"The Fly" is a song by Irish rock band U2. It is the seventh track from their 1991 album,Achtung Baby,and it was released as the album's first single on 21 October 1991 by Island Records.[1] "The Fly" introduced a more abrasive-sounding U2,as the song featured danceable hip-hop beats,industrial textures,distorted vocals,and an elaborate guitar solo. Lead vocalist Bono described the song as "the sound of four men chopping down The Joshua Tree",[4] due to its departure from the sound that had traditionally characterised the band in the 1980s.
Bono described the song's subject as that of a phone call from someone in Hell who enjoys being there and telling the person on the other end of the line what he has learned.[5] The lyrics are written as a series of aphorisms that Bono collected during the album's recording. The song and its video were also a showcase for "The Fly",a persona that Bono adopted for the Zoo TV Tour,in which he played the part of a stereotypical leather-clad rock star known for wearing large wrap-around sunglasses and strutting around the stage. The song became the band's second number-one single in the UK and was successful among alternative rock radio audiences. Its music video was directed by Jon Klein and Ritchie Smyth,and filmed in Dublin and London.
Recording and production
The writing of "The Fly" began during recording sessions for Achtung Baby at Berlin's Hansa Studios in 1990.[6] The song's origins can be traced to a demo recorded there,which eventually evolved into the B-side "Lady with the Spinning Head". The demo was among the material that was bootlegged from the Berlin sessions and released as Salome:The Axtung Beibi Sessions. In 1991,the album's recording sessions moved to the seaside mansion "Elsinore" in Dalkey,where the group continued to work on the demo.[7] It was troublesome,but it inspired portions of three separate songs,"The Fly" being one of them,and "Ultraviolet (Light My Way)" and "Zoo Station" being the other two.[7] Lead vocalist Bono stated,"One day,[engineer]Flood had a different look in his eye. It started to feel good. We recorded 'The Fly'. Edge's guitar sound was literally like a fly had broken into your brain and was buzzing around."[7]
While recording the song,Bono devised a persona he called "The Fly",and it is from this character's perspective that he wrote the lyrics. He recalled that during the recording sessions,Fintan Fitzgerald,in charge of the band's wardrobe,found a 1970s pair of wraparound blaxploitation sunglasses.[7] Bono would put them on and make everyone laugh whenever they faced a problem or disagreement.[7] He recalls,"I became very interested in these single-line aphorisms. I had been writing them,so I got this character who could say them all,from 'A liar won't believe anybody else' to 'A friend is someone who lets you down,' and that's where 'The Fly' was coming from."[8]
Towards the end of the sessions,U2 were unhappy with the mix of "The Fly",which was selected well in advance of the album's release to be the first single.[7] The band ended up taking the song's mix,placing it on a two-inch multi-track tape,and adding additional vocals and guitars. The Edge and producerDaniel Lanois mixed on top of the previous mix live in the studio,an unusual practice.[7] The Edge says the technique would "make studio professionals laugh" and believes "part of the reason why [the song] sounds so dynamic is because it was a real hands-on performance mix."[7] The guitar sounds in the opening were created by mixing additional guitar on top of the existing guitar,creating a "really crazy natural phasing effect".[7]
Bassist Adam Clayton mentioned that "at that time,it was impossible to know whether U2 fans would follow Bono down this particular path,so [the song] was a real leap of faith. The whole track is a high-energy sonic barrage but with an angelic chorus. It's a classic example of U2 and Eno interfacing."[7]
Composition
"The Fly" is played at a tempo of 108 beats per minute in a 4/4 time signature in the key of E major.[9] The verses follow a chord progression of E–A–Asus4–E.[10] The chorus follows a chord progression of C♯m-E-A. When played live,however,the song is usually played a semitone lower,with the guitar in E♭tuning,a common technique used by U2 when playing live.[citation needed]
"The Fly" shows a heavier,more abrasive side of U2. The song features hip-hop beats,distorted vocals,an elaborate guitar solo,and hard industrial edge.[11][12][13]Allmusic called the song a "whooshing,industrial,beat-driven" piece".[14]
Lyrically,Bono described the song as "a crank call from Hell... but [the caller] likes it there."[7] The caller is Bono's eponymous character,telling the listener what he learned in Hell.[5] Bono sings part of the chorus in a falsetto,utilising what he calls the "Fat Lady" voice,which he also uses on the songs "Lemon" and "Numb".[7]
Single release
Underlined by this new direction,"The Fly" became successful among alternative rock audiences,though it struggled to find airtime on pop radio. The song became U2's second number-one single in the UK,following "Desire". It was notable for ending the record breaking 16-week run at the top of the UK Singles Chart for Bryan Adams' "(Everything I Do) I Do It for You",by entering the Top 75 'straight-in' at number one in late October 1991,[15] but it quickly slid down the chart,as the band's label had intended for the single to be available for a three-week period only and were keen to release two singles (the follow-up being "Mysterious Ways") before Christmas.
