Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Oklahoma! is the first musical written by the duo of Rodgers and Hammerstein. The musical is based on Lynn Riggs's 1931 play, Green Grow the Lilacs. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancée, Ado Annie.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton, with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City. She poses as a famous foreign ballerina and rises to fame through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.
Helen Morgan was an American singer and actress who worked in films and on the stage. A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s. She starred as Julie LaVerne in the original Broadway production of Hammerstein and Kern's musical Show Boat in 1927, as well as in the 1932 Broadway revival of the musical, and appeared in two film adaptations, a part-talkie made in 1929 and a full-sound version made in 1936, becoming firmly associated with the role. She suffered from bouts of alcoholism, and despite her notable success in the title role of another Hammerstein and Kern's Broadway musical, Sweet Adeline (1929), her stage career was relatively short. Helen Morgan died of cirrhosis of the liver at the age of 41. She was portrayed by Polly Bergen in the Playhouse 90 drama The Helen Morgan Story and by Ann Blyth in the 1957 biopic based on the television drama.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Marilyn Miller was one of the most popular Broadway musical stars of the 1920s and early 1930s. She was an accomplished tap dancer, singer and actress, and the combination of these talents endeared her to audiences. On stage, she usually played rags-to-riches Cinderella characters who lived happily ever after. Her enormous popularity and famed image were in distinct contrast to her personal life, which was marred by disappointment, tragedy, frequent illness, and ultimately her sudden death due to complications of nasal surgery at age 37.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Two By Two is a Broadway musical with a book by Peter Stone, lyrics by Martin Charnin, and music by Richard Rodgers.
Sunny is a 1930 American pre-Code musical comedy film directed by William A. Seiter and starring Lawrence Gray, O. P. Heggie, and Inez Courtney. It was produced and released by First National Pictures. The film was based on the Broadway stage hit, Sunny, produced by Charles Dillingham, which played from September 22, 1925, to December 11, 1926. Marilyn Miller, who had played the leading part in the Broadway production, was hired by Warner Brothers to reprise the role that made her the highest-paid star on Broadway.
Mis'ry's Comin' Aroun' is a once-neglected song from the 1927 musical Show Boat by Jerome Kern and Oscar Hammerstein II. It was cut from the production during the Washington D.C. tryout on the orders of producer Florenz Ziegfeld, supposedly because it was one of the factors that made the show too long. However, musical theatre historian Miles Kreuger and conductor John McGlinn, also suggest that it was the dark, dramatic tone of the piece that most concerned Ziegfeld. Kern was reportedly so incensed by the deletion of "Mis'ry's Comin' Aroun'" that he made it the principal motif of Show Boats original overture and asked orchestrator Robert Russell Bennett to work sections of it into the background music as well, where it is now played by the orchestra during some of the dialogue scenes involving the mixed race actress Julie La Verne.
"Who?" (1925) is a popular song written for the Broadway musical Sunny by Jerome Kern, Otto Harbach and Oscar Hammerstein II. The song was also featured in the film version of Sunny (1930) starring Marilyn Miller.
Mary Hay Caldwell was an American dancer, musical comedy and silent screen actress, playwright, and former Ziegfeld girl.
Wildflower or The Wildflower, is a musical in three acts with book and lyrics by Otto Harbach and Oscar Hammerstein II and music by Herbert Stothart and Vincent Youmans. The plot concerns a pretty Italian farmgirl, Nina, who has a fiery temper. She stands to inherit a fortune provided that she can keep her temper under control for six months. If she fails, the money goes to her cousin Bianca, who tries to provoke her. She manages to do it, and gets the money, as well as her man, Guido. Several of the songs were published, among which "Bambalina" and the title song were the most popular. The musical proved to be Day's last Broadway show before moving to London.
Show Boat is a 221-minute studio album of Jerome Kern's musical, performed by a cast headed by Karla Burns, Jerry Hadley, Bruce Hubbard, Frederica von Stade and Teresa Stratas with the Ambrosian Chorus and the London Sinfonietta under the direction of John McGlinn. It was recorded from June 1 to August 31, 1987 at Abbey Road Studios.
Janet Velie was an American actress who was primarily known for her performances in Broadway musicals. She first came to prominence portraying the title roles in the musicals La La Lucille (1919) and Mary (1920), and then had success in the Ed Wynn music revues The Perfect Fool (1921) and The Grab Bag (1924). In 1925 she created the role of confidence woman Penelope Martin in Irving Berlin's The Cocoanuts; a role she reprised in 1927. She was the sister of actor Jay Velie and sometimes performed in productions with him. In addition to her work in theatre, she also appeared in a few short films.
