Solid body

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Fender Esquire 1st prototype in 1949 at Fender Guitar Factory museum Fender Esquire 1st prototype in 1949 at Fender Guitar Factory museum.jpg
Fender Esquire 1st prototype in 1949 at Fender Guitar Factory museum
Sound sample of solid-body electric guitar.

A solid-body musical instrument is a string instrument such as a guitar, bass or violin built without its normal sound box and relying on an electromagnetic pickup system to directly detect the vibrations of the strings; these instruments are usually plugged into an instrument amplifier and loudspeaker to be heard. Solid-body instruments are preferred in situations where acoustic feedback may otherwise be a problem and are inherently both less expensive to build and more rugged than acoustic electric instruments.

Contents

Recognisable solid body instruments are the electric guitar and electric bass, developed in the 1930s. These assisted in creating electric guitar-based genres of music such as rock and heavy metal. Common woods used in the construction of solid body instruments are ash, alder, maple, mahogany, korina, spruce, rosewood, and ebony. The first two make up the majority of solid body electric guitars.

Solid body instruments have some of the same features as acoustic string instruments. Like a typical string instrument, they have a neck with tuners for the strings, a bridge and a fingerboard (or fretboard). The fretboard is a piece of wood placed on the top surface of the neck, extending from the head to the body. The strings run above the fingerboard. Some fingerboards have frets or bars which the strings are pressed against. This allows musicians to stop the string in the same place. Ebony, rosewood and maple are commonly used to make the fingerboard.

Some electric guitar necks do not have a separate piece of wood for the fingerboard surface. All the solid bodies have variations in scale length or, the length of the strings from the nut to the bridge. The action, or the height of the strings from the fingerboard, is adjustable on solid body instruments. Most solid bodies have controls for volume and tone. Some have an electronic preamplifier with equalization for low, middle, and high frequencies. These are used to shape the sound along with the aid of the main instrument amplifier. Amplifiers allow solid body instruments to be heard at high volumes when desired.

Instruments

Solid-body instruments :

Example : Mid-1970s "Lawsuit Era", solid-body, set neck, Mann/Ibanez electric guitar Mann-Ibanez "lawsuit era" (mid-1970's) solid body, set neck electric guitar.JPG
Example : Mid-1970s "Lawsuit Era", solid-body, set neck, Mann/Ibanez electric guitar

Solid-body instruments do not include :

Electric lap steel guitars without sounding boards are considered to be solid-body instruments by some authorities, and not by others. This has a major effect on some claims of historical priority, as they predate the first models of solid-body electric guitar, which may otherwise be claimed to be the first commercially successful solid-body instruments. While noting this, it will be assumed that electric lap steels without sounding boards are solid-body instruments for the purposes of this article.

History

Sketch of Rickenbacker "frying pan" lap steel guitar from 1934 patent application RickenbackerFryingpanPatentDiagram.png
Sketch of Rickenbacker "frying pan" lap steel guitar from 1934 patent application

Commercial models

The first commercially successful solid-body instrument was the Rickenbacker frying pan lap steel guitar, produced from 1931 to 1939. The first commercially available non lap steel electric guitar was also produced by the Rickenbacker/Electro company, starting in 1931 The model was referred to as the "electric Spanish Guitar" to distinguish it from the "Hawaiian" lap steel.

The first commercially successful solid-body electric guitar was the Fender Broadcaster in 1950. A trademark dispute with the Gretsch Corporation who marketed a line of Broadcaster drums led to a name change to the current designation, Fender Telecaster in 1951 (Transition instruments produced between the two model names had no model name on the head stock and are now referred to as 'No Casters"). Fender also produced a one pickup version called the Fender Esquire starting in 1950. These were followed by the Gibson Les Paul in 1952.

Additional history

The solid-body electric guitar is recognisable and features in rock, metal, blues, and country music.

The first commercially available solid-body electric Spanish guitar was produced by the Rickenbacker company in 1931.

The Songster electric guitar was made between 1936 and 1939 by the Slingerland Musical Instrument Manufacturing Company in Chicago, Illinois. [1]

Also it is reported that around the same time (1940) a solid body was created by Jamaican musician and inventor Hedley Jones.

Les Paul, a guitarist, is often credited with inventing the first solid body, but Fender is often credited as the first to commercially market a solid-body electric guitar, which itself was based on a design by Merle Travis.

