An autobiography, [a] sometimes informally called an autobio, is a self-written biography of one's own life.
An autobiography, [a] sometimes informally called an autobio, is a self-written biography of one's own life.
The word "autobiography" was first used deprecatingly by William Taylor in 1797 in the English periodical The Monthly Review , when he suggested the word as a hybrid, but condemned it as "pedantic". However, its next recorded use was in its present sense, by Robert Southey in 1809. [2] Despite only being named early in the nineteenth century, first-person autobiographical writing originates in antiquity. Roy Pascal differentiates autobiography from the periodic self-reflective mode of journal or diary writing by noting that "[autobiography] is a review of a life from a particular moment in time, while the diary, however reflective it may be, moves through a series of moments in time". [3] Autobiography thus takes stock of the autobiographer's life from the moment of composition. While biographers generally rely on a wide variety of documents and viewpoints, autobiography may be based entirely on the writer's memory. The memoir form is closely associated with autobiography but it tends, as Pascal claims, to focus less on the self and more on others during the autobiographer's review of their own life. [3]
Autobiographical works are by nature subjective. The inability—or unwillingness—of the author to accurately recall memories has in certain cases resulted in misleading or incorrect information. Some sociologists and psychologists have noted that autobiography offers the author the ability to recreate history.
Spiritual autobiography is an account of an author's struggle or journey towards God, followed by conversion a religious conversion, often interrupted by moments of regression. The author re-frames their life as a demonstration of divine intention through encounters with the Divine. The earliest example of a spiritual autobiography is Augustine's Confessions though the tradition has expanded to include other religious traditions in works such as Mohandas Gandhi's An Autobiography and Black Elk's Black Elk Speaks . Deliverance from Error by Al-Ghazali is another example. The spiritual autobiography often serves as an endorsement of the writer's religion.
A memoir is slightly different in character from an autobiography. While an autobiography typically focuses on the "life and times" of the writer, a memoir has a narrower, more intimate focus on the author's memories, feelings and emotions. Memoirs have often been written by politicians or military leaders as a way to record and publish an account of their public exploits. One early example is that of Julius Caesar's Commentarii de Bello Gallico , also known as Commentaries on the Gallic Wars. In the work, Caesar describes the battles that took place during the nine years that he spent fighting local armies in the Gallic Wars. His second memoir, Commentarii de Bello Civili (or Commentaries on the Civil War) is an account of the events that took place between 49 and 48 BC in the civil war against Gnaeus Pompeius and the Senate.
Leonor López de Córdoba (1362–1420) wrote what is supposed to be the first autobiography in Spanish. The English Civil War (1642–1651) provoked a number of examples of this genre, including works by Sir Edmund Ludlow and Sir John Reresby. French examples from the same period include the memoirs of Cardinal de Retz (1614–1679) and the Duc de Saint-Simon.
The term "fictional autobiography" signifies novels about a fictional character written as though the character were writing their own autobiography, meaning that the character is the first-person narrator and that the novel addresses both internal and external experiences of the character. Daniel Defoe's Moll Flanders is an early example. Charles Dickens' David Copperfield is another such classic, and J.D. Salinger's The Catcher in the Rye is a well-known modern example of fictional autobiography. Charlotte Brontë's Jane Eyre is yet another example of fictional autobiography, as noted on the front page of the original version. The term may also apply to works of fiction purporting to be autobiographies of real characters, e.g., Robert Nye's Memoirs of Lord Byron .
In antiquity such works were typically entitled apologia , purporting to be self-justification rather than self-documentation. The title of John Henry Newman's 1864 Christian confessional work Apologia Pro Vita Sua refers to this tradition.
The historian Flavius Josephus introduces his autobiography Josephi Vita (c. 99) with self-praise, which is followed by a justification of his actions as a Jewish rebel commander of Galilee. [4]
The rhetor Libanius (c. 314–394) framed his life memoir Oration I (begun in 374) as one of his orations, not of a public kind, but of a literary kind that would not be read aloud in privacy.