In the United States,it only managed number 61 on the Billboard Hot 100,a position later surpassed by all the other Achtung Baby singles. Nevertheless,the song was very successful on modern rock radio,reaching the top of the Modern Rock Tracks chart and number two on the Mainstream Rock Tracks chart. It debuted at number one in Australia,preventing "I'm Too Sexy" by Right Said Fred from reaching number one for a week. It also made number four on the Dutch Top 40. When the covers to "The Fly",and the album's other singles,"Even Better Than the Real Thing","Who's Gonna Ride Your Wild Horses",and "Mysterious Ways",are arranged,a picture of the band members driving a Trabant is formed. The cassette single was given away as a promotional event on Queen Street,Auckland,New Zealand,to anyone who donned a velcro suit and jumped from a trampoline onto a high velcro wall,thereby becoming a "human fly".
Music video
The music video for "The Fly" shows the band's image change since Rattle and Hum
Parts of the song's video were shot in Dublin in mid-September 1991 by directors Jon Klein and Ritchie Smyth. The rest of the video was shot in London a few weeks later. The promotional video was the first appearance of The Fly character and displayed the band's "new look".
Klein explained "The last three albums have been of a piece in some ways,what we want to do here is start a new chapter. 'The Fly' feels different to me."[16] The video appears on the DVD for The Best of 1990-2000,along with the directors' commentaries.
Reception
Upon the release of Achtung Baby,"The Fly" received generally positive remarks from critics. Elysa Gardner of Rolling Stone commented that "The Fly" was one of many songs on which the Edge was "crafting harder textures and flashing a new arsenal of effects" and that the song features "grinding riffs that bounce off Adam Clayton's thick bass line and echo and embellish Larry Mullen Jr.'s drumming."[17] Furthermore,she noted that Bono was "acknowledging his own potential for hypocrisy and inadequacy" with lyrics such as "Every artist is a cannibal / Every poet is a thief" and that he sounded humbler and more vulnerable.[17]The New York Times praised the song's danceable beat,citing "The Fly" as one example of how it "sounds as if [the band] has taken Bo Diddley and James Brown lessons for its new syncopated dance songs."[18] The publication also highlighted Bono's dynamic range of vocals in the song,pointing out that he "juxtaposes a whisper,a chant and a sweet falsetto to contrast cynicism and glimmers of hope."[18]The Austin Chronicle called the song an "exhilarating rush",[19] while Steve Morse of The Boston Globe said the album "follows the lead" of "The Fly" with a heavier,more industrial-influenced sound.[20]Entertainment Weekly was less receptive to the song,asserting that it "rocks out but goes overboard with the psychedelic foofooraw."[21]
When the Edge was named the 24th greatest guitarist of all time by Rolling Stone in 2003,"The Fly" was dubbed his essential recording.[citation needed] In 1997,readers of Mojo named the song the 38th-best track of the 1990s.[22]
Live performances
Bono as "The Fly" on the Zoo TV Tour in 1992
"The Fly" made its live debut on 29 February 1992 in Lakeland,Florida on the opening night of the Zoo TV Tour,[23] and it was subsequently played at every show on the tour.[24] For Zoo TV performances,Bono portrayed his "Fly" alter-ego,which he had developed into a leather-clad egomaniac. He described the character's outfit as having Lou Reed's glasses,Elvis Presley's jacket,and Jim Morrison's leather pants.[25] To match the character's dark fashion,Bono dyed his naturally brown hair black.[26] Bono began each concert as "The Fly" and would continue to play the character for most of the first half of the concert. In contrast to the earnest Bono of the 1980s,the character strutted around the stage with "swagger and style",exhibiting mannerisms of an egotistical rock star.[27] Bono often stayed in character away from the tour stage,including for public appearances and when staying in hotels.[28][29] For performances of the song during Zoo TV,the video monitors flashed a rapidly changing array of textual words and aphorisms. Some of these included "Taste is the enemy of art","Religion is a club","Ignorance is bliss","Watch more TV","Believe" with letters fading out to leave "lie",and "Everything you know is wrong".[30] Describing the visuals,the Edge said,"'The Fly' is information meltdown—text,sayings,truisms,untruisms,oxymorons,soothsayings,etc.,all blasted at high speed,just fast enough so it's impossible to actually read what's being said."[31]
The version from the Elevation Tour,featured just the Edge on a Gibson Les Paul Custom playing in a higher key with less wah-wah. Bono did not play guitar on these versions,as he usually performed on the heart-shaped stage in the audience. This version is also notable for its added introduction with Bono singing new lyrics over only the Edge's arpeggiated chords. His new lyrics would then involve him reciting parts of the chorus of the song. The Edge did not sing in falsetto during the chorus as he has done on the versions from other tours. This tour also included the first extended ending of the song. The band felt that although the song was good,they hadn't got it exactly right. David Bowie told them,upon hearing it,that it needed to be re-recorded. Bono has also said,"It took us 15 years to really get it right live," implying that the intended product is the version played on the Vertigo Tour.
