Tango in the Night

Last updated

Tango in the Night
Fleetwood Mac - Tango in the Night.png
Studio album by
Released13 April 1987
RecordedNovember 1985 – March 1987
Studio Rumbo Recorders and the Slope (Los Angeles, California)
Genre
Length44:28
Label Warner Bros.
Producer
Fleetwood Mac chronology
Mirage
(1982)
Tango in the Night
(1987)
Greatest Hits
(1988)
Singles from Tango in the Night
  1. "Big Love"
    Released: March 1987 [1]
  2. "Seven Wonders"
    Released: June 1987 [1]
  3. "Little Lies"
    Released: August 1987 [1]
  4. "Everywhere"
    Released: November 1987 (US) [1]
  5. "Family Man"
    Released: December 1987 (UK) [1]
  6. "Isn't It Midnight"
    Released: June 1988 [1]

Tango in the Night is the fourteenth studio album by British-American rock band Fleetwood Mac, released on 13 April 1987. As a result of Lindsey Buckingham's departure later that year, it is the fifth and final studio album with the band's most successful lineup of Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks, [1] though Christine McVie would make guest appearances on the band's 2003 album, Say You Will . This lineup was not seen again until 1997's live album The Dance .

Contents

Produced by Buckingham with Richard Dashut, Tango in the Night began as one of Buckingham's solo projects, but in 1985, the production had morphed into Fleetwood Mac's next record. It contains several hit singles, including four US top 20 hits: "Big Love" (No. 5), "Seven Wonders" (No. 19), "Little Lies" (No. 4), and "Everywhere" (No. 14). Two additional songs, "Family Man" (No. 90) and "Isn't It Midnight", were released as singles to lower chart success. Tango in the Night has sold over 15 million copies worldwide. [2] [3] In March 2017, remastered deluxe editions of Tango in the Night were released, the first a double-CD set and the second a 3CD/1DVD/1-LP boxset. [4]

The cover art for the album is a painting by Australian artist Brett-Livingstone Strong that was hanging in Buckingham's home. The painting is an homage to the 19th-century French painter Henri Rousseau, emulating his colourful jungle theme works such as The Snake Charmer and The Repast of the Lion . The painting was also used as the cover art for "Big Love", the album's lead single.

History

After the completion of the Mirage Tour in 1982, four members of Fleetwood Mac released five solo albums, with varying degrees of success. Mick Fleetwood, Christine McVie, and Lindsey Buckingham each released one, while Stevie Nicks issued two. [5]

In 1985, Christine McVie was asked to record a cover of Elvis Presley's "Can't Help Falling in Love" for the soundtrack of the movie A Fine Mess . Richard Dashut, who had engineered and produced Rumours , Tusk , and Mirage , was brought in to assist with the song's production. Buckingham, Fleetwood, and John McVie were enlisted to supply the instrumentation. Greg Droman, a relatively new producer at the time, was also asked to engineer the song after an encounter with Dashut at a recording studio owned by Captain & Tennille. [6] A few weeks later, Droman worked with Buckingham on "Time Bomb Town" for the Back to the Future film soundtrack. Buckingham retained Droman to engineer what was intended to be his third solo album, although the project eventually morphed into a Fleetwood Mac album once other members got involved. [6]

Fleetwood Mac originally planned to work with an outside producer and first worked with Nile Rodgers, but the collaboration fell through. Record producer Mo Ostin then paired the band with Jason Corsaro, who had worked with the Power Station. The band then booked Studio One and rehearsed for a week without Stevie Nicks, who was in Australia touring with Tom Petty and Bob Dylan. [7] Nothing came of these sessions, so Fleetwood Mac instead used the production team of Buckingham and Dashut, with Droman as an engineer. [8] [9]

Composition

Some of Buckingham's compositions on Tango in the Night, including "Big Love" and "Family Man", were originally developed for his shelved solo album. These songs were mostly complete by the time Buckingham presented them to the band, although "Family Man" was "sweetened up" during the mixing process. The band also sifted through Buckingham's demos and selected "Caroline", which he had written a few years prior. [10]

Three songs on the album were co-written by Buckingham and Christine McVie. [11] McVie remarked that even though the two "didn't sit down at a piano and decide the chords together", she believed that the creative process during the Tango in the Night sessions was more collaborative than their past efforts. [12]

Recording

After the release of Mirage, John McVie had spent much of his time sailing the Caribbean island of Saint Thomas and barely played bass in the years leading up to the making of Tango in the Night. In an attempt to be more productive in the studio, he quit drinking cold turkey, though this proved to be unsuccessful, and he grew concerned that he had lost his ability to play. [7] Mick Fleetwood stated that his cocaine use during the recording of Tango in the Night was worse than the Rumours sessions; Buckingham placed a Winnebago in his driveway for Fleetwood and his friends when their drug use impeded productivity in the recording studio. [13]

