The Prince and Betty | |
---|---|
Directed by | Robert Thornby |
Written by | Fred Myton |
Based on | The Prince and Betty by P. G. Wodehouse |
Produced by | Jesse D. Hampton |
Starring | William Desmond Mary Thurman |
Cinematography | Harry W. Gerstad |
Production company | Jesse D. Hampton Productions |
Distributed by | Pathé Exchange |
Release date |
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Running time | 5 reels |
Country | United States |
Language | Silent (English intertitles) |
The Prince and Betty is a lost [1] 1919 American silent comedy film directed by Robert Thornby. It features Boris Karloff in an uncredited role. [2] [3] It is based on the 1912 novel The Prince and Betty written by P. G. Wodehouse.
As described in a film magazine, [4] Benjamin Scobell (Taylor), possessed of the idea that he can make the Principality of Merve more famous than Monte Carlo, if properly advertised, employs the American John Maude (Desmond) to impersonate a prince and start a revolution. John, anxious to marry the wealthy Betty Keith (Thurman) but temporarily out of funds, accepts the assignment. Later he learns that Betty is the stepdaughter of Scobell and that she disapproves of his method of obtaining a livelihood, which upsets his plan completely. After the plot thickens, John and Betty make their escape from Merve to the United States and Scobell, finding John a resourceful fellow, employs him to look after his vast estate.
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931) established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
Anne of Green Gables is a 1919 American silent comedy-drama film directed by William Desmond Taylor. The film was based upon the 1908 novel of the same name by Lucy Maud Montgomery. By 1999, all prints of the film were believed to have been lost.
Psmith, Journalist is a novel by P. G. Wodehouse, first released in the United Kingdom as a serial in The Captain magazine between October 1909 and February 1910, and published in book form in the UK on 29 September 1915, by Adam & Charles Black, London, and, from imported sheets, by Macmillan, New York, later that year.
The Prince and Betty is a novel by P. G. Wodehouse. It was originally published in Ainslee's Magazine in the United States in January 1912, and, in a slightly different form, as a serial in Strand Magazine in the United Kingdom between February and April 1912. It was published in book form, in the United Kingdom by Mills & Boon on 1 May 1912. A substantially different version, which incorporated the plot of Psmith, Journalist, was published in the US by W.J. Watt & Company, New York on 14 February 1912.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
The Lightning Raider is a 1919 American action film serial directed by George B. Seitz. It was the on-screen debut of Boris Karloff, albeit as an extra. The film serial survives in an incomplete state with some reels preserved at the Library of Congress Public Archives of Canada/Dawson City collection and other film archives, but it is not available on home video. The serial was shown in France as Par Amour.
The Fatal Warning is a 1929 mystery silent film serial directed by Richard Thorpe for Mascot. The film is considered to be a lost film, with no prints known to exist. It co-starred Boris Karloff.
Thomas Hayes Hunter was an American film director and producer of the silent era. He directed a total of 34 films between 1912 and 1934.
His Majesty, the American is a 1919 American silent comedy film directed by Joseph Henabery and starring Douglas Fairbanks. It was the first film produced for distribution by United Artists. It was released in the U.K. as One of the Blood. Prints exist in the film holdings of Cohen Media Group [a 35mm positive]; in the film holdings of EmGee Film Library [a 16mm reduction positive]; and in private film collections [a 16mm reduction positives].
The Man from Downing Street is a 1922 American silent starring Earle Williams, Charles Hill Mailes, Betty Ross Clark and Boris Karloff. The screenplay was written by Bradley J. Smollen, based on a screen story by Clyde C. Westover, Lottie Horner and Florine Williams. It is thought to be a lost film.
The Altar Stairs is a 1922 American silent drama film directed by Lambert Hillyer and featuring Frank Mayo, Louise Lorraine, Lawrence Hughes and Boris Karloff in an early role. The screenplay was written by Doris Schroeder, George Hively and George Randolph Chester, based on the novel of the same name by G. B. Lancaster. It is considered today a lost film.
Omar the Tentmaker is a 1922 American silent drama film directed by James Young and featuring Guy Bates Post, Nigel de Brulier, Virginia Brown Faire, Noah Beery Sr., Patsy Ruth Miller, and Boris Karloff. It was produced and adapted by Richard Walton Tully from his own 1914 Broadway play Omar the Tentmaker. The film's tagline was "Would You Know How Omar Loved? Would you sweep 1,000 years aside to find Shireen, the Persian Rose, who wed Omar and awoke in the harem of the Shah?" 24 May 1923). The film is considered a lost film.
Lady Robinhood is a 1925 American silent drama film directed by Ralph Ince, starring Evelyn Brent, and featuring Boris Karloff.
Peggy, the Will O' the Wisp is a lost 1917 American drama film directed by Tod Browning.
A Kiss for Cinderella is a 1925 American silent fantasy film taken from the 1916 stage play by James M. Barrie. The film stars Betty Bronson and Tom Moore and was made at Paramount's Astoria Studios in Astoria, Queens. The play had starred stage actress Maude Adams in the Bronson role.
To Hell with the Kaiser! is a lost 1918 American silent Great War propaganda comedy film produced by Screen Classics Productions and distributed by Metro Pictures. It was directed by George Irving and starred Lawrence Grant as the Kaiser.
The Green Temptation is a lost 1922 American silent melodrama film directed by William Desmond Taylor and starring Betty Compson. It was written by Julia Crawford Ivers and Monte Katterjohn based upon the short story "The Noose" by Constance Lindsay Skinner.
The Soul of Youth is a 1920 American silent drama film directed by William Desmond Taylor, produced and distributed by Realart Pictures. Produced under the working title The Boy, it stars Lewis Sargent and Lila Lee.
The Branding Iron is a 1920 American silent drama film directed by Reginald Barker and starring Barbara Castleton and James Kirkwood. It was produced by Barker and Samuel Goldwyn and distributed by Goldwyn Pictures. Castleton appeared nude in the film, which caused the particular scene to be cut in some parts of the country. Pennsylvania banned the film altogether due to the topic of infidelity.
Uneasy Money is an American silent romantic comedy film released in 1918, starring Taylor Holmes, Virginia Valli, and Arthur W. Bates. The film is based on the 1916 novel Uneasy Money by P. G. Wodehouse. It is a lost film, with no surviving reels available.