Related Research Articles
The Artful Husband is a 1717 comedy play by the British writer William Taverner. Staged at the Lincoln's Inn Fields Theatre, it ran for fifteen nights. It was frequently revived during the eighteenth century.
Money the Mistress is a 1726 comedy play by the Irish writer Thomas Southerne. It was his final play.
The Female Fortune Teller is a 1726 comedy play by the British writer Charles Johnson. It is a reworking of Edward Ravenscroft's 1683 restoration comedy Dame Dobson.
Kensington Gardens is a 1719 comedy play by the Irish actor John Leigh. It is also known as Kensington Gardens, or, The Pretenders. It follows the attempts of several suitors to woo a wealthy rich widow, and the serious of complications that ensue.
The Coquet, or the English Chevalier is a 1718 comedy play by the Irish writer Charles Molloy.
The Traitor is a 1718 tragedy by the British writer Christopher Bullock. It was a revised version of the 1631 play of the same title by James Shirley. It was Bullock's only effort to write tragedy, as his other works were all farces.
The Capricious Lovers is a 1725 comedy play by the British writer Gabriel Odingsells. The play revolves around a vain militia colonel.
The Dissembled Wanton is a 1726 comedy play by the British writer Leonard Welsted.
Woman Is a Riddle is a 1716 comedy play by the British actor Christopher Bullock. Sometimes its title is written as A Woman Is a Riddle.
Hibernia Freed is a 1722 tragedy by the writer William Phillips. It is set during the ninth century during the Viking Invasion of Ireland. It was part of a growing Anglo-Irish interest in traditional Irish history, and part of a tendency to switch tragedy from Ancient Rome or Greece to more native settings.
Hob's Wedding is a 1720 farce by the Irish writer John Leigh.
The Modish Couple is a 1732 comedy play by the British writer James Miller, under the pen name Charles Boaden. A virtuous wife reforms her rakish husband.
Hanging and Marriage is a 1722 farce by the British writer Henry Carey. Written as an afterpiece it premiered at Lincoln's Inn Fields Theatre accompanying a revival of Dryden's The Spanish Friar.
Henry IV of France is a 1719 tragedy by the British writer Charles Beckingham. It portrays the reign of Henry IV of France, who was assassinated in 1610.
The Female Advocates is a 1713 comedy play by the British writer William Taverner. The longer title is The Female Advocates: or, the Frantic Stock-jobber.
The Apparition: or, The Sham Wedding is a 1713 British comedy play written by an anonymous author.
The Perplexed Couple is a 1715 comedy play by the Irish writer Charles Molloy.
Sir Walter Raleigh is a 1719 tragedy by the British writer George Sewell. It is based on the downfall of Walter Raleigh a successful courtier and sailor in the reign of Elizabeth who was executed in the reign of her successor James I. It was originally staged at the Lincoln's Inn Fields Theatre, one of the two patent theatres operating in London.
The Cobbler of Preston is a 1716 comedy play by Christopher Bullock, although a separate play of the same title was written by Charles Johnson the same year. A one-act afterpiece is the origin of the phrase "Tis impossible to be sure of anything but Death and Taxes". In the preface to the published version Bullock suggested that he had begun writing the play just four days before its premiere. It takes inspiration from The Taming of the Shrew by William Shakespeare and is set in Preston, Lancashire. The town had recently been scene of fighting during the 1715 Jacobite Rebellion at the Battle of Preston. Bullock's play does not overtly reference the rebellion, but has undertones supportive of the Hanoverian Dynasty.
The Lying Lover; Or, The Lady's Friendship is a 1703 comedy play by the Irish writer Richard Steele. It was his second play, written while he was an army office doing garrison duty in Harwich during the War of the Spanish Succession. It is described as being both a restoration comedy and a sentimental comedy, and marked the transition between the two.
References
- ↑ Burling p.76