In the 1940s, Les Paul created a guitar he called the "Log," which came "from the 4" by 4" solid block of pine which the guitarist had inserted between the sawed halves of the body that he'd just dismembered. He then re-joined the neck to the pine log, using some metal brackets." [2] He then put some pickups that he designed on it. He soon went to companies asking if they would buy his guitar. They turned him down. However, after the Fender Telecaster electric guitar became popular, the Gibson company contacted him and had him endorse a model named after him, the "Les Paul" model. It came out in 1952.

While Les Paul was looking for a manufacturer for his log, Leo Fender was working on the Fender Telecaster. It was released in 1950. The Telecaster had a "basic, single-cutaway solid slab of ash for a body and separate screwed-on maple neck was geared to mass production. It had a slanted pickup mounted into a steel bridge-plate carrying three adjustable bridge-saddles." [3] Its color was blond. It is considered "the world's first commercially marketed solid body electric guitar." . [3] The Telecaster continues to be manufactured today.

The follow-up to the Telecaster, the Stratocaster, appeared in 1954. It had three pickups instead of two. It had a vibrato bar on the bridge. This allowed players to bend notes. "The contoured body with its beveled corners reduced the chafing on the player's body." [4] It also had cutaway above and below the fretboard to allow players easy access to the top frets.

In 1958, Gibson introduced the Explorer and the Flying V. Only about 100 Explorers were produced, and very few of the Flying V. Both were discontinued shortly after. The Flying V did manage to find a few followers and Gibson reintroduced the guitar in 1967. The Explorer was also reintroduced, in the mid-1970s. Both guitars are still in production today.

In 1961, Gibson discontinued the Les Paul model and replaced it with a new design. The result was the Solid Guitar (SG). It weighed less and was less dense than the Les Paul. It had double cutaways to allow easier access to the top frets. Eventually the Les Paul was put back into production in 1968 because Blues and Hard Rock guitarists liked the sound of the Les Pauls. The SG and the Les Paul are still in production today.

Fender and Gibson went on to make other well-known models. Gibson made the Melody Maker and the Firebird. Fender later created the Jazzmaster, and Jaguar.

Some of the designs that Gibson and Fender created provide the basis for many guitars made by various manufacturers today.

Woods typically used to make the body of the bass are alder, maple, or mahogany.

The double bass was seen as very bulky and not as easy to carry as other string instruments. Paul Tutmarc built an electronic bass that was played the same way as a guitar. This bass was called the Audiovox Model 736 Electronic Bass. "About 100 Audiovox 736 basses were made, and their distribution was apparently limited to the Seattle area." [5] :29 The idea did not catch on and the company folded.

In the late 1940s when dance bands downsized, [5] :31 guitar players who lost their positions playing guitar were told they could play double bass. However, "they did not want to take the time to learn upright technique. They needed a bass they could play like a guitar-a fretted bass." [5] :31 Leo Fender heard these criticisms and took his telecaster model and adopted it to a bass guitar. The result was the Fender Precision Bass. It consisted of an ash bolt-on maple neck. The scale for the bass was 34." "It also had "cutaways for better balance." [5] :33 Now guitarists could double on bass, and the bass player of the band would not have to carry around a huge upright bass. It entered the market in 1951.

Fender's second bass model, the Jazz Bass, was introduced in 1959. It had a slimmer neck at the nut, a different two pickup combination, and an offset body shape. While it did not become extremely popular among jazz players, it was well received in rock music.

Many companies today produced models based on the body shapes first started by Fender.

Gibson created the Gibson Electric Bass to be introduced in the 1953. The scale, 30 ½" was shorter than the Fender basses. Its body was designed to look like a violin. It had a single pickup. It also had an endpin which allowed the bass player to play it vertically. In 1959 Gibson created the EB-0 which was designed to complement the Les Paul Junior. In 1961 it was redesigned to match the SG guitar and the EB-) designation was retained. A two pickup version was later introduced called the EB-3 and a long scale variant was made called the EB-3L.

Gibson also created the Thunderbird in 1963, which complemented the Firebird. It had the 34" scale for the neck. This was the same scale as the Fender basses.

Other companies have created designs that are different from the Fender and Gibson models.

Electric mandolins are similar to electric violins because they traditionally have one pickup.

Epiphone marketed an electric mandolin called the Mandobird IV and VIII, IV and VIII standing for four and eight strings respectively. [6] [7]

They usually have a bolt on neck and a rosewood inlay.

