Broadway theatre,commonly known as Broadway, refers to the theatrical performances presented in the 41 professional theatres, each with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Along with London's West End theatre, Broadway theatre is widely considered to represent the highest level of commercial theatre in the English-speaking world.
A theater, theatre or playhouse, is a structure where theatrical works or plays are performed, or other performances such as musical concerts may be produced. While a theater is not required for performance, a theater serves to define the performance and audience spaces. The facility is traditionally organized to provide support areas for performers, the technical crew and the audience members.
New York City's Theater District is an area in Midtown Manhattan where most Broadway theaters are located, as well as many other theaters, movie theaters, restaurants, hotels, and other places of entertainment. It is bounded by West 40th Street on the south, West 54th Street on the north, Sixth Avenue on the east and Eighth Avenue on the west, and includes Times Square. The Great White Way is the name given to the section of Broadway which runs through the Theater District.
Broadway is a road in the U.S. state of New York. Broadway runs from State Street at Bowling Green for 13 mi (21 km) through the borough of Manhattan and 2 mi (3.2 km) through the Bronx, exiting north from the city to run an additional 18 mi (29 km) through the municipalities of Yonkers, Hastings-On-Hudson, Dobbs Ferry, Irvington, and Tarrytown, and terminating north of Sleepy Hollow in Westchester County.
The Theater District is a popular tourist attraction in New York City. According to The Broadway League, for the 2017–2018 season (which ended May 27, 2018) total attendance was 13,792,614 and Broadway shows had US$1,697,458,795 in grosses, with attendance up 3.9%, grosses up 17.1%, and playing weeks up 2.8%.
New York City received an eighth consecutive annual record of approximately 62.8 million tourists in 2017, counting not just overnighters but anyone visiting for the day from over 50 miles away, including commuters... Overall the city welcomed 38 million visitors who stayed overnight of which 13.3 million were international in 2018. Major destinations include the Empire State Building, Ellis Island, the Statue of Liberty on Liberty Island, Broadway theatre productions, Central Park, Times Square, Coney Island, the Financial District, museums, sports stadiums, luxury shopping along Fifth and Madison Avenues, entertainment events such as the Tribeca Film Festival, Randalls Island music festivals such as Governors Ball, Panorama and Electric Zoo, and free performances in Central Park at Summerstage and Delacorte Theater. Many New York City ethnic enclaves, such as Jackson Heights, Flushing, and Brighton Beach are major shopping destinations for first and second generation Americans up and down the East Coast.
The Broadway League, formerly the League of American Theatres and Producers and League of New York Theatres and Producers, is the national trade association for the Broadway theatre industry based in New York, New York. Its members include theatre owners and operators, producers, presenters, and general managers in New York and more than 250 other North American cities, as well as suppliers of goods and services to the theatre industry.
The majority of Broadway shows are musicals. Historian Martin Shefter argues that "'Broadway musicals', culminating in the productions of Richard Rodgers and Oscar Hammerstein, became enormously influential forms of American popular culture" and contributed to making New York City the cultural capital of the Western Hemisphere.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
Martin Allen Shefter is an American political scientist and author, noted for his research on New York City politics and on how changes in the international system shape political institutions and the conduct of politics in the United States.
Richard Charles Rodgers was an American composer of music, with over 900 songs and 43 Broadway musicals, leaving a legacy as one of the most significant composers of 20th century American music. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music.
New York did not have a significant theatre presence until about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 people. They presented Shakespeare plays and ballad operas such as The Beggar's Opera .In 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice and The Anatomist. The company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the year the 2,000-seat Park Theatre was built on Chatham Street (now called Park Row). The Bowery Theatre opened in 1826, followed by others.
Nassau Street is a street in the Financial District of New York City. It is located near Pace University and City Hall. It starts at Wall Street and runs north to Spruce Street at the foot of the Brooklyn Bridge, located one block east of Broadway and east of Park Row, in the borough of Manhattan.
The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time.
William Hallam was an English theatre manager who organized the company that gave the first professionally produced theatrical performances in the New World.
By the 1840s, P.T. Barnum was operating an entertainment complex in Lower Manhattan. In 1829, at Broadway and Prince Street, Niblo's Garden opened and soon became one of New York's premiere nightspots. The 3,000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmo's Opera House opened and presented opera for only four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burton's Theatre. The Astor Opera House opened in 1847. A riot broke out in 1849 when the lower-class patrons of the Bowery objected to what they perceived as snobbery by the upper class audiences at Astor Place: "After the Astor Place Riot of 1849, entertainment in New York City was divided along class lines: opera was chiefly for the upper middle and upper classes, minstrel shows and melodramas for the middle class, variety shows in concert saloons for men of the working class and the slumming middle class."
