This list contains songs with lyrics written or co-written by the English humorist, novelist and playwright P. G. Wodehouse.
Song Title | Additional writers | Musical debut | Musical | Notes |
---|---|---|---|---|
Act One Finale (from Sitting Pretty) | Jerome Kern | 1924 | Sitting Pretty | [1] |
Act One Finale (from The Three Musketeers) | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
All For One | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
The Actor's Life | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
All Full of Talk | Jerome Kern | 1916 | Miss Springtime | [3] |
All You Need Is a Girl | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Ask Dad | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
Back To the Dear Old Trenches | Ivan Caryll | 1918 | The Girl Behind the Gun | [5] |
Beauty Prize | Jerome Kern George Grossmith, Jr. | Unknown | -- | [6] |
Behind the Scenes | Jerome Kern | 1906 | The Beauty of Bath | Included in the libretto but not in the vocal score and may not have been used. [7] |
Bill | Jerome Kern Oscar Hammerstein II | 1918 1927 1986 | Oh, Lady! Lady!! Show Boat Jerome Kern Goes to Hollywood | [8] [9] |
Bless My Soul | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Bongo on the Congo | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Breakfast in Bed | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [10] |
Bright Lights | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
Broken Blossoms | Armand Vecsey | 1919 | The Rose of China | [12] |
Bunny Dear | Armand Vecsey | 1919 | The Rose of China | [12] |
Cabaret Girl | Jerome Kern Anne Caldwell George Grossmith, Jr. | Unknown | -- | [13] |
Calico | Herbert Haines Charles H. Taylor | 1907 | My Darling | [7] |
Carnival of Fools | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
The Charity Class | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
The Chase | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Childhood Days | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
The Church Round the Corner | Jerome Kern Clifford Grey | 1920 | Sally | [14] [15] |
Cleopatra | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Cleopatterer | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
College Spirit | Armand Vecsey | 1919 | The Rose of China | [12] |
Come Where Nature Calls | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
Comin' Thru the Rye | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
Come to Me | Emmerich Kálmán Herbert Reynolds | unknown | -- | [18] |
Come to Us | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
A Cottage in Kent | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [19] |
The Crickets Are Calling | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Daisy | Jerome Kern | 1917 | Have a Heart | [20] |
Days Gone By | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Dear Little Girl | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Dear Old Fashioned Prison of Mine | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
A Desert Island | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Down Here in Greenwich Village | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Down on the Banks of the Subway | Armand Vecsey | 1919 | The Rose of China | [12] |
Dreams | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
The Enchanted Train | Jerome Kern | 1924 | Sitting Pretty | [21] |
Every Day | Jerome Kern | Unknown | -- | [22] |
Fairyland | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
The Fall of Man | Emmerich Kálmán | 1917 | The Riviera Girl | [23] |
Finale (from Sally) | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Finale (from The Three Musketeers) | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Finale Act One (from Leave It to Jane ) | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Finale Act Two (from Leave It to Jane) | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Finale Ultimo | George Gershwin Jerome Kern | 1924 | Sitting Pretty | [1] |
The First Day of May | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
First Rose of Summer | Jerome Kern Anne Caldwell | Unknown | -- | [25] |
Flags of Allies | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
Flubby Dub, the Cave-Man | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
Football Song | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
For the Man I Love | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [19] |
The Frolic of a Breeze | F. Clifford Harris | 1906 | The Beauty of Bath | [7] |
Gascony Bred | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
The Girl Behind the Gun | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
The Glow Worm | Herbert Haines | 1907 | My Darling | [7] |
Godsons and Grandmothers | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
Go Little Boat | Jerome Kern | 1917 1918 | Miss 1917 Oh, My Dear | [21] |
