Ken Bloom is a New York-based, Grammy Award-winning theatre historian, playwright, director, record producer, and author.
He began his theatre career in the mid-'70s at the New Playwrights Theatre of Washington. Along with some friends, Bloom co-founded the ASTA theatre. That company became the basis for New Playwrights. While at ASTA, Bloom joined the Smithsonian Puppet Theater, performing as part of Allan Stevens and Company in Washington and on tour throughout the United States for over two years. At New Playwrights, Bloom co-produced and directed a series of musicals and musical revues written by Tim Grundmann including Sirocco, Bride of Sirocco (which transferred to a commercial run), Nightmare!, Out to Lunch, and Eddie's Catchy Tunes. He also wrote and directed the musical revues Cole Porter Revisited, The Unsung Jerome Kern, and Sweet and Hot: The Songs of Harold Arlen. Bloom also was in charge of the theatre's PR, audience development, and marketing. After leaving New Playwrights, Bloom edited The Washington Season, an arts supplement for The Washington Post . In Washington, he hosted a musical theatre radio show for WAMU-FM, DC's NPR station.
He continued radio work after moving to New York in 1980 as a correspondent for Morning Edition and All Things Considered . He was also Broadway correspondent for the CBC. Bloom worked with Ezio Petersen on Musical Theatre Today on WKCR-FM, a weekly program that ran for fifteen years. He also hosted 12 hours a week for Sirius Satellite Radio's musical theatre channel.
Shortly after his move to New York, Bloom, in partnership with Cleveland's Bill Rudman, founded Harbinger Records, [1] an independent label dedicated to the preservation of the music of American popular song, musical theatre, and cabaret. Their first release was Geraldine Fitzgerald’s one-woman show, Streetsongs. Bloom and Rudman's first studio record was Maxine Sullivan Sings the Great Songs of the Cotton Club by Harold Arlen and Ted Koehler. It was nominated for a Grammy Award for Best Jazz Vocalist and won the NAIRD award for Best Jazz Vocal of the Year. They continued working with Sullivan on the highly acclaimed Together: The Music of Jule Styne and The Lady's in Love with You: Maxine Sullivan Sings the Music of Burton Lane. Bloom has also produced albums devoted to the talents of Mabel Mercer, Susan Johnson, three CDs with jazz great Barbara Carroll, three jazz CDs with pianist/singer Eric Comstock, Sylvia McNair, opera diva Amy Burton (Opera News Recording of the Month), Lorna Dallas, Eric Michael Gillette, Jamie DeRoy, Stacy Sullivan, Barbara Fasano, Mark Murphy, and others. Harbinger has also released on CD the legendary Walden Records series of recordings as well as recordings by Noël Coward, Charles Strouse and Lee Adams, Richard Rodgers, Jerry Herman, Hugh Martin, Sheldon Harnick, Cy Coleman, Tom Jones and Harvey Schmidt, and Barry Kleinbort. In 2012, Harbinger co-produced Barry Kleinbort's musical 13 Things About Ed Carpolatti at the 59E59 Theater, starring Penny Fuller. In 2016, Bloom and Richard Carlin won a Grammy Award for Best Album Notes for the Harbinger recording Sissle and Blake Sing Shuffle Along, which Bloom also produced. In 2018, Harbinger Records celebrated its 35th anniversary.
