Mary Willis was a British stage actress of the eighteenth century.
She was the daughter of the actress Elizabeth Willis and sometimes appeared alongside her billed as Miss Willis. Like her mother she spent a number of years in the company at the Drury Lane Theatre but also appeared at the Haymarket Theatre and Lincoln's Inn Fields. Debuting as a child actor in 1701, she mainly appeared in revivals but occasionally acted in new plays. Her last known stage appearance was in York in 1734 when she played Selima in Nicholas Rowe's Tamerlane . [1]
Mary Kent was an English actress, whose career lasted from 1692 to 1718. Her dates of birth and death are not known. She was the wife of Drury Lane actor Thomas Kent.
Robert Wilks was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition.
Margaret Hughes, also Peg Hughes or Margaret Hewes, was an English actress who is often credited as the first professional actress on the English stage, as a result of her appearance on 8 December 1660. Hughes was the mistress of the English Civil War general Prince Rupert of the Rhine.
Isabella Girardeau was an Italian operatic soprano who flourished in London, England from 1709 to 1712. Commonly referred to by the opera going public in London as "La Isabella", she is best remembered today for creating the role of Almirena in the momentous premiere of George Frideric Handel's Rinaldo on 24 February 1711 at the Queen's Theatre in the Haymarket in which she introduced the famous aria "Lascia ch'io pianga". She had succeeded Joanna Maria Lindelheim, "The Baroness", as one of the leading sopranos at that theatre. She is said to have had a bitter rivalry with the Queen's other prima donna, the soprano Elisabetta Pilotti-Schiavonetti.
Thomas Elrington (1688–1732), was an English actor.
Christopher Bullock (1690–1722) was a British stage actor and dramatist.
Theophilus Keene (1680–1718) was an Anglo-Irish stage actor and theatre manager.
Jane Rogers was a British stage actress.
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane.
John Egleton (1698-1727) was a British stage actor.
Jane Egleton was a British stage actress of the eighteenth century associated with John Rich's company at the Lincoln's Inn Fields Theatre.
William Mills (1701–1750) was a British stage actor.
Thomas Smith was a British stage actor of the eighteenth century.
Jane Rogers was an English stage actress. To distinguish her from her daughter she is sometimes referred to as Jane Rogers the Elder.
John Corey was an English stage actor and playwright of the eighteenth century. His name is sometime written as John Cory.
Richard Diggs was a British stage actor.
Elizabeth Willis (c.1669-1739) was a British stage actress.
Richard Cross was a British stage actor of the seventeenth and eighteenth century.
John Thurmond was a British stage actor. To distinguish him from his son, also an actor named John, he is sometimes called John Thurmond the Elder.
Elizabeth James was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. Several of her known performances were in the premieres of work by John Dryden. She also featured in the debut of William Wycherley's The Country Wife in 1675. Her last known stage role was in 1676, although it appears she was still in the public eye more than a decade later.