Dashut and Droman recalled that the album's recording sessions were particularly tedious, even by Fleetwood Mac standards. The band recorded certain parts in half-speed to find suitable textures. This would double the song's duration, which made for "a brutal ten minutes to listen to", according to Droman. By recording parts in half-speed, they managed to make each song sound "open and airy". "When you record something really slow and you speed it up, all the harmonics get shifted up. You end up with this high end, this tinkly little high end, that wouldn't exist [otherwise]. There's not another way you could get that, at least back then." [6]

Although the record took eighteen months to complete, Stevie Nicks spent a total of two weeks in the studio with the band. She was promoting Rock a Little throughout this period, so she sent the band demos to work on while she was on tour. One of those songs, "Welcome to the Room... Sara", was inspired by her thirty-day stay at the Betty Ford Center to overcome her cocaine addiction in October 1986 (Nicks used the pseudonym "Sara Anderson" when she checked into the facility). [14]

When Nicks did go to the studio, she often felt unmotivated: "I can remember going up there and not being happy to even be there... I didn't go very often". Vocal sessions took place in Buckingham's master bedroom, where Nicks frequently recorded her parts for Buckingham and McVie's songs under the influence of alcohol; Buckingham deleted most of Nicks' vocals after she left the studio. "I'm not blaming him for that because I'm sure they totally sucked. Vocals done when you're crazy and drinking a cup of brandy probably aren't usually going to be great". [15] [16]

Buckingham recorded some of the vocals using a Fairlight, an early sampling synthesizer. [17] On "When I See You Again", he re-assembled separately recorded takes of Nicks, explaining, "I had to pull performances out of words and lines and make parts that sounded like her that weren't her". [18] "That was in my estimation when everybody in the band was personally at their worst. By the time we did Tango in the Night, everybody was leading their lives in a way that they would not be too proud of today". [19]

Release

With pressure on Buckingham to keep the project focused and moving forward, things came to a head shortly after the release of Tango in the Night. At a band meeting at Christine McVie's house to discuss the accompanying tour, he announced his departure, which infuriated Nicks. She physically attacked Buckingham, and the ensuing fight between the ex-lovers spilled into the street. [20]

Fleetwood noted that the album "was well received. Somewhat sadly, the kudos of that was never really fully attributed to Lindsey because he wasn't present... He was coerced and persuaded to do that album—mainly by me. And, to his credit, he put aside everything that he'd dreamt of doing, including making his own album, for Fleetwood Mac, but then realised that he'd made a mistake... Lindsey was not being heard. We just didn't get it". [21] Buckingham partially attributed his decision to leave Fleetwood Mac to the rigors of touring, which he believed would have exacerbated the interpersonal turbulence experienced in the studio. "Compared to making an album, in my experience, going on the road will multiply the craziness by times five. I just wasn’t up for that." [22]

Following Buckingham's departure, guitarists Rick Vito and Billy Burnette were hired to replace him on the subsequent tour. [19]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [23]
Blender Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [24]
Chicago Sun-Times Star full.svgStar full.svgStar full.svgStar empty.svg [25]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [26]
Los Angeles Times Star full.svgStar full.svgStar full.svgStar full.svg [27]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [28]
Pitchfork 8.7/10 [18]
The Rolling Stone Album Guide Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [29]
The Village Voice B+ [30]

Tango in the Night has mostly received positive reviews. Alex Henderson of AllMusic praised Buckingham's contributions to the album, saying that his "thoughtful use of synthesizers were a major asset" and that he "consistently [brought] out the best in his colleagues on this superb album." [23] Steve Hochman of the Los Angeles Times also singled out Buckingham's production work, saying that "even relatively conventional material as McVie's straight rocker, 'Isn't It Midnight' and Nicks' dreamy 'When I See You Again' benefit from the subtly bizarre undercurrents Buckingham creates." [27] MOJO described the album as "a perfect Mac showcase for McVie and Buckingham's musical partnership." [31]

Alexis Petridis of The Guardian wrote that the album "seems even more deserving of the 'flawed masterpiece' tag than Tusk ." [26] Ivy Nelson of Pitchfork was complimentary of Buckingham and McVie's songs but reserved some criticism for Nicks, saying that "her voice, invariably hoarse after years of cocaine abuse, often warps or fails the already incomplete material." [18] Robert Christgau thought that the album was an improvement over Mirage but failed to live up to the quality of the band's 1975 eponymous release and Rumours . [30]

Commercial performance

Tango in the Night is the band's second-biggest-selling studio album [32] after the phenomenally successful Rumours , which was released ten years earlier. The intervening albums, Tusk (1979) and Mirage (1982), although big sellers in key territories, had not matched their predecessor's huge success. Tango in the Night was a worldwide hit, with several singles becoming popular all over the world. Christine McVie's "Little Lies" and "Everywhere" in particular appear on several 1980s compilation albums. [33]

