A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.
The Baptist Union of Scotland is a Baptist Christian denomination in Scotland. It is affiliated with the Baptist World Alliance. The headquarters is in Glasgow.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
Ananias Davisson was a singing school teacher, printer and compiler of shape note tunebooks. He is best known for his 1816 compilation Kentucky Harmony, which is the first Southern shape-note tunebook. According to musicologist George Pullen Jackson, Davisson's compilations are "pioneer repositories of a sort of song that the rural South really liked."
The Kentucky Harmony is a shape note tunebook, published in 1816 by Ananias Davisson. It is the first Southern shape-note tunebook.
"Rock of Ages" is a popular Christian hymn written by the Reformed Anglican minister Augustus Toplady.
Samuel Stennett was a Seventh Day Baptist minister and hymnwriter.
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part harmony, a fast harmonic rhythm, with or without refrain or chorus.
Contemporary worship is a form of Christian worship that emerged within Western evangelical Protestantism in the 20th century. It was originally confined to the charismatic movement, but is now found in a wide range of churches, including many which do not subscribe to a charismatic theology. Contemporary worship uses contemporary worship music in an informal setting. Congregational singing typically comprises a greater proportion of the service than in conventional forms of worship. Where contemporary worship is practiced in churches with a liturgical tradition, elements of the liturgy are frequently kept to a minimum. The terms historic worship, traditional worship or liturgical worship are sometimes used to describe conventional worship forms and distinguish them from contemporary worship.
The Triennial Convention was the first national Baptist denomination in the United States. Officially named the General Missionary Convention of the Baptist Denomination in the United States of America for Foreign Missions, it was formed in 1814 to advance missionary work and headquartered in Philadelphia, Pennsylvania. In a dispute over slavery and missions policy, Baptist churches in the South separated from the Triennial Convention and established the Southern Baptist Convention in 1845. This split left the Triennial Convention largely Northern in membership. In 1907, the Triennial Convention was reorganized into the Northern Baptist Convention, which was renamed American Baptist Churches USA in 1972.
"Gwahoddiad" is a Welsh hymn of American origin.
Charles Davis Tillman —also known as Charlie D. Tillman, Charles Tillman, Charlie Tillman, and C. D. Tillman—was a popularizer of the gospel song. He had a knack for adopting material from eclectic sources and flowing it into the mix now known as southern gospel, becoming one of the formative influences on that genre.
The Association of Baptist Churches in Ireland is a Baptist Christian denomination based in Ireland. It is a group of 117 autonomous Baptist churches working together in fellowship and evangelism, training and caring ministries. The association only acts on behalf of the churches for the work which the churches have agreed to do together.
Geoffrey Beaumont (1903–1970) was an Anglican priest and monk of the Community of the Resurrection who was also a composer of popular songs and hymn tunes. After graduation he attended Ely Theological College and was ordained in 1932 to a curacy in Nunhead. During the war he served as a chaplain in the RNVR, for which he was awarded the MBE. From 1947 to 1952 he was chaplain of Trinity College, Cambridge. In 1961 he entered the Community of the Resurrection.
The Canadian Baptists of Western Canada, formerly the Baptist Union of Western Canada, is a moderate Baptist denomination with churches in British Columbia, Alberta, Saskatchewan, Manitoba, Yukon and the Northwest Territories. Headquarters is in Calgary, Alberta. The union is one of four components of Canadian Baptist Ministries.
The Arizona Southern Baptist Convention (ASBC) is an autonomous association of Baptist churches in the U.S. state of Arizona. It is one of the state conventions associated with the Southern/Great Commission Baptists.
The Mississippi Baptist Convention Board (MBCB) is an autonomous association of Baptist churches in the U.S. state of Mississippi. It is one of the state conventions associated with the Southern Baptist Convention. Formed in 1836, it was one of the original nine state conventions to send delegates to the first Southern Baptist Convention, organized in 1845.
Thomas Obadiah Chisholm (1866–1960) was an American hymnwriter, poet, and Methodist minister.
"What Wondrous Love Is This" is a Christian folk hymn from the American South. Its text was first published in 1811, during the Second Great Awakening, and its melody derived from a popular English ballad. Today it is a widely known hymn included in hymnals of many Christian denominations.
