United Nations Security Council mural

Last updated
Untitled (Mural for Peace)
UN Security Council mural.jpg
Artist Per Krohg
Year1952 (1952)
MediumOil on canvas
Dimensions5.5 m× 8.8 m(18 ft× 29 ft)
Location Headquarters of the United Nations, New York City
Website www.un.org/ungifts/untitled-mural-peace

Untitled (Mural for Peace), commonly known as the United Nations Security Council mural, is an oil painting by Norwegian artist Per Krohg exhibited at the Headquarters of the United Nations in New York City since August 22, 1952. The mural, an 18' x 29' canvas located on the UN Security Council chamber's east wall, features a central image of a rising phoenix surrounded by images of war and disharmony, near the mural's bottom, and more tranquil images at the top. [1]

Contents

The mural accompanied renovations to the Security Council by Norwegian architect Arnstein Arneberg, and was first publicly displayed on April 4, 1952. [2] [3] It was commissioned by the Norwegian government as a gift from Norway to the United Nations. [4]

In 2013, Norway's Foreign Minister Espen Barth Eide, stated that Krohg's ambition "was to give the United Nations a chamber that could inspire those working in it to carry out the core of the United Nations mandate". [5]

Krohg's mural has been met with controversy. Some, such as the Los Angeles Times, called it "imaginative", while the BBC described it as "the world's worst mural, at which I have sat and gazed for many bewildering hours". [6]

Artist background

Per Krohg, also known as Per Lasson Krohg, was born June 18, 1889, in Oslo Norway and died March 3, 1965, in Oslo aged 75. [7] As the son of painter Christian Krohg, Per Krohg studied under his father at the Academie Colarossie art school in Paris between 1903 and 1907. [7] Between 1907 and 1909 Krohg was a pupil of French painter Henri Matisse. He then returned to Norway and was appointed a professor at the Oslo State Art and Craft School. [7] As identified by Encyclopedia Britannica, "Krohg’s early paintings were primarily landscapes and portraits, but his large, expressive, flowing strokes were better suited to the monumental character of mural paintings". [7]

Selection and design process

The United Nations entrusted Norway to fit out and decorate the Security Council while Sweden and Denmark were responsible for the General Assembly Building and Secretariat Building. These three Scandinavian countries were given the role of expressing the "important political, diplomatic and symbolic position assigned to these countries during the first phase of the United Nations Organisation". [8] According to Glambeck, the work of Per Krohg and other Norwegian artists was selected by Jacques Carlu and Howard Robertson from the United Nations Art Panel to be presented to the United Nations Security General. [3]

Once selected to complete the mural, the local authorities in Oslo created an art studio for Krohg to use in the creation of the mural which was located in Oslo's Town Hall. In 1940 Krohg designed the artwork and presented sketches to the United Nations. [9]

Artistic inspiration

Krohg's mural design was inspired by traditional Italian Renaissance frescoes. [4] He reinterpreted renaissance frescoes with modern forms of painting by applying oil paints to a large piece of dry canvas. [9] Krogh's strong Christian faith was also a key inspiration to his mural, as his modern interpretation of Italian Renaissance Frescoes resemble the religious murals found in Catholic churches. [10] When painting the mural Krohg was also inspired by his teacher Henri Matisse. [10] Matisse inspired Krohg to utilise a mix of fauvist colours, exaggerated gestures and depictions of everyday life. [10] Krohg was also part of a group of four Norwegian artists including Henrik Sorensen, Jean Heiberg and Axel Revold who emphasised the purpose of their art as a form of moral education. [3] This is evident in the United Nations Security Council mural through Krohg's aim to create an artwork which inspires peace and harmony.

Subject

The mural as seen from the Security Council observation seats UN-Sicherheitsrat - UN Security Council - New York City - 2014 01 06.jpg
The mural as seen from the Security Council observation seats

Krohg's artwork consists of eight main elements, one large bottom field and seven separate framed panels. These panels combine to display a pictorial story which can be read as a horizontal and vertical story.

