Southern rock

Last updated

Duane Allman of The Allman Brothers Band performing in 1971. Duane Allman.jpg
Duane Allman of The Allman Brothers Band performing in 1971.

Southern rock is a subgenre of rock music and a genre of Americana. It developed in the Southern United States from rock and roll, country music, and blues and is focused generally on electric guitars and vocals. Author Scott B. Bomar speculates the term "Southern rock" may have been coined in 1972 by Mo Slotin, writing for Atlanta's underground paper, The Great Speckled Bird, in a review of an Allman Brothers Band concert.

Contents

History

1950s and 1960s: origins

Rock music's origins lie mostly in the music of the American South, and many stars from the first wave of 1950s rock and roll such as Bo Diddley, Elvis Presley, Little Richard, Buddy Holly, Fats Domino, and Jerry Lee Lewis hailed from the Deep South. However, the British Invasion and the rise of folk rock and psychedelic rock in the middle 1960s shifted the focus of new rock music away from the rural south and to large cities like Liverpool, London, Los Angeles, New York City, and San Francisco.

In the 1960s, rock musician Lonnie Mack blended black and white roots-music genres within the framework of rock, beginning with the hit song "Memphis" in 1963. [1] Music historian Dick Shurman considers Mack's recordings from that era "a prototype of what later could be called Southern rock". [2]

The Allman Brothers Band, from Jacksonville, Florida, made their national debut in 1969 and soon gained a loyal following. Duane Allman's playing on the two Hour Glass albums and an Hour Glass session in early 1968 at FAME Studios in Muscle Shoals, Alabama had caught the ear of Rick Hall, owner of FAME. [3]

In November 1968, Hall hired Allman to play on an album with Wilson Pickett. Allman's work on that album, Hey Jude (1968), got him hired as a full-time session musician at Muscle Shoals and brought him to the attention of a number of other musicians, such as Eric Clapton, who later related how he heard Pickett's version of "Hey Jude" on his car radio and called Atlantic Records to find out who the guitarist was: "To this day," Clapton said, "I've never heard better rock guitar playing on an R&B record. It's the best." [4] Duane Allman was killed in a motorcycle accident in 1971. [5]

Their blues rock sound incorporated long jams informed by jazz and also drew from native elements of country and folk. They were also contemporary in their electric guitar and keyboard delivery. [6] Gregg Allman commented that "Southern rock" was a redundant term, like "rock rock." [6]

From late 1960s to early 1970s, popular musicians in the southern area included Creedence Clearwater Revival (from California), Dale Hawkins, Delaney & Bonnie, Janis Joplin, Leon Russell, and Tony Joe White. [7] [8]

1970s: peak of popularity

Charlie Daniels' self-titled debut album, released in 1970, was a pivotal recording in the development of the Southern rock genre, "because it points the way to how the genre could and would sound, and how country music could retain its hillbilly spirit and rock like a mother," according to Stephen Thomas Erlewine. [9]

Erlewine described Daniels as "a redneck rebel, not fitting into either the country or the rock & roll [...] but, in retrospect, he sounds like a visionary, pointing the way to the future when southern rockers saw no dividing lines between rock, country, and blues, and only saw it all as sons of the south." [10]

Daniels later formed the Charlie Daniels Band, a group which fused rock, country, blues, and jazz. Erlewine described the band's sound as "a distinctly Southern blend" which emphasized improvisation in their instrumentation. After the success of "The Devil Went Down to Georgia", a single which Erlewine described as a "a roaring country-disco fusion", Daniels shifted his sound from rock to country music and "helped shape the sound of country-rock". [10]

The Marshall Tucker Band, from Spartanburg, South Carolina, opened many of The Allman Brothers Band concerts using elements of blues, country rock and blues rock in their music. [11] [12] They also collaborated with Charlie Daniels.

Their self-titled album, released in 1973, included the hit "Can't You See". Perhaps known best for the single "Fire on the Mountain," the Marshall Tucker Band hit "Heard it in a Love Song" charted in 1977.