The solid body electric violin is different from the traditional violin because it does not have a hollow body and has a "Piezo Pickup with Passive Volume and Tone Controls." [8] These features allow it to be amplified. The body is made of wood, usually maple. The top of the violin might be made out of flame maple or solid spruce. The body of the electric violin compared to an acoustic violin has cutaways that allow for weight reduction and a lighter body.

While a regular sitar has 21, 22, or 23 strings an electric sitar is designed similar to a guitar. It first appeared in 1967 when "Vinnie Bell invented the Coral electric sitar, a small six-string guitar-like instrument producing a twangy sound that reminded people of its Indian namesake." [9] It is played like a regular guitar. An electric sitar's electronics consist of "Three pickups with individual volume and tone controls are standard, including one pickup over the sympathetic strings." The bridge of the electric sitar is creates the sound of a sitar. Like electric guitars, made by Fender especially, the neck of a sitar is usually "made of bolt-on, hard maple wood with an optional mini-harp." The sitar also has 13 drone strings located above the six strings that reach from the fretboard to the bridge.

Electric violas are designed similar to electric violins. They usually have the same features.

Electric cellos are similar to regular cellos, but they have a smaller body. Some electric cellos have no body branching out from the middle where the strings are. Some electric cellos have the out line of the traditional body around the middle, creating the feel of a traditional cello. It is played like a traditional cello. The body can be made out of alder.

See also

Related Research Articles

<span class="mw-page-title-main">Electric guitar</span> Electrical string instrument

An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.

<span class="mw-page-title-main">Gibson SG</span> Solid body electric guitar model

The Gibson SG is a solid-body electric guitar model introduced by Gibson in 1961, following on from the 1952 Gibson Les Paul. It remains in production today in many variations of the initial design. The SG Standard is Gibson's best-selling model of all time. SG stands for "solid guitar".

<span class="mw-page-title-main">Gibson Les Paul</span> Solid body electric guitar

The Gibson Les Paul is a solid body electric guitar that was first sold by the Gibson Guitar Corporation in 1952. The guitar was designed by factory manager John Huis and his team with input from and endorsement by guitarist Les Paul. Its typical design features a solid mahogany body with a carved maple top and a single cutaway, a mahogany set-in neck with a rosewood fretboard, two pickups with independent volume and tone controls, and a stoptail bridge, although variants exist.

<span class="mw-page-title-main">Fender Stratocaster</span> Solid body electric guitar

The Fender Stratocaster, colloquially known as the Strat, is a model of electric guitar designed between 1952 and 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster since 1954. It is a double-cutaway guitar, with an extended top "horn" shape for balance. Along with the Gibson Les Paul, Gibson SG, and Fender Telecaster, it is one of the most-often emulated electric guitar shapes. "Stratocaster" and "Strat" are trademark terms belonging to Fender. Guitars that duplicate the Stratocaster by other manufacturers are sometimes called S-Type or ST-type guitars.

<span class="mw-page-title-main">Gibson ES-335</span> Semi-hollow electric guitar

The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES series in 1958. It features a solid maple wood block running through the center of its body with upper bouts that are hollow and two violin-style f-holes cut into the top over the hollow chambers. Since its release, Gibson has released numerous variations of and other models based on the design of the ES-335.

<span class="mw-page-title-main">Archtop guitar</span> Type of steel-stringed acoustic or semi-acoustic guitar

An archtop guitar is a hollow acoustic or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players.

<span class="mw-page-title-main">Fender Precision Bass</span> Model of electric bass

The Fender Precision Bass is a model of electric bass guitar manufactured by Fender Musical Instruments Corporation. In its standard, post-1957 configuration, the Precision Bass is a solid body, four-stringed instrument usually equipped with a single split-coil humbucking pickup and a one-piece, 20-fret maple neck with rosewood or maple fingerboard.

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<span class="mw-page-title-main">Outline of guitars</span> Overview of and topical guide to guitars

The following outline is provided as an overview of and topical guide to guitars:

<span class="mw-page-title-main">Headstock</span> Part of the guitar which houses the pegs

A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin family. At the "tail" of the instrument the strings are usually held by a tailpiece or bridge. Machine heads on the headstock are commonly used to tune the instrument by adjusting the tension of strings and, consequently, the pitch of sound they produce.

