's conscience plagues him greatly as he finds himself trapped between the "hatred of the empire [he] served" and his "rage against the evil-spirited little beasts who tried to make [his] job impossible". [10] He claims that he is "all for the Burmese and all against the British" and goes on to say that "feelings like these are the normal by-products of imperialism; ask any Anglo-Indian official, if you can catch him off duty". That creates a sense of empathy from the conquerors towards the conquered, but as they treat their conquerors badly, the conquerors start to feel less guilty and so treat them badly once more. [11]

Film adaptation

In 2015, Shooting an Elephant was adapted into a short film by director Juan Pablo Rothie and Academy Award nominated writer Alec Sokolow. The film was shot entirely on location in Nepal starring Barry Sloane as Eric Blair. [12]

Fictionality

The British Club building in Kathar, pictured in 2006 (only the ground floor existed when Orwell was there). KatharBritishClub.JPG
The British Club building in Kathar, pictured in 2006 (only the ground floor existed when Orwell was there).

The degree to which the story is fiction has been disputed. In his biography of Orwell, George Orwell: A Life, Bernard Crick cast doubt on the idea that Orwell himself actually shot an elephant. No independent account of Orwell's actions has been found, and there was no official record of the incident, which was unusual because of the destruction of valuable property.

Peter Davison, the editor of Orwell's Complete Works, includes an interview with George Stuart, a contemporary of Orwell in Burma, who said that Orwell was transferred to Kathar as punishment for shooting an elephant. "An elephant was considered a valuable asset to any timber firm... and Orwell would have been severely reprimanded for such unnecessary slaughter. It was not long after the incident that he was transferred from Moulmein to a quiet post in Upper Burma called Katha". [5] :224–225 Davison also includes in the complete works a news item from the Rangoon Gazette, March 22, 1926, which describes a Major E. C. Kenny shooting an elephant in similar circumstances. When one biographer questioned Orwell's wife, Sonia Brownell, she replied, "Of course he shot a f--king a [sic] elephant. He said he did. Why do you always doubt his word!" [5] :225

See also

Related Research Articles

<i>Animal Farm</i> 1945 novella by George Orwell

Animal Farm is a beast fable, in the form of a satirical allegorical novella, by George Orwell, first published in England on 17 August 1945. It tells the story of a group of anthropomorphic farm animals who rebel against their human farmer, hoping to create a society where the animals can be equal, free, and happy. Ultimately, the rebellion is betrayed and, under the dictatorship of a pig named Napoleon, the farm ends up in a state as bad as it was before.

<span class="mw-page-title-main">George Orwell</span> English author and journalist (1903–1950)

Eric Arthur Blair was an English novelist, poet, essayist, journalist, and critic who wrote under the pen name of George Orwell. His work is characterised by lucid prose, social criticism, opposition to totalitarianism, and support of democratic socialism.

<i>Down and Out in Paris and London</i> Memoir by George Orwell published in 1933

Down and Out in Paris and London is the first full-length work by the English author George Orwell, published in 1933. It is a memoir in two parts on the theme of poverty in the two cities. Its target audience was the middle- and upper-class members of society—those who were more likely to be well educated—and it exposes the poverty existing in two prosperous cities: Paris and London. The first part is an account of living in near-extreme poverty and destitution in Paris and the experience of casual labour in restaurant kitchens. The second part is a travelogue of life on the road in and around London from the tramp's perspective, with descriptions of the types of hostel accommodation available and some of the characters to be found living on the margins.

<i>Coming Up for Air</i> Novel by George Orwell

Coming Up for Air is the seventh book and fourth novel by English writer George Orwell, published in June 1939 by Victor Gollancz. It was written between 1938 and 1939 while Orwell spent time recuperating from illness in French Morocco, mainly in Marrakesh. He delivered the completed manuscript to Victor Gollancz upon his return to London in March 1939.