Good Old Atwater | Jerome Kern | 1917 | Leave It to Jane | [27] |
Gossip | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Greenwich Village | Jerome Kern | 1918 | Oh, Lady! Lady!! | [28] |
Gypsy Bring Your Fiddle | Emmerich Kálmán | 1917 | The Riviera Girl | [23] |
Half A Married Man | Emmerich Kálmán | 1917 | The Riviera Girl | [29] |
Happy Family | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
He Doesn't Know | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
Here They are | George Gershwin Ira Gershwin | 1928 | Rosalie | [30] |
Home from Oh Kay | George Gershwin Guy Bolton | Unknown | -- | [31] |
Homeland | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
Honeymoon Inn | Jerome Kern | 1917 1977 | Have a Heart Very Good Eddie | [32] |
Honeymoon Isle | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [19] |
(Oh,) How Warm It is Today | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
Hussars March | Sigmund Romberg | 1928 | Rosalie | [33] |
Hymn to the Sun | Armand Vecsey | 1919 | The Rose of China | [12] |
(And) I Am All Alone | Jerome Kern | 1917 | Have a Heart | [11] |
I Like It | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
I Never Knew | Jean Schwartz | 1918 | See You Later #2 | [34] |
I Shall Be All Right Now | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
I Wonder Whether (I've Loved You All My Life) | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
If Ever I Lost You | Ivor Novello | 1921 | The Golden Moth | [35] |
I'd Ask No More | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
I'm a Prize | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [19] |
I'm Here, Little Girl, I'm Here | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
I'm Going To Find a Girl | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
I'm So Busy | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
I'm the Old Man in the Moon | Jerome Kern | Unknown | -- | [36] |
In The Garden of Romance | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
It's a Great Big Land | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
It's a Hard Hard World for a Man | Jerome Kern | 1918 | Oh, Lady! Lady!! | [38] |
It's A Long, Long Day | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [19] |
I've Had My Share (I Don't Care) | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
I've Played For You | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Josephine | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
Joy Bells | Jerome Kern | 1923 | The Beauty Prize | [19] |
Just a Voice to Call Me Dear | Emmerich Kálmán | 1917 | The Riviera Girl | [39] |
Just You Watch My Step | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Koo-La-Loo | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
L'Amour Toujours-L'Amour | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Land Where Journeys End (and Dreams Come True) | Louis Hirsch | Unknown | -- | [40] |
Land where the Good Songs Go | Jerome Kern | Unknown | -- | [41] |
Leave It To Jane | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
The Legend of the Tea Tree | Armand Vecsey | 1919 | The Rose of China | [12] |
Let's Make a Night of It | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
Life in the Old Dog Yet | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
Life Is a Game of Bluff | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
Life's a Tale | Emmerich Kálmán | 1917 | The Riviera Girl | [42] |
Lilt of a Gypsy Strain | Emmerich Kálmán | Unknown | -- | [43] |
A Little Bid for Sympathy | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
A Little Bit of Ribbon | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
Little Bride | Armand Vecsey | 1919 | The Rose of China | [12] |
A Little Bungalow in Quoque | Jerome Kern | 1917 1920 1977 | The Riviera Girl Sally Very Good Eddie | [15] [32] |
A Little Country Mouse | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
Look for the Silver Lining | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
The Love Monopoly | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
The Magic Train | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Man, Man, Man | Emmerich Kálmán | 1917 | The Riviera Girl | [23] |
March of the Musketeers | Rudolf Friml Clifford Grey | 1928 | The Three Musketeers | [44] |
May Moon | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
Meet Me Down on Main Street | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [19] |
Moon Love | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [45] |
Moon Song | Jerome Kern | 1918 | Oh, Lady! Lady!! | [46] |
Mr. and Mrs. Rorer | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
My Belle | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
My Castle in the Air | Jerome Kern | 1916 | Miss Springtime | [47] |
My China Rose | Armand Vecsey | 1919 | The Rose of China | [12] |
My Sword And I | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
