William Lynch speech

Last updated

The William Lynch speech, also known as the Willie Lynch letter, is an address purportedly delivered by a William Lynch (or Willie Lynch) to an audience on the bank of the James River in Virginia in 1712 regarding control of slaves within the colony. [1] In recent years, it has been widely exposed as a hoax. [2] [3]

Contents

The letter purports to be a verbatim account of a short speech given by a slave owner, in which he tells other slave masters that he has discovered the "secret" to controlling black slaves by setting them against one another. The document has been in print since at least 1970, but first gained widespread notice in the 1990s, when it appeared on the Internet. [4] Since then, it has often been promoted as an authentic account of slavery during the 18th century, though its inaccuracies and anachronisms have led historians to conclude that it is a hoax. [4] [5]

Text

The reputed author, William Lynch, identifies himself as the master of a "modest plantation" in the British West Indies who has been summoned to the Virginia Colony by local slaveowners to advise them on problems they have been having in managing their slaves.

He briefly notes that their current violent method of handling unruly slaves – lynching, though the term is not used – is inefficient and counterproductive. Instead, he suggests that they adopt his method, which consists of exploiting differences such as age and skin color in order to pit slaves against each other. This method, he assures his hosts, will "control the slaves for at least three hundred[ sic ] years." [1] Some online versions of the text attach introductions, such as a foreword attributed to Frederick Douglass, or citations falsely giving Lynch's name as the source of the word "lynching". [4]

The text of the speech has been published since at least 1970, [4] and is often published with the title "The Making of a Slave". [6] [7] [8] It appeared on the Internet as early as 1993, when a reference librarian at the University of Missouri–St. Louis posted the document on the library's Gopher server. [9] The librarian later revealed that she had obtained the document from the publisher of a local annual business directory, The St. Louis Black Pages [10] in which the narrative had recently appeared. [9]

Though eventually convinced the document was a forgery, the librarian elected to leave it on the Gopher server, as she believed that "even as an inauthentic document, it says something about the former and current state of African America", but added a warning about its provenance. [9]

The text contains numerous anachronisms, including words and phrases such as "refueling" and "fool proof" which were not in use until the early 20th century, [5] while historian Roy Rosenzweig noted the divisions emphasized in the text – skin color, age, and gender – are distinctly 20th-century in nature, making little sense in an 18th-century context. [4] Historians, including Rosenzweig and William Jelani Cobb, have concluded that the William Lynch speech is a modern hoax. [4] [5]

William Lynch

Forewords attached to some online versions of the speech give the narrator's name as the source of the terms "lynching" and "Lynch law", even though the narrator rejects lynching. [1] [5] A man named William Lynch did indeed claim to have originated the term during the American Revolutionary War, but he was born in 1742, thirty years after the alleged delivery of the speech. [11] [12] A document published in the Southern Literary Messenger in 1836 that proposed William Lynch as the originator of "lynch law" may have been a hoax perpetrated by Edgar Allan Poe. [13] A better-documented early use of the term "Lynch law" comes from Charles Lynch, a Virginia justice of the peace and militia officer during the American Revolution. [11]

