Till the Clouds Roll By | |
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Directed by | Richard Whorf uncredited
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Screenplay by | Myles Connolly Jean Holloway George Wells (adaptation) Uncredited: [2] Fred Finklehoffe John Lee Mahin Lemuel Ayers Hans Willheim |
Story by | Guy Bolton |
Produced by | Arthur Freed |
Starring | |
Cinematography | George J. Folsey Harry Stradling |
Edited by | Albert Akst |
Music by | Music: Jerome Kern Lyrics: [3]
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Production company | |
Distributed by | Loew's, Inc. |
Release date |
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Running time | 132 min. |
Country | United States |
Language | English |
Budget | $3,316,000 [4] |
Box office | $6,724,000 [4] |
Till the Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers. [1]
The film is one of the MGM musicals that entered the public domain when MGM failed to renew its copyright. [5]
Kern attends the opening night of Show Boat in 1927, the landmark musical that secured his popularity. Following several of the show's most notable songs, Kern departs to reminisce about his early days as a young songwriter.
Kern recounts meeting Jim Hessler, a musical mentor, and Hessler's young daughter Sally. Kern and the Hesslers grow close, and he later visits them in London. Taking Sally to the fair inspires Kern to conceive a stage production for one of his songs. At the London Gaieties revue, Kern's song garners the attention of theatrical producer Charles Frohman.
When Kern happens to meet Eva Leale, it's love at first sight, but the courtship is cut short. He must abruptly sail back to New York to adapt The Girl from Utah for its Broadway debut. Following the show's success, Kern narrowly misses sailing back to London on the ill-fated RMS Lusitania.
The 1917 opening night of Oh, Boy! includes the musical number "Till the Clouds Roll By". The composer proposes to Eva and returns to New York to continue his string of theatrical successes, including Leave It to Jane . His 1920 musical Sally, starring Marilyn Miller, popularized the song "Look for the Silver Lining".
Now grown up, Sally Hessler asks her Uncle Jerry to help her get a stage role. He writes the song "Who?" for her to have a part in the 1925 musical Sunny. After the show's producers give the song to star Marilyn Miller, Sally leaves in protest. At the opening night of Sunny, Kern learns that Sally has run off, leaving her father despondent.
All attempts to locate Sally fail and Jim Hessler dies, leaving a mourning Kern unable to work. Oscar Hammerstein visits the Kerns to share a copy of the 1926 novel Show Boat. The same night, Kern learns that Sally will be performing at a club in Memphis, Tennessee. He leaves to find her and they make amends; he then spends the night listening to the sounds of the Mississippi River.
Having recounted his life story so far, Kern feels his career has likely come to a conclusion with Show Boat. On the contrary, he continues to write hit shows, including The Cat and the Fiddle (1931) and Roberta (1933). While visiting a sound stage at MGM, Kern is delighted to discover that the studio has cast Sally to perform in a new film featuring his songs.
The film concludes with highlights of Kern's Hollywood career, including songs from Swing Time (1936), Cover Girl (1944), and Broadway Rhythm (1944); the montage ends with songs from Sweet Adeline and Show Boat.
Cast notes
The working title for the film was "As the Clouds Roll By". [2] Gene Kelly was intended to play Kern, with Gloria DeHaven, Jacqueline White, Imogen Carpenter, and Jeanette MacDonald in major parts. None appeared in the film. [2]
When the film started production in the fall of 1945, Judy Garland was signed as Broadway singer-dancer Marilyn Miller, having just returned to California after a long New York honeymoon with her new husband, director Vincente Minnelli. [1] Soon after, Kern returned to New York toward the end of October and died in November 1945.
During the six months that it took to shoot the film, producer Arthur Freed had to find one director after another. Lemuel Ayers, a set designer, was scheduled to make his directorial debut on the film, but was replaced by Busby Berkeley late in August 1945. Meanwhile, Minnelli – who, it was rumored at the time, would be taking over the direction of the film – was shooting Garland's sequences even before the beginning of principal photography as she was pregnant and expected to give birth in March 1946; her shooting was completed on November 8, 1945. By the time full shooting began in the middle of December, Berkeley had been replaced by Henry Koster, who then was replaced after a short period by Richard Whorf. Whorf received the onscreen directorial credit. [1] [2] There was a break in production from some time in January 1946 to the middle of March of the same year. [2]
The film includes two versions of "Ol' Man River": the first sung by Caleb Peterson and an African-American chorus as part of the Show Boat medley, and the second, a "crooner version" by Frank Sinatra, featured as the grand finale.
Barbette consulted on the creation of the film's circus sequence. [6]
A video of an excised musical number survives from this film, but part of the soundtrack has been lost. Judy Garland, as Marilyn Miller, sings "D'Ya Love Me?" to two clowns in a circus setting, representing a scene from the Broadway musical Sunny. [7] The clowns are played by Swedish clowns Jean and Rene Arnaut, known as the Arnaut Brothers. Although uncredited, they appear in the edited movie in the walk-around at the start of the Sunny circus.
