A Man's Way | |
---|---|
Directed by | Sydney Ayres |
Written by | Sallie P. Newsum |
Starring | Charlotte Burton Charlotte Burton Louise Lester |
Distributed by | Mutual Film |
Release date |
|
Country | United States |
Languages | Silent film English intertitles |
A Man's Way is a 1914 American silent short film directed by Sydney Ayres, starring William Garwood, Charlotte Burton and Louise Lester.
The film has two reels and was released in on July 20, 1914. [1] [2]
Henry and Louise had gone through college together. Afterward, Henry went out to pursue his career, that of a geologist, meanwhile let ting business gradually crowd out Louise, who never forgot to love him. On a vacation Henry came in contact with an old mountaineer and his young granddaughter, Gladys, a sweet, girlish product of the mountains. Soon interest grew to infatuation. Career was forgotten. They were married and very happy for a while, but Henry's ambition again came to the front, and he decided to go back to the place of his work. In the city, Henry steadily followed in the footsteps of success, shaking off, for a time, the thoughts of his child-wife, off in the mountains with her old grandfather. [3]
Louise, the girl who had always loved him, soon realized the hopelessness of her love. Gladys, back in the mountains, was broken hearted. Louise's unrequited love for Henry undermined her health and she had to be sent up into the mountains to regain her strength. One day she heard a melody; she followed the sound and came upon Gladys. A prank of Providence brought together two women whose hearts were given to one man. The two be came fast friends. Meanwhile Henry was suc cessful, but not happy. Thoughts of his child wife came until finally he started for her. She was gone. For five years he searched to no avail. She sings at a big reception. By a strange coincidence, Harry comes to the same reception. He is greatly affected by the singing, but does not recognize in this cultured woman his little mountain Gladys. She recognizes him, but controls herself. After the solo she goes into the garden. He starts to follow. He watches, and as this woman battles with herself, the old crude instincts return—she tugs at her ear. Henry recognizes her through this mannerism. He goes to her—his wife—but she spurns him. [3]
Louise, who is present, stands a witness to the scene, and realizes that the man she loves pleads for the love of another. Gladys is adamant. Henry leaves her. Louise's love for Henry forces her to him. He pours out his story to her, not knowing that every word is a wound. Louise, realizing now that her love is hopeless, leaves him. She goes to Gladys and says, "I saw all; you must go to him." Gladys will not relent, so Louise, desperate in her love for the man and her wish for his happiness, lets out the secret that Henry is the man she has loved and begs Gladys for the sake of her love to go to him. Gladys loves Henry deeply. Her pride is broken by Louise's magnanimity, and husband and wife are reconciled. [3]
In a positive review, Motography said, "While without a doubt the setting stands out above all else in this picture there is a story told within it that by far surpasses many of the so-called 'screen masterpieces' of today for it not only presents a different style of hero from that the public is used to but illustrates a little sidelight of life, the working of a man's ambition and love against each other. Three characters, portrayed by William Garwood, Vivian Rich and Charlotte Burton, carry practically the entire story and each of the players has succeeded in making a real flesh and blood person of the role they interpret." [4]
The Moving Picture World criticized the film's screenwriting, calling it "not clear-cut and fails to get to its destination convincingly". The journal praised the other aspects of the film, stating, "The camera work, including some perfect double exposures, is highly commendable and there are some lovely scenes in it. The general handling and the acting are fine." [5] The Motion Picture News agreed, writing, "Beautiful scenes mark this absorbing story". [6]
Sweet and Low is a 1914 American silent short drama film starring William Garwood, Harry von Meter, and Vivian Rich, directed by Sydney Ayres, and released by Mutual Film Corporation on October 28, 1914. The film is based upon the 1850 poem Lullaby/Sweet and Low by Alfred, Lord Tennyson.
Wives and Other Wives is a 1918 American silent comedy-drama film directed by Lloyd Ingraham and starring Mary Miles Minter, based on a story by Jules Furthman. As with many of Minter's features, it is thought to be a lost film.