<span class="mw-page-title-main">Gibson Blueshawk</span>

The Gibson Blueshawk is a discontinued model of semi-hollow body electric guitar. It was available between 1996 and 2006 as a Gibson model designed mainly for blues players. It superficially resembles the Les Paul in that the body outline is similar. The Blueshawk was discontinued by Gibson in Spring 2006, and returned in 2015 under the Epiphone brand.

The Gibson Melody Maker is an electric guitar made by Gibson Guitar Corporation. It has had many body shape variations since its conception in 1959.

<span class="mw-page-title-main">Fender Coronado</span>

The Fender Coronado is a double-cutaway thin-line hollow-body electric guitar, announced in 1965. It is manufactured by Fender Musical Instruments Corporation. The aesthetic design embodied in the Coronado represents a departure from previous Fender instruments; the design remains an uncharacteristic piece of Fender history.

The Gibson Les Paul Custom is a higher-end variation of the Gibson Les Paul guitar. It was developed in 1953 after Gibson had introduced the Les Paul model in 1952.

<span class="mw-page-title-main">Gibson Nighthawk</span>

The Gibson Nighthawk was a family of electric guitars manufactured by Gibson. Introduced in 1993, the Nighthawk represented a radical change from traditional Gibson designs. While its maple-capped mahogany body and set neck were reminiscent of the classic Gibson Les Paul, the Nighthawk incorporated a number of characteristics more commonly associated with Fender guitars. The Nighthawk was not a commercial success; production of all models was discontinued in 1998 after only five years.

The Fender Bullet was an electric guitar originally designed by John Page and manufactured and marketed by the Fender Musical Instruments Corporation. It was first introduced as a line of "student" guitars to replace the outgoing Mustang and Musicmaster models.

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The Fender American Deluxe Series was a line of electric guitars and basses introduced by Fender in 1995 and discontinued in 2016. It was upgraded in 2004 and 2010 before being replaced by the American Elite series in 2016.

The Fender Telecaster, colloquially known as the Tele, is an electric guitar produced by Fender. Together with its sister model the Esquire, it was the world's first mass-produced, commercially successful solid-body electric guitar. Its simple yet effective design and revolutionary sound broke ground and set trends in electric guitar manufacturing and popular music.

<span class="mw-page-title-main">Jim Root Telecaster</span>

The Fender Jim Root Telecaster is a signature model of the Fender Telecaster electric guitar customized for American musician Jim Root. In January 2010, Jim Root's Signature Fender Telecaster was unveiled on the Fender website, similar to the one he has been seen using on stage. As of March 2009, the difference being the headstock. The prototype originally made for Jim came with the 1970s style Stratocaster headstock, which Root had shaved down to a standard Telecaster shape. This made the 1970s Fender Telecaster logo go to the very edge of the headstock. With a mahogany body, a fast neck and active EMG 81/60 pickups, it is a guitar designed for the heavy metal/hard rock guitar player.

References

  1. "Slingerland Songster Electric Guitar". National Museum of American History. Retrieved 2023-07-05.
  2. Dave Hunter, Lee Hodgson, Pete Madsen, Barrie Cadogan, Paul Balmer, Totally Interactive Guitar Bible: Guitar Facts: The Essential Reference Guide, (San Diego: Thunder Bay Press), 37.
  3. 1 2 Tony Bacon, Paul Day, The Fender Book: A Complete History of Fender Electric Guitars (San Francisco: Miller Freeman Books, 1998), 18
  4. Andre Millard, The Electric Guitar: The Complete History of an American Icon, (Baltimore: The Johns Hopkins University Press, 2004), 94.
  5. 1 2 3 4 Jim Roberts, How the Fender Bass Changed The World (San Francisco: Backbeat Books, 2001).
  6. "Epiphone Mandobird-IV". Epiphone.com.
  7. "Epiphone Mandobird-VIII". Epiphone.com. Retrieved 23 February 2012.
  8. Fender Musical Instruments Corporation, "FV3 Deluxe Violin Specifications," Fender Musical Instruments Corporation,http://www.fender.com/products/view_specs.php?full_partno=0950030&name=FV3+Deluxe+Violin (accessed November 20, 2009).
  9. Joe Bennett, Trevor Curwen, Cliff Douse, Douglas J., Noble, Richard Riley, Tony Skinner, Harry Wylie, The Complete Guitar Player (Old Saybrook: Konecky & Konecky, 2004), 110.