Augustine of Hippo (354–430) applied the title Confessions to his autobiographical work, and Jean-Jacques Rousseau used the same title in the 18th century, initiating the chain of confessional and sometimes racy and highly self-critical autobiographies of the Romantic era and beyond. Augustine's was arguably the first Western autobiography ever written, and became an influential model for Christian writers throughout the Middle Ages. It tells of the hedonistic lifestyle Augustine lived for a time within his youth, associating with young men who boasted of their sexual exploits; his following and leaving of the anti-sex and anti-marriage Manichaeism in attempts to seek sexual morality; and his subsequent return to Christianity due to his embracement of Skepticism and the New Academy movement (developing the view that sex is good, and that virginity is better, comparing the former to silver and the latter to gold; Augustine's views subsequently strongly influenced Western theology [5] ). Confessions is considered one of the great masterpieces of western literature. [6]
Peter Abelard's 12th-century Historia Calamitatum is in the spirit of Augustine's Confessions, an outstanding autobiographical document of its period.
In the 15th century, Leonor López de Córdoba, a Spanish noblewoman, wrote her Memorias, which may be the first autobiography in Castillian.
Zāhir ud-Dīn Mohammad Bābur, who founded the Mughal dynasty of South Asia kept a journal Bāburnāma (Chagatai/Persian : بابر نامہ; literally: "Book of Babur" or "Letters of Babur") which was written between 1493 and 1529.
One of the first great autobiographies of the Renaissance is that of the sculptor and goldsmith Benvenuto Cellini (1500–1571), written between 1556 and 1558, and entitled by him simply Vita (Italian: Life). He declares at the start: "No matter what sort he is, everyone who has to his credit what are or really seem great achievements, if he cares for truth and goodness, ought to write the story of his own life in his own hand; but no one should venture on such a splendid undertaking before he is over forty." [7] These criteria for autobiography generally persisted until recent times, and most serious autobiographies of the next three hundred years conformed to them.
Another autobiography of the period is De vita propria, by the Italian mathematician, physician and astrologer Gerolamo Cardano (1574).
One of the first autobiographies written in an Indian language was Ardhakathānaka, written by Banarasidas, who was a Shrimal Jain businessman and poet of Mughal India. [8] The poetic autobiography Ardhakathānaka (The Half Story), was composed in Braj Bhasa, an early dialect of Hindi linked with the region around Mathura.In his autobiography, he describes his transition from an unruly youth, to a religious realization by the time the work was composed. [9] The work also is notable for many details of life in Mughal times.
The earliest known autobiography written in English is the Book of Margery Kempe, written in 1438. [10] Following in the earlier tradition of a life story told as an act of Christian witness, the book describes Margery Kempe's pilgrimages to the Holy Land and Rome, her attempts to negotiate a celibate marriage with her husband, and most of all her religious experiences as a Christian mystic. Extracts from the book were published in the early sixteenth century but the whole text was published for the first time only in 1936. [11]
Possibly the first publicly available autobiography written in English was Captain John Smith's autobiography published in 1630 [12] which was regarded by many as not much more than a collection of tall tales told by someone of doubtful veracity. This changed with the publication of Philip Barbour's definitive biography in 1964 which, amongst other things, established independent factual bases for many of Smith's "tall tales", many of which could not have been known by Smith at the time of writing unless he was actually present at the events recounted. [13]
Other notable English autobiographies of the 17th century include those of Lord Herbert of Cherbury (1643, published 1764) and John Bunyan ( Grace Abounding to the Chief of Sinners , 1666).
Jarena Lee (1783–1864) was the first African American woman to have a published biography in the United States. [14]
Following the trend of Romanticism, which greatly emphasized the role and the nature of the individual, and in the footsteps of Jean-Jacques Rousseau's Confessions , a more intimate form of autobiography, exploring the subject's emotions, came into fashion. Stendhal's autobiographical writings of the 1830s, The Life of Henry Brulard and Memoirs of an Egotist , are both avowedly influenced by Rousseau. [15] An English example is William Hazlitt's Liber Amoris (1823), a painful examination of the writer's love-life.
With the rise of education, cheap newspapers and cheap printing, modern concepts of fame and celebrity began to develop, and the beneficiaries of this were not slow to cash in on this by producing autobiographies. It became the expectation—rather than the exception—that those in the public eye should write about themselves—not only writers such as Charles Dickens (who also incorporated autobiographical elements in his novels) and Anthony Trollope, but also politicians (e.g. Henry Brooks Adams), philosophers (e.g. John Stuart Mill), churchmen such as Cardinal Newman, and entertainers such as P. T. Barnum. Increasingly, in accordance with romantic taste, these accounts also began to deal, amongst other topics, with aspects of childhood and upbringing—far removed from the principles of "Cellinian" autobiography.