<i>Burmese Days</i> First novel by George Orwell published in 1934

Burmese Days is the first novel by English writer George Orwell, published in 1934. Set in British Burma during the waning days of empire, when Burma was ruled from Delhi as part of British India, the novel serves as "a portrait of the dark side of the British Raj." At the centre of the novel is John Flory, "the lone and lacking individual trapped within a bigger system that is undermining the better side of human nature." The novel describes "both indigenous corruption and imperial bigotry" in a society where, "after all, natives were natives—interesting, no doubt, but finally...an inferior people".

<span class="mw-page-title-main">Mahout</span> Elephant rider, trainer, or keeper

A mahout is an elephant rider, trainer, or keeper. Mahouts were used since antiquity for both civilian and military use. Traditionally, mahouts came from ethnic groups with generations of elephant keeping experience, with a mahout retaining his elephant throughout its working life or service years.

A Hanging (1931) is a short essay written by George Orwell, first published in August 1931 in the John Middleton Murry’s British literary magazine The Adelphi and then reprinted in 1946 in the British literary magazine The New Savoy. Set in Burma, where Orwell had served in the British Imperial Police from 1922 to 1927, it describes the execution of a criminal.

<span class="mw-page-title-main">Mawlamyine</span> Capital of Mon State, Myanmar

Mawlamyine, formerly Moulmein, is the fourth-largest city in Myanmar (Burma), 300 kilometres (190 mi) south east of Yangon and 70 kilometres (43 mi) south of Thaton, at the mouth of Thanlwin (Salween) River. Mawlamyine was an ancient city and the first capital of British Burma. The city is currently the capital and largest city of Mon State and the main trading centre and seaport in south eastern Myanmar.

Sahib or Saheb is an Arabic title meaning 'companion'. It was historically used for the first caliph Abu Bakr in the Quran.

<span class="mw-page-title-main">British rule in Burma</span> Period in the history of Myanmar (Burma) from 1824 to 1948

The British colonial rule in Burma lasted from 1824 to 1948, from the successive three Anglo-Burmese wars through the creation of Burma as a province of British India to the establishment of an independently administered colony, and finally independence. The region under British control was known as British Burma, and officially known as Burma from 1886. Various portions of Burmese territories, including Arakan and Tenasserim, were annexed by the British after their victory in the First Anglo-Burmese War; Lower Burma was annexed in 1852 after the Second Anglo-Burmese War. The annexed territories were designated the minor province of British Burma in 1862.

"Inside the Whale" is an essay in three parts written by George Orwell in 1940. It is primarily a review of Tropic of Cancer by Henry Miller with Orwell discoursing more widely over English literature in the 1920s and 1930s. The biblical story of Jonah and the whale is used as a metaphor for accepting experience without seeking to change it, Jonah inside the whale being comfortably protected from the problems of the outside world. It was published, alongside two other pieces by Orwell, 11 March 1940 by Gollancz in Orwell's first collection of essays, Inside the Whale and Other Essays.

<span class="mw-page-title-main">Mandalay (poem)</span> 1890 poem by Rudyard Kipling

"Mandalay" is a poem by Rudyard Kipling, written and published in 1890, and first collected in Barrack-Room Ballads, and Other Verses in 1892. The poem is set in colonial Burma, then part of British India. The protagonist is a Cockney working-class soldier, back in grey, restrictive London, recalling the time he felt free and had a Burmese girlfriend, now unattainably far away.

"The Lion and the Unicorn: Socialism and the English Genius" is an essay by George Orwell expressing his opinions on the situation in wartime Britain. The title alludes to the heraldic supporters appearing in the full royal coat of arms of the United Kingdom. The essay was first published on 19 February 1941 as the first volume of a series edited by T. R. Fyvel and Orwell, in the Searchlight Books published by Secker & Warburg. Orwell's wife Eileen Blair described the theme of the essay as "how to be a socialist while Tory."

<i>Why Orwell Matters</i> 2002 book by Christopher Hitchens

Why Orwell Matters, released in the UK as Orwell's Victory, is a book-length biographical essay by Christopher Hitchens. In it, the author relates George Orwell's thoughts on and actions in relation to: The British Empire, the Left, the Right, the United States of America, English conventions, feminism, and his controversial list for the British Foreign Office.

