The Shocking Miss Pilgrim | |
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Directed by | George Seaton |
Screenplay by | George Seaton |
Story by | |
Produced by | William Perlberg |
Starring | |
Cinematography | Leon Shamroy |
Edited by | Robert L. Simpson |
Music by | |
Production company | |
Distributed by | 20th Century Fox |
Release date |
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Running time | 85 minutes |
Country | United States |
Language | English |
Budget | $2.6 million |
Box office | $2.2 million (US rentals) [1] |
The Shocking Miss Pilgrim is a 1947 American musical comedy film in Technicolor written and directed by George Seaton and starring Betty Grable and Dick Haymes.
The screenplay, based on a story by Ernest Maas and Frederica Maas, focuses on a young typist who becomes involved in the Women's Suffrage movement in 1874. The songs were composed by George and Ira Gershwin.
Cynthia Pilgrim is the top typewriting (i.e. typing) student of the first graduating class of the Packard Business College in New York City, and as such she is offered a position as a typewriter (i.e. typist) with the Pritchard Shipping Company in Boston. There, she finds an office of men overseen by office manager Mr. Saxon. When Cynthia introduces herself to company co-owner John Pritchard, he tells her he thought all expert typists were male and his policy is to hire only men. Cynthia asks for an opportunity to prove she is as efficient as her male counterparts, but John refuses and offers her train fare back to New York.
John's Aunt Alice, an avowed suffragist, has the controlling interest in the company and insists that Cynthia be given a chance. Cynthia finds lodgings at Catherine Dennison's boarding house, where she meets an eclectic group of tenants, including poet Leander Woolsey, artist Michael Michael, and musician Herbert Jothan.
John invites Cynthia to dinner, but she prefers not to socialize with her employer. She does allow him to escort her to one of his aunt's suffragist rallies, where she impresses the other women, despite John's standing up from the audience and asking her awkward questions about management and labor getting closer together. When John's mother asks her to dine with them on the evening of the Regimental Ball, Cynthia feels she would not fit in with the woman's social circle, so her rooming house companions coach her on how to behave unpleasantly, thinking the mother is a snob. Cynthia is delighted to discover their efforts were unnecessary, because Mrs. Pritchard proves to be down-to-earth and a supporter of Cynthia's desire to be treated equally in the workplace.
John begins to date Cynthia, and eventually they become engaged. He tries to persuade her to give up her involvement in the suffrage movement, but she insists she cannot abandon such a worthy cause. They break their engagement and she is fired from her job, but none of the people hired by Mr. Saxon to replace her please Mr. Pritchard. He and John go, in desperation, to a local school to find yet another candidate for the position. There, John discovers that its general manager is Cynthia, and the two are reunited in business as well as in love.
In 1941, husband-and-wife screenwriting team Ernest Maas and Frederica Sagor collaborated on Miss Pilgrim's Progress, a story about a young woman who enters the business world by demonstrating the newly invented typewriter in the window of a Wall Street establishment. When she tries to fend off the unwanted advances of one of the firm's clerks, her employer comes to her rescue but is killed when he falls down the stairs in the ensuing altercation. Abigail Pilgrim becomes the focus of a murder trial that attracts widespread coverage by the media and the attention of Susan B. Anthony when the concept of women working in offices comes under fire. [2]
Acting as their agent, Paul Kohner brought the story to several studios. RKO and MGM expressed some interest, but both eventually passed. 20th Century Fox finally purchased the screen rights, and initially planned on starring Jeanne Crain, [3] but the project stalled. Finally, studio head Darryl F. Zanuck, searching for material for Betty Grable, decided to tailor it to her talents, cutting Crain loose. After it underwent several rewrites, Zanuck assigned the task of whipping the screenplay into shooting shape to George Seaton, who would also direct. Working with Kay Swift, Ira Gershwin sorted through songs he and his brother George had written but never used and selected eleven for the film's musical numbers. Frederica Sagor was unhappy with the tunes and later observed, "Not even if they had scraped the very bottom of the barrel could they have come up with something so unmelodious." Displeased with the treatment her and her husband's original story was given, she called the end result "another stupid boy-meets-girl Zanuck travesty." [4]
Despite Betty Grable's popularity as a top moneymaking film star at this time, The Shocking Miss Pilgrim was a box office disappointment.