Lower Manhattan, also known as Downtown Manhattan or Downtown New York, is the southernmost part of Manhattan, the central borough for business, culture, and government in the City of New York, which itself originated at the southern tip of Manhattan Island in 1624, at a point which now constitutes the present-day Financial District. The population of the Financial District alone has grown to an estimated 61,000 residents as of 2018, up from 43,000 as of 2014, which in turn was nearly double the 23,000 recorded at the 2000 Census.
Niblo's Garden was a New York theatre on Broadway, near Prince Street. It was established in 1823 as "Columbia Garden" which in 1828 gained the name of the Sans Souci and was later the property of the coffeehouse proprietor and caterer William Niblo. The large theatre that evolved in several stages, occupying more and more of the pleasure ground, was twice burned and rebuilt. On September 12, 1866, Niblo's saw the premiere of The Black Crook, considered to be the first piece of musical theatre that conforms to the modern notion of a "book musical".
Palmo's Opera House was a 19th-century theatre in Manhattan, New York that was located on Chambers Street between Broadway and Centre Street. It was one of the earliest opera houses in New York before it was converted into one of the earliest Broadway theatres. The theatre was conceived by Ferdinand Palmo, an Italian immigrant and successful restaurateur in New York City. It was located inside the former Stoppani's Arcade Baths building. Modest alteration to the building was done in 1843 to convert the building into a theater.
The plays of William Shakespeare were frequently performed on the Broadway stage during the period, most notably by American actor Edwin Booth who was internationally known for his performance as Hamlet. Booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865 (with the run ending just a few months before Booth's brother John Wilkes Booth assassinated Abraham Lincoln), and would later revive the role at his own Booth's Theatre (which was managed for a time by his brother Junius Brutus Booth, Jr.). Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, and Charles Fechter.
William Shakespeare was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of approximately 39 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Edwin Thomas Booth was an American actor who toured throughout the United States and the major capitals of Europe, performing Shakespearean plays. In 1869, he founded Booth's Theatre in New York. Some theatrical historians consider him the greatest American actor, and the greatest Prince Hamlet, of the 19th century. His achievements are often overshadowed by his relationship with his brother, actor John Wilkes Booth, who assassinated President Abraham Lincoln.
Prince Hamlet is the title role and protagonist of William Shakespeare's c. 1600 tragedy Hamlet. He is the Prince of Denmark, nephew to the usurping Claudius, and son of King Hamlet, the previous King of Denmark. At the beginning of the play, he struggles with whether, and how, to avenge the murder of his father, and struggles with his own sanity along the way. By the end of the tragedy, Hamlet has caused the deaths of Polonius, Laertes, Claudius, and two acquaintances of his from the University of Wittenberg Rosencrantz and Guildenstern. He is also indirectly involved in the deaths of his love Ophelia (drowning) and of his mother Gertrude.
Theatre in New York moved from downtown gradually to midtown beginning around 1850, seeking less expensive real estate. In the beginning of the 19th century, the area that now comprises the Theater District was owned by a handful of families and comprised a few farms. In 1836, Mayor Cornelius Lawrence opened 42nd Street and invited Manhattanites to "enjoy the pure clean air."Close to 60 years later, theatrical entrepreneur Oscar Hammerstein I built the iconic Victoria Theater on West 42nd Street.
Broadway's first "long-run" musical was a 50-performance hit called The Elves in 1857. In 1870, the heart of Broadway was in Union Square, and by the end of the century, many theatres were near Madison Square. Theatres did not arrive in the Times Square area until the early 1900s, and the Broadway theatres did not consolidate there until a large number of theatres were built around the square in the 1920s and 1930s. New York runs continued to lag far behind those in London,but Laura Keene's "musical burletta" The Seven Sisters (1860) shattered previous New York records with a run of 253 performances. It was at a performance by Keene's troupe of Our American Cousin in Washington, D.C. that Abraham Lincoln was shot.
The first theatre piece that conforms to the modern conception of a musical, adding dance and original music that helped to tell the story, is considered to be The Black Crook , which premiered in New York on September 12, 1866. The production was five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a "musical comedy".
Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 (The Mulligan Guard Picnic) and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham. These musical comedies featured characters and situations taken from the everyday life of New York's lower classes and represented a significant step forward from vaudeville and burlesque, towards a more literate form. They starred high quality singers (Lillian Russell, Vivienne Segal, and Fay Templeton), instead of the women of questionable repute who had starred in earlier musical forms.
As transportation improved, poverty in New York diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theatres increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values. As in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women. Gilbert and Sullivan's family-friendly comic opera hits, beginning with H.M.S. Pinafore in 1878, were imported to New York (by the authors and also in numerous unlicensed productions). They were imitated in New York by American productions such as Reginald Dekoven's Robin Hood (1891) and John Philip Sousa's El Capitan (1896), along with operas, ballets and other British and European hits.
