A Gathering of Spirit: A Collection of Writing and Art by North American Indian Women was the first published collection of Indigenous women's writing in North America, as well as the first anthology edited by an aboriginal woman. [1] [2]
The book was edited by Mohawk author and anthologist Beth Brant. It was first published in 1983 as a special issue of the lesbian literary magazine Sinister Wisdom . The collection was subsequently published in 1988 by New York's Firebrand Books, and republished in 1989 by Women's Press in Toronto, Ontario. [3] The anthology featured literary contributions from women aged 21–65, both lesbian and heterosexual, and representing 40 native nations. [4]
Contributing authors included
Daniel David Moses was a Canadian poet and playwright.
Judy Grahn is an American poet and author.
Dorothy Allison is an American writer from South Carolina whose writing focuses on class struggle, sexual abuse, child abuse, feminism and lesbianism. She is a self-identified lesbian femme. Allison has won a number of awards for her writing, including several Lambda Literary Awards. In 2014, Allison was elected to membership in the Fellowship of Southern Writers.
Beth E. Brant, Degonwadonti, or Kaieneke'hak was a Mohawk writer, essayist, and poet of the Mohawks of the Bay of Quinte First Nation from the Tyendinaga Mohawk Territory in Ontario, Canada. She was also a lecturer, editor, and speaker. She wrote based on her deep connection to her indigenous people and touched on the infliction of racism and colonization. She brought her writing to life from her personal experiences of being a lesbian, having an abusive spouse, and her mixed blood heritage from having a Mohawk father and a Scottish-Irish mother. Her published works include three edited anthologies and three books of essays and short stories.
Sinister Wisdom is an American lesbian literary, theory, and art journal published quarterly in Berkeley, California. Started in 1976 by Catherine Nicholson and Harriet Ellenberger (Desmoines) in Charlotte, North Carolina, it is the longest established lesbian journal, with 128 issues as of 2023. Each journal covers topics pertaining to the lesbian experience including creative writing, poetry, literary criticism and feminist theory. Sinister Wisdom accepts submissions from novice to accredited writers and has featured the works of writers and artists such as Audre Lorde and Adrienne Rich. The journal has pioneered female publishing, working with female operated publishing companies such as Whole Women Press and Iowa City Women's Press. Sapphic Classics, a partnership between Sinister Wisdom and A Midsummer Night's Press, reprints classic lesbian works for contemporary audiences.
Conditions was a lesbian feminist literary magazine that came out biannually from 1976 to 1980 and annually from 1980 until 1990, and included poetry, prose, essays, book reviews, and interviews. It was founded in Brooklyn, New York, by Elly Bulkin, Jan Clausen, Irena Klepfisz and Rima Shore.
Makara was a Canadian feminist arts journal, produced in Vancouver, British Columbia from December 1975 to 1978 by the Pacific Women’s Graphic Arts Co-operative, in co-operation with Press Gang Publishers. The collective began work in 1972–73.
Susan G. Cole is a Canadian feminist author, activist, editor, speaker and playwright. She has spoken out on a number of issues, including free speech, pornography, race and religion. As a lesbian activist and mother, she speaks out on sexuality and family issues and is a columnist.
Maxine Hammond Dashu, known professionally as Max Dashu, is an American feminist historian, author, and artist. Her areas of expertise include female iconography, mother-right cultures and the origins of patriarchy. She is lesbian.
Maureen Hynes is a Canadian poet and author. Her debut collection of poetry, Rough Skin, won the League of Canadian Poets' Gerald Lampert Award for best first book of poetry by a Canadian in 1996.
Connie Fife was a Canadian Cree poet and editor. She published three books of poetry, and edited several anthologies of First Nations women's writing. Her work appeared in numerous other anthologies and literary magazines.