Bloom is also a noted author. His first book, American Song: The Complete Musical Theatre Companion is a listing of every song written for the American Theatre, which was named Reference Book of the Year by Choice Magazine. Ten years later, a new, updated edition was published. He followed it up with Hollywood Song which contains information on songs from over 7,000 films. His Tin Pan Alley features complete songographies of the top 175 composers and lyricists of American popular song. Bloom also wrote Broadway: An Encyclopedic Guide to the History, People, and Places of Times Square which won a prestigious Source Magazine Award and was named one of the top reference books of the year by the New York Times. An updated and revised edition was published in 1992. In collaboration with Frank Vlastnik, Bloom wrote the bestseller Broadway Musicals: The 101 Greatest Shows of All Time, [2] [3] which received the George Freedley Award [4] and Sitcoms: The 101 Greatest Comedies of All Time. [1] Bloom also wrote The American Songbook: The Singers, the Songwriters and the Songs. He also compiled, with Jerry Herman, Jerry Herman: The Lyrics: a Celebration. In 2009, with Elaine Orbach, Bloom wrote Remember How I Love You: Love Letters from an Extraordinary Marriage for Simon and Schuster. In 2010, Bloom wrote Hollywood Musicals: The 101 Greatest Song and Dance Movies of All Time. With Josh Wellman, Bloom wrote Attending and Enjoying Concerts for Pearson/Prentice Hall.Show and Tell: The New Book of Broadway Anecdotes (Oxford University Press) was published ij 2016. With co-author Richard Carlin, Bloom wrote "Eubie Blake: Rags, Rhythm, and Race" (Oxford University Press, 2020). His latest book is The Complete Lyrics of Sheldon Harnick. for SUNY New York Press. For more than a decade, Bloom was editor of Marquee, the journal of the Theatre Historical Society, during which time he sat on the board of that organization.
In 2010, Bloom was the Executive Producer of the three-part PBS series, Michael Feinstein's American Songbook. He also developed an extensive website for the series, which can be found at: www.michaelfeinsteinsamericansongbook.com. Also in 2010, an updated edition of Broadway Musicals: The 101 Greatest Shows of All Time was released.
Bloom consulted with Decca Broadway on their musical theatre catalog for nearly ten years. For such organizations as the Library of Congress and the Billy Rose Theatre Collection at Lincoln Center, Bloom cataloged the papers of such theatrical greats as Burton Lane, Florence Klotz, Peter Stone, and Jerry Herman.
With Barry Kleinbort, Bloom wrote the off-Broadway musical revue A Brief History of White Music which ran for a year at the Village Gate Uptown. Bloom and Kleinbort directed benefits for the Brooklyn Academy of Music, The New York City Opera, and Toys "R" Us featuring such stars as Patti LuPone, Carol Burnett, Marc Antony, [5] Paul Anka, Wynonna Judd, Donna Murphy, Jerry Orbach, and Duncan Sheik.
In 2009, Bloom co-wrote with Kleinbort and Christopher Mirambeau a bi-lingual musical revue, Metropolita(i)n. It was produced at the Opera Paniche in Paris, France with a cast of French and American performers. The revue examined Parisian's views of New York City and New Yorker's views of Paris. The show was remounted in November 2010 at the Laurie Beechman Theatre in New York City with members of the French cast. Clips from the show can be seen on YouTube at: MetropolitanParisNYC.
Bloom assisted Christophe Mirambeau in presenting a concert version of the previously lost Cole Porter revue, La Revue des Ambassadeurs; Mirambeau discovered Porter's lost songs, and the show reopened the historic Maison de la Mutualite on May 3, 2012, 85 years after its Parisian premiere. The thirty-member Orchestre des Concerts Pasdeloup played new orchestrations by Broadway orchestrator Larry Blank. A forty-member chorus and a cast of Parisians and Americans, including Amy Burton, Lisa Vroman, Jérôme Pradon, and Vincent Heden, performed the material. In 2014, Bloom and Vince Giordano found the original 1928 orchestrations and mounted the show at Town Hall in New York City for a sold-out performance; Amy Burton, Jason Graae, Anita Gillette, Tom Wopat, Catherine Russell, and Ted Louis Levy performed. Two years later, Bloom staged the show at San Francisco's historic Herbst Theatre.
2019 saw the release of the documentary, "Merely Marvelous: The Dancing Genius of Gwen Verdon, which Bloom co-wrote, co-directed and co-produced with filmmaker Christopher Johnson. The documentary was broadcast on the BBC and has been featured in many film festivals; winning awards from the Burbank International Film Festival [6] winners and the Rhode Island International Film Festival. [7]
As a press agent, Bloom has represented Cirque du Soleil, the Bolshoi Theatre Grigorovich Balley, the Moscow Art Theatre, the Kirov Ballet, George Abbott's Broadway at the Royale Theatre on Broadway, internationally known children's performers Sharon, Lois & Bram, and many others.
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100.
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1954. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.