The album was a success in the United States, where it peaked at No. 7 on the Billboard 200 for three weeks, spending more than seven months within the top 20 and more than ten months within the top 40. It was certified 3× Platinum in October 2000 for selling three million copies in the US. [34] Four singles from the album reached the Billboard top 20: "Big Love" (No. 5), "Little Lies" (No. 4), "Everywhere" (No. 14), and "Seven Wonders" (No. 19). [1] The album was particularly successful in the UK, where it reached no. 1 three times during 1987–88 for a total of five weeks and spent more than eight months within the top 10 of the UK albums chart. It is the seventh-biggest-selling album of the 1980s in the UK, being certified 8× Platinum (2.4 million copies), [35] and it is still currently one of the UK's top 100 best-selling albums of all time. [32] Three singles were top 10 hits in Britain: "Big Love" (No. 9), "Little Lies" (No. 5), and "Everywhere" (No. 4). A total of six singles were eventually taken from the album over a period of fifteen months. [1] The album spent 115 weeks in the top 75 of the UK Albums Chart. [36]

"Big Love", "Seven Wonders", "Little Lies", "Family Man", and "Everywhere" were all released as extended 12" remixes in most territories. [1]

Outtakes

Four songs from the Tango in the Night sessions did not make the final album cut and subsequently became B-sides. "You and I (Part I)" was the B-side to the single release of "Big Love". [1] "Seven Wonders" was released with the Stevie Nicks-penned instrumental track "Book of Miracles" as its B-side. This eventually became the song "Juliet" on Nicks' 1989 solo album, The Other Side of the Mirror . McVie's "Ricky" was the B-side to "Little Lies" and Lindsey Buckingham's "Down Endless Street" was issued as the B-side to "Family Man". [1] Nicks also contributed three additional songs that failed to make the final cut. "What Has Rock & Roll Ever Done for You?" was considered, but it was replaced by "When I See You Again". [7] "Ooh My Love", like "Juliet", eventually made its way onto Nicks' solo album, while "Joan of Arc" remains unreleased. "I still want to record it", she explained. "The song has its really good moments but it's not good enough to go out as that version". [15]

Two additional tracks, both co-written by McVie and Buckingham, also failed to appear on the final product: "Where We Belong", which incorporates Buckingham's "folksy fingerpicking" and McVie's "brilliant pop simplicity" was written as a duet, but was later abandoned in favor of other songs. [37] The other, "Special Kind of Love", was described by Pitchfork as a "completely developed Buckingham song". [18] Both tracks subsequently appeared on the deluxe edition of Tango in the Night. [4]

Deluxe edition

A deluxe edition of Tango in the Night was issued in 2017. Included in the set were three discs, a vinyl LP, and a DVD, the latter of which contained a high-resolution stereo mix of the album. The second disc included both halves of "You and I", released and combined for the first time. Multiple remixes of "Big Love", "Seven Wonders", "Little Lies", "Everywhere", and "Family Man" were featured on the third disc. [4]

Track listing

No.TitleWriter(s)Lead vocalsLength
1."Big Love" Lindsey Buckingham Buckingham3:37
2."Seven Wonders"Nicks3:38
3."Everywhere" Christine McVie C. McVie3:48
4."Caroline"BuckinghamBuckingham3:50
5."Tango in the Night"BuckinghamBuckingham3:56
6."Mystified"
  • C. McVie
  • Buckingham
C. McVie3:08
Side two
No.TitleWriter(s)Lead vocalsLength
1."Little Lies"
  • C. McVie
  • Eddy Quintela
C. McVie3:40
2."Family Man"
Buckingham4:08
3."Welcome to the Room... Sara"NicksNicks3:37
4."Isn't It Midnight"
  • C. McVie
  • Quintela
  • Buckingham
C. McVie4:06
5."When I See You Again"NicksNicks with Buckingham3:49
6."You and I, Part II"
  • Buckingham
  • C. McVie
Buckingham2:40

Personnel

Fleetwood Mac

Production

Charts

Certifications and sales

Certifications and sales for Tango in the Night
RegionCertification Certified units/sales
Australia (ARIA) [82] 4× Platinum300,000 [2]
Australia (ARIA) [83]
video
Gold7,500^
Canada (Music Canada) [84] 5× Platinum500,000^
Denmark (IFPI Danmark) [85] Gold10,000
Germany (BVMI) [86] 2× Platinum1,000,000^
Hong Kong (IFPI Hong Kong) [87] Gold10,000*
Italy100,000 [88]
Netherlands (NVPI) [89] Platinum100,000^
New Zealand (RMNZ) [90] Platinum15,000^
Spain (PROMUSICAE) [91] Platinum100,000^
Switzerland (IFPI Switzerland) [92] Platinum50,000^
United Kingdom (BPI) [93] 8× Platinum2,500,000 [94]
United States (RIAA) [34] 3× Platinum3,000,000^
United States (RIAA) [95]
video
Gold50,000^
Summaries
Worldwide15,000,000 [2] [3]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Fleetwood Mac</span> British-American rock band