My Wife - My Man | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
Napoleon | Jerome Kern | 1917 | Have a Heart | [48] |
Nerves | Jean Schwartz Guy Bolton | 1922 | The Cabaret Girl | [49] |
Nesting Time (in Flatbush) | Jerome Kern | 1917 | Oh, Boy! | [24] |
New York Serenade | George Gershwin Ira Gershwin | 1928 | Rosalie | [50] |
Non-Stop Dancing | Jerome Kern | 1923 | The Beauty Prize | [51] |
Now That My Ship's Come Home | Guy Jones | 1907 | The Gay Gordons | [7] |
Nuts in May | Ivor Novello | 1921 | The Golden Moth | [52] |
Oh Gee Oh Joy | George Gershwin Ira Gershwin | 1928 | Rosalie | [53] |
Oh, Mr Chamberlain! | Jerome Kern | 1906 | The Beauty of Bath | Rewritten version of a Kern song from The Catch of the Season (1905) [7] |
Oh, My Dear! | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
Oh, Daddy Please | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
Oh, Lady! Lady!! | Jerome Kern | 1918 | Oh, Lady! Lady!! | [54] |
The Old-Fashioned Drama | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
An Old-Fashioned Wife | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
On a Desert Island With You | Jerome Kern | 1924 | Sitting Pretty | [55] |
Once In September | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
Once Upon a Time | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
Only A Rose | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Opening Act 1 Appendix (Pergola Patrol) | Jerome Kern Anne Caldwell George Grossmith, Jr. | Unknown | -- | [56] |
Opening Act Two (from Leave It to Jane) | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Overture (from Leave It to Jane) | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Our Chinese Bungalow | Armand Vecsey Oscar Shaw | 1919 | The Rose of China | [12] |
Our City of Dreams | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
A Package of Seeds | Jerome Kern Herbert Reynolds | 1915 1917 | Ninety in the Shade Oh, Boy! | [24] |
A Pal Like You (We're Going to Be Pals) | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
A Pal Like You | Jerome Kern | Unknown | -- | [57] Also known as (I Was Looking For) A Pal Like You |
A Peach of a Life | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | Also known as Life of a Peach [16] |
Peter Pan | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
Phoebe Snow | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
Play Out Music (from Leave It to Jane) | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
The Polka Dot | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Poor Prune | Jerome Kern | 1917 | Leave It to Jane | [58] |
Prologue (from The Three Musketeers) | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Proposals | Armand Vecsey | 1919 | The Rose of China | [12] |
Put Me in My Little Cell | Frederick Rosse | 1904 | Sergeant Brue | [59] Not included in the published score or libretto; published separately. [7] |
Reaching for Stars | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Riviera Girl | Emmerich Kálmán Bela Jenbach Leo Stein | Unknown | -- | [60] |
The Road That Lies Before | Jerome Kern | 1917 | Have a Heart | [11] |
Rolled into One | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
Sally Selection | Jerome Kern Buddy DeSylva Clifford Grey Anne Caldwell | Unknown | -- | [61] |
Samarkand | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
Saturday Night | Jerome Kern | Unknown | -- | [62] |
Say So | George Gershwin Ira Gershwin | 1928 | Rosalie | [63] |
Shadow of the Moon | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Shimmy With Me | Jerome Kern | 1922 2003 | The Cabaret Girl Never Gonna Dance | [21] [64] |
Shop | Jerome Kern Schuyler Green | 1917 | Have a Heart | [11] |
Shufflin' Sam | Jerome Kern | 1924 | Sitting Pretty | [65] |
The Siren Song | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
The Siren's Song | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Sir Galahad | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Sitting Pretty | Jerome Kern | 1924 | Sitting Pretty | [66] |
Some Day Waiting Will End | Ivan Caryll | 1918 | The Girl Behind the Gun | [67] |
Some One | Jerome Kern Herbert Reynolds | 1916 | Miss Springtime | [37] |
Sometimes I Feel Just Like Grandpa | Emmerich Kálmán | 1917 | The Riviera Girl | [23] |
The Spirit of the Drum | Armand Vecsey | 1919 | The Rose of China | [12] |
The Sun Shines Brighter | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Sunrise | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
Sweet Sweet | George Gershwin Ira Gershwin | Unknown | -- | [68] |
That's What Men are For | Ivan Caryll | 1918 | The Canary | [69] |
Tell Me All Your Troubles, Cutie | Jerome Kern | 1917 | Miss 1917 | [70] |
There Isn't One Girl | Jerome Kern | 1924 | Sitting Pretty | [71] |
There It Is Again | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
