The Metropolis Case

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The Metropolis Case
The metropolis case hardcover art.png
Front cover of hardcover edition.
AuthorMatthew Gallaway
CountryUnited States
LanguageEnglish
GenreNovel
Publisher Crown Publishing Group
Publication date
December 28, 2010
Media typePrint (hardback)
Pages372 (hardcover)
ISBN 978-0-307-46342-5 (hardcover)
OCLC 503042036
813'.6 dc22
LC Class PS3607A415515M48 2010

The Metropolis Case is the debut novel of American author Matthew Gallaway. The novel follows the interconnected lives of four characters living in different cities, all of whom have a great passion for Richard Wagner's opera Tristan und Isolde . [1] The New York Times said "the book is so well written ... and filled with such memorable lead and supporting players that it quickly absorbs you into its worlds." [2] In the Washington Post , Eugenia Zukerman wrote that "Gallaway has taken a great risk ... by creating an intricate, multilayered tale that slides from past to present, from Europe to New York, from opera to pop. But despite the complexity, The Metropolis Case engages the reader emotionally on every page." [3]

Rather than a conventional narrative, the novel presents alternating chapters devoted to each of the four principal characters. Three of them are opera singers. One of the four lives in the nineteenth century. Two are much younger than the others. The author slowly reveals their shared relationship to Wagner's opera. [2]

The novel's title and some other details allude to Janáček's opera The Makropulos Case . [4]

Gallaway is a graduate of New York University School of Law, member of rock band Saturnine (originally known as Saturnine 60), and a native of Pittsburgh, where the novel is partially set. [5] He began the novel in 2001 and completed it in 2007. According to Gallaway, who blogged as The Gay Recluse from 2007 to 2009: [6]

I only really started to understand why I wrote the novel after I finished it in 2007. I felt that the gay voice was missing from the modern American literary canon and, rather than complain about that vacuum, I decided I should try to fill it myself.

In 2010, when Crown Publishing Group published the novel, Gallaway was employed as a Senior Acquisitions Editor in the legal department of Oxford University Press. [6]

Related Research Articles

<i>Tristan und Isolde</i> Opera by Richard Wagner

Tristan und Isolde, WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung".

<i>The Makropulos Affair</i> (opera) Opera by Leoš Janáček

The Makropulos Affair is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play Věc Makropulos by Karel Čapek. Composed between 1923 and 1925, The Makropulos Affair was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself.

<span class="mw-page-title-main">Iseult</span> Character in fiction and legend

Iseult, alternatively Isolde and other spellings, is the name of several characters in the legend of Tristan and Iseult. The most prominent is Iseult of Ireland, the wife of Mark of Cornwall and the lover of Tristan. Her mother, the queen of Ireland, is also named Iseult. The third is Iseult of the White Hands, the daughter of Hoel of Brittany and the sister of Kahedin.

<span class="mw-page-title-main">Jon Vickers</span> Canadian opera singer

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<span class="mw-page-title-main">Patrice Chéreau</span> French opera and theatre director

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<i>Wesendonck Lieder</i>

Wesendonck Lieder, WWV 91, is the common name of a set of five songs for female voice and piano by Richard Wagner, Fünf Gedichte für eine Frauenstimme. He set five poems by Mathilde Wesendonck while he was working on his opera Tristan und Isolde. The songs, together with the Siegfried Idyll, are the two non-operatic works by Wagner most regularly performed.

<span class="mw-page-title-main">Max Lorenz (tenor)</span> German tenor

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<span class="mw-page-title-main">Nina Stemme</span> Swedish opera singer

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Jane Henschel is an American operatic mezzo soprano. Henschel, who was born in Wisconsin, studied at the University of Southern California, and then pursued further studies in Germany, where she has made her home. Her numerous opera appearances include Baba the Turk in Igor Stravinsky's The Rake’s Progress with Glyndebourne Festival Opera, the Saito Kinen Festival Matsumoto, and the Salzburg festival; Brangäne in Richard Wagner’s Tristan und Isolde with Paris Opéra and the Los Angeles Opera; the Principessa in Giacomo Puccini’s Suor Angelica with conductor Riccardo Chailly and the Royal Concertgebouw Orchestra; Blanche de la Force in Francis Poulenc’s Dialogues des Carmélites in Amsterdam; Kostelnicka Buryjovka in Leoš Janáček’s Jenůfa under Seiji Ozawa in Japan; and the Kabanicka in Janáček’s Katya Kabanova at the Salzburg Festival among others.