The film was one of the early movies to have a soundtrack album released concurrently with it arriving in theaters. The soundtrack was produced by MGM Records, originally released as four 78-rpm records featuring various artists and songs from the film and cover artwork by Lennie Hayton. The album was released on LP. [8] No official authorized version has yet been released on CD, but several unauthorized versions have appeared on the market. Rhino Entertainment currently owns the rights to issue an authorized CD of the soundtrack under license from Turner Entertainment; in the past, MCA Records and Sony Music Entertainment held such rights.[ citation needed ]
Bosley Crowther, reviewing the film for The New York Times, wrote: [9]
"Why did Metro...have to cook up a thoroughly phoney yarn about the struggles of a chirpy young composer to carry the lovely songs of Jerry Kern? And why did it have to do it in such a hackneyed and sentimental way as to grate on the sensibilities of even the most affectionately disposed?"
Variety differed, opening its satisfactory notice with "Why quibble about the story?" and likening the film to another such venture, Cary Grant's Night and Day . [10] In a retrospective review, American film critic Pauline Kael wrote, "This monster thing, spawned at M-G-M, was meant to be the life of Jerome Kern." [11]
The film earned $4,748,000 in the U.S. and Canada box offices and $1,976,000 in other markets, but because of its high cost, the profit was $732,000. [4] [12]
The film is recognized by American Film Institute in these lists:
The film is one of several MGM musicals – another being Royal Wedding – that entered the public domain 28 years after production because the studio did not renew the copyright registration. [5] As such, it is one of the more widely circulated MGM musicals on home video. Warner Home Video gave it its first fully restored DVD release on April 25, 2006.
Till The Clouds Roll By was the first in a series of MGM biopics about Broadway composers: It was followed by Words and Music about Rodgers and Hart in 1948, Three Little Words about Kalmar and Ruby in 1950, and Deep in My Heart about Sigmund Romberg in 1954. [1]
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Meet Me in St. Louis is a 1944 American Christmas musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis leading up to the opening of the Louisiana Purchase Exposition in the spring of 1904. The film stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart and Joan Carroll. The film was adapted by Irving Brecher and Fred F. Finklehoffe from a series of short stories by Sally Benson originally published in The New Yorker magazine called "The Kensington Stories" and later in novel form as Meet Me in St. Louis. The film was directed by Vincente Minnelli, who met Garland on the set and later married her. Tony Award-winning designer Lemuel Ayers served as the film's art director.
June Allyson was an American stage, film, and television actress.
Arthur Freed was an American lyricist and a Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced the film Singin' in the Rain, the soundtrack for which primarily consisted of songs he co-wrote earlier in his career.
Lucille Bremer was an American film actress and dancer.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
That's Dancing! is a 1985 American compilation film produced by Metro-Goldwyn-Mayer that looked back at the history of dancing in film. Unlike the That's Entertainment! series, this film not only focuses specifically on MGM films, but also included films from other studios.
Broadway Melody of 1938 is a 1937 American musical film produced by Metro-Goldwyn-Mayer and directed by Roy Del Ruth. The film is essentially a backstage musical revue, featuring high-budget sets and cinematography in the MGM musical tradition. The film stars Eleanor Powell and Robert Taylor and features Buddy Ebsen, George Murphy, Judy Garland, Sophie Tucker, Raymond Walburn, Robert Benchley and Binnie Barnes.
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer (MGM), primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
Marilyn Miller was one of the most popular Broadway musical stars of the 1920s and early 1930s. She was an accomplished tap dancer, singer and actress, and the combination of these talents endeared her to audiences. On stage, she usually played rags-to-riches Cinderella characters who lived happily ever after. She died suddenly from complications of nasal surgery at age 37.
Virginia Lee O'Brien was an American actress, singer, and radio personality known for her comedic singing roles in Metro-Goldwyn-Mayer musicals of the 1940s.
Thousands Cheer is a 1943 American musical comedy film directed by George Sidney and released by Metro-Goldwyn-Mayer. Produced during the Second World War, the film was intended as a morale booster for American troops and their families.
Conrad Salinger was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire. He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy-five motion pictures from 1931 to 1962. Film scholar Clive Hirschhorn considers him the finest orchestrator ever to work in the movies. Early in his career, film composer John Williams spent much time around Salinger.
Sunny is a musical comedy with music by Jerome Kern and a libretto by Oscar Hammerstein II and Otto Harbach. The plot involves Sunny, the star of a circus act, who falls for a rich playboy but comes in conflict with his snooty family. This show was the follow-up to the 1920 hit musical Sally, both starring Marilyn Miller in the title roles, and it was Kern's first musical in collaboration with Hammerstein. Sunny also became a hit, with its original Broadway production in 1925 running for 517 performances. The London production starred Binnie Hale and ran for 364 performances, while the UK national tour starred Felice Lascelles and ran for nearly three years.
"Why Was I Born?" is a 1929 song composed by Jerome Kern, with lyrics written by Oscar Hammerstein II.
Show Boat is a 1951 American musical romantic drama film, based on the 1927 stage musical of the same name by Jerome Kern (music) and Oscar Hammerstein II, and the 1926 novel by Edna Ferber. It was made by MGM, adapted for the screen by John Lee Mahin, produced by Arthur Freed and directed by George Sidney.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
"Who?" (1925) is a popular song written for the Broadway musical Sunny by Jerome Kern, Otto Harbach and Oscar Hammerstein II. The song was also featured in the film version of Sunny (1930) starring Marilyn Miller.
Look for the Silver Lining is a 1949 American biographical musical film directed by David Butler and written by Phoebe Ephron, Henry Ephron and Marian Spitzer. A fictionalized biography of Broadway singer-dancer Marilyn Miller, it stars June Haver and Ray Bolger. It was nominated for an Academy Award for best scoring for a musical picture in 1950.