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Doo-wop is a genre of rhythm and blues music that originated among African-American youth in the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.
The Teenagers are an American doo wop group, most noted for being one of rock music's earliest successes, presented to international audiences by DJ Alan Freed. The group, which made its most popular recordings with young Frankie Lymon as lead singer, is also noted for being rock's first all-teenaged act.
Richard Berry, Jr. was an American singer, songwriter and musician, who performed with many Los Angeles doo-wop and close harmony groups in the 1950s, including The Flairs and The Robins.
Vito & the Salutations is an Italian/Irish/Jewish-American New York City doo-wop group from the 1960s. They began performing their four-part harmonies while still in high school, getting practice by singing in subways and at railroad stations. But they never expected anything to come of it, until one of the band members was introduced to someone at a local record company, and the band was asked to make some recordings. Their first popular record, "Gloria," was a regional hit. But Vito & the Salutations became best known for a surprise million-selling hit a year later, in the summer of 1963: they took "Unchained Melody," a 1955 hit ballad by Al Hibbler that they heard on the car radio, as they drove to perform at a concert, and transformed it into an up-tempo, doo-wop song. "Unchained Melody" reached number 66 on the Cash Box hit parade, and it made the top ten in many cities: for example, in New York City, the song reached #3 on top-40 powerhouse WABC. The record was originally released on Herald (H-583). This group consisted of Frankie Fox, Sheldon Buchansky, Raymond JP Russell and Vito Balsamo. Balsamo came from an immigrant family: his parents were from Palermo, Italy and he grew up in Brooklyn, listening to opera. But he fell in love with rock and roll, much to the dismay of his parents. Vito joined a group and recorded his first song when he was only fifteen. The B side of "Unchained Melody" was "Hey, Hey, Baby," a tune composed by Murray Kanner, Frankie Fox and Dave Rick. Vito & the Salutations also performed their version of "Unchained Melody" on American Bandstand.
The Crows were an American R&B singing group formed in 1951 who achieved commercial success in the 1950s. The group's first single and only hit, "Gee", released in June 1953, has been credited with being the first rock n’ roll hit by a rock and roll group. It peaked at position #14 and #2, respectively, on the Billboard magazine pop and rhythm-and-blues charts in 1954. Although Gee fell into the Doo Wop genre, and "was the first 1950s doo-wop record to sell over one million records" in that genre, some consider it as the first of the "rock n' roll records".
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9".
The Harptones are an American doo-wop group, which formed in Manhattan in 1953.
The Valentines were one of the most highly regarded American doo-wop groups from the mid-1950s.
The Danleers were an American doo-wop group formed in Brooklyn, New York in 1958. The group's original and most famous lineup consisted of Jimmy Weston, Johnny Lee, Willie Ephraim, Nat McCune, and Roosevelt Mays. One of many streetcorner vocal groups in Brooklyn, they rose to prominence in 1958 on the strength of the single "One Summer Night", written by their manager, Danny Webb, who also named the group. The single was one of the biggest hits of that year and sold over one million copies. Further releases were not so successful and the group mostly dissolved by the mid-1960s. It continued to tour for several decades with Weston as the main original member.
Norman Fox & The Rob-Roys are an American 1950s doo-wop group from the Bronx, New York, United States.
The Solitaires are an American doo-wop group, best known for their 1957 hit single "Walking Along". Although they never had a national chart hit, they were one of the most popular vocal groups in New York in the late 1950s.
The Mighty Echoes, an American a cappella doo-wop quartet from Los Angeles, California, United States, was formed backstage at the Olio Theater in Silverlake, California during the production of Harvey Shield’s 1986 musical "1284: The Pied Piper".
Paul Winley Records Inc. was a doo-wop record label founded in 1956 that, in 1979, became one of the earliest hip hop labels. It was situated on 125th Street, Harlem, New York City. Winley released doo-wop by The Paragons and The Jesters, and hip hop records by Paul Winley's daughters, Tanya and Paulette, produced by Winley's wife, Ann. The label can lay claim to a number of firsts: one of the earliest rock and roll compilations, one of the earliest breaks compilations, an early solo female rap artist and an early instance of social commentary in rap. Winley was also the first label to record one of hip hop's most important figures, Afrika Bambaataa.