U2 performing "The Fly" on the opening night of the European leg at King Baudouin Stadium in Brussels on 10 June 2005.
For the Vertigo Tour,"The Fly" was played during the Zoo TV-themed encore,and was often re-paired with "Zoo Station" as on Zoo TV. Edge used a Line 6 Variax 700 Acoustic (custom painted to match the tour's red and black colour scheme) and Bono used his signature guitar,the Gretsch Irish Falcon. Larry Mullen Jr. also changed the drum beat to the song on this tour,involving more use of the hi-hat cymbal and snare as opposed to the heavy use of the tom rack on past versions. The Edge again used the extended outro to the song,and Bono often snippeted the Rolling Stones' "(I Can't Get No) Satisfaction" as well as other songs over the outro. The subliminal messages played on the LEDs (though using new,original messages) invoked nostalgia of the Zoo TV Tour.
The song was soundchecked at multiple concerts during the U2 360°Tour and was debuted on 18 June 2011 in Anaheim,California. It was also played at the Glastonbury Festival 2011 with Zoo TV visuals. It was a mainstay on the last leg of the U2 360°Tour.
On the Innocence + Experience Tour,the song was not performed by the band,but rather the Gavin Friday remix version with Bono's original vocals was played over the PA system during the intermission between the first and second halves of the main set. It was bookended by performances of "Until the End of the World" (from the first half) and "Invisible" (from the second half). For this version,the stage's two-sided video screen displays a Berlin Wall-style graphic,on top of which the familiar Zoo TV text phrases and some new phrases appeared.
The song was resurrected in full form (but without Bono's rhythm guitar) on the Experience + Innocence Tour,starting with the 15 October 2018 concert in Milan,Italy. It was subsequently performed 12 more times on that tour.[33]
Performances of the song during U2's 2023–2024 concert residency at the Sphere featured an on-screen barrage of multi-coloured characters and an optical illusion that made the venue appear to be cube-shaped.
U2 performed "The Fly" during their 2023–2024 concert residency,U2:UV Achtung Baby Live,at Sphere in the Las Vegas Valley. Performances utilised a presentation similar to the one from the Zoo TV Tour,with a barrage of rapidly flashing words and aphorisms displaying on the venue's LED screen that recalled the work of Jenny Holzer.[34] The imagery underwent a perspective shift,causing the optical illusion that the venue's geometry was cube-shaped rather than spherical. At the song's midpoint,seven-segment digital letters and numbers in a rainbow of colors slowly began to fill up the entire screen from bottom to top,before the ceiling appeared to fall towards the audience.[35]
The album version,which appears on Achtung Baby and some editions of The Best of 1990-2000.
"The Lounge Fly Mix",which appears as a B-side on the single. This is an alternative take of "The Fly",featuring different lyrics and a more dance-orientated,trip hop sound. A snippet of this version is played over the intro of the music video to "The Fly".
A live version of "The Fly" performed during the Elevation Tour which has a minute and a half intro of Bono singing a new verse and the first part of the chorus,with the Edge playing a different guitar riff. This version of the song appears on the concert film Elevation 2001:Live from Boston.
"'Baby' The Fly",an early version of the song,was released as part of a "kindergarten" disc for the premium editions of the 20th anniversary reissue of Achtung Baby.