Bottom field

In the bottom field Krohg used brown and red tones to depict a coiled dragon holding a sword in its mouth as it attempts to pull it out of its body. Above the dragon Krohg has painted a bridge and a sloping hill in which humans are climbing towards a brighter field above. [3] These men, women and children are moving from each side of the sloping hill to meet in the middle where a white Phoenix stands with its wings unfolded. Krohg wanted to display an image of the future world in which the United Nations would save the world, just as according to his Christian belief, Jesus Christ saved the world. [3] This is demonstrated through his use of a framework of Christian iconology where he has replaced Christ with a rising phoenix. [3]

According to the United Nations the bottom field of the mural "represents man's efforts to emerge from a dark past of war and slavery to a better life and a future illumined by science and the arts". [2] On the right side of the bottom field, Krohg has created an image of three shackled men which are embraced by the human figures in the panel above. On the left side a female figure is climbing up a rope also moving towards a brighter panel above. Both images on the right and left side depict "multiple scenes of human struggle with life and death". [9]

Square panels

In the two square panels the forefront displays a crowd of joyful people from different ethnicities and a background filled with urban architecture. A line of blue silk runs between the two square panels and the vibrant colours creates a "striking contrast between the dark figure climbing into the urban area with their backs to us and the colourfully dressed crowd facing us". The line of blue silk running between the two square panels illustrates the United Nation's commitment to future peace and individual freedom. [3] In the right square panel, a man stands waving the United Nations flag among the joyful crowd, emphasising the role of the United Nations in creating a peaceful world after World War Two.

Central oval panel

The oval piece sits in the centre of the artwork above the Phoenix and displays an image of calmness and serenity as a man, woman, and child sit kneeling. This panel reflects the Security Council's main purpose - "to maintain the world in a state of peace". [2] The woman is kneeling with a bouquet of flowers in her hand and holds the elbow of the man next to her. Above the couple a tree is pictured where a figure is depicted handing an orange fruit to the child below, symbolising charity. As stated by Trygve Neergaard, Krohg was inspired by his heritage and his painting Peace in the Norwegian National Museum. [3] In this artwork, "the children surrounded the solemnly kneeling parents in safe tranquility", inspiring Krohg to place a similar concept in the centre of the United Nations Security Council. [11] On the right side of the tree a young boy stands observing the familial bliss shared between the kneeling figures.

Extreme left panel

The extreme left panel also depicts a city environment. The highlight of the panel is a human figure depicted as opening a window, allowing sunshine to enter in the room. A man is also pictured, pulling a woman from the dark world below. At the top of this panel six figures engage in a business trade and exchange different tools and bags of wheat. This illustrates movement from World War Two towards harmony and sharing.

Extreme right panel

In this panel Krohg illustrates an image of a man standing next to a prancing horse, admired by a figure with a pickaxe in dark hues from below. Above the horse sits a woman looking into a microscope and man looking into a telescope, illustrating the world's increasing knowledge and value of health and science.

Top left field

The entire top field is dominated by green trees that resemble palms and cypress trees. On the left two figures are depicted building a form of architecture which has been suggested to resemble Oslo City Hall and represents industrial expansion. [3] In the top left corner a figure stands next to a blank canvas and begins to paint the Sun in front of him.

Top right field

The right top panel is also dominated by images of vegetation similarly found in the top left field. This panel displays three distinct images. A pair of dancing jesters, a figure playing a piano and two men in the background playing musical instruments and illustrates the movement of society towards valuing fine arts, music and theatre. [3] The backdrop is also covered by skyscrapers creating another image of a city environment.

Composition

Equality and harmony

Scenes of equality are displayed in the two rectangular panels were Krohg has depicted images of enslaved men being embraced by crowds of people from different ethnicities. [3] In the right panel a human figure from the crowd pulls a man with Asian headgear from the beneath them, symbolising equality with people from different continents. [3] As explained by the United Nations, "equality is symbolised by a group of people weighing out grain for all to share". [12]

Familial bliss

The oval shaped centre panel symbolises the desire for a good family which shares compassion and harmony in the new world order. Krohg sought to encapsulate the expectations of the Security Council to "operate as the custodian of international order in the post-war era". [13]

Restoration

The dark tones and ashes depicted in the bottom field of the artwork is symbolic of World War Two, a prevalent event which influenced Krohg's mural. [12] As identified by the artist, "the essence of the idea is to give an impression of light, security and joy. The world we see in the foreground is collapsing, while the new world based on clarity and harmony can be built up". [14] The image of a woman opening a window to allow sunshine into the room in the extreme left panel expresses the new harmonious world removed from forces of evil. [8] Krohg wanted the artwork to inspire the delegates in the Security Council chamber to ensure the work of the United Nations provides the opportunity for a new and more valuable life after the tragedies of World War 2.

