| |||
---|---|---|---|
+... |
1080s .1090s in art. 1100s |
Art timeline |
The decade of the 1090s in art involved some significant events.
This section is empty. You can help by adding to it. (July 2010) |
Hildegard of Bingen OSB,, also known as the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages. She is one of the best-known composers of sacred monophony, as well as the most recorded in modern history. She has been considered by a number of scholars to be the founder of scientific natural history in Germany.
Ink wash painting ; is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
Chinese painting is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as guó huà, meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called danqing. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media.
Fan Zhongzheng, courtesy name Zhongli, better known by his pseudonym Fan Kuan, was a Chinese landscape painter of the Song dynasty. He was both a Daoist and a Neo-Confucianist.
Guo Xi was a Chinese landscape painter from Henan Province who lived during the Northern Song dynasty. One text entitled "The Lofty Message of Forest and Streams" is attributed to him. The work covers a variety of themes centered on the appropriate way of painting a landscape. He was a court professional, a literatus, well-educated painter who developed an incredibly detailed system of idiomatic brushstrokes which became important for later painters. One of his most famous works is Early Spring, dated 1072. The work demonstrates his innovative techniques for producing multiple perspectives which he called "the angle of totality." This type of visual representation is also called "Floating Perspective", a technique which displaces the static eye of the viewer and highlights the differences between Chinese and Western modes of spatial representation.
Li Tang was a Chinese landscape painter who practised at Kaifeng and Hangzhou during both the Northern Song and Southern Song dynasty. He forms a link between earlier painters such as Guo Xi, Fan Kuan and Li Cheng and later artists such as Xia Gui and Ma Yuan. He perfected the technique of "axe-cut" brush-strokes and his style of painting became for what is regarded as the academy-style landscape of the Southern Song.
Huang Gongwang, birth name Lu Jian, was a Chinese painter, poet and writer born at the end of the Song dynasty in Changshu, Jiangsu. He was the oldest of the "Four Masters of the Yuan dynasty" (1206-1368).
Mi Fu (1051–1107), originally named Mi Fei, was a Chinese painter, poet, and calligrapher born in Taiyuan during the Song dynasty. He became known for his style of painting misty landscapes. This style would be deemed the "Mi Fu" style and involved the use of large wet dots of ink applied with a flat brush. His poetry was influenced by Li Bai and his calligraphy by Wang Xizhi.
Chen Hongshou, formerly romanized as Ch'en Hung-shou, was a Chinese painter of the late Ming dynasty.
Li Cheng, courtesy name Xiánxī (咸熙), was a Chinese painter of the Song dynasty. He was influenced by Jing Hao and Juran. Li Cheng, Fan Kuan, and Guan Tong became known as the "three great rival artists".
Scivias is an illustrated work by Hildegard von Bingen, completed in 1151 or 1152, describing 26 religious visions she experienced. It is the first of three works that she wrote describing her visions, the others being Liber vitae meritorum and De operatione Dei. The title comes from the Latin phrase Sci vias Domini. The book is illustrated by 35 miniature illustrations, more than that are included in her two later books of visions.
The decade of the 1170s in art involved some significant events.
The decade of the 1020s in art involved some significant events.
The decade of the 1100s in art involved some significant events.
The Stavelot Bible is a Romanesque illuminated manuscript Bible in two volumes datable to 1093–1097. It was produced for, but not necessarily in, the Benedictine monastery of Stavelot, in the Principality of Stavelot-Malmedy of modern Belgium, and required four years to complete. It was probably the main liturgical Bible of the monastery, kept on the altar of the abbey church or in the sacristy, rather than in the library. It is one of the most important Mosan manuscripts of the last quarter of the 11th century, and shares some of its scribes and artists with the earlier Lobbes Bible and a manuscript of Josephus, in all of which a monk called Goderannus was at least a scribe, and possibly the main artist. For many years it was in the Royal Library at Bamberg, until it was acquired by the British Library in London, where it is catalogued as Add MS 28106-28107. The pages measure 581 x 390 mm, and there are 228 and 240 leaves in the two volumes.
The northern landscape style was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the Five Dynasties period that occupied the time between the collapse of the Tang dynasty and the rise of the Song. The style stands in opposition to the Southern School of Chinese painting.
Wayne R. Dynes was an American art historian, encyclopedist, and bibliographer. He was professor emeritus in the Art Department at Hunter College, where he taught from 1972 to 2005.
Wang Shen, courtesy name Jinqing, was a Chinese calligrapher, painter, poet, and politician of the Song dynasty. He is best known for his surviving paintings, poetry, and calligraphy, and for his relationships with prominent statesmen and early amateur literati artists such as Su Shi, Huang Tingjian and Mi Fu.
This is a list of philosophy-related events in the 12th century. Philosophy at the time was influenced by the ongoing crusades.
Cloudy Mountains are a set of two paintings of the same name created by Chinese Song dynasty artist, Mi Youren (1072–1151), son of painter Mi Fu.