A. Laurie Palmer

Last updated

A. Laurie Palmer is a contemporary American artist, writer, and activist. Her work is in institutional collections including The Smart Museum of Art, Chicago and the City of Linz, Austria. [1] She is a professor at the University of California, Santa Cruz. [2]

Contents

Career

Palmer has been exhibiting work both as an individual and as part of the artistic collective Haha since 1988 in national and international venues. Palmer's practice is primarily research-based, and explores the poetics of matter and nature through such subjects as mineral extraction sites, human bodies, and land wealth. Her work takes various forms, including public sculpture, writing, installation, and online websites.

In 2001, Palmer was given an Artadia Award. [3]

In naming Palmer's installation Still, yet, else, further, again one of the best exhibits of 2012 in the Chicago Tribune , Claudine Ise wrote that Palmer's work "imbues the ordinary world with mystery and made us feel as if we were seeing it for the first time. [4] "

Her recent work engages with issues of shared natural resources and takes the form of large-scale public projects with a social or environmental focus. Her extended exploration of mineral extracting in the United States resulted in the publication In the Aura of a Hole by Black Dog Publishing (2014), which includes photographs and text by the artist. Each chapter centers on a visit or an attempted visit to an extraction site. The narration discusses themes of environmental justice, Indigenous rights, industrial agriculture, and environmental destruction. [5]

She earned a degree English literature and studio art at Williams College as an undergraduate, a MFA at the School of the Art Institute of Chicago in 1988 in printmaking and sculpture. [6]

Collaborative work

For twenty years, Palmer worked with the artistic collective Haha. The group, composed of Palmer, Richard House, Wendy Jacob, and John Ploof, created work at the intersection of art and activism. For example, their 1993 "Flood: A Volunteer Network for Active Participation in Healthcare," consisted of a hydroponic garden in a storefront in the Rogers Park, Chicago, neighborhood to be used by HIV/AIDS service organizations. [7] The group was founded, in part, as a reaction to trends in art-making that emphasized the global rather than the specificity of place. As the group wrote in a collective statement: "Haha came together to look for ways in which place does matter, in which the particularities of living in a locally and sensually embedded situation....deeply affect our lives." [8]

Haha's final project was the 2008 book Love from Haha, however, Palmer still regards collaboration as "a central ethic" to her practice. [1] In 2006, she collaborated with mathematicians Martin and Erik Demaine on "The Helium Stockpile," a mathematical folding sculpture consisting of hundreds of wooden blocks that can be manipulated into near countless shapes by the viewer. [9]

Books

Related Research Articles

<span class="mw-page-title-main">Installation art</span> Three-dimensional work of art

Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.

Wendy W. Jacob is a multidisciplinary artist. She is best known for works in the areas of sculpture, public art and urban intervention.

Temporary Services is an art group of three people based in Chicago, Illinois, Philadelphia, Pennsylvania (USA), and Copenhagen, Denmark. Temporary Services has created art projects, public events, publications, and exhibitions since 1998.

<span class="mw-page-title-main">Isa Genzken</span> German contemporary artist (born 1948)

Isa Genzken is a German artist who lives and works in Berlin. Her primary media are sculpture and installation, using a wide variety of materials, including concrete, plaster, wood and textile. She also works with photography, video, film and collage.

<span class="mw-page-title-main">Anne Wilson (artist)</span> American visual artist (born 1949)

Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.

<span class="mw-page-title-main">Jessica Stockholder</span> American artist

Jessica Stockholder is a Canadian-American artist known for site-specific installation works and sculptures that are often described as "paintings in space." She came to prominence in the early 1990s with monumental works that challenged boundaries between artwork and display environment as well as between pictorial and physical experience. Her art often presents a "barrage" of bold colors, textures and everyday objects, incorporating floors, walls and ceilings and sometimes spilling out of exhibition sites. Critics suggest that her work is informed by diverse artistic traditions, including abstract expressionism, color field painting, minimalism and Pop art. Since her early career, they have noted in her work an openness to spontaneity, accident and marginality and a rejection of permanency, monetization and disciplinary conventions that Stephen Westfall characterized as an "almost shocking sense of freedom."

<span class="mw-page-title-main">Iñigo Manglano-Ovalle</span> American conceptual artist

Iñigo Manglano-Ovalle is an American conceptual artist known for multidisciplinary, socially oriented sculpture, video and installations and urban community-based projects of the 1990s. His work often explores a dialectical relationships involving minimalist aesthetics, the utopian ambitions of modernism and science, and the resulting—often negative—social, geopolitical and ecological consequences of such ideologies. New York Times critic Holland Cotter wrote that Manglano-Ovalle was adept in "distilling complex ideas into inviting visual metaphors," while Jody Zellen described his work as "infused with a formal elegance and sociopolitical content." Manglano-Ovalle has been featured in solo exhibitions at the Art Institute of Chicago, MASS MoCA, Museo Tamayo Arte Contemporaneo and Museum of Contemporary Art, Chicago (MCA), and participated in Documenta 12, the Venice Biennale, Whitney Biennial, and Bienal de São Paulo. He has been recognized with MacArthur Foundation, Guggenheim, and National Endowment for the Arts fellowships and his work belongs to the collections of forty major institutions. He has been a professor at Northwestern University since 2012 and lives and works in Chicago.