There'll Never Be Another Girl Like Daisy | Emmerich Kálmán | 1917 | The Riviera Girl | [72] |
There's a Light in your Eyes | Ivan Caryll | 1918 | The Girl Behind the Gun | [73] |
There's a Toast | Emmerich Kálmán Herbert Reynolds | Unknown | -- | [74] |
This is the Existence | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [75] |
Thousands of Years Ago | Ivan Caryll | 1918 | The Canary | [69] [76] |
Throw Me a Rose | Emmerich Kálmán Herbert Reynolds | 1916 | Miss Springtime | [37] |
Till The Clouds Roll By | Jerome Kern | 1917 unknown 1986 | Oh, Boy! Till the Clouds Roll by Jerome Kern Goes to Hollywood | [9] [24] |
To Live a Simple Life | Herbert Haines | 1907 | My Darling | [7] |
True to Me | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
Try Again | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
Tulip Time in Sing Sing | Jerome Kern | 1920 1924 | Sally Sitting Pretty | [15] [77] |
Twenties are here to Stay | George Gershwin Guy Bolton | Unknown | -- | [78] |
Two Little Ships | Armand Vecsey Guy Bolton | 1927 | The Nightingale | [17] |
A Very Good Girl on Sunday | Jerome Kern Herbert Reynolds | 1916 | Miss Springtime | [37] |
Victor Light Opera Selection | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [16] |
Vive La France | Rudolph Friml Clifford Grey | 1928 | The Three Musketeers | [2] |
Wait Till Tomorrow | Jerome Kern Guy Bolton | 1917 | Leave It to Jane | [79] |
We're Crooks | Jerome Kern | 1917 | Miss 1917 | [80] |
West Point song | Sigmund Romberg | 1928 | Rosalie | [81] |
What I'm Longing to Say | Jerome Kern | 1917 | Leave It to Jane | [82] |
What! What! What! | Armand Vecsey | 1919 | The Rose of China | [12] |
What's The Use? | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
When the Ships Come Home | Jerome Kern | 1920 | That Little Thing | [83] |
When You Are in China | Armand Vecsey | 1919 | The Rose of China | [12] |
When You Take the Road With Me | Jerome Kern | 1923 | The Beauty Prize | [19] |
When You're Full of Talk | Jerome Kern Herbert Reynolds | 1916 | Miss Springtime | [37] |
The Whippoorwill Waltz | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Why Don't They Hand It to Me? | Emmerich Kálmán | 1917 | The Riviera Girl | [23] |
Why Must We always be Dreaming | Sigmund Romberg | 1928 | Rosalie | [84] |
Why? | Jerome Kern | 1917 | Leave It to Jane | [85] |
Wild Rose | Jerome Kern Clifford Grey | 1920 | Sally | [15] |
Will You Forget? | Emmerich Kálmán | 1917 | The Riviera Girl | [86] |
Women Haven't Any Mercy on a Man | Ivan Caryll Guy Bolton | 1918 | The Girl Behind the Gun | [26] |
Words Are Not Needed (Every Day) | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [24] |
Worries | Jerome Kern | 1924 | Sitting Pretty | [87] |
Yale | Armand Vecsey | 1919 | The Rose of China | [12] |
A Year from Today | Jerome Kern Guy Bolton | 1924 | Sitting Pretty | [1] |
Yesterday | Armand Vecsey | 1919 | The Rose of China | [12] |
You Can't Keep a Good Girl Down | Jerome Kern Clifford Grey | 1920 | Sally | [88] |
You Can't Make Love by Wireless | Jerome Kern George Grossmith, Jr. | 1923 | The Beauty Prize | [89] |
You Found Me and I Found You | Jerome Kern | 1918 | Oh, Lady! Lady!! | [90] |
You Never Knew About Me | Jerome Kern Guy Bolton | 1917 | Oh, Boy! | [21] |
You Never Know | Louis Hirsch Guy Bolton | 1918 | Oh, My Dear! | [4] |
You Said Something | Jerome Kern | 1917 | Have a Heart | [91] |
You, You, You | Guy Jones | 1907 | The Gay Gordons | [7] |
You'll Find Me Playing Mah-Jongg | Jerome Kern | 1923 | The Beauty Prize | [19] |
Your Eyes | Rudolf Friml | 1928 | The Three Musketeers | [92] |
You're the Top | Cole Porter | 1934 | Anything Goes | Lyrics re-written by Wodehouse for British version |
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Guy Reginald Bolton was an Anglo-American playwright and writer of musical comedies. Born in England and educated in France and the US, he trained as an architect but turned to writing. Bolton preferred working in collaboration with others, principally the English writers P. G. Wodehouse and Fred Thompson, with whom he wrote 21 and 14 shows respectively, and the American playwright George Middleton, with whom he wrote ten shows. Among his other collaborators in Britain were George Grossmith Jr., Ian Hay and Weston and Lee. In the US, he worked with George and Ira Gershwin, Kalmar and Ruby and Oscar Hammerstein II.
The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast. The show also enjoyed Broadway runs in 1902 and 1904 and toured internationally.
Oh, Boy! is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse. The story concerns befuddled George, who elopes with Lou Ellen, the daughter of Judge Carter. He must win over her parents and his Quaker aunt. His dapper polo champion friend Jim is in love with madcap actress Jackie, but George must hide her while she extricates herself from a scrape with a bumbling constable whom she punched at a party raid.