"Alex Descends into Hell for a Bottle of Milk/Korova 1":a music piece by Bono and the Edge,taken from the score for the Royal Shakespeare Company's production of A Clockwork Orange.[36] This was the only part of the score which was officially released. The author of the original book,Anthony Burgess,was reportedly very unsatisfied with the soundtrack.[37] This song was featured on the Japanese soundtrack to the movie Johnny Mnemonic.[38]
"The Lounge Fly Mix"
Covers
Gavin Friday reworked the song for the 2011 tribute album AHK-toong BAY-bi Covered. He said,"The Edge rang me up and said,'Nobody wants to do The Fly –they're all afraid of it.' I think it's because it has its own essence,sonically. It was the lead single and the point of reinvention. U2 said it best:it was the sound of four men chopping down the Joshua Tree. I remember seeing them working on Achtung Baby in its early stages. I just put a rocket up their asses and said,'Go for it.'"[39]
Track listings
7-inch single; UK and Australian cassette single[40][41]
U2 are an Irish rock band formed in Dublin in 1976. The group consists of Bono, the Edge, Adam Clayton, and Larry Mullen Jr.. Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Bono's lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several elaborate tours over their career.
Achtung Baby is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one.
Zooropa is the eighth studio album by Irish rock band U2. Produced by Flood, Brian Eno, and the Edge, it was released on 5 July 1993 on Island Records. Inspired by the band's experiences on the Zoo TV Tour, Zooropa expanded on many of the tour's themes of technology and media oversaturation. The record was a continuation of the group's experimentation with alternative rock, electronic dance music, and electronic sound effects that began with their previous album, Achtung Baby, in 1991.
"Miss Sarajevo" is a song by Irish rock band U2 and British musician Brian Eno, credited to the pseudonym "Passengers". It was released on 20 November 1995 as the only single from their album Original Soundtracks 1. Italian tenor Luciano Pavarotti makes a vocal appearance, singing the opera solo. The song was written about a group of women who held a beauty pageant during the Siege of Sarajevo as an act of defiance.
"Where the Streets Have No Name" is a song by Irish rock band U2. It is the opening track from their 1987 album The Joshua Tree and was released as the album's third single in August 1987. The song's hook is a repeating guitar arpeggio using a delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, producer Brian Eno considered erasing the song's tapes to have them start from scratch.
"One" is a song by Irish rock band U2. It is the third track from their seventh album, Achtung Baby (1991), and it was released as the record's third single on 24 February 1992. During the album's recording sessions at Hansa Studios in Berlin, conflict arose between the band members over the direction of U2's sound and the quality of their material. Tensions almost prompted the band to break up until they achieved a breakthrough with the improvisation of "One"; the song was written after the band members were inspired by a chord progression that guitarist the Edge was playing in the studio. The lyrics, written by lead singer Bono, were inspired by the band members' fractured relationships and the German reunification. Although the lyrics ostensibly describe "disunity", they have been interpreted in other ways.
"Beautiful Day" is a song by Irish rock band U2. It is the first track on their tenth studio album, All That You Can't Leave Behind (2000), and was released as the album's lead single on 9 October 2000. The song was a commercial success, helping launch the album to multi-platinum status, and is one of U2's biggest hits to date.
"Even Better Than the Real Thing" is a song by Irish rock band U2, and is the second track on their seventh album, Achtung Baby (1992). It was released as the album's fourth single on 8 June 1992, and it reached number three in Ireland and Canada while becoming a top-ten hit in Austria, New Zealand, and Sweden. A remixed version of the song released the same year peaked at number eight in the United Kingdom and number 10 in Ireland. In 1997, readers of Mojo named the song the 71st-best track of the 1990s.
"Vertigo" is a song by Irish rock band U2. It is the opening track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004). It was released to radio as the album's lead single on 8 November 2004, and upon release, it received extensive airplay. The song was an international success, bolstered by its usage in a television advertisement featuring the band for Apple's iPod digital music player. The song lent its name to the band's 2005–2006 Vertigo Tour.
"City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada.
"Numb" is a song by Irish rock band U2. It is the third track from their eight album, Zooropa (1993), and was released in June 1993 by Island Records and PolyGram as the album's first single. The song features a monotonous mantra of "don't" commands spoken by guitarist the Edge amidst a backdrop of various sound effects and samples. The noisy composition and lyrical concept for "Numb" were inspired by the theme of sensory overload, which had prominently been incorporated into the Zoo TV Tour. Lead singer Bono and drummer Larry Mullen Jr. provided backing vocals on the track.
"Who's Gonna Ride Your Wild Horses" is a song by Irish rock band U2. It is the fifth track on their 1991 album Achtung Baby, and was released as its fifth and final single in November 1992.