Lynyrd Skynyrd of Jacksonville, Florida, is known for "Free Bird", "Sweet Home Alabama", "Saturday Night Special", and "What's Your Name". They played British hard rock influenced music until the deaths of lead singer Ronnie Van Zant and two other members of the group in a 1977 airplane crash. [13] After this tragic plane crash, members Allen Collins and Gary Rossington started the Rossington Collins Band. [14]

In the early 1970s other Southern rock groups emerged, influenced by the British rock and hard rock guitar sound exemplified by Eric Clapton, Jeff Beck, Jimmy Page, Paul Kossoff, and Richie Blackmore, for example.

The harder rocking Southern groups' music emphasized boogie rhythms and fast guitar leads with lyrics extolling love affair, dream, desire, hard work, of Southern working-class young adults, like the outlaw country movement.

Late 1970s Southern rock bands such as The Atlanta Rhythm Section (former Classics IV) [15] and the Amazing Rhythm Aces achieved success with bluesy vocals.

The Allman Brothers Band's offshoot Sea Level explored crossover and jazz fusion.

Other popular Southern rock musicians in 1970s included:

Loosely associated with the country music style of Southern rock were acts like Barefoot Jerry from North Carolina.

1980s and 1990s: continuing influence

By the beginning of the 1980s, the Allman Brothers Band and Lynyrd Skynyrd had disbanded, and Capricorn Records had gone bankrupt. Leading acts of the genre (in particular, 38 Special) had become enmeshed in corporate arena rock. With the rise of MTV, new wave, funk, urban contemporary, and heavy metal, most surviving Southern rock groups were relegated to secondary or regional venues. Rock musicians such as Molly Hatchet, Outlaws, Georgia Satellites, the Fabulous Thunderbirds, Jimmie Vaughan, Point Blank, [16] Tom Petty, Bruce Hornsby, Steve Earle, Widespread Panic, and Kentucky Headhunters, emerged as popular Southern bands across the southeastern United States during the 1980s and 1990s.

During the 1990s, the Allman Brothers reunited and became a strong touring and recording presence again, and the jam band scene revived interest in extended improvised music.

Georgia's alternative rock band R.E.M. released the album Fables of the Reconstruction which explicitly invokes the Reconstruction Era in the title and is considered a Southern Gothic album.

The 1990s also saw the Black Crowes rise to mainstream popularity with the releases of Shake Your Money Maker (3× platinum), the Southern Harmony and Musical Companion (debut at #1 on the Billboard 200 and certified 2× platinum), and Amorica (certified Gold).

Metal/Punk

From 1990s to 2000s, heavy metal and punk were popular in the South. Hard rock groups with Southern rock touches such as Jackyl renewed some interest in Southern rock. Several bands from the Southern United States (particularly New Orleans with its metal scene), [17] such as Eyehategod, [18] [19] [20] Acid Bath, Soilent Green, Corrosion of Conformity [21] and Down, [22] [23] influenced by the Melvins, mixed Black Sabbath-style metal, hardcore punk and Southern rock to give shape to what would be known as sludge metal. [24] [25] [26] Most notable sludge metal bands hail from the Southeastern United States. [27] [28] Most bands who have tried this style have slipped out of mainstream popularity, but there are still a few who belong to the genre, such as Maylene and the Sons of Disaster, and occasionally Hellyeah. Post-grunge bands such as Shinedown, Saving Abel, Saliva, 3 Doors Down, 12 Stones, and Black Stone Cherry have included a Southern rock feel to their songs and have recorded cover versions of Southern rock classics like "Simple Man" and "Tuesday's Gone". Blues rock/stoner rock bands have a Southern rock influence.

Southern rock influence can also be seen in the metal and hardcore punk genres. [29] This is showcased by such bands as Maylene and the Sons of Disaster, He Is Legend, Nashville Pussy, the Showdown, Alabama Thunderpussy, Memphis May Fire, Acid Bath, and Down.

2000 to present

New musicians such as the Tedeschi Trucks Band (the Derek Trucks Band), Warren Haynes, Gov't Mule, Chris Duarte Group, Dixie Witch, The Marcus King Band, Whiskey Myers, Widespread Panic, the Black Crowes, Blackberry Smoke, Kid Rock, [30] [31] [32] JJ Grey & Mofro, and the Allman Betts Band are continuing the Southern rock art form.