Faith

Throughout the mural, Krohg has combined elements from different Christian sources. Inspired by an image of Christ rising from the Catholic tradition, Krohg has created an image of a rising white Phoenix, making the mural relatable to universal audiences. [3] Further references are made to the Greek Orthodox Church through the use of an almond shape centre panel called a mandorla, which traditionally displays sacred images. [15]

After completion

Between April 2010 - 2013, the mural was removed to be cleaned, reassembled and redisplayed in the Security Council. [16] Over 8.2 million US dollars was donated by the Norwegian government to assist with the renovations to the Security Council Chamber. [5] The renovations involved replacing the original blue silk displayed in the two rectangular panels which depicted the anchor of faith, growing wheat of hope and heart of charity with the textile rayon due to the original silk shrinking. [16]

Controversy

Several academics have questioned the neutrality of the mural, particularly its reflection on Norway. In an article for the German Review on the United Nations, Maria Sandvik raised the question of whether Norwegian Secretary-General Trygve Lie and head architect Arnstein Arneberg pressured Krohg to paint the artwork in a particular direction. [3] Ingeborg Glambek writes that "it is obvious that the first UN Secretary-General, Trygve Lie of Norway was influential when the decision was made." [8] The head architect of the Security Chamber, Arneberg, has said that in his role as secretary-general, Trygve Lie exercised significant power in ensuring that "Krohg's painting was hung in the council chamber." [3] This controversy has been complicated by the lack of clarity around how Norway and Arneburg financed the creation of Krohg's artwork. [12]

Another controversy developed around Per Krohg's sketched design of the mural, when it was presented to a special group of the United Nations Art Panel. This committee was responsible for assessing all the art proposals for the Security Council. The panel did not initially accept Krohg's artistic concept, citing concerns that the intricacy of the artwork might distract delegates, and cause them to lose concentration. [12] In response, the head architect, Arneburg, rejected the view of the Art Panel, emphasising that the "painting was very important to the effect the room would have as a window on Norwegian culture and art." [8] On January 7, 1950, a royal decree (that cost Norway 109,000 kroner) made it compulsory for the United Nations Art Panel to approve the painting. [3]

See also

Related Research Articles

<span class="mw-page-title-main">Edvard Munch</span> Norwegian painter (1863–1944)

Edvard Munch was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images.

<span class="mw-page-title-main">Mural</span> Piece of artwork painted or applied directly on a large permanent surface

A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage.

<i>The Scream</i> 1893 painting by Edvard Munch

The Scream is a composition created by Norwegian artist Edvard Munch in 1893. The Norwegian name of the piece is Skrik (Scream), and the German title under which it was first exhibited is Der Schrei der Natur. The agonized face in the painting has become one of the most iconic images in art, seen as symbolizing the anxiety of the human condition. Munch's work, including The Scream, had a formative influence on the Expressionist movement.

<span class="mw-page-title-main">Trygve Lie</span> UN Secretary-General from 1946 to 1952

Trygve Halvdan Lie was a Norwegian politician, labour leader, government official and author. He served as Norwegian foreign minister during the critical years of the Norwegian government in exile in London from 1940 to 1945. From 1946 to 1952 he was the first Secretary-General of the United Nations.

<span class="mw-page-title-main">Ben Shahn</span> American artist (1898–1969)

Ben Shahn was an American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content.

<i>Madonna</i> (Munch) Art composition by Edvard Munch

Madonna is the usual title given to several versions of a composition by the Norwegian expressionist painter Edvard Munch showing a bare-breasted half-length female figure created between 1892 and 1895 using oil paint on canvas. He also produced versions in print form.

