Richard Mant was an English churchman who became a bishop in Ireland. He was a prolific writer, his major work being a History of the Church of Ireland.
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook. They are used in congregational singing. A hymnal may contain only hymn texts ; written melodies are extra, and more recently harmony parts have also been provided.
Henry Alford was an English churchman, theologian, textual critic, scholar, poet, hymnodist, and writer.
Edwin Warren Hatch was an English theologian. He is best known as the author of the book Influence of Greek Ideas and Usages Upon the Christian Church, which was based on his 1888 Hibbert Lectures and which were edited and published following his death. He is also remembered as the composer of the hymn "Breathe on Me, Breath of God."
The Rev. John Ellerton was a hymnodist and hymnologist.
Caroline Howard Gilman was an American author. Her writing career spanned 70 years and included poems, novels, and essays.
Hymns Ancient and Modern is a hymnal in common use within the Church of England, a result of the efforts of the Oxford Movement. The hymnal was first published in 1861. The organization publishing it has now been formed into a charitable trust, Hymns Ancient and Modern Ltd, and As of 2022 it publishes a wide range of hymnals as well as other theological and religious books and magazines, under imprints including the acquired publishers Canterbury Press and SCM Press.
"Holy, Holy, Holy! Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826).
Elizabeth Cecilia Douglas Clephane was a Scottish songwriter, who wrote the hymns "The Ninety and Nine" and "Beneath the Cross of Jesus".
John Julian was a Church of England clergyman, known as the editor of A Dictionary of Hymnology. Throughout the twentieth century and into the twenty-first this was the common reference for those studying hymnody and hymnology. His own estimate was that there were 400,000 hymns in the scope of his chosen field; his correspondents for research numbered over 1000. It was only superseded over a century later by the online Canterbury Dictionary of Hymnology.
Frederick Charles Husenbeth was an English Catholic priest and writer.
Eliza Lee Cabot Follen was an American writer, editor, and abolitionist. In her early life, she contributed various pieces of prose and poetry to papers and magazines. In 1828, she married Prof. Charles Follen, who died on board the Lexington in 1840. During her married life, she published a variety of popular and useful books, all of which were characterized by her Christian piety. Among the works she gave to the press are, Selections from Fénelon, The Well-spent Hour, Words of Truth, The Sceptic, Married Life, Little Songs, Poems, Life of Charles Follen, Twilight Stories, Second Series of Little Songs, as well as a compilation of Home Dramas, and German Fairy Tales. Holding an interest in the religious instruction of the young, she edited, in 1829, the Christian Teacher's Manual, and, from 1843 to 1850, the Child's Friend. She died in Brookline, Massachusetts in 1860.
Emily Taylor was an English schoolmistress, poet, children's author, and hymnist. She wrote numerous tales for children, chiefly historical, along with books of instruction and some descriptive natural history.
Shirley Erena Murray was a New Zealand hymnwriter. Her hymns have been translated into numerous languages and are represented in more than 140 hymn collections.
Jane Laurie Borthwick was hymn writer, translator of German hymns and a noble supporter of home and foreign missions. She worked closely with her sister, Sarah Laurie Findlater. She published under the pseudonym: H. L. L.. Jane Laurie Borthwick is best known for the Hymns from the Land of Luther; her most famous translation today is Be still, my soul and her most known original text is Come, labor on. Like Catherine Winkworth and Frances Elizabeth Cox, she greatly contributed to English-language hymnody by mediating German hymnody.
"At the Name of Jesus" is a hymn with lyrics written by Caroline Maria Noel. It was first published in 1870, in an expanded version of Noel's collection The Name of Jesus and Other Verses for the Sick and Lonely. At the time, Noel herself experienced chronic illness, which persisted until her death. The hymn has become popular across Christian denominations, and appears in over 200 hymnals. It has been set to many different tunes, including compositions by William Henry Monk, Ralph Vaughan Williams and Michael Brierley.
Dorothy Ann Thrupp was a British psalmist, hymnwriter, and translator. Many of her psalms and hymns, which were published under various pseudonyms, were included in: Friendly Visitor ; Children's Friend ; Selection of Hymns and Poetry for the Use of Infant Schools and Nurseries ; Hymns for the Young ; and Thoughts for the Day. Thrupp was the author of Thoughts for the Day that was published in 1837, and Songs by the Way. In addition to these, her hymns were published in magazines edited by Caroline Fry. Thrupp is particularly remembered as a writer of hymns for children. "Savior, Like a Shepherd Lead us" first appeared unsigned in her collection Hymns for the Young, in 1836, with music by William B. Bradbury. Her most popular hymn was for children and it was titled A Little Ship on the Sea. Thrupp died in 1847.
"Christians, awake, salute the happy morn" is an English Christmas hymn on a text by John Byrom. It is usually sung to the tune "Yorkshire" by John Wainright.
"Thine for ever! God of love" is an English confirmation hymn. It was written by Mary Fawler Maude in 1847. The original is in seven stanza of four lines. It is usually abbreviated, and stanzas two and three transposed, as in the S.P.C.K. Church Hymns, 1871; the Hymnal Companion; Hymns Ancient and Modern, 1875; Thring's Collection, 1882, and other hymnbooks. As a hymn for Confirmation its use in its day was extensive. The hymn was altered by various editors.
"Alas! and Did My Saviour Bleed" is a hymn by Isaac Watts, first published in 1707. The words describe the crucifixion of Jesus and reflect on an appropriate personal response to this event. The hymn is commonly sung with a refrain added in 1885 by Ralph E. Hudson; when this refrain is used, the hymn is sometimes known as "At the Cross". The final line of the first stanza has attracted some criticism, as it leads the singer to call themselves a "worm". Hymnals often change the line from "for such a worm as I" to "for such a one as I" or "for sinners such as I".
