Wax tablet

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Wax tablet and a Roman stylus Table with was and stylus Roman times.jpg
Wax tablet and a Roman stylus

A wax tablet is a tablet made of wood and covered with a layer of wax, often linked loosely to a cover tablet, as a "double-leaved" diptych. It was used as a reusable and portable writing surface in antiquity and throughout the Middle Ages. Cicero's letters make passing reference to the use of cerae, and some examples of wax-tablets have been preserved in waterlogged deposits in the Roman fort at Vindolanda on Hadrian's Wall. Medieval wax tablet books are on display in several European museums.

Contents

Writing on the wax surface was performed with a pointed instrument, a stylus. A straight-edged spatula-like implement (often placed on the opposite end of the stylus tip) would be used as an eraser. The modern expression of "a clean slate" equates to the Latin expression "tabula rasa".

Writing with stylus and folding wax tablet. painter, Douris, c. 500 BC (Berlin). Douris Man with wax tablet.jpg
Writing with stylus and folding wax tablet. painter, Douris, c.500 BC (Berlin).

Wax tablets were used for a variety of purposes, from taking down students' or secretaries' notes to recording business accounts. Early forms of shorthand were used too.

Use in antiquity

The earliest surviving exemplar of a boxwood writing tablet with an ivory hinge was among the finds recovered from the 14th-century BC Uluburun Shipwreck near Kaş in modern Turkey in 1986. [1] This find further confirmed that the reference to writing tablets in Homer was far from anachronistic. An archaeological discovery in 1979 in Durrës, Albania found two wax tablets made of ivory in a grave believed to belong to a money lender from the 2nd century AD. [2]

The Greeks probably started using the folding pair of wax tablets, along with the leather scroll in the mid-8th century BC. Liddell & Scott, 1925 edition gives the etymology of the word for the writing-tablet, deltos (δέλτος), from the letter delta (Δ) based on ancient Greek and Roman authors and scripts, due to the shape of tablets to account for it. [3] An alternative theory holds that it has retained its Semitic designation, daltu, which originally signified "door" but was being used for writing tablets in Ugarit in the 13th century BC. In Hebrew the term evolved into daleth. [4]

In the first millennium BC writing tablets were in use in Mesopotamia as well as Syria and Palestine. A carved stone panel dating to between 640–615 BC that was excavated from the South-West Palace of the Assyrian ruler Sennacherib, at Nineveh in Iraq (British Museum, ME 124955) depicts two figures, one clearly clasping a scroll and the other bearing what is thought to be an open diptych. [5] Berthe van Regemorter identified a similar figure in the Neo-Hittite Stela of Tarhunpiyas (Musée du Louvre, AO 1922.), dating to the late 8th century BC, who is seen holding what may be a form of tablature with a unique button closure. [6] [7] Writing tablets of ivory were found in the ruins of Sargon's palace in Nimrud. [8] Margaret Howard surmised that these tablets might have once been connected together using an ingenious hinging system with cut pieces of leather resembling the letter “H” inserted into slots along the edges to form a concertina structure. [9]

Use in medieval to modern times

Roman scribe with his stylus and tablets on his tomb stele at Flavia Solva in Noricum Scribe tomb relief Flavia Solva.jpg
Roman scribe with his stylus and tablets on his tomb stele at Flavia Solva in Noricum

Hermann of Reichenau (1013–1054), a monk and mathematician, used wax tablets "He had requested that his disciple, Berthold of Reichenau, should take wax tablets on which his writings were recorded and have these made into manuscripts. " [10]

Hériman of Tournai (1095–1147), a monk at the abbey of St Martin of Tournai, wrote "I even wrote down a certain amount on tablets". [11]

An example of a wax tablet book are the servitude records which the hospital of Austria's oldest city, Enns, established in 1500. Ten wooden plates, sized 375 x 207 mm (14.76 x 8.15 inches) and arranged in a 90 mm (3.54 inch) stack, are each divided into two halves along their long axis. The annual payables due are written on parchment or paper glued to the left sides. Payables received were recorded for deduction (and subsequently erased) on the respective right sides, which are covered with brownish-black writing wax. The material is based on beeswax, and contains 5–10% plant oils and carbon pigments; its melting point is about 65 °C. [12] This volume is the continuation of an earlier one, which was begun in 1447.

Wax tablets were used for high-volume business records of transient importance until the 19th century. For instance, the salt mining authority at Schwäbisch Hall employed wax records until 1812. [13] The fish market in Rouen used them even until the 1860s, where their construction and use had been well documented in 1849. [14]

Related Research Articles

<span class="mw-page-title-main">Diptych</span> Two-part polyptych

A diptych is any object with two flat plates which form a pair, often attached by a hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a recessed space filled with wax. Writing was accomplished by scratching the wax surface with a stylus. When the notes were no longer needed, the wax could be slightly heated and then smoothed to allow reuse. Ordinary versions had wooden frames, but more luxurious diptychs were crafted with more expensive materials.