Notes

  1. 1 2 3 Taylor, Anne Cleëster. "The Slave Consultant's Narrative: The life of an Urban Myth". Archived from the original on 2007-08-08.
  2. Ampim, Manu (2013-06-03). Death of the Willie Lynch Speech: Exposing the Myth. Black Classic Press.
  3. "IN SEARCH OF 'WILLIE' LYNCH Sometimes the truth can be found in myth, fiction -- even in a lie". Baltimore Sun. 22 February 1998. Retrieved 2021-11-22.
  4. 1 2 3 4 5 6 7 Rosenzweigh, Roy. "The Road to Xanadu: Public and Private Pathways on the History Web | The Journal of American History, 88.2 | The History Cooperative". chnm.gmu.edu. George Mason University. Retrieved 2 April 2019.
  5. 1 2 3 4 Cobb, W. Jelani (2004). "Is Willie Lynch's Letter Real?" . Retrieved 27 December 2012.
  6. Lynch, William, active 1712. (April 2009). The making of a slave. [Place of publication not identified]. ISBN   978-956-291-655-4. OCLC   387059947.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  7. Times, Birmingham (2015-01-22). "The Willie Lynch Letter: The Making of a Slave". The Birmingham Times. Retrieved 2020-08-22.
  8. "The Willie Lynch Letter And The Making Of A Slave (Paperback) | Politics and Prose Bookstore". www.politics-prose.com. Retrieved 2020-08-22.
  9. 1 2 3 Taylor, Anne Cleëster. "Email to Samuel Winslow and Lee Bailey about researching The Narrative". The Slave Consultant's Narrative: The life of an Urban Myth?. University of Missouri-St. Louis, Thomas Jefferson Library Reference Department. Archived from the original on 2007-08-08. Retrieved June 21, 2008. The publisher who gave me this wanted to remain anonymous on the gopher version because he couldn't trace it, either, and until now I've honored his wishes.
  10. "Archived copy". www.umsl.edu:80. Archived from the original on 8 August 2007. Retrieved 12 January 2022.{{cite web}}: CS1 maint: archived copy as title (link)
  11. 1 2 Brent Tarter. "Lynch, Charles". American National Biography Online , February 2000.
  12. Stein, Jess, ed. (1988), The Random House College Dictionary (Revised ed.), New York: Random House, p. 800, ISBN   0-394-43500-1
  13. Christopher Waldrep, The Many Faces of Judge Lynch: Extralegal Violence and Punishment in America, Macmillan, 2002, p. 21.
  14. Adams, Mike (1998-02-22). "Sometimes the truth can be found in myth, fiction -- even in a lie". The Baltimore Sun . Retrieved 2011-06-19.
  15. Farrakhan, Louis. An appeal. The Official Site for the Millions More Movement. Accessed on October 12, 2005
  16. .Black Star – RE:DEFinition Lyrics | Genius Lyrics. Accessed on August 11, 2016
  17. Wu-Tang Clan (Ft Tekitha) – A Better Tomorrow (2014) , retrieved 2018-05-18
  18. DURRTY GOODZ - BAR CODE #3 - WILLIE LYNCH THEORY, archived from the original on 2021-12-13, retrieved 2019-10-27

Related Research Articles

<span class="mw-page-title-main">Public Enemy</span> American hip hop group

Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav on Long Island, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).

<span class="mw-page-title-main">Rapping</span> Musical delivery involving rhythmic speech

Rapping is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip hop music, and so commonly associated with that genre that it is sometimes called "rap music".

<span class="mw-page-title-main">Anachronism</span> Chronological inconsistency

An anachronism is a chronological inconsistency in some arrangement, especially a juxtaposition of people, events, objects, language terms and customs from different time periods. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a plant or animal, a custom, or anything else associated with a particular period that is placed outside its proper temporal domain.

West Coast hip hop is a regional genre of hip hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, and others.

<span class="mw-page-title-main">Kool G Rap</span> American rapper from New York

Nathaniel Thomas Wilson, better known by his stage name Kool G Rap, is an American rapper. He began his career in the mid-1980s as one half of the group Kool G Rap & DJ Polo and as a member of the Juice Crew. He is widely considered to be one of the most influential and skilled MCs of all time, and a pioneer of mafioso rap/street/hardcore content and multisyllabic rhyming. On his album The Giancana Story, he stated that the "G" in his name stands for "Giancana", but on other occasions he has stated that it stands for "Genius".

Wigger or Wigga is a term for a white person of European ethnic origin who emulates the perceived mannerisms, language, and fashions associated with African-American culture, particularly hip hop. The term is a portmanteau of white and nigger, or white nigger.

<span class="mw-page-title-main">African-American music</span> Musical traditions of African American people

African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots."

<span class="mw-page-title-main">Rakim</span> American rapper

William Michael Griffin Jr., better known by his stage name Rakim, is an American rapper. He is one half of golden age hip hop duo Eric B. & Rakim, with whom he released four albums: Paid in Full (1987), Follow the Leader (1988), Let the Rhythm Hit 'Em (1990), and Don't Sweat the Technique (1992). He also released three solo albums: The 18th Letter (1997), The Master (1999), and The Seventh Seal (2009).

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African American writers have been recognized by the highest awards, including the Nobel Prize given to Toni Morrison in 1993. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.

<span class="mw-page-title-main">Crazy Titch</span> Musical artist

Carl Dobson, better known by his stage name Crazy Titch, is a British grime MC who is now serving a life sentence for murder. Crazy Titch was a successful and well-known grime MC during his active period.