<span class="mw-page-title-main">George Orwell bibliography</span> Literary work of George Orwell

The bibliography of George Orwell includes journalism, essays, novels, and non-fiction books written by the British writer Eric Blair (1903–1950), either under his own name or, more usually, under his pen name George Orwell. Orwell was a prolific writer on topics related to contemporary English society and literary criticism, who has been declared "perhaps the 20th century's best chronicler of English culture." His non-fiction cultural and political criticism constitutes the majority of his work, but Orwell also wrote in several genres of fictional literature.

<span class="mw-page-title-main">W. D. M. Bell</span> Scottish adventurer, soldier, and fighter pilot

Walter Dalrymple Maitland Bell, known as Karamojo Bell after the Karamoja sub-region in Uganda, which he travelled extensively, was a Scottish adventurer, big game hunter in East Africa, soldier, decorated fighter pilot, sailor, writer, and painter.

The Indian Imperial Police, referred to variously as the Indian Police or, by 1905, the Imperial Police, was part of the Indian Police Services, the uniform system of police administration in British India, as established by Government of India Act 1858 and Police Act of 1861. It was motivated by the danger experienced by the British during the 1857 rebellion.

"The Sporting Spirit" is an essay by George Orwell published in the magazine Tribune on 14 December 1945, and later in Shooting an Elephant and Other Essays, a collection of Orwell's essays published in 1950. The essay was written on the heels of the 1945 tour of Great Britain by the Soviet football team FC Dynamo Moscow. The essay became famous for Orwell's description of international sporting competitions as "war minus the shooting", a phrase that has since been used as a metaphor for sports when referred to in popular media and for actions evoking hyper-nationalism and national pride.

<span class="mw-page-title-main">Reflections on Gandhi</span> Essay by George Orwell

"Reflections on Gandhi" is an essay by George Orwell, first published in 1949, which responds to Mahatma Gandhi's autobiography The Story of My Experiments with Truth. The essay, which appeared in the American magazine Partisan Review, discusses the autobiography and offers both praise and criticism to Gandhi, focusing in particular on the effectiveness of Gandhian nonviolence and the tension between Gandhi's spiritual worldview and his political activities. One of a number of essays written by Orwell and published between Animal Farm (1945) and Nineteen Eighty-Four (1949), "Reflections on Gandhi" was the last of Orwell's essays to be published in his lifetime and was not republished until after his death.

References

  1. 1 2 Runciman, David. Political Hypocrisy: The Mask of Power, from Hobbes to Orwell and Beyond. Princeton University Press, 2010, pp. 182–183.
  2. 1 2 3 4 5 6 Orwell, George. "Shooting an Elephant", The Literature Network, accessed April 17, 2011.
  3. George Orwell: A Life
  4. Pingitore, Silvia (12 May 2022). "EXCLUSIVE interview with George Orwell's son" . Retrieved 3 July 2023.
  5. 1 2 3 4 5 Larkin, Emma (2005). Finding George Orwell in Burma (First American ed.). New York: The Penguin Press. ISBN   1-59420-052-1.
  6. "Elements of Fiction and Total Effect in Shooting an Elephant by George Orwell (2004)" . Retrieved 8 October 2011.
  7. "Orwell still matters: Shooting an Elephant". rogalinski.com.pl – Journalist blog. 22 July 2011. Archived from the original on 19 May 2012. Retrieved 2 October 2011.
  8. The Broadview Anthology of British Literature Volume 6: The Twentieth Century and Beyond. Broadview Press. 2006. p. 546.
  9. Orwell, George (2009). Facing Unpleasant Facts: Narrative Essays. HMH. pp. 29–30.
  10. 1 2 "Staloysius: Shooting an Elephant analysis". Archived from the original on 6 April 2012. Retrieved 8 October 2011.
  11. "Oppapers: Shooting an Elephant analysis" . Retrieved 10 October 2011.
  12. "Shooting an Elephant". IMDb . 9 September 2014. Retrieved 21 February 2015.

Further reading