I Remember Mama | |
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Directed by | George Stevens |
Screenplay by | DeWitt Bodeen |
Based on |
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Produced by |
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Starring | |
Cinematography | Nicholas Musuraca |
Edited by | Robert Swink |
Music by | Roy Webb |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 134 minutes |
Country | United States |
Language | English |
Budget | $3,068,000 [1] |
Box office | $2.9 million [2] |
I Remember Mama is a 1948 American drama film directed by George Stevens from a screenplay by DeWitt Bodeen, whose work was adapted from John Van Druten's stage play. Druten, in turn, had based his play on Kathryn Forbes' novel Mama's Bank Account, which was originally published by Harcourt Brace in 1943. The story in all its variant forms recounts the everyday life and economic struggles of a Norwegian immigrant family in San Francisco in the early 20th century. The film stars Irene Dunne as the mother, as well as Barbara Bel Geddes, Oscar Homolka, Ellen Corby and Philip Dorn. Homolka portrays Uncle Chris in the film, a role he had performed earlier in the Broadway production.
The film was nominated for five Academy Awards, including best actor and actress in a supporting role, with Irene Dunne receiving her final Best Actress nomination. [3]
The film begins with eldest daughter Katrin completing the last lines of her autobiographical novel. As she reminisces about her family life, there is a flashback to 1910, where the first of a series of vignettes finds Marta Hanson preparing the weekly budget with her husband Lars, daughters Katrin, Christine and Dagmar, and son Nels, who announces his desire to attend high school. Each family member makes a financial sacrifice to contribute to the boy's education.
Marta's sister Trina arrives, announces she is marrying undertaker Peter Thorkelson, and implores Marta to break the news to their sisters Sigrid and Jenny. When Marta threatens to reveal embarrassing anecdotes about them, the women accept their sister's decision.
When Jonathan Hyde, the Hansons' impoverished lodger, reads A Tale of Two Cities aloud for the family, they are deeply moved by the story. Later, the family is visited by Marta's gruff but soft-hearted Uncle Chris and his housekeeper Jessie Brown, who is secretly his wife. When Chris discovers Dagmar is ill with mastoiditis, he insists on taking her to the hospital. Dagmar's operation is a success, but Marta is prohibited from seeing her. Disguised as a member of the housekeeping staff, she sneaks into Dagmar's ward and softly sings to her.
When Dagmar returns home, she learns her cat, Uncle Elizabeth, had been mauled and seriously injured during its outside wanderings. Despite Dagmar's belief in her mother's healing powers, Marta feels helpless to save the cat and sends Nels to buy chloroform so she can euthanize it. The following morning, she is astonished when Dagmar walks in with an apparently cured cat. Instead of killing the cat, the dose of chloroform that Marta had administered only provided the cat with the deep sleep it needed to aid its recovery.
Mr. Hyde suddenly and quietly moves out, leaving his classic books and a check for his accumulated months of rent. The family's initial joy of receiving the large rent payment quickly vanishes once they discover that the check has no value. Sigrid and Jenny are furious; but as Marta tears up the worthless piece of paper, she declares that Hyde's gift of literature is far more valuable than the money itself.
Katrin brags to Christine that their mother is going to buy her the dresser set she has long admired as a graduation present. As she is about to leave to perform in the school's production of The Merchant of Venice , Katrin learns (from a resentful Christine) that her mother traded her heirloom brooch for the gift. Distraught, Katrin performs badly in the play and later retrieves the brooch after trading back the dresser set. Marta then gives the brooch to Katrin as a graduation present. Katrin's father presents her with her first cup of coffee, which she had been told she could drink once she was a grown-up. After taking a few sips of the "adult" beverage, Katrin is overcome with emotion by her parents' gesture, and she rushes out of the room.
Marta learns Uncle Chris is near death, and she takes Katrin to say goodbye. He reveals he has no money to leave his niece because he has been donating his income to help children with leg or foot problems walk again. He also reveals he is married to his housekeeper Jessie. After enjoying a final drink with his niece and Jessie, Uncle Chris dies peacefully in bed.
Trina marries Peter Thorkelson in the Hanson's parlor. One year later, they are seen on a park bench with their baby in a baby carriage.
Katrin is dejected when she receives her tenth literary rejection letter. Marta then takes some of her stories to famed author and gourmand Florence Dana Moorhead and convinces her to read them. Marta returns home and advises her daughter that Moorhead feels the girl should write about what she knows best. Marta urges Katrin to write about Papa. When Katrin's story is accepted for publication, she is paid $500 (equivalent to $16,000in 2023). After announcing some of the money will go towards the purchase of the winter coat Marta wants, Katrin confesses her story is titled Mama and the Hospital. She begins to read it to her family, and the story's introduction concludes and the film itself ends with the line "But first and foremost, I remember Mama". [4] [5] [6] [7]
Stevens originally offered the role of Mama to Greta Garbo, but she had retired from films six years before and declined the role. He then cast Irene Dunne, whom he had directed in Penny Serenade in 1941. Although she was 50 years old, the actress had a youthful appearance and had to be aged with makeup to portray the family matriarch convincingly. [8] Oscar Homolka was the only member of the original Broadway cast to reprise his role for the film.
Some scenes were filmed on Rhode Island Street, on San Francisco's Potrero Hill, [9] [ citation needed ] Nob Hill, Telegraph Hill, Russian Hill, Eureka Valley, and Market Street. [10]
The film premiered as the Easter attraction at Radio City Music Hall in New York City.