Fleetwood Mac are a British-American rock band formed in London in 1967 by guitarist and singer Peter Green. Green recruited drummer Mick Fleetwood, guitarist and singer Jeremy Spencer and bassist Bob Brunning, with John McVie replacing Brunning a few weeks after the band's first public appearance at the 1967 National Jazz & Blues Festival in Windsor. Guitarist and singer Danny Kirwan joined the band in 1968. Christine Perfect, who contributed as a session musician starting with the band's second album, married McVie and joined Fleetwood Mac as an official member in July 1970 on vocals and keyboards, two months after Green left the band; she became known as Christine McVie.

<span class="mw-page-title-main">Lindsey Buckingham</span> American guitarist (born 1949)

Lindsey Adams Buckingham is an American musician, record producer, and the lead guitarist and co-lead vocalist of the rock band Fleetwood Mac from 1975 to 1987 and 1997 to 2018. In addition to his tenure with Fleetwood Mac, Buckingham has released seven solo studio albums and three live albums. As a member of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Buckingham was ranked 100th in Rolling Stone's 2011 list of "The 100 Greatest Guitarists of All Time". Buckingham is known for his fingerpicking guitar style.

<span class="mw-page-title-main">Christine McVie</span> British musician (1943–2022)

Christine Anne McVie was an English musician and singer. She was the keyboardist and one of the vocalists and songwriters of Fleetwood Mac.

<i>Fleetwood Mac</i> (1975 album) 1975 studio album by Fleetwood Mac

Fleetwood Mac is the tenth studio album by British-American rock band Fleetwood Mac, released on 11 July 1975 in the United States and on 1 August 1975 in the United Kingdom by Reprise Records. It is the band's second eponymous album after their 1968 debut album and is sometimes referred to by fans as the White Album. It is the first Fleetwood Mac album with Lindsey Buckingham as guitarist and Stevie Nicks as a vocalist, after Bob Welch departed the band in late 1974. It is also the band's last album to be released on the Reprise label until 1997's The Dance; the band's subsequent albums until then were released through Warner Bros. Records, Reprise's parent company.

<i>Mirage</i> (Fleetwood Mac album) 1982 studio album by Fleetwood Mac

Mirage is the thirteenth studio album by British-American rock band Fleetwood Mac, released on 2 July 1982 by Warner Bros. Records. This studio effort's soft rock sound stood in stark contrast to its more experimental predecessor, 1979's Tusk. Mirage yielded several singles: "Hold Me", "Gypsy", "Love in Store", "Oh Diane", and "Can't Go Back".

<i>Say You Will</i> (album) 2003 studio album by Fleetwood Mac

Say You Will is the seventeenth studio album by British-American rock band Fleetwood Mac, released on 15 April 2003. It followed 1995's Time and was their first album since 1970 without vocalist/keyboardist Christine McVie as a full member following her departure in 1998, although she participated in some songs as a guest musician; it would be her last time being involved with the band in a studio capacity before her death in 2022. Lindsey Buckingham and Stevie Nicks shared keyboard duties throughout the album.

<i>The Dance</i> (Fleetwood Mac album) 1997 live album by Fleetwood Mac

The Dance is a live album by the British-American rock band Fleetwood Mac, released on 19 August 1997. It hailed the return of the band's most successful lineup of Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks, who had not released an album together since 1987's Tango in the Night, a decade earlier. It was the first Fleetwood Mac release to top the U.S. album charts since 1982's Mirage.

<i>Greatest Hits</i> (1988 Fleetwood Mac album) 1988 greatest hits album by Fleetwood Mac

Greatest Hits is a greatest hits album by British-American rock band Fleetwood Mac, released on 21 November 1988 by Warner Bros. Records. It covers the period of the band's greatest commercial success, from the mid-1970s to the late-1980s.

Richard Charles Dashut is an American record producer who produced several Fleetwood Mac albums including Rumours, Tusk, Live, Mirage, Tango in the Night, and Time.

"The Chain" is a song by British-American rock band Fleetwood Mac, released on their 1977 album Rumours. It is the only song from the album with writing credits for all five members.

