Girl Crazy | |
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Music | George Gershwin |
Lyrics | Ira Gershwin |
Book | Guy Bolton John McGowan |
Productions | 1930 Broadway 1932 film 1943 film |
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill (Merman's role) as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray (Rogers' role).
Three subsequent film adaptations adjusted the plot. The most notable, in 1943, starred Mickey Rooney and Judy Garland, with the latter playing a combined Kate and Molly.
The musical opened at the Alvin Theatre on October 14, 1930, and closed on June 6, 1931, after 272 performances. It was directed by Alexander Leftwich, with choreography by George Hale and sets by Donald Oenslager. This musical made a star of Ginger Rogers, who, with Allen Kearns, sang "Could You Use Me?" and "Embraceable You" and, with Willie Howard, "But Not for Me". Ethel Merman, in her Broadway debut [1] [2] sang "I Got Rhythm", "Sam and Delilah", and "Boy! What Love Has Done To Me!" and "became an overnight sensation...that launched her fifty year career." [3] Also of note is the opening night pit orchestra, which was composed of many well-known jazz musicians, including Benny Goodman, Gene Krupa, Glenn Miller and Jimmy Dorsey. [4]
"The score was one of the Gershwins' best" according to theatre writer Ken Bloom. [5]
A version with a heavily revised book was presented in 1975 by the St. Louis Municipal Opera Theatre [6] and in 1979 by the Coachlight Dinner Theater (East Windsor, CT). [7]
In 1992 the show appeared on Broadway in a heavily revised version. It was given a new title, Crazy for You , and a completely new plot, and interpolated with material from other Gershwin stage shows and films, specifically songs written for the Fred Astaire movies of the 1930s such as "Nice Work If You Can Get It" from A Damsel in Distress and "They Can't Take That Away From Me" from Shall We Dance.
"Musicals Tonight!", New York City, presented a staged concert in September 2001. [8]
An abridged version of Girl Crazy was presented at the Kennedy Center in Washington, DC October 2–5, 2008 as part of their Broadway: Three Generations production. Max von Essen played Danny, Jenn Colella played Molly, and Randy Graff played Kate, directed by Lonny Price. [9]
The New York City Center Encores! staged concert was held in November 2009. Directed by Jerry Zaks, it starred Ana Gasteyer, Marc Kudisch, Becki Newton, and Wayne Knight. [10]
The two-time Olympic champion and Emmy-winning television commentator Dick Button starred as Danny in a 1958 production, which also co-starred Jane Connell as Kate and Gordon Connell as Pete; it interpolated Gershwin's "They All Laughed" and "Nice Work If You can Get It" into the score.
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The pit orchestra included "Red" Nichols, Glenn Miller, Gene Krupa, Tommy Dorsey, Benny Goodman and Jack Teagarden. [11] [12] Roger Edens was the onstage pianist for Ethel Merman. It was conducted on opening night by George Gershwin himself. [13] The 1953 biopic The Glenn Miller Story recreated the "I'm Biding My Time" scene, with Miller (Stewart) playing trombone in the orchestra.
It was said by one critic to be "fresh, ingenious...a rich delight". [12]
The 1932 RKO Radio Pictures production was very unlike the stage play except for its score. The film was tailored for the comic talents of Wheeler & Woolsey, a then-popular comedy team. In 1943, Metro-Goldwyn-Mayer produced a lavish version starring Mickey Rooney and Judy Garland. In 1965, MGM once again made the musical into a film, for Connie Francis. Unlike the previous two versions, the title was changed to When the Boys Meet the Girls . It co-starred Herman's Hermits, Sam the Sham and the Pharaohs, Louis Armstrong, and Liberace. A number of Gershwin songs were retained, including "Embraceable You", "Bidin' My Time", "But Not for Me", "Treat Me Rough", and "I Got Rhythm".
No original cast recording was ever made, as original cast recordings did not exist in the U.S. prior to 1943. [14] Several studio recordings of the score have been released, including an early 1950s version with Mary Martin, but the only one using the full score and original 1930 orchestrations was released by Nonesuch Records (Nonesuch 9 79250–2) in 1990 with Lorna Luft (Kate), Frank Gorshin (Gieber Goldfarb), David Carroll (Danny), and Judy Blazer (Molly). [15]
Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.
Ethel Merman was an American actress and singer. Known for her distinctive, powerful voice, and her leading roles in musical theater, she has been called "the undisputed First Lady of the musical comedy stage." She performed on Broadway in Anything Goes, Annie Get Your Gun, Gypsy, and Hello, Dolly!
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A cast recording is a recording of a stage musical that is intended to document the songs as they were performed in the show and experienced by the audience. An original cast recording or OCR, as the name implies, features the voices of the show's original cast. A cast recording featuring the first cast to perform a musical in a particular venue is known, for example, as an "original Broadway cast recording" (OBCR) or an "original London cast recording" (OLCR).
Saul Chaplin was an American composer and musical director.
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology ".
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The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich. It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical.
"Everything's Coming Up Roses" is a song with music by Jule Styne and lyrics by Stephen Sondheim, written initially for the 1959 Broadway musical Gypsy. Introduced in the show's inaugural production by Ethel Merman, "Everything's Coming Up Roses" became one of Merman's signature songs.
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"Boy! What Love Has Done to Me!" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by Ethel Merman in the 1930 musical Girl Crazy. In the 1943 film version, the song was performed by Tommy Dorsey and His Orchestra.
"Sam and Delilah" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by Ethel Merman in the 1930 musical Girl Crazy. The song is an interpretation of the biblical story of Samson and Delilah in the Book of Judges of the Hebrew Bible.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Girl Crazy is a 1932 American pre-Code musical film adaptation of the 1930 stage play of the same name. The film was very unlike the stage play except for its score. It was tailored for the comic talents of Wheeler & Woolsey, a popular comedy team of the time. Three songs written by George and Ira Gershwin for the play were retained: "Bidin' My Time", "I Got Rhythm", and "But Not for Me". According to RKO records, the film lost $150,000. Lon Chaney Jr. appears in the film (uncredited) as a dancer in the chorus.
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When the Boys Meet the Girls is a 1965 American musical film directed by Alvin Ganzer and starring Connie Francis and Harve Presnell based on the musical Girl Crazy and a remake of MGM's 1943 film Girl Crazy.
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