Thor Steingraber is an American opera and theater director, and arts leader/manager.

Naděžda Kniplová was a Czech operatic soprano who had an active international career from the 1950s through the 1980s. Kniplová possessed a large voice with a sonorous, metallic, dark timbre that was particularly well suited to the dramatic soprano repertoire. While she was most admired in Czech operas and as Wagnerian heroines, she sang a wide repertoire that also encompassed Italian, Russian, and Hungarian language roles. A fine actress, her performances were praised for their intensity and pathos. However, some critics commented on a certain lack of steadiness or purity in her singing. Her voice is preserved on a number of recordings made on the Supraphon and Decca labels.

<span class="mw-page-title-main">Richard Versalle</span> American opera singer

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<span class="mw-page-title-main">Dmitri Tcherniakov</span>

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Evelyn Herlitzius is a German opera singer, a dramatic soprano. She is known for performing major roles in works by Richard Wagner and Richard Strauss, such as Brünnhilde, Isolde and Elektra, at the Semperoper, the Bayreuth Festival and leading European opera houses.

Ingrid Haubold is a German operatic soprano. After beginning her career in Munich and continuing with German companies, she moved on to major international opera houses, appearing as Isolde in Wagner's Tristan und Isolde at the Teatro Real in Madrid in 1986, as Senta in Der fliegende Holländer at the Savonlinna Opera Festival, and in the title role of Beethoven's Fidelio at the Metropolitan Opera in New York City.

Spas Wenkoff was a Bulgarian-Austrian operatic tenor. He was known internationally for mastering the heldentenor roles by Wagner, such as Tristan and Tannhäuser. He appeared in his signature role Tristan first in 1975 at the Staatsoper Dresden, followed by the centenary Bayreuth Festival in 1976, and the Metropolitan Opera in 1981, among many others. He was a member of the Berlin State Opera from 1976 to 1984, and then appeared freelance at major opera houses. He was awarded the title Kammersänger in both Berlin and Vienna.

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<i>Tristan and Isolde</i> (Egusquiza) Paintings by Rogelio de Egusquiza

Tristan and Isolde is the title of two oil paintings by the Spanish artist Rogelio de Egusquiza. Both works are based on the opera Tristan und Isolde by the German composer Richard Wagner, whom Egusquiza idolised. The first painting, subtitled Death and also known as La mort d'Isolde, was completed in 1910 and depicts Isolde's "Liebestod", as she collapses in death upon the lifeless body of Tristan. The second painting, subtitled Life, was completed two years later and depicts the lovers embracing in the night, a scene from the second act of Wagner's opera.

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References

  1. Dilworth, Sharon (March 29, 2012). "Tristans and Isoldes fill pages of operatic first novel 'The Metropolis Case'". Pittsburgh Post-Gazette . Archived from the original on January 10, 2014. Retrieved March 6, 2013.
  2. 1 2 Timberg, Scott (December 27, 2010). "To Wagner, With Love and Morbidity". New York Times. Retrieved March 6, 2013.
  3. Zuckerman, Eugenia (January 26, 2011). "A tale of operatic scale, with soundtrack by Wagner". Washington Post. Retrieved March 6, 2013.
  4. For example, Gallaway's character who maintains the initials L.M. despite several name changes, much as Janáček's several-named heroine does; Gallaway's Anna Prus and Janáček's Jaroslav Prus.
  5. Gallaway, Matthew (March 29, 2012). "The Next Page: Notes of a Native Son -- a Pittsburgher in exile, always from here". Pittsburgh Post-Gazette. Retrieved March 6, 2013.
  6. 1 2 "Matthew Gallaway '95". Alumnus of the Month September 2011. NYU Law. Retrieved March 6, 2013.