<span class="mw-page-title-main">Rhiannon (song)</span> 1976 song by Fleetwood Mac

"Rhiannon" (released as a single under the title "Rhiannon (Will You Ever Win)") is a song written by Stevie Nicks and originally recorded by the British-American rock band Fleetwood Mac on their eponymous album in 1975; it was issued as a single the following year. The song's U.S. chart peak was in June 1976, when it hit no. 11. The song peaked at no. 46 in the UK singles chart for three weeks after re-release in February 1978.

<i>Live</i> (Fleetwood Mac album) 1980 live album by Fleetwood Mac

Live is a double live album released by British-American rock band Fleetwood Mac on 5 December 1980. It was the first live album from the then-current line-up of the band, and the next would be The Dance from 1997. The album was certified gold by the RIAA in November 1981. A deluxe edition of the album was released on 9 April 2021.

<span class="mw-page-title-main">Seven Wonders (song)</span> 1987 single by Fleetwood Mac

"Seven Wonders" is a song by British-American rock band Fleetwood Mac from their fourteenth studio album, Tango in the Night (1987). Stevie Nicks sang lead vocals on the song, and it was written by Sandy Stewart, with additional lyrics by Nicks.

<span class="mw-page-title-main">Little Lies</span> 1987 single by Fleetwood Mac

"Little Lies" is a song by British-American rock band Fleetwood Mac from their 14th studio album, Tango in the Night (1987). It was written by band member Christine McVie and her then-husband, Eddy Quintela, with lead vocals performed primarily by McVie; the chorus features backing vocals by Lindsey Buckingham and Stevie Nicks. The song was released in August 1987 by Warner Bros. Records, as the third single from Tango in the Night. McVie recalled that she wrote the song at her pool with a pad and paper; while Quintela was listed as one of the songwriters, McVie stated in an interview with MOJO that his role in the creation of "Little Lies" was minimal.

<span class="mw-page-title-main">Everywhere (Fleetwood Mac song)</span> 1987 single by Fleetwood Mac

"Everywhere" is a song by British-American rock band Fleetwood Mac from their 14th studio album, Tango in the Night (1987). The song was written by Christine McVie, who also performed lead vocals, and produced by Lindsey Buckingham and Richard Dashut. In the United States, "Everywhere" was released in November 1987 as the album's fourth single, while in the United Kingdom, it was issued on 21 March 1988 as the album's fifth single.

<span class="mw-page-title-main">Family Man (Fleetwood Mac song)</span> 1987 single by Fleetwood Mac

"Family Man" is a song by the British-American rock band Fleetwood Mac from their 1987 studio album Tango in the Night. The song was written by Lindsey Buckingham and producer Richard Dashut. In the US, the song was released as the fifth single from the album as the follow-up to "Everywhere" in March 1988, and reached No. 90 on the Billboard Hot 100 singles chart.

<span class="mw-page-title-main">Isn't It Midnight</span> 1988 single by Fleetwood Mac

"Isn't It Midnight" is a song by the British-American rock band Fleetwood Mac, from their 1987 studio album Tango in the Night. The song was co-written and sung by Christine McVie, with contributions from Lindsey Buckingham and McVie's then-husband Eddie Quintela. "Isn't It Midnight" was the sixth and final single to be released from Tango in the Night in 1988. The cover art for the single features the portrait of Mademoiselle Caroline Rivière. The verse is in E Aeolian with a i-bVII-i-i progression, while the bridge and chorus are in B Aeolian, with a i-bVI-bVII-i progression.

<span class="mw-page-title-main">Love in Store</span> 1982 single by Fleetwood Mac

"Love in Store" is a song by British-American rock group Fleetwood Mac. The song is the opening track on the 1982 album Mirage, the fourth album by the band with Lindsey Buckingham acting as main producer with Richard Dashut and Ken Caillat. "Love in Store" was written by Christine McVie and Jim Recor and it became the album's third single in the US. Released in November 1982, it went on to peak at No. 22 for three weeks as the follow-up to Top 20 hits "Hold Me" and "Gypsy". It also peaked at number 11 on the Adult Contemporary chart. The song features lead vocals by Christine McVie with prominent vocal harmonies by Stevie Nicks and background vocals by Lindsey Buckingham.

"Tango in the Night" is a song by British–American rock band Fleetwood Mac from their album of the same name. The song received airplay and reached No. 28 on the Billboard Album Rock Tracks chart. However, the title track was overshadowed by the album's hit singles.