Marusya Bociurkiw is a Canadian born, Ukrainian film-maker, writer, scholar, and activist. She has published six books, including a novel, poetry collection, short story collection, and a memoir. Her narrative and critical writing have been published in a variety of journals and collections. Bociurkiw has also directed and co-directed ten films and videos which have been screened at film festivals on several continents. Her work appears in the collections of the National Gallery of Canada, the National Archives of Canada, and many university libraries. She founded or co-founded the media organizations Emma Productions, Winds of Change Productions, and The Studio for Media Activism & Critical Thought. She currently lives in Toronto, Ontario, Canada where she is an associate professor in the RTA School of Media Studies, Toronto Metropolitan University. She teaches courses on social justice media, activist media production, and gender/race/queer theories of time-based and digital media. She is also Director of The Studio for Media Activism & Critical Thought at Toronto Metropolitan University.
Barbara May Cameron was a Native American photographer, poet, writer, and human rights activist in the fields of lesbian/gay rights, women's rights, and Native American rights.
Sister Vision Press was a Canadian small press publisher that operated from 1985 to 2001, and was the first press in Canada whose mission was to publish writing by and for women of colour.
Feminist poetry is inspired by, promotes, or elaborates on feminist principles and ideas. It might be written with the conscious aim of expressing feminist principles, although sometimes it is identified as feminist by critics in a later era. Some writers are thought to express feminist ideas even if the writer was not an active member of the political movement during their era. Many feminist movements, however, have embraced poetry as a vehicle for communicating with public audiences through anthologies, poetry collections, and public readings.
Lenore Keeshig-Tobias is an Anishinabe storyteller, poet, scholar, and journalist and a major advocate for Indigenous writers in Canada. She is a member of the Chippewas of Nawash Unceded First Nation. She was one of the central figures in the debates over cultural appropriation in Canadian literature in the 1990s. Along with Daniel David Moses and Tomson Highway, she was a founding member of the Indigenous writers' collective, Committee to Reestablish the Trickster.
Naomi Littlebear Morena is a musician and writer most known for her work "You Can't Kill the Spirit," a feminist resistance anthem which was sung by over 30,000 women at the Greenham Common Women's Peace Camp in the 1980s. Izquierda Ensemble grew out of Ursa Minor, formed by Morena and Kristan Knapp, one of the first lesbian feminist choirs in the world. Morena was described as a self-taught artist who "emerged on her own brilliance" and a "hippie street person hitchhiking" between Los Angeles and Portland, Oregon by Knapp, a fellow member of the Izquierda Ensemble, which toured nationally in the 1970s. Morena also created "one of the first plays to feature a Chicana lesbian as a main character," first performed in 1980 and titled Survivor: A Lesbian Rock Opera. The play follows Clara, who "rejects the Anglo feminist community because it eradicates her lesbianism." Morena's work has been noted to be "currently out of print and rarely produced." Morena commented on Mudcat Café in 2012 that she wrote "You Can't Kill the Spirit" when she was in the Izquierda Ensemble in the 1970s and is "humbled by the stories I have heard regarding the singing of my song at the various protests, peace and healing gatherings through out the world."
Linda M. Morra is a scholar of women's archives, affect theory, and women's writing in Canada. She holds a PhD from the University of Ottawa in Canadian literature and Canadian studies. She serves as a professor of English at Bishop's University, and was a John A. Sproul Research Fellow at the University of California, Berkeley where she joined the Canadian studies program for the spring 2016 semester. In 2022 she was awarded the Jack & Nancy Farley Distinguished Visiting Scholar position at Simon Fraser University. In 2008, while researching author Jane Rule after her death, Morra discovered Rule's unpublished autobiography, Taking My Life. She went on to edit and annotate this work, which was published in 2011.
Cathie Koa Dunsford is a New Zealand novelist, poet, anthologist, lecturer and publishing consultant. She has edited several anthologies of feminist, lesbian and Māori/Pasifika writing, including in 1986 the first anthology of new women's writing in New Zealand. She is also known for her novel Cowrie (1994) and later novels in the same series. Her work is influenced by her identity as a lesbian woman with Māori and Hawaiian heritage.
Lynn Strongin is an American poet currently residing in Canada who has published more than two dozen books. A pioneering writer on issues of feminism and disability, her poetry and other writings have appeared in a large number of literary magazines and influential anthologies including Sisterhood Is Powerful,No More Masks! An Anthology of Poems by Women, and Rising Tides: 20th Century American Women Poets.