Related Research Articles
An Evening's Love, or The Mock Astrologer is a comedy in prose by John Dryden. It was first performed before Charles II and Queen Catherine by the King's Company at the Theatre Royal on Bridges Street, London, on Friday, 12 June 1668. Samuel Pepys saw the play on 20 June of that year, but didn't like it; in his Diary he called it "very smutty."
Abdelazer; or, The Moor's Revenge is a 1676 play by Aphra Behn, an adaptation of the c. 1600 tragedy Lust's Dominion. It is Behn's only tragic play.
The Banditti is a 1686 comedy play by the English writer Thomas D'Urfey. It is also known by the longer title The Banditti: or, a Lady's Distress.
The Married Beau or The Curious Impertinent is a 1694 comedy play by the English writer John Crowne. It is inspired by a passage from Miguel de Cervantes's Don Quixote. Incidental music was composed by Henry Purcell.
Sir Courtly Nice: Or, It Cannot Be is a 1685 comedy play by the English writer John Crowne. Rehearsals by the United Company were underway when the death of Charles II in February led to the closure of all theatres as a mark of respect. The play was eventually staged on 9 May at the Theatre Royal, Drury Lane. It is the tradition of the Restoration Comedy. A popular hit it became a stock part of the repertoire for more than a century, with Colley Cibber and Anne Oldfield appearing in a celebrated 1709 revival.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Slighted Maid is a 1663 comedy play by the English writer Robert Stapylton.
Charles VIII of France also known by the longer title The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French is a 1671 tragedy by the English writer John Crowne. It is based on the reign of Charles VIII of France and particularly his Italian War of the 1490s.
The Counterfeits is a 1678 comedy play by the English writer John Leanerd. It was staged by the Duke's Company at the Dorset Garden Theatre with a cast that included Anthony Leigh as Don Gomez, Thomas Gillow as Don Luis, Thomas Betterton as Vitelli, Henry Harris as Antonio, Matthew Medbourne as Carles, William Smith as Peralta, Thomas Percival as Dormilon, Cave Underhill as Fabio, Joseph Williams as Crispin, John Richards as Tonto, Mary Lee as Elvira, Emily Price as Violante and Anne Shadwell as Flora.
A Commonwealth of Women is a 1685 comedy play by the English writer Thomas D'Urfey. Originally performed by the United Company as the Theatre Royal, Drury Lane, the cast included Joseph Williams as Captain Marine, Philip Griffin as Du Pier, Thomas Percival as Boldsprite, Thomas Jevon as Franvil, Anthony Leigh as Frugal, Joseph Haines as Hazard, Thomas Gillow as Don Sebastian, John Bowman as Nicusa, Henry Norris as La Mure, Joseph Harris as Bourcher, Katherine Corey as Roselia, Mary Lee as Clarinda, Margaret Osborne as Ariadne, Sarah Cooke as Aminta, Emily Price as Hippolita and Frances Maria Knight as Aglaura.
The Fatal Marriage; Or, The Innocent Adultery is a 1694 tragicomedy by the Anglo-Irish writer Thomas Southerne. It was part of the tradition of She-tragedy which flourished at the time. Incidental music for the work was composed by Henry Purcell.
Love Makes A Man; Or, The Fop's Fortune' is a 1700 comedy play by the English writer Colley Cibber. It borrows elements from two Jacobean plays The Elder Brother and The Custom of the Country by John Fletcher.
Henry Harris was an English stage actor and theatre manager. Initially a painter he was a founder member of the new Duke's Company in 1660 following the Restoration which established itself at the old Salisbury Court Theatre before moving to the new Lincoln's Inn Fields Theatre shortly afterwards. Due to his background Harris may have been a set designer and painter during his early years with the company. However, by 1661 he was acting, and his first recorded role was in William Davenant's The Siege of Rhodes that summer. He quickly established himself as the second actor in the troupe after Thomas Betterton.
John Crosby was an English stage actor of the Restoration Period. He first recorded performance is in 1662 when he appeared in Ignoramus at Whitehall Palace, likely as a child actor. It was further eight years before he was solidly established in the Duke's Company in 1670 beginning with The Forc'd Marriage by Aphra Behn. He became a regular with the company over the following decade, often playing young lover roles. He retired from the stage in 1679 and later became a justice of the peace for Middlesex. He died on 8 April 1724 and was buried in St Sepulchre.
Theodosius; Or, The Force Of Love is a 1680 tragedy by the English writer Nathaniel Lee. It was first staged by the Duke's Company at the Dorset Garden Theatre. It takes place during the reign of the Roman Emperor Theodosius II. Incidental music for the play was composed by Henry Purcell.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
Sir Barnaby Whigg; Or, No Wit Like A Womans is a 1681 comedy play by the English writer Thomas D'Urfey. It was first staged by the King's Company at the Theatre Royal, Drury Lane. A song for the play was composed by Henry Purcell.
The Spanish Rogue is a 1673 comedy play by the English writer Thomas Duffet. It was first performed at the Theatre Royal, Drury Lane by the King's Company.
Edward Lydall was an English stage actor of the seventeenth century. He was a member of the King's Company at the Theatre Royal, Drury Lane. His first known performance was in 1668. He generally played supporting roles. His surname is sometimes written as Lidell.
The Loyal Brother; Or, The Persian Prince is a 1682 tragedy by the Irish writer Thomas Southerne. It was first performed by the King's Company at the Theatre Royal, Drury Lane in London. The prologue was written by John Dryden. It was Southerne's first play and was written in the context of the recent Exclusion Crisis and the Popish Plot from a Tory viewpoint. Two characters are thinly disguised versions of contemporary figures, the heroic Tachmas is James, Duke of York and the villain is the Whig politician the Earl of Shaftesbury. It was staged at a time when the growing Tory Reaction had swung power away from the Whigs trying to exclude the Catholic York from the throne.
References
- ↑ Van Lennep p.245
