Plot
Everyone on staff at Totleigh Castle knows that the lovely Lady Alyce Marshmorton must marry soon, so a wager is proposed as to the identity of the lucky man. With all the likely candidates already claimed, young footman Albert places a bet on a "Mr. X", someone totally out of the blue.
Lady Alyce secretly has a romantic interest in an American no one from her family has yet met. She leaves the castle one day to venture into London, where by chance she encounters Jerry Halliday. He is an American entertainer, accompanied by press agent George and secretary Gracie, but he is not well enough known to be recognized by Lady Alyce.
Jerry is incorrectly led to believe that he is the American that Lady Alyce is in love with. He goes to the castle, encouraged by Albert but discouraged by Keggs, a scheming butler whose money is on another beau. The closest Jerry can get to Lady Alyce is a castle tour, at least until Albert can sneak him upstairs.
False impressions abound, as Jerry also fails to recognize Lady Alyce's father, the lord of the manor. He is slapped in the face in a Tunnel of Love, misunderstanding the young lady's intentions entirely. In the end, however, he and Lady Alyce do find romance.
Overview
The film was made at George Gershwin's instigation, an enthusiasm that Wodehouse mischievously attributed [2] to the fact that his novel was about a successful American songwriter named George Bevan. Gershwin died of brain cancer while the film was in production. It was released four months after his death.
For this, the first Astaire RKO film not to feature Ginger Rogers, the nineteen-year-old Fontaine was chosen. It soon emerged that Fontaine could not dance, but Stevens persuaded Astaire not to replace her with Ruby Keeler. [3] The film was the first Astaire film to lose money, costing $1,035,000 to produce and losing $65,000. [1] [2]
In mid-1937 Burns and Allen and Ray Noble were working together elsewhere—Noble was bandleader for their NBC-Red radio show. [4]
Charley Chase was originally supposed to appear in the film as Jerry’s valet. However, he had to drop out due to poor health and his part was rewritten for Burns and Allen. [5]
The "Fun House" sequence garnered co-choreographer Hermes Pan the 1937 Academy Award for Best Dance Direction. Carroll Clark was nominated for the Academy Award for Best Art Direction
Orchestrator Robert Russell Bennett and conductor Victor Baravalle had previously worked together on the original stage production of Show Boat , as well as the 1936 film version. They would work together twice more, on the Astaire-Rogers films Carefree (1938) and The Story of Vernon and Irene Castle (1939), before Baravalle's sudden death in 1939.
The film was nominated for the American Film Institute's 2006 list AFI's Greatest Movie Musicals. [6]
Fred Astaire was an American dancer, actor, singer, choreographer, and presenter. He is widely regarded as the "greatest popular-music dancer of all time". He received numerous accolades including an Honorary Academy Award, three Primetime Emmy Awards, a BAFTA Award, two Golden Globe Awards, and a Grammy Award. He was honored with the Film Society of Lincoln Center tribute in 1973, the Kennedy Center Honors in 1978, and AFI Life Achievement Award in 1980. He was inducted into the Hollywood Walk of Fame in 1960, American Theatre Hall of Fame in 1972, and the Television Hall of Fame in 1989.
Grace Ethel Cecile Rosalie Allen was an American vaudevillian, singer, actress, and comedian who became internationally famous as the zany partner and comic foil of husband George Burns, her straight man, appearing with him on radio, television and film as the duo Burns and Allen.
George Burns was an American comedian, actor, writer, and singer, and one of the few entertainers whose career successfully spanned vaudeville, radio, film and television. His arched eyebrow and cigar-smoke punctuation became familiar trademarks for over three-quarters of a century. He and his wife Gracie Allen appeared on radio, television and film as the comedy duo Burns and Allen.
Burns and Allen were an American comedy duo consisting of George Burns and his wife, Gracie Allen. They worked together as a successful comedy team that entertained vaudeville, film, radio, and television audiences for over forty years.