In 2005, singer Bo Bice took an explicitly Southern rock sensibility and appearance to a runner-up finish on the normally pop-oriented American Idol television program, with a performance of the Allmans' "Whipping Post" and later performing Skynyrd's "Free Bird" and, with Skynyrd on stage with him, "Sweet Home Alabama".

Southern rock currently plays on the radio in the United States, but mostly on oldies stations and classic rock stations. Although this class of music gets minor radio play, there is still a following for older bands like Lynyrd Skynyrd and the Allman Brothers play in venues with sizable crowds. [33]

Additionally, alternative rock groups such as Drive-By Truckers, the Bottle Rockets (Missouri), My Morning Jacket (Kentucky), Kings of Leon, and Rurally Bankrupt combine Southern rock with rawer genres, such as garage rock, alt-country, and blues rock.

Several of the original early 1970s Southern rock groups are still performing in 2020. This list includes Atlanta Rhythm Section (ARS), the Marshall Tucker Band, Molly Hatchet, Outlaws, Lynyrd Skynyrd, ZZ Top, Black Oak Arkansas, .38 Special and Dickey Betts.

A number of books in the 2000s have chronicled Southern rock's history, including Randy Poe's Skydog: The Duane Allman Story and Rolling Stone writer Mark Kemp's Dixie Lullaby: A Story of Music, Race & New Beginnings in a New South. Turn It Up was released by Ron Eckerman, Lynyrd Skynyrd's former manager and plane crash survivor. Sociologist Jason T. Eastman analyzes contemporary Southern rock to illustrate changes in today's southern identity in his book The Southern Rock Revival: The Old South in a New World. [34]

South rock musicians like Little Big Town, Billy Currington and Ryan Adams combine the Southern rock sound with country, bluegrass and blues. This has been propelled by record labels like Capitol Records Nashville, Mercury Nashville and Lost Highway Records. [35]

See also

Citations

  1. Lonnie Mack Memphis Retrieved November 16, 2022
  2. "Dick Shurman, as quoted in McCardle, Washington Post, "Lonnie Mack, guitarist and singer who influenced blues and rock acts, dies at 74"". Washingtonpost.com. Retrieved August 31, 2017.
  3. George Kimball (1971). "The Allman Brothers Band; At Fillmore East". Rolling Stone. Retrieved November 13, 2021.
  4. "Eric Clapton Tells How a Guitar Solo Brought Him and Duane Allman Together", Guitar Player , March 29, 2015.
  5. "No. 12 – Allman Brothers Band Motorcycle Accidents – Ultimate Classic Rock". Ultimate Classic Rock. Retrieved November 10, 2018.
  6. 1 2 Allman, Gregg. "Have a Nice Decade", The History of Rock 'n' Roll (DVD). Time-Life Video.
  7. Baylese, Richard (March 10, 2021). "Ten top Swamp Rock tracks". Americana UK. Retrieved December 30, 2022.
  8. Dye, David (October 25, 2018). "R.I.P. Tony Joe White; Listen to the master of Swamp Rock play World Cafe in 2014". XPN. Retrieved November 12, 2022.
  9. Erlewine, Stephen Thomas. "Charlie Daniels". AllMusic. Retrieved December 16, 2022.
  10. 1 2 Erlewine, Stephen Thomas. "Charlie Daniels Biography". AllMusic. Retrieved December 16, 2022.
  11. "The Marshall Tucker Band – The Marshall Tucker Band – Songs, Reviews, Credits – AllMusic". AllMusic . Retrieved August 28, 2018.
  12. "Welcome to GloryDazeMusic (a.k.a GDM)". Glorydazemusic.com. Retrieved August 28, 2018.
  13. Ron Eckerman Turn It Up!. Smashwords.com. Retrieved on December 15, 2012.
  14. Rossington Collins Band Retrieved November 10, 2022
  15. "The Atlanta Rhythm Section – History". Atlantarhythmsection.com. Retrieved November 8, 2022.
  16. Point Blank Retrieved November 12, 2022
  17. "Doom metal". Allmusic. Archived from the original on December 20, 2010. Retrieved July 22, 2008.
  18. York, William. "Eyehategod – Dopesick". Allmusic. Retrieved July 20, 2008.
  19. York, William. "Eyehategod – In the Name of Suffering". Allmusic. Retrieved July 20, 2008.
  20. York, William. "Eyehategod – Take as Needed for Pain". Allmusic. Retrieved July 20, 2008.
  21. Huey, Steve. "Corrosion of Conformity". AllMusic . Retrieved July 20, 2008.
  22. Prato, Greg. "Down". AllMusic . Retrieved July 21, 2008.
  23. Reamer, David. "Down-NOLA". Allmusic. Retrieved July 20, 2008.
  24. Huey, Steve. "Eyehategod". Allmusic. Retrieved July 20, 2008.
  25. York, William. "Acid Bath". Allmusic. Retrieved July 20, 2008.
  26. York, William. "Soilent Green". Allmusic. Retrieved July 20, 2008.
  27. Huey, Steve. "Crowbar". Allmusic. Retrieved July 20, 2008.
  28. York, William. "Buzzov-en". Allmusic. Retrieved July 20, 2008.
  29. "Every Time I Die Signs with Epitaph Records". Epitaph.com. February 11, 2009. Retrieved March 1, 2012.
  30. "15 Best Kid Rock singles, from 'Bawitdaba' to 'First Kiss'". Amp.azcentral.com. Retrieved August 28, 2018.
  31. Brackett, Nathan; Hoard, Christian David (August 28, 2018). The New Rolling Stone Album Guide. Simon and Schuster. ISBN   978-0-7432-0169-8 . Retrieved August 28, 2018 via Google Books.
  32. Kupfer, Thomas. "Rock Hard review". issue 308. Retrieved May 31, 2013.
  33. White, Dave. "Southern Rock 101" (Archived April 23, 2009, at the Wayback Machine ). About.com. 2010. Retrieved March 2, 2010.
  34. Eastman, Jason T. (2017). The Southern Rock Revival: The Old South in a New World. Lexington Books. Retrieved May 16, 2024.
  35. Record label info, Mlive.com; accessed August 6, 2014.

