A Gift from the Culture

Last updated

"A Gift from the Culture", published in 1987, is a short work of space opera, by the Scottish science fiction author Iain M. Banks. The story is an early venture into the "complex and unusual and very distant" setting of the Culture, which Banks would further develop through various full length novels, stories, and his essay "A Few Notes on the Culture".

Contents

It was re-published in the Banks anthology, The State of the Art (1991, ISBN   0-356-19669-0).

Characters

Plot summary

The story is set in Vreccis Low City, within the Vreccile Economic Community (VEC). From the opening passages, it could easily unfold as a classic noir tale: A rainy night outside a gambling club, Kaddus and Cruizell confront the reluctant but indebted Wrobik with a dead-end deal. In a couple of days a starship carrying the planet’s Admiral will be returning, and Wrobik is to shoot it down, over the city, using a small pistol which they give him to use. It is only when the gun is placed in his hands, does it become clear that this is another reality: it "comes to life," lights blinking, small screen flickering. The pistol will function only for those biologically of the Culture, and is the only weapon able to penetrate the starship’s defenses, making the alien Wrobik the perfect candidate for the job.

Eight years ago Wrobik left the high-minded and highly advanced Culture for the unabashedly corrupt world of the VEC. He describes the Culture as a sterile, self-assured communist-bloc Utopia, a powerful society with an agenda of hypocritical moral imperialism, backed by Special Circumstances -- "Dirty Tricks in other words."

Almost in the background, the xenophobic VEC is waging "distant wars against aliens, outworlders, subhumans;" civilian deaths going unnoted in the news reports. There have been demonstrations, one of which continues to give Wrobik nightmares  — visions of the human military-machine charging forward. There is also the ‘radical’ organization, considered ‘terrorists’ by most, called "Bright Path," which apparently supplied the gangsters with the rare gun. Wrobik would be living in the besieged Outworlder’s Quarters himself, but nobody besides Maust, he thought, knew of his alien identity.

While still in the Culture, Wrobik, then Bahlln-Euchersa (etc.), went through a process of "regendering," changing sex (physically), from female to male. Despite her hopes, her (mental) gender and sexual orientation did not morph along with her body. Though still a woman in his own mind, since living in the VEC, Wrobik has accepted the identity that society has bestowed upon him: that of a homosexual male, and has found happiness with Maust. "I would not be a woman in this society," he states, implying that, despite the homophobic society which is shown, this perhaps is the better option.

Wrobik attempts to flee the VEC, in order to avoid his task, which would turn him into not only the murderer of a high official, but possibly hundreds of civilians. Overheard news that an ambassador from the Culture is to be on the targeted starship as well further dissuades him, and also brings up questions about the true purpose of the attack. Before Wrobik can skip town (or planet), though, Kaddus and Cruizell get hold of Maust and use him as leverage. Wrobik is forced to stay and carry out his assignment in order to assure his safety.

The story ends with Wrobik completing his mission, the ship fallen and the distant city ablaze with the fire from the explosions. He never wanted to hurt anyone, but maybe now he is the terrorist. We do not know his fate; he pockets the gun, and "[races] down to join all the other poor folk on the run."

Film adaptation

In 2009, plans were announced for a film adaptation by Mass Productions, jointly owned by Mike Downey and Sam Taylor of Film and Music Entertainment together with director Dominic Murphy, [1] who was to be co-writing the screenplay with Shane Smith. [2]

Reception and analysis

A Gift from the Culture is one of Banks' few short stories. Kathryn Cramer and David G. Hartwell note that its protagonist who is coerced into committing mass murder, reminded them of Luke Skywalker and Mohammed Atta. [3]

Related Research Articles

<span class="mw-page-title-main">Hard science fiction</span> Science fiction with concern for scientific accuracy

Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to hard science fiction, first appeared in the late 1970s. The term is formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, although there are examples generally considered as "hard" SF, such as Isaac Asimov's Foundation series, built on mathematical sociology. Science fiction critic Gary Westfahl argues that neither term is part of a rigorous taxonomy; instead they are approximate ways of characterizing stories that reviewers and commentators have found useful.

<span class="mw-page-title-main">Iain Banks</span> Scottish writer (1954–2013)

Iain Banks was a Scottish author, writing mainstream fiction as Iain Banks and science fiction as Iain M. Banks, adding the initial of his adopted middle name Menzies. After the success of The Wasp Factory (1984), he began to write full time. His first science fiction book, Consider Phlebas, appeared in 1987, marking the start of the Culture series. His books have been adapted for theatre, radio and television. In 2008, The Times named Banks in their list of "The 50 greatest British writers since 1945".

<i>Starship Troopers</i> 1959 science fiction novel by Robert A. Heinlein

Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests, the story was first published as a two-part serial in The Magazine of Fantasy & Science Fiction as Starship Soldier, and published as a book by G. P. Putnam's Sons in December 1959.

<i>The Wasp Factory</i>

The Wasp Factory is the first novel by Scottish writer Iain Banks, published in 1984. Before the publication of The Wasp Factory, Banks had written several science fiction novels that had not been accepted for publication. Banks decided to try a more mainstream novel in the hopes that it would be more readily accepted, and wrote about a psychopathic teenager living on a remote Scottish island. According to Banks, this allowed him to treat the story as something resembling science fiction – the island could be envisaged as a planet, and Frank, the protagonist, almost as an alien. Following the success of The Wasp Factory, Banks began to write full-time.

<i>The State of the Art</i> 1991 short story collection by Iain M. Banks

The State of the Art is a short story collection by Scottish writer Iain M. Banks, first published in 1991. The collection includes some stories originally published under his other byline "Iain Banks", as well as the title novella and others set in Banks's Culture fictional universe.

