Author | Kathy Stevens Elizabeth Marshall Thomas (foreword) |
---|---|
Illustrator | Michael DiPleco, Dion Ogust, and Julie Barone (photos) |
Cover artist | Dick Crenson |
Country | United States |
Language | English |
Subject | Animal care, Pets |
Genre | Non-fiction |
Publisher | Skyhorse Publishing |
Publication date | May 2007 |
Media type | Print (Hardback & Paperback) |
Pages | 240 pp (first edition) |
ISBN | 978-1-60239-055-3 |
OCLC | 85851558 |
Where the Blind Horse Sings is a 2007 non-fiction book written by Kathy Stevens, the founder of Catskill Animal Sanctuary. The book is about Stevens's experiences working in the sanctuary. [1] [2]
Kathy Stevens is the founder and director of Catskill Animal Sanctuary in Saugerties, NY. She left her 11-year teaching career behind in 2000 to transform a rundown farm into a haven for abused horses and farm animals. In addition to the rescue and rehabilitation of animals, Stevens has dedicated her efforts educating the public on matters of human health concerns and environmental damage associated with factory farming practices.
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An animal sanctuary is a facility where animals are brought to live and to be protected for the rest of their lives. Pattrice Jones, co-founder of VINE Sanctuary defines an animal sanctuary as "a safe-enough place or relationship within the continuing hazards that menace everybody". In addition, sanctuaries are an experimental staging ground for transformative human–animal relations. There are five types of animal sanctuaries reflective of the species-belonging of the residents: 1) companion animal sanctuaries; 2) wildlife sanctuaries; 3) exotic animal sanctuaries; 4) farmed animal sanctuaries; and 5) cetacean sanctuaries.
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This article contains information about the literary events and publications of 2007.
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The Ghosts in Our Machine is a 2013 Canadian documentary film by Liz Marshall. The film follows the photojournalist and animal rights activist Jo-Anne McArthur as she photographs animals on fur farms and at Farm Sanctuary, among other places, and seeks to publish her work. The film as a whole is a plea for animal rights.
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