General and cited references

Related Research Articles

<span class="mw-page-title-main">Lynyrd Skynyrd</span> American rock band

Lynyrd Skynyrd is an American rock band formed in Jacksonville, Florida. The group originally formed as My Backyard in 1964 and comprised Ronnie Van Zant, Gary Rossington (guitar), Allen Collins (guitar), Larry Junstrom, and Bob Burns (drums). The band spent five years touring small venues under various names and with several lineup changes before deciding on "Lynyrd Skynyrd" in 1969. The band released its first album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd), in 1973. By then, they had settled on a lineup that included bassist Leon Wilkeson, keyboardist Billy Powell, and guitarist Ed King. Burns left and was replaced by Artimus Pyle in 1974. King left in 1975 and was replaced by Steve Gaines in 1976. At the height of their fame in the 1970s, the band popularized the Southern rock genre with songs such as "Sweet Home Alabama" and "Free Bird". After releasing five studio albums and one live album, the band's career was abruptly halted on October 20, 1977, when their chartered airplane crashed, killing Van Zant, Steve Gaines, and backup singer Cassie Gaines; and seriously injuring the rest of the band.

Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, and Deep Purple also produced hard rock.

Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.

Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.

Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock. Because roots music (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music.

<span class="mw-page-title-main">Sweet Home Alabama</span> 1974 single by Lynyrd Skynyrd

"Sweet Home Alabama" is a song by American rock band Lynyrd Skynyrd, released on the band's second album Second Helping (1974). It was written in response to Neil Young's 1970 song "Southern Man", which the band felt blamed the entire South for American slavery; Young is name-checked and dissed in the lyrics. It reached number eight on the Billboard Hot 100 chart in 1974, becoming the band's highest-charting single.

<span class="mw-page-title-main">Ed King</span> American rock musician (1949–2018)

Edward Calhoun King was an American musician. He was a guitarist for the psychedelic rock band Strawberry Alarm Clock and guitarist and bassist for the Southern rock band Lynyrd Skynyrd from 1972 to 1975 and again from 1987 to 1996.

<span class="mw-page-title-main">Gary Rossington</span> American guitarist (1951–2023)

Gary Robert Rossington was an American musician best known as a founding guitarist of Southern rock band Lynyrd Skynyrd, with whom he performed until his death. Rossington was also a founding member of the Rossington Collins Band, along with former bandmate Allen Collins. Rossington was the last surviving founding member of Lynyrd Skynyrd and the only original member left in the band at the time of his death.

