Chicken Every Sunday | |
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Directed by | George Seaton |
Written by | George Seaton Valentine Davies |
Based on | The play by Julius J. Epstein and Philip G. Epstein |
Produced by | William Perlberg |
Starring | |
Cinematography | Harry Jackson |
Edited by | Robert L. Simpson |
Music by | Alfred Newman |
Distributed by | 20th Century Fox |
Release date |
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Running time | 94 minutes |
Country | United States |
Language | English |
Chicken Every Sunday is a 1949 American comedy film directed by George Seaton. The screenplay by Seaton and Valentine Davies is based on the 1944 play of the same title by Julius J. Epstein and Philip G. Epstein, which was based on the memoir by Rosemary Taylor. [1]
In Tucson, Arizona in 1910, Emily Hefferen visits attorney Robert Hart to file for divorce from her husband Jim, citing his lack of support as grounds. When Hart expresses surprise, given the local hotel, laundry, and dairy bear the Heffernen name, suggesting the family is wealthy, Emily describes her family life for the past twenty years.
On their wedding day, Emily discovers Jim, vice-president of the bank, has either donated or lost all his money on bad investments. In order to make ends meet, she takes in another newlywed couple as boarders in their home on the edge of town. As time passes and each of Jim's new moneymaking schemes fails, his wife takes in new boarders in order to make the monthly mortgage payment.
Over the years Jim's time increasingly is consumed by his attention to various business ventures, including a hospital, laundry, restaurant, dairy, opera house, and hotel. Every time he starts a new business, Emily adds another room to the house to accommodate more boarders, in addition to their growing family.
At daughter Rosemary's high school graduation ceremony, Jim learns the bank is foreclosing the hotel, and Emily resigns herself to being the family's primary breadwinner. Jim decides to mine a nearby arroyo for copper, and when he learns new roomer Rita Kirby's abandoned husband George owns a New Jersey construction company, he invites the man to come to Tucson in the hope he'll invest in his latest project. George arrives with his inebriated mother-in-law, ex-vaudeville entertainer Minnie Moon, but he refuses to discuss any business propositions until he sorts through his personal problems, although he gives Emily a $250 check, which is enough money to pay off the mortgage on their home. When the owner of the arroyo threatens to close the mine unless Jim purchases the property immediately, he secretly takes out a new mortgage, hoping to buy it back after George invests in the venture. However, water instead of copper is found on the land, and all dealings with George end, and banker Sam Howell begins to repossess the Hefferen's furniture.
Having concluded telling Hart her story, Emily returns home and finds the furniture being returned, thanks to the kindness of Jim's friends, who paid off the loan. Jim, ashamed he has not provided for his family, prepares to leave. Rosemary reminds her mother that without Jim the town never would have had a hospital, laundry, restaurant, dairy, opera house, and hotel. Emily realizes her marriage is filled with the love required for a couple to overcome their trials and tribulations and urges Jim to stay.
Warner Bros. originally bought the film rights to Rosemary Taylor's novel in August 1944, and the Epstein brothers fashioned a script from the stage play they had adapted from Taylor's book. Mervyn LeRoy was signed to direct the film, but Warners then sold the property to 20th Century Fox. Mary C. McCall, Jr. wrote a treatment of the story, but final credit for the screenplay went to director George Seaton and Valentine Davies. [2]
Among the actors rumored to be considered for or actually cast in major roles before filming began were John Payne, Maureen O'Hara, Henry Fonda, Jeanne Crain, and Florence Bates. The film was shot on location in the Tucson Mountains and in the Nevada towns of Gardnerville, Minden, Carson City, Virginia City, and Silver City. [2]
In June 1956, The 20th Century Fox Hour , an hour-long anthology series broadcast by CBS, aired The Hefferen Family, based on the Taylor novel. Three years later, Julius J. Epstein, the estate of his late brother Philip, and Taylor filed a copyright infringement/breach of contract suit against the film studio, claiming Fox did not own the television rights to the story. The case was settled out of court for $100,000. [2]
At the time of the film's release, Bosley Crowther of The New York Times wrote in a review that the film "is larded with rich and wholesome portions of nourishing Ma-Loves-Pa and it is seasoned with more than generous sprinklings of standard bucolic farce." He summarized that it "tends to monotony." [3] TVGuide.com rates the film 2½ out of four stars and calls it "light comedy . . . amusing, but poorly directed." [4]
Derek Wyn Taylor was a British journalist, writer, publicist and record producer. He is best known for his role as press officer to the Beatles, with whom he worked in 1964 and then from 1968 to 1970, and was one of several associates to earn the moniker "the Fifth Beatle". Before returning to London to head the publicity for the Beatles' Apple Corps organisation in 1968, he worked as the publicist for California-based bands such as the Byrds, the Beach Boys and the Mamas and the Papas. Taylor was known for his forward-thinking and extravagant promotional campaigns, exemplified in taglines such as "The Beatles Are Coming" and "Brian Wilson Is a Genius". He was equally dedicated to the 1967 Summer of Love ethos and helped stage that year's Monterey Pop Festival.
George Seaton was an American screenwriter, playwright, film director and producer, and theater director. Seaton led several industry organizations, serving as a three-time president of the Motion Picture Academy of Arts and Sciences, president of the Writers Guild of America West and the Screen Directors Guild, and vice president of Motion Picture Relief Fund. He won two Academy Awards for his screenplays.
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Valentine Loewi Davies was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He won the 1947 Academy Award for Best Story for Miracle on 34th Street and was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story.
William Perlberg was an American film producer.
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Mose Drachman was a pioneer business and civic leader, as well as politician, in Tucson, Arizona, during the early 1900s. He was involved in numerous interests, including mercantile, real estate, banking, mining, and cattle. He served as the Senior Clerk for the U.S. District Court in Arizona during the term of William H. Sawtelle, served two terms on the Tucson City Council, and five consecutive terms on the Tucson Board of Education, as well as being on both the Tucson and Phoenix chambers of commerce. He also served a single term in the Arizona state senate during the 2nd Arizona State Legislature. Two books were written about his life, Ridin' the Rainbow, and Chicken Every Sunday, the latter being made into a Broadway play, as well as a motion picture of the same name.
Rosemary Drachman Taylor was an american author whose works were made into plays, films, radio and television programs.
Chicken Every Sunday is a 1943 autobiographical book by Rosemary Drachman Taylor, written while Taylor was living in Ontario, Canada during World War II. It is a humorous look at her family's life in 1900s Tucson, Arizona, and was compared to Life With Father.
Ridin' the Rainbow is a 1944 novel by Rosemary Drachman Taylor. Like her first novel, Chicken Every Sunday, this novel was also about her family, but whereas the first novel's protagonist was Ethel, the family matriarch, this novel focused on the family's patriarch, Mose, and his various business dealings. The working title of the novel was The Town's Coming This Way, which was an expression her father used whenever he brought a large tract of undeveloped property.
Come Clean, My Love is a 1949 novel by Rosemary Drachman Taylor. Like her prior novels, the book began as a re-telling of factual events about her family's life in early 1900s Tucson. This time it was to focus on her brother Oliver and his inheriting their father's steam laundry, but due to complaints from her family about telling all their secrets, and the author's own feeling of constraint about having to follow real life, the novel turned into one of pure fiction. In May 1949 the book was selected to appear in condensed form in Woman's Home Companion. To celebrate the launch of the new book, a party was thrown at the steam laundry in Tucson, Arizona started by her father and run by her brother, which became the fictional setting for the novel. John Winchcombe-Taylor, Taylor's husband, adapted the book into a play, which premiered in Tucson at the Tucson Little Theater in October 1949.