Allan Douglass Coleman (born 1943) [1] is an independent American critic, historian, educator, and curator of photography and photo-based art, and a widely published commentator on new digital technologies. He has published eight books and more than 2000 essays on photography and related subjects. He has lectured and taught internationally; his work has been translated into 21 languages and published in 31 countries.
Coleman was born in Brooklyn, New York, on December 19, 1943. His parents were of Russian and Polish descent on the side of his father, Earl M. Coleman, and Scots on the side of his mother, née Frances Louise Allan. During the McCarthy era (1951–3) his family moved to France, during which time he became bilingual francophone, and then briefly to England, before returning to the U.S. Aside from that interruption he was raised in Manhattan, where he went to school at, successively, P.S. 41 and P.S. 3 in Greenwich Village, Stuyvesant High School, and Hunter College (Bronx campus), now known as Lehman College.
While at Hunter he worked on both the bi-campus newspaper, the Hunter Arrow, and the school literary magazine, Echo. In 1963 he published a one-act-play in Echo, titled "Midnight Mass", that evoked the wrath of the conservative Catholic newspaper The Tablet (Diocese of Brooklyn), resulting in a public uproar that nearly ended up with the imposition of censorship on all CUNY publications. In 1963–64 he served as editor-in-chief of the Hunter Arrow. [2] He received his B.A. in English Literature from Hunter in 1964, and was named to Sigma Tau Delta, the English honors society.
Coleman was the first photo critic for The New York Times , authoring 120 articles during his tenure. [3] He started writing in 1967 and has contributed to The Village Voice , The New York Observer and numerous magazines, artist monographs and other publications worldwide. [3]
He was named one of The Top 100 People in Photography by American Photo Magazine in 1974. [4]
Coleman launched The Nearby Café, an online magazine, in 1995. [5]
He has had several collections of his reviews/criticism published in book form including:
Martin Parr is a British documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.
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Daidō Moriyama is a Japanese photographer best known for his black-and-white street photography and association with the avant-garde photography magazine Provoke.
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Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
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Cornell Capa was a Hungarian American photographer, member of Magnum Photos, photo curator, and the younger brother of photo-journalist and war photographer Robert Capa. Graduating from Imre Madách Gymnasium in Budapest, he initially intended to study medicine, but instead joined his brother in Paris to pursue photography. Cornell was an ambitious photo enthusiast who founded the International Center of Photography in New York in 1974 with help from Micha Bar-Am after a stint of working for both Life magazine and Magnum Photos.
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Helmut Erich Robert Kuno Gernsheim was a historian of photography, a collector and a photographer.
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Robert Delpire was an art publisher, editor, curator, film producer and graphic designer who lived and worked in Paris. He predominantly concerned himself with documentary photography, influenced by his interest in anthropology.
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