<i>Lindsey Buckingham Christine McVie</i> 2017 studio album by Lindsey Buckingham and Christine McVie

Lindsey Buckingham Christine McVie is a studio album by Fleetwood Mac vocalists Lindsey Buckingham and Christine McVie, released on June 9, 2017. Four of the five "classic members" of Fleetwood Mac are featured on the album; vocalist Stevie Nicks is the sole member absent. The album sold over 22,000 units in the United States in its first week and debuted within the top 20. It proved to be even more successful in the United Kingdom, where it debuted at No. 5. In November 2017, the album was also certified silver with sales exceeding 60,000 units.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 The Great Rock Discography. 6th Edition. Martin C. Strong. Page 378. ISBN   1-84195-312-1
  2. 1 2 3 "Fleetwood Mac to Reissue "Tango in the Night" In Celebration of the Albums's 30th Anniversary". Rhythm. 30 January 2017. Retrieved 3 November 2020.
  3. 1 2 Condon, Dan (11 October 2018). "Celebrating Tango In The Night, Fleetwood Mac's overlooked pop classic". ABC News . Retrieved 3 November 2020.
  4. 1 2 3 Sinclair, Paul (25 January 2017). "Fleetwood Mac / Tango in the Night super deluxe edition confirmed". Super Deluxe Edition. Retrieved 4 April 2017.
  5. Evans, Mike (2011). Fleetwood Mac: The Definitive History. New York, NY: Sterling. p. 209. ISBN   978-1-4027-8630-3.
  6. 1 2 3 Zaleski, Annie (2 April 2017). "The real story behind Fleetwood Mac's "Tango in the Night"". Salon.com. Retrieved 3 April 2017.
  7. 1 2 3 Fleetwood, Mick; Davis, Stephen (1990). Fleetwood: My Life and Adventures with Fleetwood Mac. New York: William Morrow and Company. pp. 269–270. ISBN   0-688-06647-X.
  8. Graff, Gary (28 June 1987). "Detroit Free Press (06/28/1987), Friendships and Good Music Keep Fleetwood Mac in Tune". The Blue Letter Archives. Archived from the original on 30 December 2015. Retrieved 21 August 2023.
  9. Fleetwood Mac (1987). Tango in the Night (Liner Notes). USA: Warner Brothers. p. 10.
  10. Larry Katz (1987). "Interview with Lindsey Buckingham, American singer, songwriter, guitarist, producer and member of Fleetwood Mac". The Katz Tapes (Podcast). Event occurs at 18:39. Retrieved 27 February 2024.
  11. Zollo, Paul (1997). "Songwriters on Songwriting, Expanded Edition". The Blue Letter Archives. Archived from the original on 30 December 2015. Retrieved 26 February 2024.
  12. Harding, Frank (2 October 1992). "Goldmine (10/02/1992), Christine McVie". The Blue Letter Archives. Archived from the original on 3 March 2016. Retrieved 26 February 2024.
  13. Elliott, Paul (21 April 2021). "Drug Abuse, Violence, and the Making of Fleetwood Mac's Tango in the Night". louder. Retrieved 30 July 2023.
  14. Wall, Mick (20 March 2020). "Stevie Nicks: "All of us were drug addicts, but I was the worst"". Louder. Retrieved 3 February 2024.
  15. 1 2 Cohen, Howard. "Stevie Nicks: Recording 'Tango' in my ex-boyfriend's bedroom was 'extremely strange'". Miami Herald. Retrieved 10 March 2017.
  16. "Tango in the Night: Last Dance for Fleetwood Mac's Greatest Line-Up". Dig!. Retrieved 9 January 2023.
  17. Holden, Stephen (13 May 1987). "The Pop Life - Edgy Wistfulness From Fleetwood Mac". The New York Times. Retrieved 10 March 2017.
  18. 1 2 3 4 Nelson, Ivy (11 March 2017). "Fleetwood Mac: Tango in the Night". Pitchfork . Retrieved 8 December 2017.
  19. 1 2 DeRiso, Nick (14 April 2015). "Fleetwood Mac hit big with 'Tango in the Night' then imploded". Something Else Reviews. Retrieved 30 January 2017.
  20. "Drug abuse, violence, and the making of Fleetwood Mac's Tango in the Night". 21 April 2021.
  21. Elliott, Paul (October 2013). "Eye of the hurricane". Classic Rock #189. p. 60.
  22. Williamson, Nigel (28 January 2013). "Fleetwood Mac: 'Everybody was pretty weirded out' – the story of Rumours". UNCUT. Retrieved 27 February 2024.
  23. 1 2 Henderson, Alex. "Tango in the Night – Fleetwood Mac". AllMusic . Retrieved 8 December 2017.
  24. Collis, Clark. "Fleetwood Mac: Tango in the Night". Blender . Archived from the original on 19 October 2006. Retrieved 9 December 2017.
