Regulus is a 1692 tragedy by the English writer John Crowne. It portrays the career of Marcus Atilius Regulus, a Roman Consul at the time of the First Punic War. A separate play of the same title was written by William Havard in 1744.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Slighted Maid is a 1663 comedy play by the English writer Robert Stapylton.
Cambyses, King of Persia is 1671 tragedy by the English writer Elkanah Settle. It was staged by the Duke's Company at the Lincoln's Inn Fields Theatre in London. The original cast included Thomas Betterton as Cambyses, Henry Harris as Prexaspes, John Crosby as Otanes, William Smith as Darius, Henry Norris as Artaban, Matthew Medbourne as Smerdis, Samuel Sandford as Parasithes, John Young as Theramnes, Mary Betterton as Mandana, Elinor Dixon as Orinda and Jane Long as Osiris.
Squire Oldsapp is a 1678 comedy play by the English writer Thomas D'Urfey. Staged by the Duke's Company at the Dorset Garden Theatre in London, the original cast included Thomas Betterton as Welfore, William Smith as Henry, John Crosby as Lovell, James Nokes as Squire Oldsapp, Anthony Leigh as Sir Frederick Banter, Samuel Sandford as Colonel Buff, Cave Underhill as Pimpo, Emily Price as Christina and Elizabeth Currer as Madame Tricklove.
The Country Wit is a 1676 comedy play by the English writer John Crowne, part of the tradition of Restoration Comedy. It was first staged at the Dorset Garden Theatre in London by the Duke's Company. The cast included Samuel Sandford as Sir Thomas Rash, Thomas Betterton as Ramble, James Nokes as Sir Mannerly Shallow, Henry Harris as Merry, Cave Underhill as Booby, Matthew Medbourne as Lord Drybone, Anthony Leigh as Rash, Mary Betterton as Lady Faddle, Mary Lee as Christina, Elizabeth Currer as Betty Frisque and Elinor Leigh as Isabella.
Alcibiades is a 1675 tragedy by the English writer Thomas Otway, based on the life of the Athenian statesman and general Alcibiades. Staged by the Duke's Company, it premiered at the Dorset Garden Theatre in London with a cast that featured Thomas Betterton as Alcibiades, Matthew Medbourne as Agis, Samuel Sandford as Tissaphernes, John Crosby as Patroclus, Henry Harris as Theramnes, Thomas Gillow as Polyndus, Mary Lee as Deidamia, Mary Betterton as Timandra and Elizabeth Barry as Draxilla.
Charles VIII of France also known by the longer title The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French is a 1671 tragedy by the English writer John Crowne. It is based on the reign of Charles VIII of France and particularly his Italian War of the 1490s.
Don Sebastian, King Of Portugal is a 1689 tragedy by the English writer John Dryden. It is based on the reign of Sebastian of Portugal leading up to his defeat and death at the Battle of Alcácer Quibir in 1578. An Elizabethan play The Battle of Alcazar also portrays the events.
The Injured Lovers; Or, The Ambitious Father is a 1688 tragedy by the English writer William Mountfort. It was premiered by the United Company at the Theatre Royal, Drury Lane.
Boadicea, Queen of Britain is a 1697 tragedy by the English writer Charles Hopkins. Based on the story of Boudica the British ruler who revolved against Roman Rule, it was first staged by Thomas Betterton's company at the Lincoln's Inn Fields Theatre in London.
The Cutter of Coleman Street is a comedy play by the English writer Abraham Cowley. It premiered at the Lincoln's Inn Fields Theatre on 16 December 1661, performed by the Duke's Company. Cowley had originally written it in 1658 during the English Commonwealth era. The title refers to Coleman Street in the City of London. The Royalist Cowley inserted lines mocking the recent republican government of England, including Thomas Harrison who had been executed for regicide the previous year. Although it was released during the Restoration period, along with The Committee its debt to earlier traditions mean that it not a full Restoration comedy in the style that would flourish after George Etherege's The Comical Revenge in 1664.
The Comical Revenge; Or, Love In A Tub is a 1664 comedy play by the English writer George Etherege. First staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre. It is one of the earliest Restoration Comedies.
The Stepmother or The Step-Mother is a 1663 tragicomedy by the English writer Robert Stapylton. It was first staged by the Duke's Company, premiering at the Lincoln's Inn Fields Theatre.
Juliana; Or, The Princess Of Poland is a 1671 tragedy by the English writer John Crowne. It was originally staged by the Duke's Company at the Lincoln's Inn Fields Theatre in London.
The Conquest of China by the Tartars is a 1675 tragedy by the English writer Elkanah Settle. It was originally performed by the Duke's Company at the Dorset Garden Theatre in London.
The Destruction of Troy is a 1678 tragedy by the English writer John Banks. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It depicts the Trojan War as inspired by Homer's Iliad.
Mustapha, The Son Of Solyman The Magnificent is a 1665 tragedy by the Irish writer Roger Boyle, 1st Earl of Orrery. It was first performed by the Duke's Company at the Lincoln's Inn Fields Theatre in London. It is based on the life of Şehzade Mustafa, son of Suleiman the Magnificent who had him executed.
Sir Salomon; Or, The Cautious Coxcomb is a 1670 comedy play by the English writer John Caryll. It has often been staged under the title Sir Solomon Single. It was first performed by the Duke's Company at the Lincoln's Inn Fields Theatre in London. It is part of the tradition of Restoration comedy.
Cleomenes, the Spartan Hero or Cleomenes, The Spartan Heroe: A Tragedy is a 1692 tragedy by the English writer John Dryden. It was first staged at the Theatre Royal, Drury Lane by the United Company. It portrays the reign of Cleomenes, the King of Sparta, inspired by Plutarch's history of the period. Dryden's version is strongly Jacobite in drawing parallels from his overthrow to the recent Glorious Revolution in England. Because of this it was temporarily banned by the authority of Queen Mary.