The Zircons or The Zirkons was a singing musical group in the late 1950s and 1960s with various line-ups.
Ladders were a 1950s New York City rhythm and blues and doo wop vocal group. The line up comprised Johnny Jackson (lead), Herb Jennings, Irvin Jones, Ron Clark (baritone), and Douglas Jackson (bass).
The Passions are an American doo-wop group from Bensonhurst, Brooklyn. The quintet recorded a few demos in 1958, at which time Tony, Albee and Vinny began looking for replacements who were more career-minded. Another group in Bensonhurst had what they needed; when the three Sinceres heard Runarounds lead singer Jimmy Gallagher, they knew he was the one for them. The Sinceres weren’t sure how to approach Jimmy, so they followed him home one night and knocked on his door. After convincing his mother that they only wanted to sing with her son, not mug him, the foursome went to a nearby park and ended up harmonizing for hours. They were now a quartet, with Jimmy on lead, Tony on first tenor, Albee on second tenor, and Vinnie on baritone. In 1959, while the Mystics were recording "Hushabye" at their first session, their friend Tony Armato was there cheering them on promoting his own group to their manager, Jim Gribble. Gribble soon signed the Sinceres and renamed them the Passions. He gave them a demo by a duo of studio singers who called themselves the Cousins. The song was "Just to Be with You" written by Mary Kalfin. The Cousins were Paul Simon and Carole King. By the time the group recorded "Gloria" Vinny had left and been replaced by Gallagher’s friend Lou Rotondo. Also in 1960 Lou Rotondo and Albie Galione, along with Albie Contrera of the Mystics, sang behind Clay Cole on "Here, There, Everywhere" (Roulette), single that became popular in the New York area. Audicon Records lost the group’s next release, the harmony rocker "Made for Lovers." The group recorded a few more sides for Audicon which were leased to Jubilee and Octavia. Released in August 1959 on Sol Winkler’s Audicon label, the Passions’ impeccable harmonies and Gallagher’s impassioned lead put "Just to Be with You" on radios across America. It was a top 20 hit in many eastern cities and it charted nationally, rising to number 69. The follow-up out of Audicon’s 1674 Broadway digs was twice as good. Both sides—the harmony filled "I Only Want You" and the beautiful Billy Dawn Smith ballad "This Is My Love" –vied for radio play and sales throughout the states. They were managed by Jim Gribble who managed several doo-wop groups including the Mystics and The Jarmels, and worked with producer songwriter Stan Vincent. In the late 1990s, they reunited with the Mystics and the Classics for the Brooklyn Reunion Show. Lead singer Jimmy Gallagher left the Passions in 1960 to join the Navy, but later sang with The Legends of Doo Wop in 1998.
The Camelots were a New York City doo wop group of the 1960s led by Davie Nichols.
Lillian Leach, also known by her married name, Lillian Leach Boyd, was an American singer who performed lead vocals with the Bronx-based doo-wop group the Mellows. She was noted for her mellifluous voice and wistful singing style. The Mellows recorded several hit songs in the 1950s, including "Smoke From Your Cigarette", "Yesterday's Memories", and "How Sentimental Can I Be?"
The Kuf-Linx were an American rock and roll vocal group, active in the 1950s. Other groups used similar names at the same time, and even recorded some of the same songs, causing some confusion. Band members included John Jennings, Johnny Woodson (tenor), Gaines Steele (tenor), George "Biggy" McFadden (bass), Leo Z. Manley, Darrell Johnson, and Gwen Johnson. Jennings and McFadden had been in the Jubalaires together.
The Videos were a short-lived American Doo-wop group. The group was formed in 1957 by five individuals who were each seventeen years old.