The Town of Nazareth is a 1914 American silent short drama film starring Ed Coxen, Charlotte Burton, William Bertram, Albert Cavens, Jean Durrell, George Field and Winifred Greenwood. Written by Marc Edmund Jones, the film was released by the American Film Manufacturing Company on March 30, 1914, in two reels.
This Is th' Life is a 1914 American silent short film directed by Henry Otto starring Charlotte Burton, George Field, Ed Coxen, Edith Borella, and John Steppling.
Refining Fires is a 1915 American silent short drama film directed by Tom Ricketts. The story is about a man and a woman from different socioeconomic backgrounds who live together before marriage. The man and woman break up and the woman's life is changed forever.
In the Twilight is a 1915 American silent short drama film directed by Tom Ricketts. The film stars Perry Banks, Charlotte Burton, Reaves Eason, David Lythgoe, Louise Lester, Vivian Rich, and Harry Van Meter.
The Abandonment is a 1916 American silent drama film directed by Donald MacDonald starring Helene Rosson, Forrest Taylor and Harry von Meter. The feature-length film was produced at Mutual's studios in Santa Barbara, California. It was part of Mutual Film Corporation's Masterpicture series, which were based on works of prominent fiction; the story was written by Kenneth B. Clarke. The Abandonment was released June 15, 1916.
Lule Warrenton was an American actress, director, and producer during the silent film era. She appeared in more than 80 films between 1913 and 1922. She was born in Flint, Michigan and died in Laguna Beach, California and was the mother of cinematographer Gilbert Warrenton.
The Trail of Hate is a 1917 American silent drama film that portrayed the military exploits and personal rivalries of two United States Army officers stationed in the American West and later in the Philippines. The production starred John Ford, who at that time was credited as "Jack Ford". Currently classified as a lost film, this two-reel short is identified by some biographers of John Ford and in many filmographies, both in print and online, to be his second release as a director. He is also credited in various sources for writing the film's screenplay or "scenario". Other Ford biographers, however, most notably American director and film historian Peter Bogdanovich, credit this production's screenplay and its direction to John's older brother Francis Ford.
Agnes Vernon was an American film actress of the silent era. While still in her teens, she experienced a meteoric ascent from obscurity to box-office sensation. After turning twenty-three and a movie career fading away, she abandoned the silver screen forever. Vernon performed in over 90 films between 1913 and 1922. She completed most of her roles under contract with Universal Pictures.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
The Long Trail is a 1917 American drama silent film directed by Howell Hansel and written by Eve Unsell. The film stars Lou Tellegen, Mary Fuller, Winifred Allen, Sidney Bracey, Franklin Woodruff and Ferdinand Tidmarsh. The film was released on July 23, 1917, by Paramount Pictures.
Alfred Emory Johnson was an American actor, director, producer, and writer. As a teenager, he started acting in silent films. Early in his career, Carl Laemmle chose Emory to become a Universal Studio leading man. He also became part of one of the early Hollywood celebrity marriages when he wed Ella Hall.
Eternal Love is a 1917 American silent drama film produced by Butterfly Pictures and released by Universal Pictures.
An Amateur Orphan is a 1917 American silent film starring Gladys Leslie. It was also the film debut for Chester Morris. Its survival status is currently unknown.
Gladys Coburn was an actress in theater and films. She had starring roles during the silent film era including in the 1917 film The Primitive Call and the 1920 film Heart Strings. She also performed in theatrical productions.
Betty Howe was an American actress in silent films.
Her Husband's Faith is a 1916 American silent short film directed by Lloyd B. Carleton. The film is based on a story by Paul Machette. Eugene De Rue developed the screenplay. This domestic society drama's features Dorothy Davenport, T. D. Crittenden and Emory Johnson.
Agnes Egan Cobb was an American businesswoman based in New York City. Working with and running several companies in the 1910s and 1920s, she bought and distributed silent films to theaters across the United States, and supplied exhibitors with promotional materials such as posters.