<span class="mw-page-title-main">Christian Krohg</span> Norwegian painter (1852–1925)

Christian Krohg was a Norwegian naturalist painter, illustrator, author and journalist. Krohg was inspired by the realism art movement and often chose motifs from everyday life. He was the director and served as the first professor at the Norwegian Academy of Arts from 1909 to 1925.

<span class="mw-page-title-main">Culture of Norway</span>

The culture of Norway is closely linked to the country's history and geography. The unique Norwegian farm culture, sustained to this day, has resulted not only from scarce resources and a harsh climate but also from ancient property laws. In the 19th century, it brought about a strong romantic nationalistic movement, which is still visible in the Norwegian language and media. In the 19th century, Norwegian culture blossomed as efforts continued to achieve an independent identity in the areas of literature, art and music. This continues today in the performing arts and as a result of government support for exhibitions, cultural projects and artwork.

<span class="mw-page-title-main">Oslo City Hall</span> Municipal building in Norway

Oslo City Hall is a municipal building in Oslo, the capital of Norway. It houses the city council, the city's administration and various other municipal organisations. The building as it stands today was constructed between 1931 and 1950, with an interruption during the Second World War. It was designed by architects Arnstein Arneberg and Magnus Poulsson. The building is located in the city center, in the northern part of the Pipervika neighbourhood, and it faces Oslofjord.

<span class="mw-page-title-main">Arnstein Arneberg</span> Norwegian architect

Arnstein Rynning Arneberg was a Norwegian architect. He was active professionally for 50 years and is often considered the leading architect in Norway of his time.

<span class="mw-page-title-main">Per Krohg</span> Norwegian artist

Per Lasson Krohg was a Norwegian artist. He is best known for the mural he created for the United Nations Security Council Chamber, located in the United Nations headquarters in New York City.

<span class="mw-page-title-main">Oda Krohg</span> Norwegian artist (1860–1935)

Oda Krohg was a Norwegian painter, and the wife of her teacher and colleague Christian Krohg.

<span class="mw-page-title-main">United Nations Art Collection</span> Collection of gifts to the UN

The United Nations Art Collection is a collective group of artworks and historic objects donated as gifts to the United Nations by its member states, associations, or individuals. These artistic treasures and possessions, mostly in the form of “sculptures, paintings, tapestries and mosaics”, are representative “arts of nations” that are contained and exhibited within the confines of the United Nations Headquarters in New York City, United States, and other duty stations, making the UN and its international territories a "fine small museum".

<span class="mw-page-title-main">Norwegian art</span> Norwegian Art

For much of its history Norwegian art is usually considered as part of the wider Nordic art of Scandinavia. It has, especially since about 1100 AD, been strongly influenced by wider trends in European art. After World War II, the influence of the United States strengthened substantially. Due to generous art subsidies, contemporary Norwegian art has a high production per capita.

<i>Woodstock Mural</i> Mural in Portland, Oregon

Woodstock Mural is a mural designed by artist Mike Lawrence, painted on the west side of the New Seasons Market store in the Woodstock neighborhood of Portland, Oregon, in the United States. The painting has three sections, each representing a theme: commerce, education, and the outdoors. It depicts figures adorned with symbolism related to characters in Greek mythology, including Hermes, Athena, and Demeter, along with local businesses and local landmarks such as the neighborhood farmers' market, Grand Central Bakery, Portland Fish Market, Woodstock Park, and the Woodstock Library.

<span class="mw-page-title-main">Ivar Jerven</span>

Ivar Jerven was a Norwegian graphic artist, painter, and drawer.

<span class="mw-page-title-main">Minnesota State Capitol artwork</span> History and usage of artwork at the state capitol

The Minnesota State Capitol opened in 1905 with roughly 60 artworks that totaled $300,000, or 7% of the $4.5-million project budget. Cass Gilbert, the architect of the Capitol building, had envisioned that the artworks would add "educational value" and provide for the "advancement of civilization and intelligence." Over the years, more artworks would be added to the Capitol, totaling nearly 150 by 2017. Much of the Capitol art is allegorical, as expressed through murals and sculptures, while some feature key moments in Minnesota history. While the allegorical symbolism used in the paintings would have been more widely understood during the time they were painted, over time the meanings have been challenged.

