South Side Community Art Center

Last updated
South Side Community Art Center
South Side Community Art Center 1.JPG
South Side Community Art Center in Bronzeville, Chicago, IL
South Side Community Art Center
Established1940
Location3831 South Michigan Avenue
Coordinates 41°49′29″N87°37′23″W / 41.8246°N 87.6231°W / 41.8246; -87.6231

The South Side Community Art Center is a community art center in Chicago that opened in 1940 with support from the Works Progress Administration's Federal Art Project in Illinois. [1] Opened in Bronzeville in an 1893 mansion, it became the first black art museum in the United States [2] and has been an important center for the development Chicago's African American artists. [1] Of more than 100 community art centers established by the WPA, this is the only one that remains open.

Contents

The center was awarded Chicago Landmark status in 1994. [1] Named a "National Treasure" by the National Trust for Historic Preservation in 2017, it was listed on the National Register of Historic Places in 2018. [3] [4]

History

Eleanor Roosevelt at the dedication of South Side Community Art Center (May 7, 1941) Eleanor-Roosevelt-South-Side-Art-Center-1941.jpg
Eleanor Roosevelt at the dedication of South Side Community Art Center (May 7, 1941)

Efforts to open a community art center on Chicago's South Side began in 1938. Peter Pollack, a Federal Art Project official, contacted Metz Lochard, an editor at the Chicago Defender, about having the Art Project sponsor exhibitions of African American artists, who often had trouble securing space to display their work. Pollack, an art dealer, owned a gallery on Michigan Avenue in Chicago's Loop and had previously displayed the work of African American artists. Lochard arranged a meeting between Pollack and Pauline Kigh Reed, a social worker with extensive connections in the community, and, according to Reed's recollection, she suggested founding an art center. Reed helped arrange an initial meeting with area artists at the South Side Settlement House at 32nd Street and Wabash Avenue. Businessman Golden Darby, chairman of the board of the Settlement House, became chair of the Sponsoring Committee of the proposed South Side Community Art Center. [5]

Darby chaired the first official meeting of the Sponsoring Committee on October 25, 1938 at the offices of the Chicago Urban League. In addition to Darby, Pollack, and other organizers of the Sponsoring Committee, the meeting was attended by members of the Arts Crafts Guild, a group of Chicago-based African American artists organized in 1932 which included Margaret Taylor-Burroughs, Eldzier Cortor, Bernard Goss, Charles White, William Carter, Joseph Kersey, and Archibald Motley Jr. George G. Thorpe, the State Director of the Federal Art Project of Illinois, informed the group that the FAP's community art center program would provide an administrative staff, faculty, and renovation funds for a center if the community could raise funds for the purchase of a building and the costs of utilities and supplies.

The following year was spent organizing and raising funds for the center, with efforts ranging from membership drives and street corner collections (including Margaret Burroughs's famous "Mile of Dimes" on South Parkway, (now Martin Luther King Drive) to benefit parties and lectures by speakers including Augusta Savage. The most successful of these events, the Artists' and Models' Ball held at the Savoy Ballroom on October 23, 1939, became an annual tradition.

Among its alumni are Charles White, Bernard Goss, George Neal, Eldzier Cortor, Gordon Parks, Archibald Motley, Richard Hunt [6] and Margaret Burroughs. [7]

Building

Completed in 1893, at 3831 S. Michigan Avenue, the Georgian Revival-style building designed by architect L. Gustav Hallberg, originally served as a residence for grain merchant George A. Seaverns Jr. [1]