Charles H. Hoyt's A Trip to Chinatown (1891) became Broadway's long-run champion, holding the stage for 657 performances. This would not be surpassed until Irene in 1919. In 1896, theatre owners Marc Klaw and A. L. Erlanger formed the Theatrical Syndicate, which controlled almost every legitimate theatre in the US. for the next sixteen years.However, smaller vaudeville and variety houses proliferated, and Off-Broadway was well established by the end of the 19th century.
A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans in a Broadway theatre (largely inspired by the routines of the minstrel shows), followed by the ragtime-tinged Clorindy: The Origin of the Cakewalk (1898), and the highly successful In Dahomey (1902). Hundreds of musical comedies were staged on Broadway in the 1890s and early 1900s made up of songs written in New York's Tin Pan Alley involving composers such as Gus Edwards, John Walter Bratton, and George M. Cohan ( Little Johnny Jones (1904), 45 Minutes From Broadway (1906), and George Washington Jr. (1906)). Still, New York runs continued to be relatively short, with a few exceptions, compared with London runs, until World War I.A few very successful British musicals continued to achieve great success in New York, including Florodora in 1900–01.
In the early years of the 20th century, translations of popular late-19th century continental operettas were joined by the "Princess Theatre" shows of the 1910s by writers such as P. G. Wodehouse, Guy Bolton, and Harry B. Smith. Victor Herbert, whose work included some intimate musical plays with modern settings as well as his string of famous operettas ( The Fortune Teller (1898), Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), and Naughty Marietta (1910)).
Beginning with The Red Mill, Broadway shows installed electric signs outside the theatres. Since colored bulbs burned out too quickly, white lights were used, and Broadway was nicknamed "The Great White Way". In August 1919, the Actors' Equity Association demanded a standard contract for all professional productions. After a strike shut down all the theatres, the producers were forced to agree. By the 1920s, the Shubert Brothers had risen to take over the majority of the theatres from the Erlanger syndicate.
During this time, the play Lightnin' , by Winchell Smith and Frank Bacon, became the first Broadway show to reach 700 performances. From then, it would go on to become the first show to reach 1,000 performances. Lightnin' was the longest-running Broadway show until being overtaken in performance totals by Abie's Irish Rose in 1925.
The motion picture mounted a challenge to the stage. At first, films were silent and presented only limited competition. By the end of the 1920s, films like The Jazz Singer were presented with synchronized sound, and critics wondered if the cinema would replace live theatre altogether. While live vaudeville could not compete with these inexpensive films that featured vaudeville stars and major comedians of the day, other theatre survived. The musicals of the Roaring Twenties, borrowing from vaudeville, music hall and other light entertainments, tended to ignore plot in favor of emphasizing star actors and actresses, big dance routines, and popular songs. Florenz Ziegfeld produced annual spectacular song-and-dance revues on Broadway featuring extravagant sets and elaborate costumes, but there was little to tie the various numbers together. Typical of the 1920s were lighthearted productions such as Sally ; Lady Be Good ; Sunny ; No, No, Nanette ; Harlem; Oh, Kay! ; and Funny Face . Their books may have been forgettable, but they produced enduring standards from George Gershwin, Cole Porter, Jerome Kern, Vincent Youmans, and Rodgers and Hart, among others, and Noël Coward, Sigmund Romberg, and Rudolf Friml continued in the vein of Victor Herbert. Clearly, the live theatre survived the invention of cinema.
Leaving these comparatively frivolous entertainments behind and taking the drama a step forward, Show Boat premiered on December 27, 1927, at the Ziegfeld Theatre. It represented a complete integration of book and score, with dramatic themes, as told through the music, dialogue, setting and movement, woven together more seamlessly than in previous musicals. It ran for 572 performances.
The 1920s also spawned a new age of American playwright with the emergence of Eugene O'Neill, whose plays Beyond the Horizon , Anna Christie , The Hairy Ape , Strange Interlude and Mourning Becomes Electra proved that there was an audience for serious drama on Broadway, and O'Neill's success paved the way for major dramatists like Elmer Rice, Maxwell Anderson, Robert E. Sherwood, Tennessee Williams, and Arthur Miller, as well as writers of comedy like George S. Kaufman and Moss Hart. Classical revivals also proved popular with Broadway theatre-goers, notably John Barrymore in Hamlet and Richard III, John Gielgud in Hamlet , The Importance of Being Earnest and Much Ado About Nothing , Walter Hampden and José Ferrer in Cyrano de Bergerac , Paul Robeson and Ferrer in Othello , Maurice Evans in Richard II and the plays of George Bernard Shaw, and Katharine Cornell in such plays as Romeo and Juliet , Antony and Cleopatra , and Candida .