Arthur Shields and Betty Grable
Bosley Crowther of The New York Times felt in a few of the songs "a certain exuberance is momentarily achieved," but he thought "the bulk of the music is as sticky as toothpaste being squeezed out of a tube." He added, "Miss Grable and Mr. Haymes are neither given nor deserve a script if the caliber of their performances is a valid criterion, and several other minor actors behave ridiculously in silly roles. There is no more voltage in The Shocking Miss Pilgrim than in a badly used dry cell." [5]
Ira Gershwin was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", "The Man I Love" and "Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess.
This is a list of notable events in music that took place in the year 1945.
Jeanne Elizabeth Crain was an American actress. She was nominated for an Academy Award for Best Actress for her title role in Pinky (1949). She also starred in the films In the Meantime, Darling (1944), State Fair (1945), Leave Her to Heaven (1945), Centennial Summer (1946), Margie (1946), Apartment for Peggy (1948), A Letter to Three Wives (1949), Cheaper by the Dozen (1950), People Will Talk (1951), Man Without a Star (1955), Gentlemen Marry Brunettes (1955), The Fastest Gun Alive (1956), and The Joker Is Wild (1957).
Elizabeth Ruth Grable was an American actress, pin-up girl, dancer, model and singer.
Ernest Maas was a silent-era screenwriter.
Richard Benjamin Haymes was an Argentinian singer, songwriter and actor. He was one of the most popular male vocalists of the 1940s and early 1950s. He was the older brother of Bob Haymes, an actor, television host, and songwriter.
Helen Forrest was an American singer of traditional pop and swing music. She served as the "girl singer" for three of the most popular big bands of the Swing Era, thereby earning a reputation as "the voice of the name bands."
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Frederica Alexandrina Sagor Maas was an American dramatist and playwright, screenwriter, memoirist, and author, the youngest daughter of Jewish immigrants from Russia. As an essayist, Maas was best known for a detailed, tell-all memoir of her time spent in early Hollywood. A supercentenarian, she was one of the oldest surviving entertainers from the silent film era.
Springtime in the Rockies is an American Technicolor musical comedy film released by Twentieth Century Fox in 1942. It stars Betty Grable, with support from John Payne, Carmen Miranda, Cesar Romero, Charlotte Greenwood, and Edward Everett Horton. Also appearing were Grable's future husband Harry James and his band. The director was Irving Cummings. The screenplay was based on the short story "Second Honeymoon" by Philip Wylie.
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia Records.
"Who Cares?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for their 1931 musical Of Thee I Sing. It was introduced by William Gaxton and Lois Moran in the original Broadway production.
"Aren't You Kind of Glad We Did?" is a song composed by George Gershwin, with lyrics by Ira Gershwin. Ira Gershwin added the lyrics in the mid-1940s, to an unused tune by his brother, George.
"For You, For Me, For Evermore" is a song composed by George Gershwin, with lyrics by Ira Gershwin.
College Swing, also known as Swing, Teacher, Swing in the U.K., is a 1938 American comedy film directed by Raoul Walsh and starring George Burns, Gracie Allen, Martha Raye, and Bob Hope. The supporting cast features Edward Everett Horton, Ben Blue, Betty Grable, Jackie Coogan, John Payne, Robert Cummings, and Jerry Colonna.
Pin Up Girl is a 1944 American Technicolor musical romantic comedy motion picture starring Betty Grable, John Harvey, Martha Raye, and Joe E. Brown.
Dance Madness is a 1926 American silent comedy film directed by Robert Z. Leonard based upon a script by Frederica Sagor. The film starred Claire Windsor, Conrad Nagel, and Hedda Hopper.
Diamond Horseshoe is a 1945 Technicolor musical film starring Betty Grable, Dick Haymes and William Gaxton, directed by George Seaton, and released by 20th Century Fox. It was filmed in Billy Rose's Diamond Horseshoe, a nightclub located in the basement of the Paramount Hotel. The film's original score is by Harry Warren and Mack Gordon, introducing the pop and jazz standard "The More I See You".
Four Jills in a Jeep is a 1944 American comedy-drama musical film starring Kay Francis, Carole Landis, Martha Raye and Mitzi Mayfair as themselves, reenacting their USO tour of Europe and North Africa during World War II.