Sweet and Low | |
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Directed by | Sydney Ayres |
Written by | Alfred, Lord Tennyson (poem) |
Starring | William Garwood Harry von Meter Vivian Rich |
Distributed by | Mutual Film |
Release date |
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Country | United States |
Languages | Silent film English intertitles |
Sweet and Low is a 1914 American silent short drama film starring William Garwood, Harry von Meter, and Vivian Rich, directed by Sydney Ayres, and released by Mutual Film Corporation on October 28, 1914. [1] [2] [3] The film is based upon the 1850 poem Lullaby/ Sweet and Low by Alfred, Lord Tennyson. [4]
The Moving Picture World described the film as "a very pretty story told in a charming way". The trade magazine went on to say it was sentimental and has a happy ending without an abundance of "harrowing things" being part of the plot. The child actress, Bunny Lee, was favorably mentioned; the magazine described it as a fine picture which would draw women and children to the theater as patrons. [5]
The film industry magazine Motography also praised the child's performance. Motography also singled out the work of William Garwood in the film. Garwood, who was 30 years old at the time, was skillfully made up to assume the role of a much older man. [6]
Sad, lonely and unhappy, an old man sits in a city park, thinking about the past. A little girl comes up to him and takes his hand, asking him what is making him so sad. The child reminds him of his own lost little girl and the times of the past begin to flow through his memory. He had a happy life with a loving wife and baby daughter. But he wanted to give them more, so he headed West to the gold fields. The work was long and hard; he was able to keep going with the thought of what he could do for his wife and child. As he worked, he often recalled his wife singing Sweet and Low to their small daughter. After he had made his fortune, he headed home to his loved ones. When he arrived there, he found that his wife had died; his young daughter was considered orphaned after her death and was sent for adoption. He tried in vain to locate his daughter. [4] [6] [7]
The pain of his memories shows on his face and the little girl is understanding; she climbs onto the park bench and hugs the old man to try to make him feel better. She then asks him to come with her because she lives just across the street. When they arrive at the house, he hears a woman singing Sweet and Low; it is all too much for him and he falls down on the porch. The little girl's mother comes to help him inside to a chair. After he enters the home, he realizes this woman is the image of his wife, Margaret and after all these years, he has finally found his daughter. [4] [6] [7]
A Daughter of the Gods was a 1916 American silent fantasy drama film written and directed by Herbert Brenon. The film was controversial because of the sequences of what was regarded as superfluous nudity by the character Anitia, played by Australian swimming star Annette Kellermann. The scene is regarded as the first complete nude scene by a major star, which occurred during a waterfall sequence, though most of Kellerman's body is covered by her long hair. It was filmed by Fox Film Corporation in Kingston, Jamaica, where huge sets were constructed, and directed by Herbert Brenon.
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The Abandonment is a 1916 American silent drama film directed by Donald MacDonald starring Helene Rosson, Forrest Taylor and Harry von Meter. The feature-length film was produced at Mutual's studios in Santa Barbara, California. It was part of Mutual Film Corporation's Masterpicture series, which were based on works of prominent fiction; the story was written by Kenneth B. Clarke. The Abandonment was released June 15, 1916.
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Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Who's Your Neighbor? is a 1917 silent American propaganda and drama film directed by S. Rankin Drew. The film's plot focuses around reformers who pass a law to force prostitutes, including Hattie Fenshaw, out of the red light district. Fenshaw becomes Bryant Harding's mistress and lives in an apartment next door to a reformer, and continues to ply her trade. After Fenshaw becomes familiar with Harding, his son, daughter and the daughter's fiancé, the climax of the film occurs as the cast assembles at Fenshaw's apartment. Harding returns and a fight breaks out that results in the reformers' arrival and concludes with the presumption that Fenshaw returns to a place of "legalized vice". The drama was written by Willard Mack and was his first foray into screen dramas. The film proved controversial, but is noted as a great success. The film originally debuted on June 15, 1917, but it was rejected by the National Board of Review and was later approved after a revision, but the film continued to be labeled as an immoral production. The film is presumed to be lost.
A Daughter of the Poor is a 1917 American silent comedy-drama film produced by Fine Arts Film Company and released by Triangle Film Corporation. The film was directed by Edward Dillon and starred young Bessie Love.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
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Adrift is a 1911 American silent short drama film produced by the Thanhouser Company and directed by Lucius J. Henderson. The film depicts a story of a young artist whose lack of success leads him to attempt suicide. Before he can carry out the act, his daughter follows and stops him. He confesses to his wife and she thanks her child, providing the inspiration for the artist to complete a great painting. It brings him success and he grows distant from his wife and becomes interested in another woman whom he was commissioned by. Once again saved by his daughter's actions, whose crying moves the woman to break off the relationship with the artist. The artist destroys the painting and learns a moral lesson.
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