In 1940, the by then vacant brownstone building was selected as the site for the planned community art center and was purchased for about $8,000 [8] with funds raised by the community. [9] [10] [11] The building is sometimes referred to as the Comiskey Mansion, [10] [12] and it was described as the former home of Charles Comiskey by Eleanor Roosevelt in her newspaper column after she took part in the dedication of the South Side Community Art Center. [13] According to UNCAP, the Uncovering New Chicago Archives Project, the house belonging to Comiskey was further south on Michigan Avenue. [8] The community paid for the lease and purchase of the building, for utilities, and for art supplies. [11] The federal government helped to stimulate the establishment of the center via support from the Works Progress Administration's Federal Art Project. [10] They provided administrative funds for staff and faculty and funds for the remodeling of the building. [11] The interior was remodeled in the New Bauhaus-style, and the centre opened unofficially for its first classes on December 15, 1940. [1] [8] [11] [12] The opening was accompanied by an inaugural exhibition of paintings by local black artists including Charles Davis, Charles White, Bernard Goss, William Carter, Eldzier Cortor, Charles Sebree, Archibald Motley Jr., amongst others. [12] The interracial faculty of art instructors included Davis, White, Goss, Carter, Morris Topchevsky, Si Gordon, Max Kahn, and Todros Geller. [14] Lessons were free and included oil painting, drawing, composition, water color, sculpture, lithography, poster design, fashion illustration, interior decoration, silk screen, weaving, and hooked rug-making. [12] By March 1941, 13,500 people had attended classes, exhibitions, and events at the center. [14] First Lady Eleanor Roosevelt dedicated the facility May 7, 1941, in a ceremony that broadcast nationwide [15] on CBS Radio. [8] [14]

Landmark status

The center earned Chicago Landmark status on June 16, 1994. [1] In 2017, the center was named a "National Treasure" by the National Trust for Historic Preservation. [16] The building was listed on the National Register of Historic Places in 2018.

Notes

  1. 1 2 3 4 5 6 "Chicago Landmarks - South Side Community Art Center". City of Chicago. Retrieved 25 December 2010.
  2. Knupfer, p. 2.
  3. Pfister, Tom. "African American Art Center In Chicago Achieves National Register Status". Forbes. Retrieved 2018-09-29.
  4. "Weekly List 20180921 - National Register of Historic Places (U.S. National Park Service)" . Retrieved 2018-09-29.
  5. "Mapping the Stacks".
  6. Introduction by Courtney J. Martin. Text by John Yau, Jordan Carter, LeRonn Brooks. Interview by Adrienne Childs. (2022). Richard Hunt. GREGORY R. MILLER & CO. ISBN   9781941366448.{{cite book}}: CS1 maint: multiple names: authors list (link)
  7. "South Side Community Art Center". The Electronic Encyclopedia of Chicago. Chicago Historical Society. 2005. Retrieved 2007-10-25.
  8. 1 2 3 4 "Guide to the Archives of the South Side Community Art Center, 1938-2008". UNCAP. September 2009. Retrieved 25 December 2010.
  9. Cohn, p. 108.
  10. 1 2 3 Knupfer, p. 67.
  11. 1 2 3 4 "History & Archives". South Side Community Art Center. Retrieved 24 April 2024.
  12. 1 2 3 4 Cohn, p. 109.
  13. Roosevelt, Eleanor (May 9, 1941). "My Day". The Eleanor Roosevelt Papers Project. George Washington University . Retrieved 2015-11-01. The Art Center is situated in the old home of Charles Comiskey, who was once a great baseball magnate. It had become a rooming house before the South Side Community Art Center had bought it a year ago.
  14. 1 2 3 Cohn, p. 110.
  15. "Mrs. Roosevelt Dedicates South Side Art Center". Chicago Tribune . May 8, 1941. Retrieved 2015-11-02.
  16. Bowean, Lolly. "South Side Community Arts Center named National Treasure". chicagotribune.com. Retrieved 2017-11-11.

Related Research Articles

<span class="mw-page-title-main">Armour Square, Chicago</span> Community area in Illinois, United States

Armour Square is a Chicago neighborhood on the city's South Side, as well as a larger, officially defined community area, which also includes Chinatown and the CHA Wentworth Gardens housing project. Armour Square is bordered by Bridgeport to the west, Pilsen to the northwest, Douglas and Grand Boulevard to the east and southeast, and with the Near South Side bordering the area to the north, and Fuller Park bordering its southernmost boundary, along Pershing Road.