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<span class="mw-page-title-main">Stylus</span> Writing utensil or small tool for marking or shaping

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<span class="mw-page-title-main">Cuneiform</span> Writing system of the ancient Near East

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<span class="mw-page-title-main">Multilingual inscription</span> Inscription that includes the same text in two or more languages

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<span class="mw-page-title-main">Poet and Muse diptych</span> Roman ivory diptych

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The Nimrud ivories are a large group of small carved ivory plaques and figures dating from the 9th to the 7th centuries BC that were excavated from the Assyrian city of Nimrud during the 19th and 20th centuries. The ivories mostly originated outside Mesopotamia and are thought to have been made in the Levant and Egypt, and have frequently been attributed to the Phoenicians due to a number of the ivories containing Phoenician inscriptions. They are foundational artefacts in the study of Phoenician art, together with the Phoenician metal bowls, which were discovered at the same time but identified as Phoenician a few years earlier. However, both the bowls and the ivories pose a significant challenge as no examples of either – or any other artefacts with equivalent features – have been found in Phoenicia or other major colonies.

Stephanie Mary Dalley FSA is a British Assyriologist and scholar of the Ancient Near East. Prior to her retirement, she was a teaching Fellow at the Oriental Institute, Oxford. She is known for her publications of cuneiform texts and her investigation into the Hanging Gardens of Babylon, and her proposal that it was situated in Nineveh, and constructed during Sennacherib's rule.

<span class="mw-page-title-main">Assyrian sculpture</span> Sculpture of the ancient Assyrian states,

Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture.

<span class="mw-page-title-main">Iaba, Banitu and Atalia</span> Ancient Assyrian queens

Iaba (also called Yaba), Banitu, and Atalia were queens of the Neo-Assyrian Empire as the primary consorts of the successive kings Tiglath-Pileser III, Shalmaneser V and Sargon II, respectively. Little is known of the lives of the three queens; they were not known by name by modern historians prior to the 1989 discovery of a stone sarcophagus among the Queens' tombs at Nimrud which contained objects inscribed with the names of all three women. The stone sarcophagus, believed to originally have been the tomb of Iaba since her name is on the nearby funerary inscription, presents a problem of identification as it contains objects with the names of three queens, but contains only two skeletons. The conventional interpretation is that the skeletons are those of Iaba and Atalia, but several alternate hypotheses have also been made, such as the idea that Iaba and Banitu could be the same person. Iaba and Banitu being the same person is however not supported by either historical or chronological evidence.

References

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  2. "Wax Tablets Reveal Secrets of Ancient Illyria - Albanian Economy News". Albanian Economy News.
  3. Εntry δέλτος (deltos) at Liddell & Scott
  4. Walter, Burkert (1995). The orientalizing revolution: Near Eastern influence on Greek culture in the early archaic age. Cambridge, MA: Harvard University Press. p. 30.
  5. "Stone Panel from the South-West Palace of Sennacherib (Room 28, Panel 9)". British Museum. Retrieved 8 January 2011.
  6. Van Regemorter, Berthe (1958). "Le Codex Relié À L'époque Néo-Hittite". Scriptorium. 12 (2): 177–81. doi:10.3406/scrip.1958.2971.
  7. Szirmai, J.A. (1990). "Wooden Writing Tablets and the Birth of the Codex". Gazette du Livre Médèvale. 17: 31–32. doi:10.3406/galim.1990.1144.
  8. Wiseman, D.J. (1955). "Assyrian Writing Boards". Iraq. 17 (1): 3–13. doi:10.2307/4241713. JSTOR   4241713. S2CID   163198708.
  9. Howard, Margaret (1955). "Technical Description of the Ivory Writing-Boards from Nimrud". Iraq. 17 (1): 14–20, Fig. 7–11. doi:10.2307/4241714. JSTOR   4241714. S2CID   131127416.
  10. "Hermann of Reichenau - Biography".
  11. Herman of Tournai, Lynn Harry Nelson, ed. and tr. The Restoration of the Monastery of Saint Martin of Tournai "Prologue" p. 11.
  12. Wilflingseder, F., 1964. "Die Urbare des Ennser Bürgerspitals aus den Jahren 1447 und 1500". Biblos 13, 134-45
  13. Büll, R., 1977. Wachs als Beschreib- und Siegelstoff. Wachstafeln und ihre Verwendung. In: Das große Buch vom Wachs. Vol. 2, 785-894
  14. Lalou E., 1992. "Inventaire des tablettes médiévales et présentation genérale". In: Les Tablettes à écrire de l'Antiquité à l'Epoque Moderne, pp. 233-288; esp. p. 280 and Fig. 13

Further reading