Related Research Articles
Alfred Tennyson, 1st Baron Tennyson was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.
In Greek mythology, the lotus-eaters were a race of people living on an island dominated by the lotus tree, a plant whose botanical identity is uncertain. The lotus fruits and flowers were the primary food of the island and were a narcotic, causing the inhabitants to sleep in peaceful apathy. After they ate the lotus they would forget their home and loved ones, and only long to stay with their fellow lotus-eaters. Those who ate the plant never cared to report, nor return.
Emily Sarah, Lady Tennyson was the wife of the poet Alfred, Lord Tennyson, and a creative talent in her own right. Emily was the oldest of three daughters, raised by a single father, after her mother Sarah died when she was three years old. Her father, a successful lawyer, was devoted to her and her sisters and ensured that they had a good education. She met Alfred when she was a girl, but they did not develop a romantic relationship until his brother Charles married her sister Louisa. It was thirteen years before they would marry, due to her father's concerns about the degree to which Tennyson could provide for her on a poet's salary. When his career became more successful, Emily and Alfred married.
The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra. Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects. The poets Britten chose to set for the Serenade range from an anonymous 15th-century writer to poets from the 17th, 18th and 19th centuries.
"Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 in Cascine wood near Florence, Italy. It was originally published in 1820 by Charles in London as part of the collection Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope for spreading the word of change through the poet-prophet figure. Some also believe that the poem was written in response to the loss of his son, William in 1819. The ensuing pain influenced Shelley. The poem allegorises the role of the poet as the voice of change and revolution. At the time of composing this poem, Shelley without doubt had the Peterloo Massacre of August 1819 in mind. His other poems written at the same time—"The Masque of Anarchy", Prometheus Unbound, and "England in 1819"—take up these same themes of political change, revolution, and role of the poet.
"In Memoriam A.H.H." is a poem by the British poet Alfred, Lord Tennyson, published in 1850. It is a requiem for the poet's beloved Cambridge friend Arthur Henry Hallam, who died suddenly of a cerebral haemorrhage in Vienna in 1833, aged 22. It contains some of Tennyson's most accomplished lyrical work, and is an unusually sustained exercise in lyric verse. It is widely considered to be one of the greatest poems of the 19th century.
Enoch Arden is a narrative poem published in 1864 by Alfred, Lord Tennyson, during his tenure as England's poet laureate. The story on which it was based was provided to Tennyson by Thomas Woolner. The poem lent its name to a principle in law that after being missing a certain number of years, a person could be declared dead for purposes of remarriage and inheritance.
The game of cricket has inspired much poetry, most of which romanticises the sport and its culture.
A Christian child's prayer is Christian prayer recited primarily by children that is typically short, rhyming, or has a memorable tune. It is usually said before bedtime, to give thanks for a meal, or as a nursery rhyme. Many of these prayers are either quotes from the Bible, or set traditional texts.
— From Cantos 27 and 56, In Memoriam A.H.H., by Alfred Tennyson, published this year
The Window; or, The Songs of the Wrens is a song cycle by Arthur Sullivan with words by Alfred, Lord Tennyson. Written in 1867–70, it was eventually published in 1871. There are multiple versions of the title: On the cover of the 1871 edition, the subtitle is given as "The Loves of the Wrens", however, "Songs of the Wrens" is used on the frontispiece and is the one generally used.
"Tears, Idle Tears" is a lyric poem written in 1847 by Alfred, Lord Tennyson (1809–1892), the Victorian-era English poet. Published as one of the "songs" in his The Princess (1847), it is regarded for the quality of its lyrics. A Tennyson anthology describes the poem as "one of the most Virgilian of Tennyson's poems and perhaps his most famous lyric". Readers often overlook the poem's blank verse—the poem does not rhyme.
"Now Sleeps the Crimson Petal" is a poem written by Alfred Tennyson. It is like a sonnet in having fourteen iambic lines, but it is not rhymed, and it does not follow either the Shakespearean or Petrarchan organization. It was first published in 1847, in The Princess: A Medley.