As World War II approached, a dozen Broadway dramas addressed the rise of Nazism in Europe and the issue of American non-intervention. The most successful was Lillian Hellman's Watch on the Rhine , which opened in April 1941.
After the lean years of the Great Depression, Broadway theatre had entered a golden age with the blockbuster hit Oklahoma! , in 1943, which ran for 2,212 performances. According to John Kenrick writing of Broadway musicals, "Every season saw new stage musicals send songs to the top of the charts. Public demand, a booming economy and abundant creative talent kept Broadway hopping. To this day, the shows of the 1950s form the core of the musical theatre repertory."Kenrick notes that "the late 1960s marked a time of cultural upheaval. The changes would prove painful for many—including those behind the scenes, as well as those in the audience." Of the 1970s, Kenrick writes: "Just when it seemed that traditional book musicals were back in style, the decade ended with critics and audiences giving mixed signals."
Ken Bloom observed that "The 1960s and 1970s saw a worsening of the area [Times Square] and a drop in the number of legitimate shows produced on Broadway."By way of comparison, in the 1950 to 1951 season (May to May) 94 productions opened on Broadway; in the 1969 to 1970 season (June to May) there were 59 productions (fifteen were revivals). In the twenties, there were 70–80 theaters but by 1969 there were 36 left.
In the spring of 1982, Joe Papp, the theatrical producer and director who established The Public Theater, led the "Save the Theatres" campaign.It was a not-for-profit group supported by the Actors Equity union, to save the theater buildings in the neighborhood from demolition by monied Manhattan development interests. Papp provided resources, recruited a publicist and celebrated actors, and provided audio, lighting, and technical crews for the effort.
At Papp's behest, in July 1982, a bill was introduced in the 97th Congress, entitled "H.R.6885, A bill to designate the Broadway/Times Square Theatre District in the City of New York as a national historic site".The legislation would have provided certain US government resources and assistance to help the city preserve the district. Faced with strong opposition and lobbying by Mayor Ed Koch's Administration and corporate Manhattan development interests, the bill was not passed. The Save the Theatres campaign then turned their efforts to supporting establishment of the Theater District as a registered historic district. In December 1983, Save the Theatres prepared "The Broadway Theater District, a Preservation Development and Management Plan", and demanded that each theater in the district receive landmark designation. Mayor Ed Koch ultimately reacted by creating a Theater Advisory Council, which included Papp.
Although there are some exceptions, generally shows with open-ended runs have evening performances Tuesday through Saturday with a 7:00 p.m. or 8:00 p.m. "curtain". The afternoon "matinée" performances are at 2:00 p.m. on Wednesdays and Saturdays and at 3:00 p.m. on Sundays. This makes for an eight-performance week. On this schedule, most shows do not play on Monday and the shows and theatres are said to be "dark" on that day. The actors and the crew in these shows tend to regard Sunday evening through Monday evening as their weekend. The Tony award presentation ceremony is usually held on a Sunday evening in June to fit this schedule.
In recent years, some shows have moved their Tuesday show time an hour earlier to 7:00 pm. The rationale for this move was that since fewer tourists take in shows midweek, Tuesday attendance depends more on local patrons. The earlier curtain makes it possible for suburban patrons to get home by a reasonable hour after the show. Some shows, especially those produced by Disney, change their performance schedules fairly frequently depending on the season. This is done in order to maximize access to their target audience.
Most Broadway producers and theatre owners are members of The Broadway League (formerly "The League of American Theatres and Producers"), a trade organization that promotes Broadway theatre as a whole, negotiates contracts with the various theatrical unions and agreements with the guilds, and co-administers the Tony Awards with the American Theatre Wing, a service organization. While the League and the theatrical unions are sometimes at loggerheads during those periods when new contracts are being negotiated, they also cooperate on many projects and events designed to promote professional theatre in New York.
Of the four non-profit theatre companies with Broadway theatres, three (Lincoln Center Theater, Manhattan Theatre Club, and Roundabout Theatre Company) belong to the League of Resident Theatres and have contracts with the theatrical unions which are negotiated separately from the other Broadway theatre and producers. (Disney also negotiates apart from the League, as did Livent before it closed down its operations.) Second Stage Theatre is the non-profit owner of the Helen Hayes Theatre but is not a member of the League of Resident Theatres. However, generally, shows that play in any of the Broadway houses are eligible for Tony Awards (see below).
The majority of Broadway theatres are owned or managed by three organizations: the Shubert Organization, a for-profit arm of the non-profit Shubert Foundation, which owns seventeen theatres; the Nederlander Organization, which controls nine theatres; and Jujamcyn, which owns five Broadway houses.
