Industry | Film studio |
---|---|
Predecessor | Western Film Exchange |
Founded | March 1912 [1] [2] |
Defunct | December 31, 1918 |
Fate | Dissolved |
Headquarters | Edendale, California |
Key people | John R. Freuler (1872–1958) Harry E. Aitken (1877–1956) Roy Aitken (1882–1976) |
Subsidiaries | Keystone Studios Majestic Studios/Reliance-Majestic Studios New York Motion Picture Company (and its subsidiaries:Kay Bee Studios, 101-Bison Company, Broncho Film Company, & Domino Film Company) Signal Film Corporation Vogue Films, Inc. Lone Star Film Company American Film Company |
Mutual Film Corporation was an early American film conglomerate that produced some of Charlie Chaplin's greatest comedies. Founded in 1912, it was absorbed by Film Booking Offices of America, which evolved into RKO Pictures.
Mutual's predecessor film businesses began with the partnership behind the Western Film Exchange, founded in Milwaukee, Wisconsin in July 1906. The partnership included Harry E. Aitken, Roy Aitken, and John R. Freuler. In 1910, Freuler also formed a partnership with Chicago film distributor Samuel S. Hutchinson, establishing a production entity known as the American Film Manufacturing Company. [3]
In early 1912 the Shallenberger brothers (Wilbert E. and William Edgar), Crawford Livingston, and others as investors including Charles J. Hite, the President & CEO of Thanhouser Film Corporation, joined Freuler and Harry E. Aitken in the formation of Mutual Film. [4] Mutual Film Corporation was formed in 1912 by a group of American businessmen including Harry E. Aitken.[ citation needed ]
A releasing and distribution company, Mutual also had numerous subsidiary production units, including Keystone Studios, famed producer of comedies. Mutual is celebrated for signing Charlie Chaplin in 1916; he produced some of his best comedies while working for the company., [5] : 996 although he felt that the company's tight production schedules led to the films becoming increasingly formulaic. As a result of this concern, Chaplin went with First National Pictures to have a contract that allowed him more flexibile production schedules so he could focus on making better films. [6]
As 1912 progressed, the company included auxiliary units such as Keystone Studios, the Majestic Studios (which would later become the Reliance-Majestic Studios through Harry Aitken's partnership with D. W. Griffith), and the New York Motion Picture Company. [7]
In 1915, the workers of Keystone Studios, Kay-Bee Studios (a subsidiary of the New York Motion Picture Company) and Reliance-Majestic Studio left Mutual, along with the Aitken brothers, to form the Triangle Film Corporation. Now as complete owners of the former Reliance-Majestic Studio, by 1917 the conglomerate operated as the distributor for four subsidiary studios in California, three of which were in the Los Angeles area and the other in Santa Barbara. They were Signal Film Corporation, Vogue Films, Inc., Lone Star Film Company and American Film Company. Vogue Films, Inc. operated a studio at Santa Monica Boulevard and Gower street in Los Angeles producing two-reel comedy films exclusively. Among the other subsidiaries of the New York Motion Picture Company were: 101-Bison Company, Broncho Film Company, & Domino Film Company.[ citation needed ]
In 1915, the United States Supreme Court ruled in Mutual Film Corporation v. Industrial Commission of Ohio that motion pictures were a form of business, not an art form, and therefore not covered by the First Amendment. [8] Shortly after this decision, cities began to pass ordinances banning the public exhibition of "immoral" films, concerning the major studios that state or federal regulations would soon follow. This ruling remained in effect until Joseph Burstyn, Inc v. Wilson in 1952 which declared that film was a legitimate artistic medium with free speech protections.
In 1916, Charlie Chaplin became the highest paid entertainer in the world when he signed a contract with Mutual for a salary of $670,000 per year. Mutual built Chaplin his very own studio and allowed him total freedom to make twelve two-reel films during this fruitful twelve-month period. Chaplin subsequently recognised this period of film-making as the most inventive and liberating of his career, although he also had concerns that the films produced were increasingly formulaic during the length of his contract.
During 1916 and 1917, the Lone Star Film Company had Charlie Chaplin working at their studio at 1025 Lillian Way, in Hollywood. Charlie Chaplin moved on to found United Artists in 1919 with Mary Pickford, D. W. Griffith, and Douglas Fairbanks. In 1918, Mutual Film Corporation ceased production. Like many other companies established at this time, Mutual was eventually absorbed by larger corporations, in this case Film Booking Offices of America and later RKO Radio Pictures.[ citation needed ]
With the exception of the Chaplin films, most of the Mutual shorts and feature dramas are lost to time and decomposition.
