Stage Door is a 1937 American tragicomedy film directed by Gregory La Cava. Adapted from the 1936 play of the same name, it tells the story of several would-be actresses who live together in a boarding house at 158 West 58th Street in New York City. The film stars Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Gail Patrick, Constance Collier, Andrea Leeds, Samuel S. Hinds and Lucille Ball. It was produced and distributed by RKO Pictures. Eve Arden and Ann Miller, who became notable in later films, play minor characters.
Giant is a 1956 American epic Western drama film directed by George Stevens, from a screenplay adapted by Fred Guiol and Ivan Moffat from Edna Ferber's 1952 novel.
George Cooper Stevens was an American film director, producer, screenwriter and cinematographer. He received two Academy Awards and the Irving G. Thalberg Memorial Award in 1953.
Stuart Erwin was an American actor of stage, film, and television.
Mr. & Mrs. Smith is a 1941 American screwball comedy film directed by Alfred Hitchcock, written by Norman Krasna, and starring Carole Lombard and Robert Montgomery. It also features Gene Raymond, Jack Carson, Philip Merivale, and Lucile Watson.
Edgar Livingston Kennedy was an American comedic character actor who appeared in at least 500 films during the silent and sound eras. Professionally, he was known as "Slow Burn", owing to his ability to portray characters whose anger slowly rose in frustrating situations.
Rochelle Hudson was an American film actress from the 1930s through the 1960s. Hudson was a WAMPAS Baby Star in 1931.
Vivacious Lady is a 1938 American black-and-white romantic comedy film directed by George Stevens and starring Ginger Rogers and James Stewart. It was released by RKO Radio Pictures. The screenplay was written by P.J. Wolfson and Ernest Pagano and adapted from a short story by I. A. R. Wylie. The music score was by Roy Webb and the cinematography by Robert De Grasse.
Lover Come Back is a 1961 American Eastmancolor romantic comedy film released by Universal Pictures and directed by Delbert Mann. It stars Doris Day and Rock Hudson and is their second time working together. The supporting cast includes Tony Randall, Edie Adams, Ann B. Davis, and Donna Douglas.
Alice Adams is a 1935 romantic drama film directed by George Stevens and starring Katharine Hepburn. It was made by RKO and produced by Pandro S. Berman. The screenplay was by Dorothy Yost, Mortimer Offner, and Jane Murfin. The film was adapted from the novel Alice Adams by Booth Tarkington. The music score was by Max Steiner and Roy Webb, and the cinematography by Robert De Grasse. The film received Academy Award nominations for Best Picture and Best Actress.
One Minute to Zero is a 1952 American romantic war film starring Robert Mitchum and Ann Blyth, set during the opening phases of the Korean War, and produced by Howard Hughes as his last film as producer. Victor Young's score for the film includes the first appearance of "When I Fall in Love", as the instrumental titled "Theme from One Minute to Zero". The film showcases the contributions of the U.S. Army and U.S. Air Force, the South Korean Army, the United Nations, the British Army and the Royal Australian Air Force during the early days of the Korean War. The effects of air power in the Korean War were also vividly depicted through the use of combat footage.
I Married a Woman is a 1958 American comedy film made in 1956, directed by Hal Kanter, written by Goodman Ace, and starring George Gobel, Diana Dors, and Adolphe Menjou. The picture was produced by Gobel's company, Gomalco Productions. I Married a Woman also features John Wayne in a cameo role as himself. It was filmed in RKO-Scope and black and white except for one of Wayne's two scenes, which was shot in Technicolor. The film's original title was So There You Are. The film was a box-office disappointment, which hurt the careers of Dors and Gobel.
Every Girl Should Be Married is a 1948 American romantic comedy film directed by Don Hartman and starring Cary Grant, Betsy Drake and Franchot Tone. Grant and Drake married a year after the film's release.
The Mad Miss Manton is a 1938 American screwball comedy-mystery film directed by Leigh Jason and starring Barbara Stanwyck as fun-loving socialite Melsa Manton and Henry Fonda as newspaper editor Peter Ames. Melsa and her debutante friends hunt for a murderer while eating bonbons, flirting with Ames, and otherwise behaving like irresponsible socialites. Ames is also after the murderer, as well as Melsa's hand in marriage.
Honeymoon is a 1947 American comedy film directed by William Keighley, starring Shirley Temple, Guy Madison and Franchot Tone.
The Show-Off is a 1946 American comedy film directed by Harry Beaumont based on the play of the same name by George Kelly. It stars Red Skelton and Marilyn Maxwell. It was previously filmed in 1926 as The Show-Off starring Ford Sterling, Lois Wilson and Louise Brooks and in 1934 as The Show-Off with Spencer Tracy and Madge Evans. Lois Wilson also appeared in the 1934 version, but in a different role.
Radio City Revels is a 1938 American musical comedy film directed by Benjamin Stoloff and starring Bob Burns, Jack Oakie and Ann Miller.
Father Takes a Wife is a 1941 American comedy film directed by Jack Hively and starring Gloria Swanson, Adolphe Menjou and John Howard. Silent screen queen Gloria Swanson returned to films after a seven-year absence. Eight years later, Swanson staged another comeback in the classic Sunset Boulevard (1950).
Tanned Legs is a 1929 American Pre-Code musical comedy directed by Marshall Neilan and written by Thomas J. Geraghty based on a story by Louis Sarecky. The film starred Ann Pennington, Arthur Lake, June Clyde, Dorothy Revier, Sally Blane and Albert Gran. In its first year of operations, RKO attempted to take advantage of musicals as much as possible, and so the music of Oscar Levant and Sidney Clare was awkwardly inserted into this simple comedy script.
John Landers Stevens (1877–1940) was an American stage and film actor. A character actor he appeared in prominent screen roles in the early 1920s before switching to smaller supporting parts, often authority figures, in the following decade. He was the brother of the journalist Ashton Stevens and the father of film director George Stevens. He appeared in the 1936 musical film Swing Time directed by his son. His final screen appearance was in Citizen Kane.
