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The 2-step, also known as Mini Swipe or Baby Swipe, is a footwork sequence in breakdance. [1]
| | This article needs additional citations for verification .(May 2013) |
The 2-step, also known as Mini Swipe or Baby Swipe, is a footwork sequence in breakdance. [1]
The 2-step is a fundamental dance move that is often one of the first footwork sequence learned by breakdancers. [2] Many breakdance moves can begin from the 2-step position. This move sets up the direction of movement and builds up momentum when dancing. This move allows the dancer to stay low and in contact with the ground, which places him in an optimal position for performing other dance moves. This move is launched from the third step of the basic 6-step and involves the dancer hopping with a crouched leg over the other straightened leg while simultaneously rotating the dancer's body over the swinging leg in a twisting movement similar to a swipe. The move leaves the dancer in a position similar to the fourth step of the 6-step, but facing 180 degrees in the opposite direction. [3] When dancing 2-step is often used as a move by itself or as a transition into other moves such as powermoves, freezes, toprock and much more. [4]
This description is for clockwise rotation. [5] As the name implies, there are a total of two steps in this dance move. A standard version begins in a push up position.
Once you have these steps down you should combine steps two and three and do the moves simultaneously.
The 2-step is a move based on the 6-step. The 2-step can be down on the knuckles of the hand as well as the palm. [6]
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
The Big Apple is both a partner dance and a circle dance that originated in the Afro-American community of the United States in the beginning of the 20th century.
The cha-cha-cha, is a dance of Cuban origin. It is danced to cha-cha-cha music introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
Breakdancing or breaking, also called b-boying or b-girling (women), is a style of street dance originated by African Americans with notable contributions from Puerto Ricans in the Bronx.
The chassé is a dance step used in many dances in many variations. All variations are triple-step patterns of gliding character in a "step-together-step" pattern. The word came from ballet terminology.
Footwork refers to dance technique aspects related to feet: foot position and foot action.
The Swipe is one of the most recognizable power moves in b-boying. The b-boy or b-girl leans back, whips his or her arms to one side to touch the ground, and his or her legs follow closely behind, twisting 360 degrees to land on the ground once again. An example is the swipe performed by the character Samir in the movie Office Space.
The flare is an acrobatic move in which the performer alternates balancing the torso between either arm while swinging the legs beneath in continuous circles. It is a fundamental b-boying/bgirl power move, and in gymnastics it may be performed on a pommel horse or during the floor exercise. The move is commonly spelled flair in gymnastics and further may be called a "Thomas flair" after its originator, Kurt Thomas.
The 6-step is the basic sequence of breakdancing footwork. The dancer uses their arms to support their body above the floor while moving their legs in a circle.
Footwork is a martial arts and combat sports term for the general usage of the legs and feet in stand-up fighting. Footwork involves keeping balance, closing or furthering the distance, controlling spatial positioning, and/or creating additional momentum for strikes.
A spin is a b-boying move that involves rotation of the breaker's body about some axis in contact with the ground. It is possible to perform a spin on virtually any part of the body, but bare skin often causes painful and spin-killing friction with the floor. To solve this problem, many breakers employ pieces of cloth or wear long clothing, pads, or caps. When the dancer uses his hands to aid in speeding up the spin, it is called tapping. A dancer may tap for a few rotations and then glide for subsequent rotations. Spins form an integral part of many breakers' routines, while others eschew them in favor of more complex-looking repeated movements, back and forth, after each rotation in a given direction.
A freeze is a b-boying technique that involves halting all body motion, often in an interesting or balance-intensive position. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions.
Locking is a style of funk dance. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.
Enpi (燕飛), also frequently transliterated as Empi, is a kata practiced by Shotokan and other karate styles. Enpi means Flying Swallow.
Tactics are very important to playing well in modern fencing and although technique is important in the sport, using an array of tactics will help fencers make the most of that technique.
The Strictly is a signature dance routine from the BBC show Strictly Come Dancing, which launched in the 13th series of the popular entertainment show. The dance was devised by Strictly Come Dancing's Director of Choreography, Jason Gilkison and draws inspiration from some of the show's most iconic moves, as well as celebrating some of the show's stars.