Both musicals and stage plays on Broadway often rely on casting well-known performers in leading roles to draw larger audiences or bring in new audience members to the theatre. Actors from movies and television are frequently cast for the revivals of Broadway shows or are used to replace actors leaving a cast. There are still, however, performers who are primarily stage actors, spending most of their time "on the boards", and appearing in television and in screen roles only secondarily. As Patrick Healy of The New York Times noted:
Broadway once had many homegrown stars who committed to working on a show for a year, as Nathan Lane has for The Addams Family . In 2010, some theater heavyweights like Mr. Lane were not even nominated; instead, several Tony Awards were given for productions that were always intended to be short-timers on Broadway, given that many of their film-star performers had to move on to other commitments.
According to Mark Shenton, "One of the biggest changes to the commercial theatrical landscape—on both sides of the Atlantic—over the past decade or so is that sightings of big star names turning out to do plays has gone up; but the runs they are prepared to commit to has gone down. Time was that a producer would require a minimum commitment from his star of six months, and perhaps a year; now, the 14-week run is the norm."
The minimum size of the Broadway orchestra is governed by an agreement with the musicians union (Local 802, American Federation of Musicians) and The Broadway League. For example, the agreement specifies the minimum size of the orchestra at the Minskoff Theatre to be 18, at the Music Box Theatre to be 9.
Most Broadway shows are commercial productions intended to make a profit for the producers and investors ("backers" or "angels"), and therefore have open-ended runs (duration that the production plays), meaning that the length of their presentation is not set beforehand, but depends on critical response, word of mouth, and the effectiveness of the show's advertising, all of which determine ticket sales. Investing in a commercial production carries a varied degree of financial risk. Shows do not necessarily have to make a profit immediately. If they are making their "nut" (weekly operating expenses), or are losing money at a rate which the producers consider acceptable, they may continue to run in the expectation that, eventually, they will pay back their initial costs and become profitable. In some borderline situations, producers may ask that royalties be temporarily reduced or waived, or even that performers—with the permission of their unions—take reduced salaries, in order to prevent a show from closing. Theatre owners, who are not generally profit participants in most productions, may waive or reduce rents, or even lend a show money in order to keep it running.
Some Broadway shows are produced by non-commercial organizations as part of a regular subscription season—Lincoln Center Theatre, Roundabout Theatre Company, Manhattan Theatre Club, and Second Stage Theater are the four non-profit theatre companies that currently have permanent Broadway venues. Some other productions are produced on Broadway with "limited engagement runs" for a number of reasons, including financial issues, prior engagements of the performers or temporary availability of a theatre between the end of one production and the beginning of another. However, some shows with planned limited engagement runs may, after critical acclaim or box office success, extend their engagements or convert to open-ended runs. This was the case with 2007's August: Osage County , 2009's God of Carnage , and 2012's Newsies .
Historically, musicals on Broadway tend to have longer runs than "straight" (i.e. non-musical) plays. On January 9, 2006, The Phantom of the Opera at the Majestic Theatre became the longest running Broadway musical, with 7,486 performances, overtaking Cats .
Attending a Broadway show is a common tourist activity in New York. The TKTS booths sell same-day tickets (and in certain cases next-day matinee tickets) for many Broadway and Off-Broadway shows at a discount of 20 to 50%. million in 2017–2018 compared to 13.27 million in 2016–2017. The Broadway League also reports that approximately 66% of all Broadway tickets were purchased by tourists in the 2012–2013 season, an increase of three percent from the 2011–2012 season. By way of comparison, London's West End theatre reported total attendance of 14.3 million for major commercial and grant-aided theatres in central London for 2009.The TKTS booths are located in Times Square, in Lower Manhattan, and at Lincoln Center. This service is run by Theatre Development Fund. Many Broadway theatres also offer special student rates, same-day "rush" or "lottery" tickets, or standing-room tickets to help ensure that their theatres are as full, and their grosses as high as possible. According to The Broadway League, total Broadway attendance was 13.79
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The classification of theatres is governed by language in Actors' Equity Association contracts. To be eligible for a Tony, a production must be in a house with 500 seats or more and in the Theater District, which criteria define Broadway theatre. Off-Broadway and Off-Off-Broadway shows often provide a more experimental, challenging and intimate performance than is possible in the larger Broadway theatres. Some Broadway shows, however, such as the musicals Hair , Little Shop of Horrors , Spring Awakening , Next to Normal , Rent , Avenue Q , In the Heights , Fun Home , Dear Evan Hansen , and Hamilton , began their runs Off-Broadway and later transferred to Broadway, seeking to replicate their intimate experience in a larger theatre.
After, or even during, successful runs in Broadway theatres, producers often remount their productions with new casts and crew for the Broadway national tour, which travels to theatres in major cities across the country. Sometimes when a show closes on Broadway, the entire production, with most if not all of the original cast intact, is relaunched as a touring company, hence the name "Broadway national tour". Some shows may even have several touring companies out at a time, whether the show is still running in New York or not, with many companies "sitting down" in other major cities for their own extended runs.