  25. McLeese, Don (30 April 1987). "Fleetwood Mac: 'Tango in the Night' (Warner Bros.)". Chicago Sun-Times . Archived from the original on 11 September 2016. Retrieved 8 December 2017.
  26. 1 2 Petridis, Alexis (23 March 2017). "Fleetwood Mac: Tango in the Night review – timely reissue coasts from gloss to gloom". The Guardian . Retrieved 8 December 2017.
  27. 1 2 Hochman, Steve (12 April 1987). "Fleetwood Mac Restored". Los Angeles Times . Retrieved 1 March 2024.
  28. Male, Andrew (June 2017). "Beyond Perfect". Mojo (283): 41.
  29. Coleman, Mark; Kemp, Mark (2004). "Fleetwood Mac". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp.  303–04. ISBN   0-7432-0169-8.
  30. 1 2 Christgau, Robert (2 June 1987). "Christgau's Consumer Guide". The Village Voice . Retrieved 8 December 2017.
  31. Male, Andrew (7 December 2023). "Christine McVie Remembered: "I'm good at pathos. I write about romantic despair a lot"". MOJO. Retrieved 4 March 2024.
  32. 1 2 TOP SELLING ALBUMS 1959-2009 (Music Week 19 September 2009-50th Anniversary issue-cut off point is Saturday, 22 August 2009)
  33. Rock The Rough Guide. 2nd Edition. Various. Page 365. ISBN   1-85828-457-0
  34. 1 2 "American album certifications – Fleetwood Mac – Tango in the Night". Recording Industry Association of America . Retrieved 4 June 2020.
  35. "Certified Awards". www.bpi.co.uk. Archived from the original on 20 January 2013. Retrieved 17 January 2022.
  36. Complete UK Hit Albums 1956-2005 by Graham Betts. Page 150. Collins. ISBN   0-00-720532-5
  37. Spanos, Brittany. "Hear Fleetwood Mac's Unreleased 'Tango in the Night' Demo 'Where We Belong'". Rolling Stone. Retrieved 4 April 2017.
  38. "Revista Pelo – Argentina Albums Chart" (PDF). revistapelo.com.ar/. Revista Pelo. Vol. 316 p. 26.
  39. 1 2 Kent 1993.
  40. "Austriancharts.at – Fleetwood Mac – Tango in the Night" (in German). Hung Medien. Retrieved 20 February 2013.
  41. "Top RPM Albums: Issue 0846". RPM . Library and Archives Canada. Retrieved 3 January 2022.
  42. 1 2 "Dutchcharts.nl – Fleetwood Mac – Tango in the Night" (in Dutch). Hung Medien. Retrieved 3 January 2022.
  43. "Eurochart Hot 100 Albums" (PDF). Music & Media . Vol. 5, no. 23. 4 June 1988. p. 20. OCLC   29800226 via World Radio History.
  44. Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. ISBN   978-951-1-21053-5.
  45. "Le Détail des Albums de chaque Artiste". InfoDisc (in French). Retrieved 3 January 2022.Select "FLEETWOOD MAC" from the drop-down menu and click "OK".
  46. "Offiziellecharts.de – Fleetwood Mac – Tango in the Night" (in German). GfK Entertainment Charts. Retrieved 2 May 2011.
  47. "Classifiche". Musica e dischi (in Italian). Retrieved 6 July 2022.Select "Album" in the "Tipo" field, type "Tango in the Night" in the "Titolo" field and press "cerca".
  48. Oricon Album Chart Book: Complete Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN   4-87131-077-9.
  49. "Charts.nz – Fleetwood Mac – Tango in the Night". Hung Medien. Retrieved 30 August 2019.
  50. "Norwegiancharts.com – Fleetwood Mac – Tango in the Night". Hung Medien. Retrieved 2 May 2011.
  51. Salaverrie, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (in Spanish) (1st ed.). Madrid: Fundación Autor/SGAE. ISBN   84-8048-639-2.
  52. "Swedishcharts.com – Fleetwood Mac – Tango in the Night". Hung Medien. Retrieved 2 May 2011.
  53. "Swisscharts.com – Fleetwood Mac – Tango in the Night". Hung Medien. Retrieved 2 May 2011.
  54. "Official Albums Chart Top 100". Official Charts Company. Retrieved 3 January 2022.
  55. "Fleetwood Mac Chart History (Billboard 200)". Billboard. Retrieved 3 January 2022.
  56. "Ultratop.be – Fleetwood Mac – Tango in the Night (2017 Reissue)" (in Dutch). Hung Medien. Retrieved 3 January 2022.
  57. "Ultratop.be – Fleetwood Mac – Tango in the Night (2017 Reissue)" (in French). Hung Medien. Retrieved 3 January 2022.
  58. "Official Irish Albums Chart Top 50". Official Charts Company. Retrieved 3 January 2022.
  59. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 4 January 2022.
  60. "Official Albums Chart Top 100". Official Charts Company. Retrieved 3 January 2022.