<i>Second Helping</i> 1974 studio album by Lynyrd Skynyrd

Second Helping is the second studio album by Lynyrd Skynyrd, released on April 15, 1974. It features the band's biggest hit single, "Sweet Home Alabama", an answer song to Neil Young's "Alabama" and "Southern Man", which reached #8 on the Billboard Hot 100 chart in August 1974.

<i>Nuthin Fancy</i> 1975 studio album by Lynyrd Skynyrd

Nuthin' Fancy is the third studio album by the Southern rock band Lynyrd Skynyrd, released in March 1975. It was their first to reach the top 10, peaking at number 9 on the U.S. album chart. It was certified gold on June 27, 1975, and platinum on July 21, 1987, by the RIAA. This was the band's first record with new drummer Artimus Pyle. In late May 1975, guitarist Ed King left the band in the middle of their "Torture Tour." The album is best known for its only single, "Saturday Night Special," an anti-gun song that peaked at #27 on the U.S. Billboard chart.

<span class="mw-page-title-main">Bob Burns (drummer)</span> American drummer (1950–2015)

Robert Lewis Burns Jr. was an American drummer in the original lineup of the southern rock band Lynyrd Skynyrd.

<i>Endangered Species</i> (Lynyrd Skynyrd album) 1994 studio album by Lynyrd Skynyrd

Endangered Species is the eighth album by American Southern rock band Lynyrd Skynyrd. It was released in 1994 and features mostly acoustic instrumentation, as well as Ronnie Van Zant's younger brother, Johnny, as lead vocalist. Many of the songs are Lynyrd Skynyrd's best known songs, with new material released alongside. This is the last album to feature guitarist Ed King and the only one to feature guitarist Mike Estes.

<i>Skynyrds First and... Last</i> 1978 compilation album by Lynyrd Skynyrd

Skynyrd's First and...Last was the original name of the posthumous compilation album first released in 1978 by the rock band Lynyrd Skynyrd. In 1998, it was repackaged, renamed and re-released as Skynyrd's First: The Complete Muscle Shoals Album, being expanded to include eight additional tracks – four of which were previously unreleased and four which would be re-recorded for (Pronounced 'Lĕh-'nérd 'Skin-'nérd). As the renamed title suggests, the album was recorded at Muscle Shoals Sound Studio in Alabama. Originally intended to be their debut album it was shelved, making (Pronounced 'Lĕh-'nérd 'Skin-'nérd) their actual debut. The album was certified Gold on September 8, 1978 and Platinum on November 10, 1978 by the RIAA.

Holman Autry Band consists of 4 Madison County, GA natives: Brodye Brooks, Casey King, Josh Walker, Brandon Myers (drums)

<i>Edge of Forever</i> 1999 studio album by Lynyrd Skynyrd

Edge of Forever is the tenth studio album by Southern rock band Lynyrd Skynyrd. Released in 1999, it is the last album to feature Leon Wilkeson before his death in 2001.

Grinderswitch was a southern rock band formed near Macon, Georgia in 1973. Formed from a collaboration of musicians through word of mouth and connections to already established bands and musicians, Grinderswitch became a known act during the peak of the southern rock era. They recorded two albums for Capricorn Records in the mid-1970s, but never achieved the widespread recognition enjoyed by some of the label's other artists, such as The Allman Brothers Band and Marshall Tucker Band. In the UK, they are perhaps best known for their recording "Pickin' the Blues", which was used for many years by the disc jockey John Peel as the theme tune for his BBC radio shows.

<span class="mw-page-title-main">The South's Gonna Do It</span> 1974 single by Charlie Daniels Band

"The South's Gonna Do It (Again)", is a song written and performed by the Charlie Daniels Band and released on their 1974 album Fire on the Mountain.

<span class="mw-page-title-main">Music history of the United States in the 1960s</span>

Popular music of the United States in the 1960s became innately tied up into causes, opposing certain ideas, influenced by the sexual revolution, feminism, Black Power and environmentalism. This trend took place in a tumultuous period of massive public, unrest in the United States which consisted of the Cold War, Vietnam War, and Civil Rights Movement.