My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Relics is a 1971 compilation album by English progressive rock band Pink Floyd. The album was released in the UK on 14 May 1971 and in the United States on the following day. Initially released by Starline, the compilation was reissued by Music for Pleasure in the United Kingdom, while Harvest and Capitol distributed the album in the United States. A remastered CD was released in 1996 with a different album cover, picturing a three-dimensional model based on the sketch drawn by drummer Nick Mason for the album's initial release.
Little Deuce Coupe is the fourth album by the American rock band the Beach Boys, released October 7, 1963 on Capitol Records. It reached number 4 in the US during a chart stay of 46 weeks, and was eventually certified platinum by the RIAA. It is considered to be one of the earliest examples of a rock concept album.
Beach Boys Concert is the first live album by American rock band the Beach Boys, released on October 19, 1964. It is their seventh album in all, and their third alone in the same year. It was their first of two chart-topping albums in the US, as well as the first live album to top pop music record charts, maintaining its position for four weeks during a sixty-two-week chart stay, and becoming another gold seller.
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965 by Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record became an early example of a rock concept album and established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
Beach Boys' Party! is the tenth studio album by American rock band the Beach Boys, and their third in 1965, consisting mostly of cover songs played with acoustic instruments. It reached No. 6 in the US and No. 3 in the UK. The album spawned one single, a cover of the Regents' "Barbara Ann", which reached No. 2 in the US and No. 3 in the UK, and was their highest-charting British single to that point.
Friends is the 14th studio album by American rock band the Beach Boys, released on June 24, 1968, through Capitol Records. The album is characterized by its calm and peaceful atmosphere, which contrasted the prevailing music trends of the time, and by its brevity, with five of its 12 tracks running less than two minutes long. It sold poorly, peaking at number 126 on the Billboard charts, the group's lowest U.S. chart performance to date, although it reached number 13 in the UK. Fans generally came to regard the album as one of the band's finest.
Live in London is a live album by American rock band the Beach Boys released by EMI in the UK in May 1970. When released in the US on November 15, 1976, the album was renamed Beach Boys '69 (The Beach Boys In London) via Capitol Records.
Summer in Paradise is the twenty-seventh studio album by American rock band the Beach Boys, released on August 3, 1992, by Brother Records. Produced by Terry Melcher, it is the only album not to feature any new contributions from Brian Wilson, and has been regarded as the band's critical and commercial low point, failing to chart in either the US or UK and receiving almost unanimously negative reviews. In North America, it was the group's first album to only be released on CD and cassette, with a rare vinyl pressing only released in South Korea. The Beach Boys did not record another album of predominately original material until That's Why God Made the Radio in 2012. Summer in Paradise was left out of Capitol's Beach Boys CD reissue campaign of 2000 to 2001, as well as all other reissues for most of the group's discography. Both it and its predecessor, Still Cruisin', are currently out of print. Summer in Paradise, along with Still Cruisin', were pulled from later re-releases due to poor public reception.
The Early Beatles is the Beatles' sixth album released on Capitol Records, and their eighth album overall for the American market. All of the tracks on this album had previously been available on the Vee-Jay Records release Introducing... The Beatles, issued in January, 1964. The front cover photo for this album features the same back cover photo for the British LP Beatles for Sale.
Beatles VI is the seventh Capitol Records studio album by the English rock band the Beatles in the United States and Canada. It was the ninth album released into that market in less than one and a half years. The LP was released in both mono and stereo versions.
The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997, by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.
Endless Harmony Soundtrack is an anthology album of previously unheard material by The Beach Boys, originally released by Capitol Records in August 1998. Named for Bruce Johnston's song on the 1980 album Keepin' the Summer Alive, it was designed as a tie-in with the band's biographical documentary of the same name. The soundtrack was re-issued in March 2000 with some remixing and different artwork, while the original 1998 edition went out of print shortly thereafter.
Classics selected by Brian Wilson is a compilation of songs by The Beach Boys and released through Capitol Records in mid-2002. It was compiled by Brian Wilson himself that February. It includes a new recording of an unreleased 1970s track, "California Feelin'" not by The Beach Boys but Wilson and his live band.
Sounds of Summer: The Very Best of The Beach Boys is a greatest hits album of the American rock band the Beach Boys, released on June 10, 2003 by Capitol Records. The original collection was the most comprehensive single-disc compilation of the band's music, with 30 tracks including nearly every U.S. Top 40 hit of their career, except for "The Little Girl I Once Knew" (1965) and "It's OK" (1976).
Duophonic sound was a trade name for a type of audio signal processing used by Capitol Records on certain releases and re-releases of mono recordings issued during the 1960s and 1970s. In this process monaural recordings were reprocessed into a type of artificial stereo. Generically, the sound is commonly known as fake stereo or mock stereo. Capitol Studios' staff engineer John Palladino created the process at the request of the record company suits.
Sides is the fourth studio album by English musician and composer Anthony Phillips. It was released in April 1979 by Arista Records in the United Kingdom and in June 1979 on Passport Records in the United States. After completing Private Parts & Pieces (1978), an album of home recordings that Phillips had recorded years before but remained unreleased, Phillips returned to making a commercial record. The UK release saw the first 5,000 copies of Sides packaged with a Collectors Album edition of Private Parts & Pieces.
"You're So Good to Me" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys, released on July 5, 1965, on their ninth studio album Summer Days . It was later included as the B-side of the group's single "Sloop John B", which was released on March 21, 1966. Mojo later wrote that the song was the closest the group had come to northern soul.
"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20-bar length instrumental break.
"Can't Wait Too Long" is a song written by Brian Wilson for the American rock band the Beach Boys. The song dates from 1967, and remains unfinished by the group. In 2008, a newly recorded "Can't Wait Too Long" was released for Wilson's solo album That Lucky Old Sun.