  61. "Billboard 200 – Week of April 22, 2017". Billboard. Archived from the original on 25 April 2017. Retrieved 11 April 2017.
  62. "Fleetwood Mac Chart History (Top Catalog Albums)". Billboard. Retrieved 6 July 2022.
  63. "Fleetwood Mac Chart History (Top Rock Albums)". Billboard. Retrieved 7 July 2022.
  64. "Fleetwood Mac Chart History (Top Tastemaker Albums)". Billboard. Retrieved 6 July 2022.
  65. Kent 1993, p. 439.
  66. "Top 100 Albums of '87". RPM. Vol. 47, no. 12. 26 December 1987. p. 9. ISSN   0033-7064 via Library and Archives Canada.
  67. "Jaaroverzichten – LP 1987" (in Dutch). Dutch Charts . Retrieved 2 May 2014.
  68. "European Charts of the Year 1987 – Albums" (PDF). Music & Media. Vol. 4, no. 51/52. 26 December 1987. p. 35. OCLC   29800226 via World Radio History.
  69. "Top 100 Album-Jahrescharts – 1987" (in German). GfK Entertainment. Retrieved 3 January 2022.
  70. "Top Selling Albums of 1987". Recorded Music NZ . Retrieved 3 January 2022.
  71. "Gallup Year End Charts 1987 – Albums" (PDF). Record Mirror . 23 January 1988. p. 37. ISSN   0144-5804 via World Radio History.
  72. "Billboard 200 Albums – Year-End 1987". Billboard. Archived from the original on 27 June 2020. Retrieved 3 January 2022.
  73. "National Top 100 Albums 1988". australian-charts.com. Retrieved 3 January 2022.
  74. "Top 100 Albums of '88" (PDF). RPM. Vol. 49, no. 10. 24 December 1988. p. 13. ISSN   0033-7064 via World Radio History.
  75. "Jaaroverzichten – CD 1988" (in Dutch). Dutch Charts. Retrieved 9 April 2014.
  76. "1988 Year End Eurocharts – Top 100 Albums" (PDF). Music & Media. Vol. 6, no. 52/1. 1 January 1989. p. 31. OCLC   29800226 via World Radio History.
  77. "Top 100 Album-Jahrescharts – 1988" (in German). GfK Entertainment. Retrieved 3 January 2022.
  78. "Top 100 Albums – Year-End Chart 1988" (PDF). Music Week Awards. Music Week . 4 March 1989. p. 8. ISSN   0265-1548 via World Radio History.
  79. "Billboard 200 Albums – Year-End 1988". Billboard. Archived from the original on 29 January 2018. Retrieved 3 January 2022.
  80. Jones, Alan (16 December 1989). "Chartfile". Record Mirror . p. 45. ISSN   0144-5804.
  81. Savage, Mark (9 October 2020). "U2's Joshua Tree voted the best album of the 1980s". BBC News . Retrieved 9 October 2020.
  82. "ARIA Charts – Accreditations – 1996 Albums" (PDF). Australian Recording Industry Association . Retrieved 3 November 2020.
  83. "ARIA Charts – Accreditations – 2005 DVDs" (PDF). Australian Recording Industry Association . Retrieved 4 June 2020.
  84. "Canadian album certifications – Fleetwood Mac – Tango in the Night". Music Canada.
  85. "Danish album certifications – Fleetwood Mac – Tango in the Night". IFPI Danmark . Retrieved 19 April 2022.
  86. "Gold-/Platin-Datenbank (Fleetwood Mac; 'Tango in the Night')" (in German). Bundesverband Musikindustrie.
  87. "IFPIHK Gold Disc Award − 1989". IFPI Hong Kong. Retrieved 17 November 2018.
  88. "Italian Market" (PDF). Billboard. Vol. 100, no. 50. 10 December 1988. p. I-6. ISSN   0006-2510 . Retrieved 3 June 2020.
  89. "Dutch album certifications – Fleetwood Mac – Tango in the Night" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.Enter Tango in the Night in the "Artiest of titel" box. Select 1988 in the drop-down menu saying "Alle jaargangen".
  90. "New Zealand album certifications – Fleetwood Mac – Tango in the Night". Recorded Music NZ . Retrieved 11 May 2020.
  91. Solo Exitos 1959–2002 Ano A Ano: Certificados > 1995–1999. Iberautor Promociones Culturales. 2005. ISBN   8480486392.
  92. "The Official Swiss Charts and Music Community: Awards ('Tango in the Night')". IFPI Switzerland. Hung Medien.
  93. "British album certifications – Fleetwood Mac – Tango in the Night". British Phonographic Industry.
  94. Jones, Alan (7 April 2017). "Official Charts Analysis: Sheeran becomes first artist this century to top both charts for five weeks in a row" . Music Week . Intent Media. Retrieved 7 April 2017.
  95. "American video certifications – Fleetwood Mac – Tango in the Night". Recording Industry Association of America . Retrieved 4 June 2020.

Bibliography