<span class="mw-page-title-main">Lower West Side, Chicago</span> Community area in Chicago, Illinois, United States

Lower West Side is a community area on the West Side of Chicago, Illinois, United States. It is three miles southwest of the Chicago Loop and its main neighborhood is Pilsen. The Heart of Chicago is a neighborhood in the southwest corner of the Lower West Side.

<span class="mw-page-title-main">African-American art</span> Visual arts of the people of African descent in the United States of America

African-American art is a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. Some have drawn on cultural traditions in Africa, and other parts of the world, for inspiration. Others have found inspiration in traditional African-American plastic art forms, including basket weaving, pottery, quilting, woodcarving and painting, all of which are sometimes classified as "handicrafts" or "folk art".

<span class="mw-page-title-main">DuSable Black History Museum and Education Center</span> Chicago museum of African-American topics

The DuSable Black History Museum and Education Center, formerly the DuSable Museum of African American History, is a museum in Chicago that is dedicated to the study and conservation of African-American history, culture, and art. It was founded in 1961 by Margaret Taylor-Burroughs, her husband Charles Burroughs, Gerard Lew, Eugene Feldman, Bernard Goss, Marian M. Hadley, and others. They established the museum to celebrate black culture, at the time overlooked by most museums and academic establishments. The museum has an affiliation with the Smithsonian Institution.

<span class="mw-page-title-main">Eldzier Cortor</span> American painter

Eldzier Cortor was an African-American artist and printmaker. His work typically features elongated nude figures in intimate settings, influenced by both traditional African art and European surrealism. Cortor is known for his style of realism that makes accurate depictions of poor, Black living conditions look fantastic as he distorts perspective.

<span class="mw-page-title-main">Margaret Taylor-Burroughs</span> American writer, artist and educator (1915–2010)

Margaret Taylor-Burroughs, also known as Margaret Taylor Goss, Margaret Taylor Goss Burroughs or Margaret T G Burroughs, was an American visual artist, writer, poet, educator, and arts organizer. She co-founded the Ebony Museum of Chicago, now the DuSable Museum of African American History.

Debra Hand is a self-taught artist and sculptor from Chicago, Illinois.

<span class="mw-page-title-main">Archibald Motley</span> American painter

Archibald John Motley, Jr., was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just in New York but across America—its local expression is referred to as the Chicago Black Renaissance. He studied painting at the School of the Art Institute of Chicago during the 1910s, graduating in 1918.

<span class="mw-page-title-main">South Side, Chicago</span> Area of the city of Chicago, Illinois, US

The South Side is one of the three major sections of the city of Chicago, Illinois, United States. Geographically, it is the largest of the three sections of the city, with the other two being the North and West Sides. It radiates and lies south of the city's downtown area, the Chicago Loop.

<span class="mw-page-title-main">Todros Geller</span> American painter

Todros Geller was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago's art community.

<span class="mw-page-title-main">Chicago Black Renaissance</span> African-American cultural flowering in 1930s & 1940s Illinois

The Chicago Black Renaissance was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century. The movement included such famous African-American writers as Richard Wright, Margaret Walker, Gwendolyn Brooks, Arna Bontemps, and Lorraine Hansberry, as well as musicians Thomas A. Dorsey, Louis Armstrong, Earl Hines and Mahalia Jackson and artists William Edouard Scott, Elizabeth Catlett, Katherine Dunham, Charles Wilbert White, Margaret Burroughs, Charles C. Dawson, Archibald John Motley, Jr., Walter Sanford, and Eldzier Cortor. During the Great Migration, which brought tens of thousands of African-Americans to Chicago's South Side, African-American writers, artists, and community leaders began promoting racial pride and a new black consciousness, similar to that of the Harlem Renaissance. Unlike the Harlem Renaissance, the Chicago Black Renaissance did not receive the same amount of publicity on a national scale. Among the reasons for this are that the Chicago group participants presented no singularly prominent "face", wealthy patrons were less involved, and New York City—home of Harlem—was the higher profile national publishing center.

