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The decade of the 1090s in art involved some significant events.
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| 1080s .1090s in art. 1100s |
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The decade of the 1090s in art involved some significant events.
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Ink wash painting is a type of Chinese ink brush painting which uses black ink, such as that used in Chinese calligraphy, in different concentrations. Emerging during the Tang dynasty of China (618–907), it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. It flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views different from this, and they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
Chinese painting is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as guó huà, meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called danqing. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media.
Song is the pinyin transliteration of the Chinese family name 宋. It is transliterated as Sung in Wade-Giles, and Soong is also a common transliteration. In addition to being a common surname, it is also the name of a Chinese dynasty, the Song Dynasty, written with the same character.
Emperor Huizong of Song, personal name Zhao Ji, was the eighth emperor of the Northern Song dynasty of China. He was also a very well-known calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan who assumed the title Emperor Qinzong while Huizong assumed the honorary title of Taishang Huang. The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong, along with Emperor Qinzong and the rest of their family, were taken captive by the Jurchens and brought back to the Jin capital, Huining Prefecture in 1128. The Jurchen ruler, Emperor Taizong of Jin, gave the former Emperor Huizong a title, Duke Hunde, to humiliate him. After his surviving son, Zhao Gou, declared himself as the dynasty's tenth emperor as Emperor Gaozong, the Jurchens used him, Qinzong, and other imperial family members to put pressure on Gaozong and his court to surrender. Emperor Huizong died in Wuguo after spending about nine years in captivity.
Guo Xi was a Chinese landscape painter from Henan Province who lived during the Northern Song dynasty. One text entitled "The Lofty Message of Forest and Streams" is attributed to him. The work covers a variety of themes centered on the appropriate way of painting a landscape. He was a court professional, a literatus, well-educated painter who developed an incredibly detailed system of idiomatic brushstrokes which became important for later painters. One of his most famous works is Early Spring, dated 1072. The work demonstrates his innovative techniques for producing multiple perspectives which he called "the angle of totality." This type of visual representation is also called "Floating Perspective", a technique which displaces the static eye of the viewer and highlights the differences between Chinese and Western modes of spatial representation.
Li Tang was a Chinese landscape painter who practised at Kaifeng and Hangzhou during the Song dynasty. He forms a link between earlier painters such as Guo Xi, Fan Kuan and Li Cheng and later artists such as Xia Gui and Ma Yuan. He perfected the technique of "axe-cut" brush-strokes.
Emperor Chongzong 崇宗 (1084–1139), born Li Qianshun 李乾順, was the 4th emperor of the Western Xia. His reign began at the age of three, when his father Li Bingchang died. He remained under the regency of the Dowager Empress Madame Liang until she was poisoned in 1099 by a Liao envoy.
The Zhe School (浙派) was a school of painters and was part of the Northern School, which thrived during the Ming dynasty. The school was led by Dai Jin, traditionally considered its founder. The "Zhe" of the name refers to Dai Jin's home province - Zhejiang. The school was not a school in the proper sense of the word in that the painters did not formulate a new distinctive style, preferring instead to further the style of the Southern Song, specializing in decorative and large paintings. Instead the school was identified by the formal, academic and conservative outlook, being a revival in the early Ming Dynasty of the Ma-Xia, 'academic', style of painting landscapes of the Southern Song.
Huang Tingjian was a Chinese calligrapher, painter, and poet of the Song dynasty. He is predominantly known as a calligrapher, and is also admired for his painting and poetry. He was one of the Four Masters of the Song Dynasty, and was a younger friend of Su Shi and influenced by his and his friends' practice of literati painting, calligraphy, and poetry.
Ma Yuan was a Chinese painter of the Song dynasty. His works, together with that of Xia Gui, formed the basis of the so-called Ma-Xia (馬夏) school of painting, and are considered among the finest from the period. His works has inspired both Chinese artists of the Zhe School, as well as the early Japanese painters Shūbun and Sesshū.
The Song dynasty was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts.
The decade of the 1170s in art involved some significant events.
The decade of the 1160s in art involved some significant events.
The decade of the 1140s in art involved some significant events.
The decade of the 1020s in art involved some significant events.
The decade of the 1040s in art involved some significant events.
The decade of the 1100s in art involved some significant events.
The decade of the 1080s in art involved some significant events.
Wang Ximeng (1096–1119) was a Chinese painter during the Song Dynasty, in the early twelfth century. A prodigy, Wang was one of the most renowned court painters of the Northern Song period, and was taught personally by Emperor Huizong of Song himself. He died at the age of 23.
Chen Yuyi was a Chinese poet and politician of the Song dynasty.