Albert Herman Woods was a Hungarian-born theatrical producer who spent much of his life in the USA. He produced over 140 plays on Broadway, including some of the most successful shows of the period, sometimes under the name of the production company 'Al Woods Ltd.'. Woods built the Eltinge Theatre on Broadway, named for one of his most successful and profitable stars, the female impersonator Julian Eltinge.
Richard Mansfield was an English actor-manager best known for his performances in Shakespeare plays, Gilbert and Sullivan operas, and the play Dr. Jekyll and Mr. Hyde.
Donald Moffat was a British–American actor with a decades-long career in film and stage in the United States. He began his acting career on- and off-Broadway, which included appearances in The Wild Duck and Right You Are If You Think You Are, earning Tony Award nominations for both, as well as Painting Churches, for which he received an Obie Award. Moffat also appeared in several feature films, including The Thing (1982), The Right Stuff (1983) and, in a rare leading role on film, as a tenuously-recovering alcoholic in On the Nickel (1980). Moffat also made guest appearances in numerous television series, including such shows as Little House on the Prairie, Dr. Quinn, Medicine Woman, and The West Wing. He also was a principal in the 1993 TV miniseries Tales of the City.
Lenore Ulric was a star of the Broadway theatre as well as Hollywood films of the silent-film and early sound era.
Union Square Theatre was the name of two different theatres near Union Square, Manhattan, New York City. The first was a Broadway theatre that opened in 1870, was converted into a cinema in 1921 and closed in 1936. The second was an Off-Broadway theatre that opened in 1985 and closed in 2016.
The Olympia Theatre, also known as Hammerstein's Olympia and later the Lyric Theatre and the New York Theatre, was a theatre complex built by impresario Oscar Hammerstein I in Longacre Square, New York City, opening in 1895.
Hugh Stanislaus Stange (1894–1966) was an American playwright and screenwriter known for what was once described as a "drab realism" in melodramas and crime stories in the 1920s and 1930s. Several of his plays were adapted for the cinema.
Gerald Martin Bordman was an American theatre historian, best known for authoring the reference volume The American Musical Theatre, first published in 1978. In reviewing an updated version of American Musical Theatre in 2011, Playbill wrote that the book had "altered the scope of American musical theatre history" and "remained the only book of its kind, and an invaluable one."
Dr. Jekyll and Mr. Hyde is a four-act play written by Thomas Russell Sullivan in collaboration with the actor Richard Mansfield. It is an adaptation of Strange Case of Dr Jekyll and Mr Hyde, an 1886 novella by the Scottish author Robert Louis Stevenson. The story focuses on the respected London doctor Henry Jekyll and his involvement with Edward Hyde, a loathsome criminal. After Hyde murders the father of Jekyll's fiancée, Jekyll's friends discover that he and Jekyll are the same person; Jekyll has developed a potion that allows him to transform himself into Hyde and back again. When he runs out of the potion, he is trapped as Hyde and commits suicide before he can be arrested.
Beatrice Cameron was an American stage actress. She was the leading lady for the company of actor Richard Mansfield, whom she married in 1892. She retired from acting in 1898.
Dr. Jekyll and Mr. Hyde is a four-act play written by John McKinney in collaboration with the actor Daniel E. Bandmann. It is an adaptation of Strange Case of Dr Jekyll and Mr Hyde, an 1886 novella written by the Scottish author Robert Louis Stevenson. The story focuses on Henry Jekyll, a respected London doctor, and his involvement with Edward Hyde, a loathsome criminal. After Hyde murders a vicar, Jekyll's friends suspect he is helping the killer, but the truth is that Jekyll and Hyde are the same person. Jekyll has developed a potion that allows him to transform himself into Hyde and back again. When he runs out of the potion, he is trapped in his Hyde form and commits suicide before he can be arrested.
Dr. Jekyll and Mr. Hyde, Or a Mis-Spent Life is a four-act play written in 1897 by Luella Forepaugh and George F. Fish. It is an adaptation of Strange Case of Dr Jekyll and Mr Hyde, an 1886 novella written by the Scottish author Robert Louis Stevenson. The story focuses on Henry Jekyll, a respected London doctor, and his involvement with Edward Hyde, a loathsome criminal. After Hyde murders a vicar, Jekyll's friends suspect he is helping the killer, but the truth is that Jekyll and Hyde are the same person. Jekyll has developed a potion that allows him to transform himself into Hyde and back again. When he runs out of the potion, he is trapped in his Hyde form and commits suicide.
Prince Karl is a play written by A. C. Gunter in 1886. Gunter originally conceived the play as a drama, but actor Richard Mansfield thought it would work better as a comedy. Mansfield debuted in the title role at the Boston Museum on April 5, 1886. After a four-week run in Boston, Mansfield took it to Broadway, where it opened at the Madison Square Theatre on May 3. In 1887, Mansfield took his company to England, and he opened Prince Karl at the Lyceum Theatre in London's West End on October 10 of that year. The play became part of the repertory of Mansfield's company, and he continued to perform it until shortly before his death in 1907.
Lesbia is a one-act play written by Richard Davey. The story is a comedy about the relationship between the Roman poet Catullus and his lover Lesbia. The actor-manager Richard Mansfield staged the play at the Lyceum Theatre in London, where it debuted on 17 September 1888 with Beatrice Cameron as Lesbia. Mansfield later took the play to the United States as part of the repertory of his company.
Suzanne Caubet, also known as Suzanne Caubaye, was a French actress, singer, and writer.
The Greenwich Village Follies was a musical revue that played for eight seasons in New York City from 1919 to 1927. Launched by John Murray Anderson, and opening on July 15, 1919, at the newly constructed Greenwich Village Theatre near Christopher Street, the show's success has been credited in part to its timing: as a non-union production, it was unaffected by the then-current actors' strike.
The Voice from the Minaret is a play by the British writer Robert Hichens. It premiered at the Globe Theatre in London's West End in 1919, with a cast including Marie Lohr, Arthur Wontner, Henry Vibart, Norman McKinnel, George Hayes and Vane Featherston. In 1922 it was staged on Broadway at the Hudson Theatre with Lohr and Herbert Marshall heading the cast, and Edmund Gwenn receiving the best reviews.
Richard Marston (1847–1917) was an English scenic designer who had a prominent career as a designer for Broadway productions from the 1860s into the early 20th century. After designing new sets for the very first musical, The Black Crook, at Niblo's Garden in 1867, Marston served as the resident scenic designer at first the Union Square Theatre and later the Madison Square Theatre. He was particularly admired for his outdoor set designs.
Paul West was an American playwright, lyricist, newspaper editor, journalist, screenwriter, author, and talent agent. After working as a journalist in Massachusetts from 1888 to 1892, he began his career in the theatre as a press representative for Charles H. Hoyt; followed by a season as the business manager for the opera singer and actress Camille D'Arville and the comedian Frank Daniels. From 1898 to 1911 he worked on the editorial staff The New York Sunday World during which time be began a career as a prolific lyricist for both Broadway musicals and Tin Pan Alley publishers of popular song; publishing more the 500 songs during his lifetime. He also worked as a playwright, penning both plays and the books for several musicals. More than 15 of his stage works were mounted on Broadway between the years 1902–1913. In 1904 his children's book The Pearl and the Pumpkin was published; a work which he later adapted into a 1905 musical.