Sara Black is an American artist. She currently teaches at Antioch College and previously taught at Northwestern University and the School of the Art Institute of Chicago. Her "performances, sculpture, installation, and collaborative works evolve around an interest in how materials move through the world and the shifting designation of values in American culture." She holds a BFA in sculpture and installation from the University of Chicago, a Bachelor of Arts in environmental studies and art from The Evergreen State College, and a Bachelor of Fine Arts in sculpture and painting from the University of Wisconsin–Eau Claire. She was a co-founder of the art collective Material Exchange which was active in Chicago until 2010 and currently works collaboratively with artists Jillian Soto, Charlie Vinz and others. Her work has been widely exhibited in several galleries including the Smart Museum of Art, the Experimental Station, the Museum of Contemporary Art, Chicago, the Betty Rymer Gallery, Gallery 400, the Hyde Park Art Center, Portland State University, The Park Avenue Armory, New York, The Museum of Contemporary Craft, Portland, Eyebeam, New York and the DeVos Art Museum.

Yin Xiuzhen is a Chinese sculpture and installation artist. She incorporates used textiles and keepsakes from her childhood in Beijing to show the connection between memory and cultural identity. She has also employed pots and pans, wooden chests, suitcases and cement in her work. She studied oil painting in the Fine Arts Department of Capital Normal University, then called Beijing Normal Academy, in Beijing from 1985 to 1989. After graduation, Yin taught at the high school attached to the Central Academy of Fine Arts in Beijing, until her exhibition schedule became too demanding. Her work has been described by Phyllis Teo as “possessing human warmth, intimacy, and a sense of nostalgia which propels introspection of one's self—traditions, emotions, and beliefs. Thus, creating of a sense of community and belonging within the audience .”

Desirée Holman (born 1974) is an American artist who is based in the Bay Area, California.

Sunny A. Smith is an American artist who is based in Oakland, California. Smith's work draws from American history to create artworks which combine social practice, performance, and craft-based sculpture.

Brendan Fernandes is a Canadian contemporary artist who examines issues of cultural displacement, migration, labor, queer subjectivity, and collective agency through interdisciplinary performance that uses installation, video, sculpture, and dance. He currently serves as a faculty member at Northwestern University teaching art theory and practice.

Mary Patten is a Chicago artist and activist. Her works combine writing, video installation, performance, artists' books, drawing, photography, collaboration, and activism. Her writing, lectures, videos, and artwork deal with the relationship between art and politics, visual culture, queer theory, terrorism, prisons and torture. She has an MFA from University of Illinois at Chicago (1992) and a BFA from the Kansas City Art Institute. Her videos are distributed by the Video Data Bank and she teaches at the School of the Art Institute of Chicago as an associate professor in the department of Film, Video, New Media, and Animation. She also teaches in the Visual and Critical Studies department and is currently the Chair of the department of Film, Video, New Media, and Animation (2016).

<span class="mw-page-title-main">Otobong Nkanga</span> Nigerian artist (born 1974)

Otobong Nkanga (born 1974) is a Nigerian-born visual artist, tapestry maker and performance artist, based in Antwerp, Belgium. In 2015, she won the Yanghyun Prize.

Ramekon O'Arwisters is an African-American artist, best known for his fabric and social-art practice, Crochet Jam. He creates art using the folk-art tradition of rag-rug weaving. Ramekon's work has been exhibited in New York, North Carolina, Tokyo, Bologna, Miami Beach, and San Francisco. He is also the former curator of fine-art photography at SFO Museum.

Mika Tajima is a New York-based artist who employs sculpture, painting, media installation, and performance in her conceptual practice.

Clarissa Tossin (born 1973) is a visual artist from Brazil and based in Los Angeles. Her collaborative, research-based practice develops alternative narratives found in the built environment, using elements of installation, sculpture, and moving image to explore intersections of place, history, and aesthetics.

Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.

<span class="mw-page-title-main">JooYoung Choi</span> American sculptor

JooYoung Choi is a Houston-based Korean American multidisciplinary visual artist working with paintings, sculpture, and video to portray the mythology of a fictional world called the Cosmic Womb.

Jessica Vaughn is an American sculptor and installation artist. She primarily employs the use of discarded materials to engage with histories of site and mass production. She is an Associate Professor of Painting at Temple University in the Tyler School of Art and Architecture.

References

  1. 1 2 "SAIC – A. Laurie Palmer – School of the Art Institute of Chicago". www.saic.edu. Retrieved March 5, 2016.
  2. "Profiles, Faculty: A. Laurie Palmer" . Retrieved February 26, 2016.
  3. "A. Laurie Palmer". Artadia. Retrieved June 10, 2019.
  4. "Top 10 Chicago art shows of 2012". tribunedigital-chicagotribune. Retrieved March 5, 2016.[ dead link ]
  5. "In the Aura of a Hole: Exploring Sites of Material Extraction". Archived from the original on March 5, 2016. Retrieved February 26, 2016.
  6. "A. Laurie Palmer" . Retrieved February 26, 2016.
  7. Tucker, Daniel (2014). Immersive Life Practices. Chicago, IL: The School of the Art Institute of Chicago. pp. 80–81. ISBN   978-0-982-87984-9.
  8. Jacob, Wendy; Palmer, Laurie; John, Ploof (2008). With Love from Haha: Notes on a Collective Art Practice. Chicago, Il: WhiteWalls. p. 7. ISBN   978-0-945323-13-6.
  9. 1 2 Dermaine, Erik; Dermaine, Martin; Palmer, A. Laurie (2006). ""The Helium Stockpile": A Collaboration in Mathematical Folding Sculpture". Leonardo. 39 (3): 233–235, 229. doi:10.1162/leon.2006.39.3.233. S2CID   57565015.
  10. "FirstSearch: WorldCat Detailed Record". firstsearch.oclc.org. Retrieved March 5, 2016.[ permanent dead link ]