Smaller cities may attract national touring companies, but for shorter periods of time or they may even be serviced by "bus and truck" tours. These are scaled-down versions of the larger, national touring productions, historically acquiring their name because the casts generally traveled by bus instead of by air, while the sets and equipment traveled by truck. Tours of this type, which frequently feature a reduced physical production to accommodate smaller venues and tighter schedules, often run for weeks rather than months. Some will even play "split weeks", which are half a week in one town and the second half in another. On occasion, they will also play "one-nighters". The production values are usually less lavish than the typical Broadway national tour or national touring production and the actors, while still members of the actor's union, are compensated under a different, less lucrative, union contract. The Touring Broadway Awards, presented by The Broadway League, honored excellence in touring Broadway.
Broadway productions and artists are honored by the annual Antoinette Perry Awards (commonly called the "Tony Awards", or "Tony") which are given by the American Theatre Wing and The Broadway League, and which were first presented in 1947.The Tony is Broadway's most prestigious award, comparable to the Academy Awards for Hollywood film productions. Their importance has increased since 1967 when the awards presentation show began to be broadcast on national television. In a strategy to improve the television ratings, celebrities are often chosen to host the show, some with scant connection to the theatre. The most recent Tony Awards ceremony was held on June 10, 2018. Other awards given to Broadway productions include the Drama Desk Award, presented since 1955, the New York Drama Critics' Circle Awards, first given in 1936, and the Outer Critics Circle Award, initially presented in 1950.
|Al Hirschfeld Theatre||W. 45th St. (No. 302)||1424||Jujamcyn Theaters||Moulin Rouge!||Musical||July 25, 2019*||Open-ended|
|Ambassador Theatre||W. 49th St. (No. 219)||1125||Shubert Organization||Chicago||Musical||November 14, 1996||Open-ended|
|American Airlines Theatre||W. 42nd St. (No. 227)||740||Roundabout Theatre Company||All My Sons||Play||April 22, 2019*||June 23, 2019|
|August Wilson Theatre||W. 52nd St. (No. 245)||1228||Jujamcyn Theaters||Mean Girls||Musical||April 8, 2018||Open-ended|
|Belasco Theatre||W. 44th St. (No. 111)||1018||Shubert Organization||Network||Play||December 6, 2018||June 8, 2019|
|Bernard B. Jacobs Theatre||W. 45th St. (No. 242)||1078||Shubert Organization||The Ferryman||Play||October 21, 2018||July 7, 2019|
|Booth Theatre||W. 45th St. (No. 222)||766||Shubert Organization||Gary: A Sequel to Titus Andronicus||Play||April 21, 2019||August 4, 2019|
|Broadhurst Theatre||W. 44th St. (No. 235)||1186||Shubert Organization||Frankie and Johnny in the Clair de Lune||Play||May 30, 2019*||August 25, 2019|
|Broadway Theatre||W. 53rd St & Broadway (No. 1681)||1761||Shubert Organization||King Kong||Musical||November 8, 2018||Open-ended|
|Brooks Atkinson Theatre||W. 47th St. (No. 256)||1094||Nederlander Organization||Waitress||Musical||April 24, 2016||Open-ended|
|Circle in the Square Theatre||W. 50th St. (No. 235)||840||Independent||Oklahoma!||Musical||April 7, 2019||September 1, 2019|
|Cort Theatre||W. 48th St. (No. 138)||1084||Shubert Organization||King Lear||Play||April 4, 2019||July 7, 2019|
|Ethel Barrymore Theatre||W. 47th St. (No. 243)||1096||Shubert Organization|
|Eugene O'Neill Theatre||W. 49th St. (No. 230)||1066||Jujamcyn Theaters||The Book of Mormon||Musical||March 24, 2011||Open-ended|
|Gerald Schoenfeld Theatre||W. 45th St. (No. 236)||1079||Shubert Organization||Come from Away||Musical||March 12, 2017||Open-ended|
|Gershwin Theatre||W. 51st St. (No. 222)||1933||Nederlander Organization||Wicked||Musical||October 30, 2003||Open-ended|
|Hayes Theater||W. 44th St. (No. 240)||597||Second Stage Theater||What the Constitution Means to Me||Play||March 31, 2019||July 21, 2019*|
|Hudson Theatre||W. 44th St. (No. 141)||975||Ambassador Theatre Group||Burn This||Play||April 16, 2019||July 7, 2019*|
|Imperial Theatre||W. 45th St. (No. 249)||1443||Shubert Organization||Ain't Too Proud||Musical||March 21, 2019||Open-ended|