"Mysterious Ways" is a song by Irish rock band U2. It is the eighth track from their 1991 album, Achtung Baby, and was released as the album's second single on 2 December 1991, two weeks after the album. The song began as an improvisation called "Sick Puppy", with the band liking only the bass part that bassist Adam Clayton composed. The band struggled to build a song from it, with vocalist Bono and producer Daniel Lanois arguing intensely during one songwriting session. The song's breakthrough came after guitarist the Edge began experimenting with the Korg A3 effects unit. "Mysterious Ways" features a danceable beat, funky guitar hook, and conga-laden percussion, as well as mystical lyrics by Bono about romance and women.
"Desire" is a song by Irish rock band U2 and the third track on their 1988 album, Rattle and Hum. It was released as the album's lead single on 19 September 1988, and became the band's first number-one single in the United Kingdom and Australia. It reached number three on the Billboard Hot 100 in the United States, and topped both the Modern Rock Tracks and Mainstream Rock Tracks charts, making it the first song to reach number one on both charts simultaneously. It reached number two on the Dutch Top 40. At the 31st Annual Grammy Awards, "Desire" won the 1988 Grammy Award for Best Rock Performance by a Duo or Group with Vocal.
"Zoo Station" is a song by Irish rock band U2. It is the opening track from their 1991 album Achtung Baby, a record on which the group reinvented themselves musically by incorporating influences from alternative rock, industrial, and electronic dance music. As the album's opening track, "Zoo Station" introduces the band's new sound, delivering industrial-influenced percussion and several layers of distorted guitars and vocals. Similarly, the lyrics suggest the group's new intents and anticipations. The introduction, featuring an "explosion" of percussion and a descending glissando for a guitar hook, was meant to make the listener think the album was mistakenly not U2's latest record or that their music player was broken.
"Until the End of the World" is a song by rock band U2 and the fourth track from their 1991 album Achtung Baby. The song began as a guitar riff composed by lead vocalist Bono from a demo, which the band revisited with success after talking with German filmmaker Wim Wenders about providing music for his film Until the End of the World. The song's lyrics describe a fictional conversation between Jesus Christ and Judas Iscariot. The first verse discusses the Last Supper; the second is about Judas identifying Jesus with a kiss on the cheek in the Garden of Gethsemane; and the final is about Judas' suicide after being overwhelmed with guilt and sadness.
"Ultraviolet (Light My Way)" is a song by Irish rock band U2. It is the tenth track from their seventh studio album Achtung Baby. Ostensibly about love and dependency, the song also lends itself to religious interpretations, with listeners finding allusions to the Book of Job and writers finding spiritual meaning in its invocation of the light spectrum.
This is a timeline of the history of rock band U2:
"Love Is Blindness" is a song by rock band U2, and the twelfth and final track on their 1991 album Achtung Baby. The song was written on piano by lead singer Bono during the recording sessions for U2's 1988 album Rattle and Hum. Originally intending to give the song to singer Nina Simone, the band decided to keep it for Achtung Baby after playing it together. Thematically, the song describes a failing romance, mixing personal themes with imagery of metaphorical acts of terrorism. During the recording sessions for Achtung Baby, guitarist the Edge separated from his wife, Aislinn O'Sullivan. The separation had a major effect on the development of the song; Bono said that the ending guitar solo was a cathartic experience for the Edge, as he snapped several guitar strings during the recording.
"Stay " is a song by Irish rock band U2. It is the fifth track on their eighth album, Zooropa (1993), and it was released as the album's third single on 22 November 1993 by Island Records. The song reached number one in Ireland and reached the top 10 in Australia, Iceland, the United Kingdom, and several other countries. The accompanying music video, directed by Wim Wenders, was shot in Berlin, Germany. The earliest incarnation of the song developed during sessions for the group's 1991 album Achtung Baby. It was written for and inspired by Frank Sinatra and bore his surname as the original working title. An alternative recording was used in the 1993 film Faraway, So Close!, also by Wim Wenders.
↑ Eccleston, Danny (2004). "Superfly". Q (Special Edition: 50 Years of Rock 'n' Roll).
↑ BP Fallon (host and co-creator) (27 November 1992). Zoo Radio (Syndicated radio broadcast). United States. Archived from the original on 13 November 2009.
↑ The Fly (UK & Australian cassette single sleeve). U2. Island Records. 1991. CIS 500, 868 884-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ The Fly (UK 12-inch single sleeve). U2. Island Records. 1991. 12 IS 500, 868 885-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ The Fly (UK CD single liner notes). U2. Island Records. 1991. CID 500, 868 885-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ The Fly (US & Canadian cassette single sleeve). U2. Island Records. 1991. (422) 868 885-4.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
