Frederick Barkham Warde was an English Shakespearean actor who relocated to the United States in the late 19th century.
Milton George Gustavus Sills was an American stage and film actor of the early twentieth century.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Doris Margaret Kenyon was an American actress of film and television.
The Midshipman is a 1925 American silent romantic drama film directed by Christy Cabanne. The film stars Ramon Novarro and Harriet Hammond. Joan Crawford had an early uncredited role as an extra.
Omar the Tentmaker is a 1922 American silent drama film directed by James Young and featuring Guy Bates Post, Nigel de Brulier, Virginia Brown Faire, Noah Beery Sr., Patsy Ruth Miller, and Boris Karloff. It was produced and adapted by Richard Walton Tully from his own 1914 Broadway play Omar the Tentmaker. The film's tagline was "Would You Know How Omar Loved? Would you sweep 1,000 years aside to find Shireen, the Persian Rose, who wed Omar and awoke in the harem of the Shah?" 24 May 1923). The film is considered a lost film.
The Arab is a 1924 American silent drama film starring Ramon Novarro and Alice Terry, written and directed by Rex Ingram, based on a 1911 play by Edgar Selwyn.
The Bride's Play is a 1922 American silent romance film produced by William Randolph Hearst as a starring vehicle for Marion Davies. It was directed by George Terwilliger and distributed by Paramount Pictures. It is an extant film that is preserved at the Library of Congress.
The Lady Who Lied is a 1925 American silent melodrama film produced and distributed by First National Pictures and based on a novel by Robert Hichens. Edwin Carewe directed, and Nita Naldi, and Lewis Stone star. The film has the distinction of being the feature attraction of the gala opening of the Uptown Theatre in Chicago, Illinois, on August 18, 1925.
Why Women Love is a 1925 American silent drama film produced and directed by Edwin Carewe and distributed by First National Pictures. Blanche Sweet starred in the film which was based on the Broadway play The Sea Woman, by Willard Robertson.
The Golden Gallows is a 1922 American silent drama film directed by Paul Scardon and starring Miss DuPont. It was produced and distributed by the Universal Film Manufacturing Company. It is not known whether the film currently survives.
The Hell Cat is a 1918 American silent Western film produced and distributed by Goldwyn Pictures. Reginald Barker directed and Geraldine Farrar starred. It is not known whether the film currently survives.
Winds of Chance is a 1925 American silent drama film directed by Frank Lloyd and produced and released by First National Pictures.
Behold My Wife! is a lost 1920 American silent drama film directed by George Melford and starring Mabel Julienne Scott and Milton Sills in a filmization of Sir Gilbert Parker's novel, The Translation of a Savage. Famous Players–Lasky produced the film and Paramount Pictures distributed.
Scarlet Saint, also known as The Scarlet Sinner, is a 1925 American silent drama film directed by George Archainbaud and starring Mary Astor, Lloyd Hughes, and Frank Morgan. The film's sets were designed by the art director Milton Menasco.
The Knockout is a 1925 American silent drama film directed by Lambert Hillyer and starring Milton Sills. It was based on the novel The Come-Back by Morris DeCamp Crawford. It was produced by and released by First National Pictures.
The Making of O'Malley is a 1925 American silent drama film directed by Lambert Hillyer and written by Eugene Clifford. The film stars Milton Sills, Dorothy Mackaill, Helen Rowland, Warner Richmond, Thomas Carrigan and Julia Hurley. The film was released on June 28, 1925, by First National Pictures. The Gerald Beaumont short story was also the basis of the 1937 Warner Bros. film The Great O'Malley, directed by William Dieterle and starring Pat O'Brien and Humphrey Bogart.
I Want My Man is a 1925 American drama film directed by Lambert Hillyer and written by Joseph F. Poland, Earle Snell, and Earl Hudson. It is based on the 1924 novel The Interpreter's House by Maxwell Struthers Burt. The film stars Doris Kenyon, Milton Sills, Phyllis Haver, May Allison, Kate Bruce, and Paul Nicholson. The film was released on March 22, 1925, by First National Pictures.
The Heart Bandit is a 1924 American silent drama film directed by Oscar Apfel and starring Viola Dana, Milton Sills, and Gertrude Claire.
Omar Khayam is an American silent movie. It was widely distributed in Australia in 1923, where it was praised for its imaginative technical effects. It bears many similarities to the lost film A Lover's Oath, which was made in 1921 but not released until 1925.