|John Golden Theatre||W. 45th St. (No. 252)||805||Shubert Organization||Hillary and Clinton||Play||April 18, 2019||July 21, 2019|
|Longacre Theatre||W. 48th St. (No. 220)||1091||Shubert Organization||The Prom||Musical||November 15, 2018||Open-ended|
|Lunt-Fontanne Theatre||W. 46th St. (No. 205)||1519||Nederlander Organization||Morrissey||Concert||May 2, 2019*||May 11, 2019*|
|Lyceum Theatre||W. 45th St. (No. 149)||922||Shubert Organization||Be More Chill||Musical||March 10, 2019||Open-ended|
|Lyric Theatre||W. 43rd St. (No. 214)||1622||Ambassador Theatre Group||Harry Potter and the Cursed Child||Play||April 22, 2018||Open-ended|
|Majestic Theatre||W. 44th St. (No. 245)||1645||Shubert Organization||The Phantom of the Opera||Musical||January 26, 1988||Open-ended|
|Marquis Theatre||W. 46th St. (No. 210)||1612||Nederlander Organization||Tootsie||Musical||April 23, 2019*||Open-ended|
|Minskoff Theatre||W. 45th St. (No. 200)||1710||Nederlander Organization||The Lion King||Musical||November 13, 1997||Open-ended|
|Music Box Theatre||W. 45th St. (No. 239)||1009||Shubert Organization||Dear Evan Hansen||Musical||December 4, 2016||Open-ended|
|Nederlander Theatre||W. 41st St. (No. 208)||1235||Nederlander Organization||Pretty Woman: The Musical||Musical||August 16, 2018||Open-ended|
|Neil Simon Theatre||W. 52nd St. (No. 250)||1467||Nederlander Organization||The Cher Show||Musical||December 3, 2018||Open-ended|
|New Amsterdam Theatre||W. 42nd St. (No. 214)||1747||Disney Theatrical Group||Aladdin||Musical||March 20, 2014||Open-ended|
|Palace Theatre||W. 47th St. & Broadway (No. 1564)||1743||Nederlander Organization|
|Richard Rodgers Theatre||W. 46th St. (No. 226)||1400||Nederlander Organization||Hamilton||Musical||August 6, 2015||Open-ended|
|St. James Theatre||W. 44th St. (No. 246)||1709||Jujamcyn Theaters||Frozen||Musical||March 22, 2018||Open-ended|
|Samuel J. Friedman Theatre||W. 47th St. (No. 261)||650||Manhattan Theatre Club||Ink||Play||April 24, 2019*||June 16, 2019*|
|Shubert Theatre||W. 44th St. (No. 225)||1460||Shubert Organization||To Kill a Mockingbird||Play||December 13, 2018||Open-ended|
|Stephen Sondheim Theatre||W. 43rd St. (No. 124)||1055||Roundabout Theatre Company||Beautiful: The Carole King Musical||Musical||January 12, 2014||Open-ended|
|Studio 54||W. 54th St. (No. 254)||1006||Roundabout Theatre Company||Kiss Me, Kate||Musical||March 14, 2019||June 30, 2019|
|Vivian Beaumont Theater||W. 65th St. (No. 150)||1080||Lincoln Center Theatre||My Fair Lady||Musical||April 19, 2018||Open-ended|
|Walter Kerr Theatre||W. 48th St. (No. 219)||945||Jujamcyn Theaters||Hadestown||Musical||April 17, 2019||Open-ended|
|Winter Garden Theatre||W. 50th St. & Broadway (No. 1634)||1526||Shubert Organization||Beetlejuice||Musical||April 25, 2019*||Open-ended|
The following have been announced as future Broadway productions. The theatre in which they will run may not yet be known, or, if known, may be currently occupied by another show.
My Fair Lady is a musical based on George Bernard Shaw's Pygmalion, with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phoneticist, so that she may pass as a lady. The original Broadway and London shows starred Rex Harrison and Julie Andrews.
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.
Donna Murphy is an American actress and singer, known for her work in musical theater. A five-time Tony Award nominee, she has twice won the Tony for Best Actress in a Musical: for her role as Fosca in Passion (1994–95) and as Anna Leonowens in The King and I (1996–97). She was also nominated for her roles as Ruth Sherwood in Wonderful Town (2003), Lotte Lenya in LoveMusik (2007) and Bubbie/Raisel in The People in the Picture (2011).
David Yazbek is an American writer, musician, composer, and lyricist. He wrote the music and lyrics for the Broadway musicals The Full Monty (2000), Dirty Rotten Scoundrels (2005), Women on the Verge of a Nervous Breakdown (2010), The Band's Visit (2017), and Tootsie (2019).
Kelli Christine O'Hara is an American actress and singer. She has appeared on Broadway and Off-Broadway in many musicals since making her Broadway debut as a replacement in Jekyll & Hyde in 2000. She has also acted on television, film and opera, appearing with The Metropolitan Opera. In 2018 she made her West End debut.
