The Gay Divorcee is a 1934 American musical romantic comedy film directed by Mark Sandrich and starring Fred Astaire and Ginger Rogers. It also features Alice Brady, Edward Everett Horton, Erik Rhodes, and Eric Blore. The screenplay was written by George Marion Jr., Dorothy Yost, and Edward Kaufman. It is based on the Broadway musical Gay Divorce, written by Dwight Taylor, with Kenneth Webb and Samuel Hoffenstein adapting an unproduced play by J. Hartley Manners.
Hips, Hips, Hooray! is a 1934 American pre-Code slapstick comedy starring Bert Wheeler, Robert Woolsey, Ruth Etting, Thelma Todd and Dorothy Lee. During its initial theatrical run, it was preceded by the two-color Technicolor short Not Tonight, Josephine, directed by Edward F. Cline.
Wheeler & Woolsey were an American vaudeville comedy double act who performed together in comedy films from the late 1920s. The team comprised Bert Wheeler (1895–1968) of New Jersey and Robert Woolsey (1888–1938) of Illinois.
Albert Jerome Wheeler was an American comedian who performed in Broadway theatre, American comedy feature films, and vaudeville acts. He was teamed with Broadway comic Robert Woolsey, and they went on to fame as Wheeler & Woolsey.
Rio Rita is a 1929 American pre-Code RKO musical comedy starring Bebe Daniels and John Boles along with the comedy team of Wheeler & Woolsey. The film is based on the 1927 stage musical produced by Florenz Ziegfeld, which originally united Wheeler and Woolsey as a team and made them famous. The film was the biggest and most expensive RKO production of 1929 as well as the studio's biggest box office hit until King Kong (1933). Its finale was photographed in two-color Technicolor. Rio Rita was chosen as one of the 10 best films of 1929 by Film Daily.
Brown and Carney was a comedy duo consisting of Wally Brown and Alan Carney active from 1943 to 1946.
Dorothy Lee was an American actress and comedian during the 1930s. She appeared in 28 films, usually appearing alongside the comedy team of Bert Wheeler and Robert Woolsey.
Cracked Nuts is a 1931 American pre-Code comedy film directed by Edward F. Cline, from an original screenplay written by Al Boasberg and Ralph Spence. The film stars the comedy duo Wheeler & Woolsey as well as Dorothy Lee. It also features Boris Karloff in a small supporting role. The film was one of RKO's only financial successes of the year, with a profit of just over $150,000.
Girl Crazy is a 1932 American pre-Code musical film adaptation of the 1930 stage play of the same name. The film was very unlike the stage play except for its score. It was tailored for the comic talents of Wheeler & Woolsey, a popular comedy team of the time. Three songs written by George and Ira Gershwin for the play were retained: "Bidin' My Time", "I Got Rhythm", and "But Not for Me". According to RKO records, the film lost $150,000. Lon Chaney Jr. appears in the film (uncredited) as a dancer in the chorus.
High Flyers is a 1937 American musical comedy film directed by Edward Cline and starring the comedy team of Wheeler & Woolsey in their final film together. Robert Woolsey died less than a year after the film was released. The supporting cast includes Lupe Vélez, Margaret Dumont, Marjorie Lord, Paul Harvey and Jack Carson. The film was produced and distributed by RKO Pictures.
Everything's Rosie is a 1931 American Pre-Code slapstick comedy film directed by Clyde Bruckman, from a screenplay by Ralph Spence, Tim Whelan, and Al Boasberg, based on a story by Boasberg. Although the screenplay was credited as original, it bore a striking resemblance to a 1923 play, Poppy, which had starred W. C. Fields.
Caught Plastered is a 1931 American Pre-Code musical comedy film, released by RKO Radio Pictures and starring the comedy team Wheeler & Woolsey.
Peach-O-Reno is a 1931 pre-Production Code comedy film starring Bert Wheeler, Robert Woolsey, Dorothy Lee, and Zelma O'Neal. It was released on Christmas Day of 1931. The title is a pun on "peacherino," then-popular slang for something more desirable or intense than just a simple peach, itself a complimentary term.
Hold 'Em Jail is a 1932 American pre-Code comedy film starring Wheeler and Woolsey. They play a couple of boobs who are wrongfully convicted for firearm possession and sent to prison, where they somehow end up playing on the warden's football team.
Cockeyed Cavaliers is a 1934 American pre-Code comedy film starring the comedy duo of Wheeler & Woolsey. Directed by Mark Sandrich from a screenplay by Edward Kaufman, Grant Garrett, Ralph Spence and Ben Holmes. Also featured in the cast were Dorothy Lee and Thelma Todd.
Kentucky Kernels is a 1934 American comedy directed by George Stevens and starring the comedy duo of Bert Wheeler and Robert Woolsey. The screenplay was written by Bert Kalmar, Harry Ruby, and Fred Guiol, from a story by Kalmar and Ruby.
The Rainmakers is a 1935 American comedy film directed by Fred Guiol from a screenplay by Grant Garrett and Leslie Goodwins, based on a story by Guiol and Albert Traynor. RKO Radio Pictures released the film on October 25, 1935, starring the comedy team of Wheeler & Woolsey and Dorothy Lee.
Silly Billies is a 1936 American comedy film directed by Fred Guiol from a screenplay by Al Boasberg and Jack Townley, based on a story by Guiol and Thomas Lennon. The film was the twentieth feature for the comedy duo of Wheeler and Woolsey, and also stars Dorothy Lee, who had been in a number of their films. It was released by RKO Radio Pictures on March 20, 1936.
The Day the Bookies Wept is a 1939 American comedy film directed by Leslie Goodwins and written by Bert Granet and George Jeske. The film stars Joe Penner, Betty Grable, Richard Lane, Tom Kennedy and Thurston Hall. The film was released on September 15, 1939, by RKO Pictures.
Lee Marcus, also known as Lee S. Marcus, was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.