In his review in The New York Times , Bosley Crowther said the film "should prove irresistible" and added, "Irene Dunne does a beautiful job ... handling with equal facility an accent and a troubled look, [she] has the strength and vitality, yet the softness, that the role requires." [4]
TV Guide calls it "a delicate charmer, sometimes precious, but nonetheless fine" and "meticulously directed." [11]
The London-based magazine Time Out describes it as "a charmer . . . directed and acted with real delicacy." [12]
It was named one of the year's Ten Best by Film Daily .
Despite receiving good reviews, it failed to turn a profit due to its high production costs. [13] It recorded a loss of $1,040,000. [14]
The film was nominated for five Academy Awards and it was the second of four films to date, following My Man Godfrey (1936) and preceding Othello (1965) and Doubt (2008) to receive four acting nominations without being nominated for Best Picture.
Award | Category | Nominee(s) | Result |
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Academy Awards [15] [16] | Best Actress | Irene Dunne | Nominated |
Best Supporting Actor | Oscar Homolka | Nominated | |
Best Supporting Actress | Barbara Bel Geddes | Nominated | |
Ellen Corby | Nominated | ||
Best Cinematography – Black-and-White | Nicholas Musuraca | Nominated | |
Golden Globe Awards [17] [18] | Best Supporting Actress – Motion Picture | Ellen Corby | Won |
Writers Guild of America Awards [19] | Best Written American Comedy | DeWitt Bodeen | Nominated |
Best Written American Drama | Nominated | ||
Best Screenplay Dealing Most Ably with Problems of the American Scene | Nominated |
The cast received a Protestant Motion Picture Council Award, which was collected by Dunne in 1949. [20]
Mama , a CBS television series starring Peggy Wood, ran from 1949 to 1957. The popularity and high ratings of the series prompted a national re-release of I Remember Mama in 1956. [21]
After the success of the film version of I Remember Mama, Dunne, Homolka and Bel Geddes reprised their roles in a one-hour radio broadcast of the story on Lux Radio Theatre on August 30, 1948. [22] [23]
There was also a British Independent Television production of I Remember Mama in 1961. [24]
I Dismember Mama is a 1972 horror film which bears no relation to I Remember Mama, apart from the pun of its title.
A musical stage adaptation, starring Liv Ullmann and George Hearn, had a three-month run in the Majestic Theatre on Broadway in 1979. [25]
Love Affair is a 1939 American romance film, co-starring Charles Boyer and Irene Dunne, and featuring Maria Ouspenskaya. It was directed by Leo McCarey and written by Delmer Daves and Donald Ogden Stewart, based on a story by McCarey and Mildred Cram. Controversial on concept, the official screenplay was re-tooled and rewritten to appease Hollywood censorship and relied on actor input and improvisation, causing long delays and budget extensions.
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Mary Margaret Wood was an American actress of stage, film, and television. She is best remembered for her performance as the title character in the CBS television series Mama (1949–1957), for which she was nominated for a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series; her starring role as Naomi, Ruth's mother-in-law, in The Story of Ruth (1960); and her final screen appearance as Mother Abbess in The Sound of Music (1965), for which she received nominations for both an Academy Award and a Golden Globe Award.
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Oskar Homolka was an Austrian film and theatre actor, who went on to work in Germany, Britain, and America. Both his voice and his appearance fitted him for roles as communist spies or Soviet officials, for which he was in regular demand. By the age of 30, he had appeared in more than 400 plays; his film career covered at least 100 films and TV shows.
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Mama is a weekly CBS Television comedy-drama series that ran from July 1, 1949 until March 17, 1957. The series was based on the 1943 novel Mama's Bank Account by Kathryn Forbes, which was also adapted for the John Van Druten play (1944) and the subsequent film I Remember Mama (1948). It told the ongoing story of a loving Norwegian family living in San Francisco in the 1910s as seen through the eyes of the elder daughter, Katrin Hansen. At the start of each episode, Katrin would be shown looking through the pages of the family album, with the opening narration:
This old album makes me remember so many things in the past. San Francisco and the house on Steiner Street where I was born. It brings back memories of my cousins, aunts and uncles; all the boys and girls I grew up with. And I remember my family as we were then. My big brother Nels, my little sister Dagmar, and of course, Papa. But most of all, when I look back to those days so long ago, most of all, I remember ... Mama.
My Favorite Wife, is a 1940 screwball comedy produced by Leo McCarey and directed by Garson Kanin.
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Kathryn McLean, best known by her pen name Kathryn Forbes, was an American writer and memoirist.
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Never a Dull Moment is a 1950 American comedy western film from RKO Pictures, starring Irene Dunne and Fred MacMurray. The film is based on the 1943 book Who Could Ask For Anything More? by Kay Swift. The filming took place between December 5, 1949, and February 1, 1950, in Thousand Oaks, California. It has no relation to the 1968 Disney film of the same name starring Dick Van Dyke and Edward G. Robinson.
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Mama Loves Papa is a 1945 American comedy film directed by Frank R. Strayer and written by Monte Brice, with a story by Keene Thompson and a screenplay by Charles E. Roberts. It is a loose remake of the 1933 film Mama Loves Papa, written by Douglas MacLean. The film was produced by RKO Radio Pictures and stars Leon Errol and Elizabeth Risdon.
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I Remember Mama is a play by John Van Druten based on Kathryn Forbes' novel Mama's Bank Account, loosely based on her childhood. It is a study of family life centered on a Norwegian immigrant family in San Francisco early in the 20th century. The play premiered on Broadway on October 19, 1944 at the Music Box Theatre in New York City, where it ran for 713 performances; it was produced by Richard Rodgers and Oscar Hammerstein II. The cast included Mady Christians, Oscar Homolka, and Joan Tetzel. Marlon Brando played a minor role, making his Broadway debut as Nels.