<span class="mw-page-title-main">San Diego County Administration Center</span> Government building in San Diego, California

The San Diego County Administration Center is a historic Beaux-Arts/Spanish Revival-style building in San Diego, California. It houses the offices of the Government of San Diego County. It was completed in 1938 and was primarily funded by the Works Progress Administration. It was previously known as the San Diego Civic Center and as the City and County Administration Building. Because of its notable architecture and its location fronting San Diego Bay, it is nicknamed the Jewel on the Bay. Architects were Samuel Wood Hamill, William Templeton Johnson, Richard Requa and Louis John Gill. The building used innovative construction techniques to guard against earthquakes, and the project was considered to be "a prototype of American civic center architecture". The building was listed on the National Register of Historic Places on May 16, 1988.

<i>Two Centuries of Black American Art</i> 1976 LACMA exhibition

Two Centuries of Black American Art was a 1976 traveling exhibition of African-American art organized by the Los Angeles County Museum of Art (LACMA). It "received greater visibility and validation from the mainstream art world than any other group exhibition of work by Black artists." According to the Grove Encyclopedia of American Art, the "landmark" exhibition "drew widespread public attention to the contributions to African American artists to American visual culture."

Walter Ellison (1899–1977) was an African American artist, born in the state of Georgia.

<span class="mw-page-title-main">Charles Sebree</span> American painter and playwright

Charles Sebree (1914–1985) was an American painter and playwright best known for his involvement in Chicago's black arts scene of the 1930s and 1940s.

<span class="mw-page-title-main">Eric Gugler</span> American architect and artist (1889–1974)

Eric Gugler was an American Neoclassical architect, interior designer, sculptor and muralist. He was selected by President Franklin D. Roosevelt to design the Oval Office.

<span class="mw-page-title-main">Eleanor Himmelfarb</span> American painter, educator and conservationist

Eleanor Gorecki Himmelfarb was an American artist, teacher and conservationist known for semi-abstract paintings that reference the landscape and human figure, and for her work protecting woodlands in DuPage County, Illinois. She studied art history and design at the University of Chicago, natural history at the Morton Arboretum, and fine art at the Art Institute of Chicago and University of Illinois at Chicago. Critics characterize Himmelfarb as a modernist, who explored her subjects metaphorically through complex rhythmic compositions, stylized forms, and subtle coloration. Her work was featured in solo shows at the Evanston Art Center (retrospective), University Club of Chicago and Sioux City Art Center, and group exhibitions at the Art Institute of Chicago, Chicago Cultural Center, and Renaissance Society. Himmelfarb taught painting and design for four decades at several institutions, including over 30 years at the DuPage Art League. She was married to the painter, Sam Himmelfarb, and helped him design their house, the Samuel and Eleanor Himmelfarb Home and Studio in Winfield, Illinois, which is listed on the National Register of Historic Places. Their son, John Himmelfarb, and grandchild, Serena Aurora, are also artists. Himmelfarb died at age 98 in Winfield in 2009.

William Thacker McBride Jr. was an African-American artist, designer and collector. McBride began his career in the 1930s in the circles of black art collectives and artistic opportunities afforded by the Works Progress Administration. He would ultimately leave his mark in Chicago as a driving force behind the South Side Community Art Center. McBride distinguished himself as a teacher, as a cultural and political activist, and as a collector of African art and artwork by black artists of his generation.

<span class="mw-page-title-main">Marion Perkins</span> American sculptor

Marion Marche Perkins was an American sculptor who taught and exhibited at Chicago's South Side Community Art Center and exhibited at the Art Institute of Chicago. Perkins is widely considered an important artist of the Chicago Renaissance.

Susan Cayton Woodson was an American art collector and activist. A central figure in the Chicago Black Renaissance, she was critical in promoting and collecting works by black artists, such as William McBride, Eldzier Cortor, and Charles White.

References