<span class="mw-page-title-main">Roudnice Altarpiece</span> Gothic retable

The Roudnice Altarpiece is a three-part winged altar from the provost's church in Roudnice nad Labem, one of the oldest completely preserved Gothic retables from the period around 1410-1420. It is on display in the permanent exhibition of the National Gallery in Prague.

<i>Leiv Eirikson Discovering America</i> Painting by Christian Krohg

Leiv Eirikson Discovering America is a painting by Christian Krohg. It depicts the explorer Leif Erikson at the moment he discovers American land, as described in the sagas of Icelanders. The painting was made for the Chicago World's Fair in 1893 and was exhibited along with the Viking ship replica Viking. It is in the collection of the National Museum of Art, Architecture and Design in Oslo. A copy of the painting, created by Krohg's son, Per Krohg, has hung in the United States Capitol since 1936.

<span class="mw-page-title-main">The Dream of Peace</span> Artwork by Henrik Sørensen in the United Nations Library

The Dream of Peace is an 8.6 meters wide by 6.5 meters tall oil painting on canvas by Norwegian artist, Henrik Sørensen, depicting themes of war, defeat, and hope for humanity. It is on permanent display, mounted on a wall (Marouflée) in the United Nations Library & Archives in Geneva at the Palais des Nations.

References

  1. "Untitled (Mural for Peace)". United Nations. Archived from the original on 14 August 2022. Retrieved 16 March 2024.
  2. 1 2 3 "The Security Council Chamber". United Nations Multimedia Organisation. 1966. Retrieved 2018-09-30.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Sandvik, Maria Veie (2014). "Per Krohg's Painting in the United Nations Security Council". German Review on the United Nations. 60: 156–162.
  4. 1 2 Vaughan Lowe; Adam Roberts; Jennifer Welsh; Dominik Zaum, eds. (2008). The United Nations Security Council and war : the evolution of thought and practice since 1945. Oxford, UK: Oxford University Press. ISBN   978-0191538582. OCLC   263493446.
  5. 1 2 "Norway shines up its gift to the UN". www.newsinenglish.no. Retrieved 2018-10-25.
  6. Bosco, David L. (2009). Five to rule them all : the UN Security Council and the making of the modern world . Oxford: Oxford University Press. ISBN   9780195328769. OCLC   313017982.
  7. 1 2 3 4 "Per Krohg | Norwegian painter". Encyclopedia Britannica. Retrieved 2018-09-30.
  8. 1 2 3 4 Glambek, Ingeborg (2005). "The Council Chambers in the UN Building in New York" (PDF). Scandinavian Journal of Design History. 15: 8–39.
  9. 1 2 3 Lang, Anthony F. (2001). "Re-Envisioning Peacekeeping: The United Nations and the Mobilization of Ideology, François Debrix (Minneapolis: University of Minnesota Press, 1999)". Ethics & International Affairs. 15 (1): 222–225. doi:10.1017/S0892679400007619. ISSN   1747-7093. S2CID   147434586.
  10. 1 2 3 Chilvers, Ian (2004). The Oxford dictionary of art. Oxford University Press. OCLC   931715558.
  11. Neergaard, Trygve (2013). "Per Krohg". The SNL Association.
  12. 1 2 3 4 "Norway's permanent place in the Security Council". Norway in the UN. Retrieved 2018-10-01.
  13. Nadin, Peter (April 2013). A Study of the Effectiveness of the United Nations Security Council (Thesis). University of Western Sydney.
  14. Norwegian Centre for Humanitarian Studies (2013). "Reforming the Security Council: the question that won't go away". www.humanitarianstudies.no. Retrieved 2018-10-01.
  15. "Mandorla | iconography". Encyclopedia Britannica. Retrieved 2018-10-17.
  16. 1 2 "The United Nations' Security Council Chamber: history of an icon". Domus. 2018-08-23. Retrieved 2018-09-13.