Gerald Sheldon Herman was an American composer and lyricist, known for his work in Broadway theatre.
Dorothy Fields was an American librettist and lyricist. She wrote more than 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters.
Michael Stewart was an American playwright and dramatist, librettist, lyricist, screenwriter and novelist.
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray.
La Cage aux Folles is a musical with music and lyrics by Jerry Herman and a book by Harvey Fierstein.
Nancy Dussault is an American actress and singer.
The Princess Theatre was a joint venture between the Shubert Brothers, producer Ray Comstock, theatrical agent Elisabeth Marbury and actor-director Holbrook Blinn. Built on a narrow slice of land located at 104–106 West 39th Street, just off Sixth Avenue in New York City, and seating just 299 people, it was one of the smallest Broadway theatres when it opened in early 1913. The architect was William A. Swasey, who designed the Winter Garden Theatre two years earlier.
Mark Saltzman is an American script writer who has written films, plays and musicals and for TV. He worked for several years for Sesame Street. He has been given seven Emmy Awards for Best Writing for a Children's Show.
Closer Than Ever is a musical revue in two acts, with words by Richard Maltby, Jr. and music by David Shire. The revue contains no dialogue, and Maltby and Shire have described this show as a "bookless book musical." The show was originally conceived by Steven Scott Smith as a one act revue entitled Next Time Now!, which was first given at the nightclub Eighty-Eights.
Lisa Kirk was an American actress and singer noted for her comic talents and rich contralto.
Benj Pasek and Justin Paul, known together as Pasek and Paul, are an American songwriting duo and composing team for musical theater, films and television. Their theater works include A Christmas Story, Dogfight, Edges, Dear Evan Hansen, and James and the Giant Peach. Their original songs have been featured in Only Murders in the Building, Sesame Street,Welcome to Wrexham, Harlem, Smash and in the films Aladdin, Trolls, Pink: All I Know So Far, La La Land, for which they won both the Golden Globe and Academy Award for Best Original Song for the song "City of Stars", and The Greatest Showman. Their work on the original musical Dear Evan Hansen has received widespread critical acclaim and earned them the 2017 Tony Award for Best Musical and Best Original Score. In 2022, they won the Tony Award for Best Musical for serving as producers for the Broadway production of Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop.
John F. Brascia was an American actor and dancer, best known for his dancing partnerships on film with Vera-Ellen in White Christmas (1954) and with Cyd Charisse and Liliane Montevecchi in Meet Me in Las Vegas (1956).
Franklin Lacey (1917–1988) was an American playwright and screenwriter. He is best known for co-authoring the story for The Music Man (1957), together with collaborator Meredith Willson, and later collaborating on the screenplay with Marion Hargrove for the 1962 film version. One of his first major works was the play Pagan in the Parlor in 1949; it was directed for the stage by Frankenstein director James Whale. He also wrote the screenplay for the film Rain for a Dusty Summer (1971), which starred Ernest Borgnine. He worked closely with the author Aldous Huxley on a musical version of his novel Brave New World, but the project was eventually shelved.
Mark Fredric Baker was an American actor. He was best known for the title role in Harold Prince's revival of Candide, for which he received a Tony Award nomination, and his portrayal of Otto Kringelein in the international tour of Grand Hotel.
Oh, Lady! Lady!! is a musical with music by Jerome Kern, a book by Guy Bolton and P. G. Wodehouse and lyrics by Wodehouse. It was written for the Princess Theatre on Broadway, where it played in 1918 and ran for 219 performances. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes Bill. A couple of crooks cause further complications.
Leave It to Jane is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse, based on the 1904 play The College Widow, by George Ade. The story concerns the football rivalry between Atwater College and Bingham College, and satirizes college life in a Midwestern U.S. town. A star halfback, Billy, forsakes his father's alma mater, Bingham, to play at Atwater, to be near the seductive Jane, the daughter of Atwater's president.
Parade is a musical revue with book, music, and lyrics by Jerry Herman.
For the best book about live theatre published in the United States the previous year, 2004.... Special Jury Prize: Broadway Musicals: The 101 Greatest Shows of All Time, by Ken Bloom and Frank Vlastnik
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