<i>Excession</i> 1996 Book by Iain M. Banks

Excession is a 1996 science fiction novel by Scottish writer Iain M. Banks. It is the fifth in the Culture series, a series of ten science fiction novels which feature a utopian fictional interstellar society called the Culture. It concerns the response of the Culture and other interstellar societies to an unprecedented alien artifact, the Excession of the title.

<i>Look to Windward</i> 2000 novel by Iain M. Banks

Look to Windward is a science fiction novel by Scottish writer Iain M. Banks, first published in 2000. It is Banks' sixth published novel to feature the Culture. The book's dedication reads: "For the Gulf War Veterans". The novel takes its title from a line in T. S. Eliot's poem The Waste Land:

<span class="mw-page-title-main">Machine Gun Kelly</span> American gangster (1895–1954)

George Kelly Barnes, better known by his pseudonym "Machine Gun Kelly", was an American gangster from Memphis, Tennessee, active during the Prohibition era. His nickname came from his favorite weapon, a Thompson submachine gun. He is best known for the kidnapping of oil tycoon and businessman Charles F. Urschel in July 1933, from which he and his gang collected a $200,000 ransom. Urschel had collected and left considerable evidence that assisted the subsequent FBI investigation, which eventually led to Kelly's arrest in Memphis, Tennessee, on September 26, 1933. His crimes also included bootlegging and armed robbery.

<span class="mw-page-title-main">Post-scarcity economy</span> Situation in which most goods are available to all very cheaply or freely

Post-scarcity is a theoretical economic situation in which most goods can be produced in great abundance with minimal human labor needed, so that they become available to all very cheaply or even freely.

<span class="mw-page-title-main">David G. Hartwell</span> American fantasy and science fiction publisher, editor, and critic (1941–2016)

David Geddes Hartwell was an American critic, publisher, and editor of thousands of science fiction and fantasy novels. He was best known for work with Signet, Pocket, and Tor Books publishers. He was also noted as an award-winning editor of anthologies. The Encyclopedia of Science Fiction describes him as "perhaps the single most influential book editor of the past forty years in the American [science fiction] publishing world".

<span class="mw-page-title-main">Dominic Flandry</span>

Dominic Flandry is a fictional character and the protagonist of the second half of Poul Anderson's Technic History science fiction series. He first appeared in 1951.

Gambler is the name of three supervillains appearing in American comic books published by DC Comics.

<i>The Space Opera Renaissance</i>

The Space Opera Renaissance is an anthology of short science fiction that fits the definition of space opera: adventure stories of grand vision, where the majority of the action happens somewhere other than Earth. Meant to be an overview from the pulp fiction era to modern times, it is chronologically-organized and very thick but lacks representation by noted pioneers of the genre such as E. E. "Doc" Smith, Jack Vance and Alfred Bester, focusing more on the next wave. It was edited by David G. Hartwell and Kathryn Cramer. A hardcover edition was published by Tor Books in July 2006 and a trade paperback edition in July 2007.

The Culture series is a science fiction series written by Scottish author Iain M. Banks and released from 1987 through to 2012. The stories centre on The Culture, a utopian, post-scarcity space society of humanoid aliens, and advanced superintelligent artificial intelligences living in artificial habitats spread across the Milky Way galaxy. The main themes of the series are the dilemmas that an idealistic, more-advanced civilization faces in dealing with smaller, less-advanced civilizations that do not share its ideals, and whose behaviour it sometimes finds barbaric. In some of the stories action takes place mainly in non-Culture environments, and the leading characters are often on the fringes of the Culture, sometimes acting as agents of Culture in its plans to civilize the galaxy. Each novel is a self-contained story with new characters, although reference is occasionally made to the events of previous novels.

"The Game of Rat and Dragon" is a science fiction short story by American author Cordwainer Smith, written in 1954 and published in Galaxy Science Fiction in 1955. It is set in the far future, though no date is given. It occurs in the same universe as other Cordwainer Smith novels, with a passing reference to the super-powerful regulatory 'Instrumentality'.

<span class="mw-page-title-main">The Shobies' Story</span> Short story by Ursula K. Le Guin

"The Shobies' Story" is a 1990 science fiction novella by American writer Ursula K. Le Guin, describing the story of the first human crew to participate in a newly invented faster-than-light mode of space travel. It was first published in the anthology Universe 1 and subsequently appeared in A Fisherman of the Inland Sea published by Harper Prism in 1994.

<span class="mw-page-title-main">Space opera</span> Subgenre of science fiction

Space opera is a subgenre of science fiction that emphasizes science fictional space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term has no relation to opera music, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a clichéd and formulaic Western film. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.

<span class="mw-page-title-main">Communist society</span> Type of society and economic system

In Marxist thought, a communist society or the communist system is the type of society and economic system postulated to emerge from technological advances in the productive forces, representing the ultimate goal of the political ideology of communism. A communist society is characterized by common ownership of the means of production with free access to the articles of consumption and is often classless, stateless, and moneyless, implying the end of the exploitation of labour.

James H. Leavy was an Irish gunfighter in the Old West. He is remembered today by Western historians for participating in at least two instances of a quick draw duel. In his time, Leavy was one of the most notorious gunmen in the Old West known for challenging other gunmen to a duel. He is featured in the book Deadly Dozen, written by author Robert K. DeArment as one of the twelve most underrated gunmen of the 19th century West.

References

  1. Dominic Murphy directed White Lightnin' (2009)
  2. Farmer, Gilbert (21 October 2009), "Murphy, F&ME sign production pact; Slate includes Iain M. Banks adaptation", Variety , retrieved 8 June 2011
  3. Cramer, Kathryn; Hartwell, David G. (10 July 2007). The Space Opera Renaissance. Tom Doherty Associates. p. 726. ISBN   978-1-4668-0825-6.