A. Duval was an artist and engraver active in France from 1769 to 1801.
Duval's earliest known work is a highly detailed watercolor of a dungeon, signed and dated 1769. A later watercolor of a dungeon is signed and dated 1773. [1] A drawing of a "design for the top and side of an oval, enamelled, gold, neo-classical snuffbox," at the Victoria and Albert Museum in London, bears an identical signature and the date 1770. [2] [3]
Engravings of Duval's depictions of French furniture were published by Jean-François Daumont in Paris, c.1770. [4] [5] [6] [7]
His engravings of architectural studies by Juste-Nathan François Boucher (also called Boucher fils), published by Jacques-François Chéreau around 1775, include a stylized and dated signature "ADUVAL fecit 1774" with conjoined letters A and D. [4] [8] [9] [10]
Four architectural studies of tombs drawn and engraved by the artist (inscribed "Duval inv. sculp. 1775") are cited by Jessen. [4] [11]
Later works include his engravings after illustrations by Antoine-Denis Chaudet, François Gérard, Jean-Guillaume Moitte, and Nicolas-Antoine Taunay for the first volume of the complete Oeuvres de Jean Racine published by Pierre Didot in Paris in 1801. [12]
A. Duval's engravings are conserved at the Metropolitan Museum in New York, [13] the Museum of Fine Arts, Houston, [14] the Rijksmuseum in Amsterdam, [15] and in Paris at the Louvre [16] and the Institut National d'Histoire de l'Art (INHA). [17]
François Boucher was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
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