Matthew Sklar is a composer for musical theatre, television, and film. His works have appeared on Broadway, the West End, and many theatres worldwide. Sklar has written primarily with lyricist Chad Beguelin, having written music for their Broadway shows The Wedding Singer, which earned him a 2006 nomination for Tony Award for Best Original Score, Elf the Musical, and The Prom.
Casey Nicholaw is an American theatre director, choreographer and performer. He has been nominated for Tony Awards for directing and choreographing The Drowsy Chaperone (2006), The Book of Mormon (2011), Something Rotten! (2015), and Mean Girls (2018) and for choreographing Monty Python's Spamalot (2005) and Aladdin (2014), winning for his co-direction of The Book of Mormon with Trey Parker. He also was nominated for the Drama Desk Awards for Outstanding Direction and Choreography for The Drowsy Chaperone (2006) and Something Rotten! (2015) and for Outstanding Choreography for Spamalot (2005).
Thomas Robert Kitt is an American composer, conductor, orchestrator, and musician. For his score for the musical Next to Normal, he shared the 2010 Pulitzer Prize for Drama with Brian Yorkey. He also won the Tony Award and 2008 Outer Critics Circle Award, and was nominated for a Drama Desk Award for American Idiot and Everyday Rapture.
Jessica Ruth Mueller is an American actress and singer. She started her acting career in Chicago and won a Joseph Jefferson Award in 2008 for her role as Carrie Pipperidge in Carousel. In 2011, she moved to New York City to star in a Broadway revival of On a Clear Day You Can See Forever, for which she was nominated for a Tony Award. She won the 2014 Tony Award for Best Actress in a Musical for her performance as Carole King in Beautiful: The Carole King Musical. She also received two additional Tony Award best actress nominations for her roles in Waitress in 2016 and in the Broadway revival of Carousel in 2018.
Pam MacKinnon is an American theatre director. She has directed for the stage Off-Broadway, on Broadway and in regional theatre. She won the Obie Award for Directing and received a Tony Award nomination, Best Director, for her work on Clybourne Park. In 2013 she received the Tony Award for Best Direction of a Play for a revival of Who's Afraid of Virginia Woolf? She was named Artistic Director of American Conservatory Theater in San Francisco, California on January 23, 2018.
Brandon Jacob Uranowitz is an American stage and television actor, best known for his roles as Adam Hochberg in An American in Paris and Mendel in the 2016 Broadway revival of Falsettos.
Leigh Silverman is an American director for the stage, both Off-Broadway and on Broadway. She was nominated for the 2014 Tony Award, Best Direction of a Musical for the musical Violet and the 2008 Drama Desk Award, Outstanding Director of a Play for the play From Up Here.
The Chita Rivera Awards for Dance and Choreography celebrate outstanding dance and choreography in theatre, both on Broadway and Off-Broadway and in film at an annual ceremony in New York City at the Skirball Center for the Performing Arts. Now carrying the namesake of two-time Tony-winning dance icon Chita Rivera, The Rivera Awards will be presented under the auspices of American Dance Machine, an organization dedicated to the preservation of great musical-theater choreography.
Barrett Wilbert Weed is an American musical theater actress and singer. She is best known for originating the role of Veronica Sawyer in the Off-Broadway production of Heathers: The Musical and the role of Janis Sarkisian in the Broadway production of Mean Girls.
Lucas Hnath is an American playwright. He won the 2016 Obie Award for excellence in playwriting for his plays Red Speedo and The Christians. He won a Whiting Award.
Oslo is a Tony award-winning play by J. T. Rogers, recounting the true-life, previously secret, back-channel negotiations in the development of the pivotal 1990s Oslo Peace Accords between Israel and the Palestinian Liberation Organization. The play premiered Off-Broadway in June 2016 and then transferred to Broadway in April 2017.
The 72nd Annual Tony Awards were held on June 10, 2018, to recognize achievement in Broadway productions during the 2017–18 season. The ceremony was held at Radio City Music Hall in New York City, and was broadcast live by CBS. Sara Bareilles and Josh Groban served as hosts.
Ashley Jini Park is an American actress, dancer, and singer. She is known for her work on Broadway as Tuptim in the 2015 revival of The King and I and for originating the role of Gretchen Wieners in the 2018 Tony-nominated musical, Mean Girls, for the latter of which she received Drama Desk Award and Tony Award nominations.
Superhero is a musical with music and lyrics by Tom Kitt, and a book by John Logan. The musical premiered Off-Broadway in February 2019.
Alice by Heart is a musical with music by Duncan Sheik, lyrics by Steven Sater, and a book by Sater with Jessie Nelson. The musical is inspired by Lewis Carroll's Alice's Adventures in Wonderland and was originally presented by London's Royal National Theatre in 2012.
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