Year | Title | Notes |
---|---|---|
1913 | A Little Hero | |
1913 | The Grand Military Parade | |
1913 | An Accidental Clue | |
1914 | The Cocoon and the Butterfly | |
1914 | Our Mutual Girl | |
1914 | The Life of General Villa | |
1914 | The Property Man | |
1914 | The Face on the Bar Room Floor | |
1914 | His New Profession | |
1914 | Sweet and Low | |
1914 | Fatty's Wine Party | |
1914 | Leading Lizzie Astray | |
1915 | The Devil | |
1915 | The Failure | |
1915 | Father and Son | |
1915 | The Count | |
1915 | The Straw Man | |
1915 | The Deathlock | |
1916 | Fighting the War | |
1916 | The Other Side of the Door | |
1916 | Johnny's Romeo | |
1916 | Father and Son | |
1916 | The Folly of Fear | |
1916 | At Twelve O'Clock | |
1916 | The Turn of the Wheel | |
1916 | The False Clue | |
1916 | Within the Lines | |
1916 | His Guardian Angel | |
1916 | When the Tide Turned | |
1916 | Grouchy | |
1916 | His Uncle's Ward | |
1916 | Admirers Three | |
1916 | Uncle Sam's Defenders | |
1916 | The Pawnshop | |
1917 | Pardners | |
1917 | Rehabilitated | |
1917 | Queen X | |
1917 | The Greater Woman | |
1917 | The Wildcat | |
1917 | Mary Moreland | |
1917 | Bab the Fixer | |
1917 | The Beautiful Adventure | |
1917 | Please Help Emily | |
1917 | The Sea Master | |
1917 | The Serpent's Tooth | |
1917 | Souls in Pawn | |
1917 | The Girl Who Can Cook | |
1917 | The Girl from Rector's | |
1917 | The Railroad Raiders | |
1917 | A Daughter of Maryland | |
1917 | American Maid | |
1917 | Her Second Husband | |
1918 | Who Loved Him Best? | |
1918 | Her Husband's Honor | |
1918 | My Wife | |
1918 | Treason |
David Wark Griffith was an American film director. Considered one of the most influential figures in the history of the motion picture, he pioneered many aspects of film editing and expanded the art of the narrative film.
Mack Sennett was a Canadian-American producer, director, actor, and studio head who was known as the "King of Comedy" during his career.
Keystone Studios was an early film studio founded in Edendale, California on July 4, 1912 as the Keystone Pictures Studio by Mack Sennett with backing from actor-writer Adam Kessel (1866–1946) and Charles O. Baumann (1874–1931), owners of the New York Motion Picture Company. The company, referred to at its office as The Keystone Film Company, filmed in and around Glendale and Silver Lake, Los Angeles for several years, and its films were distributed by the Mutual Film Corporation between 1912 and 1915. The Keystone film brand declined rapidly after Sennett went independent in 1917.
Behind the Screen is a 1916 American silent short comedy film written by, directed by, and starring Charlie Chaplin, and also starring Eric Campbell and Edna Purviance. The film is in the public domain.
The Van Beuren Corporation was a New York City-based animation studio that produced theatrical cartoons as well as live-action short-subjects from the 1920s to 1936.
Western Film Exchange was founded in Milwaukee in July 1906 by John R. Freuler and Harry E. Aitken for the purpose of mass-producing and distributing Western films to movie theaters throughout the American midwest. One of over 100 such "exchanges," Western Film proved to be more successful than most, opening branch offices in several midwestern cities, including Chicago, St. Louis, and Joplin, Missouri. Exchanges would negotiate with film studios for the rights to a completed film production, and would distribute the product to nickelodeon movie theaters.
The Independent Moving Pictures Company (IMP) was a motion picture studio and production company founded in 1909 by Carl Laemmle. The company was based in New York City, with production facilities in Fort Lee, New Jersey. In 1912, IMP merged with several other production companies to form Universal Film Manufacturing Company, later renamed Universal Pictures Company with Laemmle as president.
The Fireman is the second film Charlie Chaplin distributed by the Mutual Film Corporation in 1916. Released on June 12, it starred Chaplin as the fireman and Edna Purviance as the daughter to Lloyd Bacon.
Edendale is a historical name for a district in Los Angeles, California, northwest of Downtown Los Angeles, in what is known today as Echo Park, Los Feliz and Silver Lake. In the opening decades of the 20th century, in the era of silent movies, Edendale was known as the home of most major movie studios on the West Coast. Among its many claims, it was home to the Keystone Cops, and the site of many movie firsts, including Charlie Chaplin's first movie, the first feature-length comedy, and the first pie-in-the-face. The Edendale movie studios were mostly concentrated in a four-block stretch of Allesandro Street, between Berkeley Avenue and Duane Street. Allesandro Street was later renamed Glendale Boulevard.
Reliance-Majestic Studios was an early American movie studio in Hollywood, California, originally built around 1914 at 4516 Sunset Boulevard.
(Sir) Charlie Chaplin (KBE) (1889–1977) was an English internationally renowned Academy Award-winning actor, comedian, filmmaker and composer who was best known for his career in Hollywood motion pictures from his debut in 1914 until 1952, he however subsequently appeared in two films in his native England. During his early years in the era of silent film, he rose to prominence as a worldwide cinematic idol renowned for his tramp persona. In the 1910s and 1920s, he was considered the most famous person on the planet.
The Star Boarder is a 1914 American short comedy film starring Charlie Chaplin. The film is also known as The Landlady's Pet, its 1918 American reissue title.
Charles Jackson Hite was an American businessman and film producer of the early 20th century, most importantly the president and chief executive officer of the Thanhouser Film Corporation from 1912 to 1914.
Charles O. Baumann was an American film producer, film studio executive, and pioneer in the motion picture industry.
Frank D. Williams was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot.
The New York Motion Picture Company was a film production and distribution company from 1909 until 1914. It changed names to New York Picture Corporation in 1912. It released films through several different brand names, including 101 Bison, Kay-Bee, Broncho, Domino, Reliance, and Keystone Studios.
Harry E. Aitken was an American film studio executive and producer.
Majestic Film Company, also known as Majestic Motion Pictures, was a film studio established in 1911. It became an affiliate of the Mutual Film Corporation and was combined with Reliance Film Company to form Reliance-Majestic Studios.
John Rudolph Freuler was an American businessman in the film industry who owned theaters, film exchanges, and film studios. He signed Charlie Chaplin to a lucrative contract at Mutual Film. Later in his career he owned Monarch Films studio. The Chicago History Museum has a collection of his papers.