The Original Lo-Fi is a CD box set compiling five albums of home-made recordings released by Stephen Jones under the name Baby Bird between 1995 and 1997, plus a sixth CD, consisting of additional material recorded during the 1990s.
An Artist's Model is a two-act musical by Owen Hall, with lyrics by Harry Greenbank and music by Sidney Jones, with additional songs by Joseph and Mary Watson, Paul Lincke, Frederick Ross, Henry Hamilton and Leopold Wenzel. It opened at Daly's Theatre in London, produced by George Edwardes and directed by James T. Tanner, on 2 February 1895, transferring to the Lyric Theatre on 28 May 1895, and ran for a total of 392 performances. The piece starred Marie Tempest in the title role, Hayden Coffin, Letty Lind, Leonora Braham, Eric Lewis, Maurice Farkoa, Marie Studholme, and Louie Pounds. It also had a Broadway run at the former Broadway Theatre from 21 December 1895 through 8 February 1896.
Louis Achille Hirsch, also known as Louis A. Hirsch and Lou Hirsch, was an American composer of songs and musicals in the early 20th century.
Dearest Enemy is a musical with a book by Herbert Fields, lyrics by Lorenz Hart, and music by Richard Rodgers. This was the first of eight book musicals written by the songwriting team of Rodgers and Hart and writer Herbert Fields, and the first of more than two dozen Rodgers and Hart Broadway musicals. The musical takes place in 1776, during the American Revolutionary War, when Mary Lindley Murray detained British troops long enough in Manhattan to give George Washington time to move his vulnerable troops.
The Three Musketeers is a musical with a book by William Anthony McGuire, lyrics by Clifford Grey and P. G. Wodehouse, and music by Rudolf Friml. It is based on the classic 1844 novel by Alexandre Dumas, père. Set in France and England in 1626, it recounts the adventures of a young man named d'Artagnan after he leaves home to become a Musketeer of the Guard. The three men of the title are his friends Athos, Porthos and Aramis.
Oh, Lady! Lady!! is a musical with music by Jerome Kern, a book by Guy Bolton and P. G. Wodehouse and lyrics by Wodehouse. It was written for the Princess Theatre on Broadway, where it played in 1918 and ran for 219 performances. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes Bill. A couple of crooks cause further complications.
Kissing Time, and an earlier version titled The Girl Behind the Gun, are musical comedies with music by Ivan Caryll, book and lyrics by Guy Bolton and P. G. Wodehouse, and additional lyrics by Clifford Grey. The story is based on the 1910 play, Madame et son Filleul by Maurice Hennequin, Pierre Véber and Henry de Gorsse. The story is set in contemporary France, with a glamorous actress at the centre of a farcical plot of imposture, intrigue and mistaken identity.
The Blue Moon is an Edwardian musical comedy with music composed by Howard Talbot and Paul Rubens, lyrics by Percy Greenbank and Rubens and a book by Harold Ellis and by Alexander M. Thompson. It is set in India during the days of the British Raj, and concerns the love of a singing girl for a young British army officer.
Leave It to Jane is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse, based on the 1904 play The College Widow, by George Ade. The story concerns the football rivalry between Atwater College and Bingham College, and satirizes college life in a Midwestern U.S. town. A star halfback, Billy, forsakes his father's alma mater, Bingham, to play at Atwater, to be near the seductive Jane, the daughter of Atwater's president.
42nd Street Moon is a professional theatre company in San Francisco, California. The company specializes in the preservation and presentation of early and lesser-known works by Rodgers & Hammerstein, Rodgers & Hart, Cole Porter, Irving Berlin, Kurt Weill, George and Ira Gershwin, Jerome Kern, Jerry Bock, Sheldon Harnick, Kander and Ebb, Jule Styne and Comden and Green. In recent years, the company has branched out to include more contemporary works that continue the spirit of the classic American Musical.
"Oh Johnny, Oh Johnny, Oh!" is a song composed by Abe Olman (1887–1984), lyricized by Ed Rose, and published by Forster Music Publisher, Inc. The music was copyrighted 7 February 1917 and the copyright was renewed 29 December 1944. Under the Copyright Term Extension Act (1998), the sheet music is in the public domain, as is all music published in the U.S. prior to 1923. Its melody and structure form the basis of a self-calling circle dance, using square dance steps and popular in summer camps.
Grace Leboy Kahn was an American composer. A prolific songwriter, among her best known works are "I Wish I Had A Girl" (1908) and selections from the Jumping Jupiter musical.
This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021) |