This is a list of notable events in music that took place in the year 1937.
Hermes Pan was an American dancer and choreographer, principally remembered as Fred Astaire's choreographic collaborator on the famous 1930s movie musicals starring Astaire and Ginger Rogers. He worked on nearly two dozen films and TV shows with Astaire. He won both an Oscar and an Emmy for his dance direction.
Three Little Words is a 1950 American musical film biography of the Tin Pan Alley songwriting partnership of Kalmar and Ruby. It stars Fred Astaire as lyricist Bert Kalmar and Red Skelton as composer Harry Ruby, along with Vera-Ellen and Arlene Dahl as their wives, with Debbie Reynolds in a small but notable role as singer Helen Kane and Gloria DeHaven as her own mother, Mrs. Carter DeHaven. The film, released by Metro-Goldwyn-Mayer, was written by Academy-Award-winning screenwriter George Wells, directed by Richard Thorpe and produced by Jack Cummings. Harry Ruby served as a consultant on the project, and he appears in a cameo role as a baseball catcher. The third in a series of MGM biopics about Broadway composers, it was preceded by Till the Clouds Roll By and Words and Music and followed by Deep in My Heart.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
This is a comprehensive guide to over one hundred and fifty of Fred Astaire's solo and partnered dances compiled from his thirty-one Hollywood musical comedy films produced between 1933 and 1968, his four television specials and his television appearances on The Hollywood Palace and Bob Hope Presents the Chrysler Theatre which cover the period from 1958 to 1968. Further information on the dance routines may be obtained, where available, by clicking on the film links.
A Damsel in Distress is a novel by P. G. Wodehouse, first published in the United States on 4 October 1919 by George H. Doran, New York, and in the United Kingdom by Herbert Jenkins, London, on 15 October 1919. It had previously been serialised in The Saturday Evening Post, between May and June of that year.
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich. It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art. George Gershwin wrote the symphonic underscore and Ira Gershwin the lyrics, for their second Hollywood musical.
Victor Baravalle (1885–1939) was an Italian-born composer, music director, and conductor, best known for his work on both the stage and film productions of the Jerome Kern and Oscar Hammerstein II musical Show Boat.
"Nice Work If You Can Get It" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin.
Harriet Hoctor was a ballerina and actress. Composer George Gershwin composed a symphonic orchestral piece specifically for Hoctor in the film Shall We Dance (1937).
"(I've Got) Beginner's Luck" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance, it was introduced by Fred Astaire. It is a brief comic tap solo with cane where Astaire's rehearsing to a record of the number is cut short when the record gets stuck. Astaire's commercial recording for Brunswick was very popular in 1937.
"Stiff Upper Lip" is a 1937 song composed by George Gershwin, with lyrics by Ira Gershwin. It references the British expression 'Stiff upper lip'.
"I Can't Be Bothered Now" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film A Damsel In Distress, where it was introduced by Fred Astaire.
Fred Astaire and Ginger Rogers were dance partners in a total of 10 films, nine of them released by RKO Radio Pictures from 1933 to 1939, and one, The Barkleys of Broadway, by Metro-Goldwyn-Mayer in 1949, their only film in Technicolor.
A Damsel in Distress is a silent romantic comedy film released in 1919, starring June Caprice and Creighton Hale. The film is based on the 1919 novel A Damsel in Distress by English humorist P. G. Wodehouse. The director was George Archainbaud. The same novel later inspired a 1937 film.
A Damsel in Distress is 2015 musical written by Jeremy Sams and Robert Hudson, with music and lyrics by George Gershwin and Ira Gershwin. A romantic comedy, the musical is based on the novel A Damsel in Distress by P. G. Wodehouse, the 1928 play adapted from the novel, and the 1937 musical comedy film A Damsel in Distress based on the novel and play. The musical ran from 30 May to 27 June 2015 at Chichester Festival Theatre.
