Textile museum

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A textile museum is a museum with exhibits relating to the history and art of textiles, including:

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Asia

Canada

Europe

United States

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<span class="mw-page-title-main">Patchwork</span> Form of needlework that involves sewing together pieces of fabric into a larger design

Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.

<span class="mw-page-title-main">Textile arts</span> Form of arts and crafts using fibers

Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects.

<span class="mw-page-title-main">Quilt</span> Bedcover made of multiple layers of fabric sewn together, usually stitched in decorative patterns

A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design.

<span class="mw-page-title-main">Sewing</span> Craft of fastening or attaching objects using stitches made with a needle and thread

Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.

<span class="mw-page-title-main">Wearable art</span> Designed pieces of clothing or jewelry created as fine or expressive art

Wearable art, also known as Artwear or "art to wear", refers to art pieces in the shape of clothing or jewellery pieces. These pieces are usually handmade, and are produced only once or as a very limited series. Pieces of clothing are often made with fibrous materials and traditional techniques such as crochet, knitting, quilting, but may also include plastic sheeting, metals, paper, and more. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as an artistic creation or statement. Wearable art is meant to draw attention while it is being displayed, modeled or used in performances. Pieces may be sold and exhibited.

<span class="mw-page-title-main">Crazy quilting</span>

The term "crazy quilting" is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting, but a specific kind of patchwork lacking repeating motifs and with the seams and patches heavily embellished. A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique.

<span class="mw-page-title-main">Chintz</span> Calico fabric, usually printed with bright floral designs

Chintz is a woodblock printed, painted, stained or glazed calico textile that originated in Golconda in the 16th century. The cloth is printed with designs featuring flowers and other patterns in different colours, typically on a light, plain background.

<span class="mw-page-title-main">Textile design</span> Creation of designs for the manufacturing of woven, knitted or printed fabrics

Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of cloth or fabric, which is subsequently printed upon, or otherwise adorned. Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each of which uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as fashion, interior design, and fine arts.

<span class="mw-page-title-main">International Quilt Museum</span> Textile museum in Lincoln, Nebraska U.S.

The International Quilt Museum at the University of Nebraska–Lincoln in Lincoln, Nebraska is the home of the largest known public collection of quilts in the world. Also known as Quilt House, the current facility opened in 2008.

The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.

<span class="mw-page-title-main">Quilts of Gee's Bend</span> Quilting tradition of Gees Bend, Alabama

The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River. The quilts of Gee's Bend are among the most important African-American visual and cultural contributions to the history of art within the United States. Arlonzia Pettway, Annie Mae Young and Mary Lee Bendolph are among some of the most notable quilters from Gee's Bend. Many of the residents in the community can trace their ancestry back to enslaved people from the Pettway Plantation. Arlonzia Pettway can recall her grandmother's stories of her ancestors, specifically of Dinah Miller, who was brought to the United States by slave ship in 1859.

<span class="mw-page-title-main">San Jose Museum of Quilts & Textiles</span> Art museum in California , United States

The San Jose Museum of Quilts & Textiles is an art museum in Downtown San Jose, California, USA. Founded in 1977, the museum is the first in the United States devoted solely to quilts and textiles as an art form. Holdings include a permanent collection of over 1,000 quilts, garments and ethnic textiles, emphasizing artists of the 20th- and 21st-century, and a research library with over 500 books concerning the history and techniques of the craft.

Holice Edward Turnbow is an American quilter, artist, and textile consultant. Since the early 1970s, Turnbow has curated, judged, and lectured at a multitude of quilting events throughout the United States and Canada. He is certified by the National Quilting Association as a judge and teacher. In 1988, he co-founded the Hoffman Challenge, a national quilting, clothing, and dolls contest featuring hundreds of participants. His design have been commissioned by Spartex, Inc., Stencil House, and Benartex, Inc.

Michael Francis James is an American artist, educator, author, and lecturer. He is best known as a leader of the art quilt movement that began in the 1970s. He currently lives and maintains a studio in Lincoln, Nebraska.

Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.

<span class="mw-page-title-main">Southeastern Quilt & Textile Museum</span> Textile museum in Carrollton, Georgia

The Southeastern Quilt & Textile Museum, is located in Carrollton, Georgia.

The Ruth Funk Center for Textile Arts was a museum in Melbourne, Florida, located in Brevard County. It was part of Florida Institute of Technology and exhibited textiles, clothing and accessories.

Yvonne Porcella was an American art quilter.

<span class="mw-page-title-main">Conservation and restoration of quilts</span>

The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.

<span class="mw-page-title-main">Feed sack dress</span> Womens dress made from cotton sacks

Feed sack dresses, flour sack dresses, or feedsack dresses were a common article of clothing in rural US and Canadian communities from the late 19th century through the mid 20th century. They were made at home, usually by women, using the cotton sacks in which flour, sugar, animal feed, seeds, and other commodities were packaged, shipped, and sold. They became an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years.

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