<span class="mw-page-title-main">Political hip hop</span> Music genre

Political hip hop is a subgenre of hip hop music that was developed in the 1980s as a way of turning hip hop into a form of political activism. Political hip hop generally uses the medium of hip hop music to comment on sociopolitical issues and send political messages to inspire action, create social change, or to convince the listener of a particular worldview. It was inspired partially by politically-focused 1970s artists such as The Last Poets and Gil Scott-Heron, as well as the Black Power movement and revolutionary politics of the 1960s and 1970s. Various hip hop artists emerged in the late 1980s espousing political messages and providing social and political commentary with KRS-One and his group Boogie Down Productions and Public Enemy in particular establishing themselves as some of the first predominantly political hip hop groups with albums in 1988. Soon to follow in 1989 and following years were other Political rappers, or known as "Conscious rap" including such groups as X-Clan, Poor Righteous Teachers, Paris (rapper), Disposable Heroes of Hiphoprisy and others The genre has helped to create a new form of social expression for subordinate groups to speak about their exclusions, injustices, and lack of power.

The Franklin Prophecy, sometimes called the Franklin Forgery, is an antisemitic speech falsely attributed to Benjamin Franklin, warning of the supposed dangers of admitting Jews to the nascent United States. The speech was purportedly transcribed by Charles Cotesworth Pinckney during the Constitutional Convention of 1787, but was unknown before its appearance in 1934 in the pages of William Dudley Pelley's Silver Legion pro-Nazi magazine Liberation. No evidence exists for the document's authenticity, and some of Pelley's claims have actively been disproven.

Hip-Hop: Beyond Beats and Rhymes is a 2006 documentary film written, produced, and directed by Byron Hurt. The documentary explores the issues of masculinity, violence, homophobia, and sexism in hip hop music and culture, through interviews with artists, academics, and fans. Hurt's activism in gender issues and his love of hip-hop caused him to feel what he described as a sense of hypocrisy, and began working on the film. The premiere of the film took place at the Sundance Film Festival, and was welcomed by a standing ovation. It has also won Best Documentary at the San Francisco Black Film Festival and the Audience Award at the Roxbury Film Festival. On February 20, 2007 the film aired on the PBS Emmy-winning documentary series, Independent Lens.

<i>The Death of Willie Lynch</i> 2006 studio album by Black Ice

The Death of Willie Lynch is the debut album released by Black Ice, an African-American rapper and poet. Although originally signed to Def Jam Records, Black Ice was thankful to have this album released by the indie label Koch Records. Eric "Booty" Greene handled the production for this album.

<span class="mw-page-title-main">Durrty Goodz</span> British grime MC, rapper and songwriter

Dwayne Mahorn, better known by his stage name Durrty Goodz, is a British grime MC, rapper and songwriter from London. He is known for his versatility across his tracks with a flow that fuses many styles, from dancehall to reggae to hip-hop and bashment, evoking artists as disparate as Ludacris, Kardinal Offishall and Pharoahe Monch. He is known for his lyricism, flow and wit on the mic.

Hip-hop or hip hop music, also known as rap, and formerly as disco rap, is a genre of popular music that originated in the early 1970s from African Americans and Afro-Caribbean immigrants in the Bronx, a borough of New York City. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "hip hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.

<i>The Revolution Will Not Be Televised</i> (album) 1974 compilation album by Gil Scott-Heron

The Revolution Will Not Be Televised is a compilation album by American poet Gil Scott-Heron. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name.

Misogyny in rap music is defined as lyrics, videos, or other components of rap music that encourage, glorify, justify, or legitimize the objectification, exploitation, or victimization of women. It is an ideology that depicts women as objects for men to own, use, and abuse. It reduces women to expendable beings. It might include everything from innuendos to stereotypical characterizations and defamations.

<span class="mw-page-title-main">Jelani Cobb</span> American writer, author and educator (born 1969)

William Jelani Cobb is an American writer, author, educator, and dean of the Columbia Journalism School.

<span class="mw-page-title-main">James G. Spady</span> American writer, historian, and journalist (1944–2020)

James G. Spady was an American Book Award-winning writer, historian, and journalist. Over his fifty-year career, Spady authored and edited numerous books, worked in radio, television, and film, wrote hundreds of newspaper articles for various print media, and received the National Newspaper Publishers Association's Meritorious Award.

References