The Princess is a serio-comic blank verse narrative poem, written by Alfred Tennyson, published in 1847. Tennyson was Poet Laureate of the United Kingdom from 1850 to 1892 and remains one of the most popular English poets.
"Oenone" or "Œnone" is a poem written by Alfred Tennyson in 1829. The poem describes the Greek mythological character Oenone and her witnessing incidents in the life of her lover, Paris, as he is involved in the events of the Trojan War. "Oenone" was inspired by Tennyson's trip to Spain, where he visited the Pyrenees mountains. It is considered the simplest of Tennyson's dramatic monologues.
The Lotos-Eaters is a poem by Alfred Tennyson, 1st Baron Tennyson, published in Tennyson's 1832 poetry collection. It was inspired by his trip to Spain with his close friend Arthur Hallam, where they visited the Pyrenees mountains. The poem describes a group of mariners who, upon eating the lotos, are put into an altered state and isolated from the outside world. The title and concept derives from the lotus-eaters in Greek mythology.
"St Simeon Stylites" is a poem written by Alfred Tennyson in 1833 and published in his 1842 collection of poetry. The poem describes the actions of St. Simeon Stylites, a Christian ascetic saint who goes counts his various physical acts in hopes that he has earned his place in heaven. It captures Tennyson's feelings following the death of a close friend, Arthur Hallam, and contains feelings of self-loathing and regret. The work has ironic overtones that give it the appearance of a satirical work.
"The Day-Dream" is a poem written by Alfred Tennyson that was published in 1842. It was an expanded version of his 1830 poem "The Sleeping Beauty". It was further altered in 1848 for a dramatic performance for a private gathering with Tennyson starring as the Prince. The Day-Dream discusses the nature of sleeping and of dreaming, especially in relation to individuals that would want to escape from reality. The poem also compares the act of poetry with dreaming and asserts that the two are the same.
"Break, Break, Break" is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe, Lincolnshire.
References
- ↑ Alfred Lord Tennyson (29 January 2004). Selected Poems. Penguin Books Limited. pp. 560–. ISBN 978-0-14-193487-7.
- ↑ Ralph Wilson Rader (1963). Tennyson's Maud: The Biographical Genesis. University of California Press. pp. 80–. ISBN 978-0-520-03617-8.
- ↑ Leonee Ormond (15 October 1993). Alfred Tennyson: A Literary Life. Palgrave Macmillan UK. pp. 106–. ISBN 978-1-349-22998-7.
- ↑ V. Purton; N. Page (20 October 2010). The Palgrave Literary Dictionary of Tennyson. Palgrave Macmillan UK. pp. 294–. ISBN 978-0-230-24494-8.
- ↑ Morton Luce (1971). Tennyson. Folcroft Library Editions.
Canto iii. is prefixed the exquisite cradle song Sweet and Low, in which a child is a bond of love between parents who are sundered by distance.
- ↑ Fraser's Magazine. Vol. 42. 1850. pp. 251–.
- ↑ John D. Jump (31 October 2013). Lord Alfred Tennyson: The Critical Heritage. Routledge. pp. 182–. ISBN 978-1-136-17296-0.
- ↑ Leonee Ormond (17 November 2016). The Reception of Alfred Tennyson in Europe. Bloomsbury Publishing. pp. 14–. ISBN 978-1-350-01252-3.
- ↑ The federal reporter. 1970. pp. 1096–.
While the record does not refer to it, the genesis of the mark would appear to be Alfred Lord Tennyson's song, included in "The Princess" at the conclusion of Part II, Sweet and low, sweet and low, Wind of the Western sea, ...
- ↑ Rich Cohen (31 July 2013). Sweet and Low: A Family Story. Random House. pp. 89–. ISBN 978-1-4464-1990-8.
 | This article related to a poem from the UK or its predecessor states is a stub. You can help Wikipedia by expanding it. |