From the 17th century onwards, "scandalous memoirs" by supposed libertines, serving a public taste for titillation, have been frequently published. Typically pseudonymous, they were (and are) largely works of fiction written by ghostwriters. So-called "autobiographies" of modern professional athletes and media celebrities—and to a lesser extent about politicians—generally written by a ghostwriter, are routinely published. Some celebrities, such as Naomi Campbell, admit to not having read their "autobiographies". [16] Some sensationalist autobiographies such as James Frey's A Million Little Pieces have been publicly exposed as having embellished or fictionalized significant details of the authors' lives.
Autobiography has become an increasingly popular and widely accessible form. A Fortunate Life by Albert Facey (1979) has become an Australian literary classic. [17] With the critical and commercial success in the United States of such memoirs as Angela’s Ashes and The Color of Water , more and more people have been encouraged to try their hand at this genre. Maggie Nelson's book The Argonauts is one of the recent autobiographies. Maggie Nelson calls it autotheory—a combination of autobiography and critical theory. [18]
A genre where the "claim for truth" overlaps with fictional elements though the work still purports to be autobiographical is autofiction.
The slave narrative is a type of literary genre involving the (written) autobiographical accounts of enslaved persons, particularly Africans enslaved in the Americas, though many other examples exist. Over six thousand such narratives are estimated to exist; about 150 narratives were published as separate books or pamphlets. In the United States during the Great Depression (1930s), more than 2,300 additional oral histories on life during slavery were collected by writers sponsored and published by the Works Progress Administration, a New Deal program. Most of the 26 audio-recorded interviews are held by the Library of Congress.
An autobiographical novel, also known as a autobiographical fiction, fictional autobiography, or autobiographical fiction novel, is a type of novel which uses autofiction techniques, or the merging of autobiographical and fictive elements. The literary technique is distinguished from a typical autobiography or memoir by being a work of fiction presented in the same fashion as a typical non-fiction autobiography by "imitating the conventions of an autobiography."
Guibert de Nogent was a Benedictine historian, theologian, and author of autobiographical memoirs. Guibert was relatively unknown in his own time, going virtually unmentioned by his contemporaries. He has only recently caught the attention of scholars who have been more interested in his extensive autobiographical memoirs and personality which provide insight into medieval life.
A memoir is any nonfiction narrative writing based on the author's personal memories. The assertions made in the work are thus understood to be factual. While memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus, usually a particular time phase in someone's life or career. A biography or autobiography tells the story "of a life", while a memoir often tells the story of a particular career, event, or time, such as touchstone moments and turning points in the author's life. The author of a memoir may be referred to as a memoirist or a memorialist.
La Vita Nuova or Vita Nova is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
Margery Kempe was an English Christian mystic, known for writing through dictation The Book of Margery Kempe, a work considered by some to be the first autobiography in the English language. Her book chronicles her domestic tribulations, her extensive pilgrimages to holy sites in Europe and the Holy Land, as well as her mystical conversations with God. She is honoured in the Anglican Communion, but has not been canonised as a Catholic saint.
Confessions is an autobiographical work by Augustine of Hippo, consisting of 13 books written in Latin between AD 397 and 400. The work outlines Augustine's sinful youth and his conversion to Christianity. Modern English translations of it are sometimes published under the title The Confessions of Saint Augustine in order to distinguish the book from other books with similar titles. Its original title was Confessions in Thirteen Books, and it was composed to be read out loud with each book being a complete unit.
Confessional writing is a literary style and genre that developed in American writing schools following the Second World War. A prominent mode of confessional writing is confessional poetry, which emerged in the 1950s and 1960s. Confessional writing is often historically associated with Postmodernism due to the features which the modes share: including self-performativity and self-reflexivity; discussions of culturally taboo subjects; and the literary influences of personal conflict and historical trauma. Confessional writing also has historical origins in Catholic confessional practices. As such, confessional writing is congruent with psychoanalytic literary criticism. Confessional writing is also a form of life writing, especially through the autobiography form.
The Confessions is an autobiographical book by Jean-Jacques Rousseau. In the modern era, it is often published with the title The Confessions of Jean-Jacques Rousseau in order to distinguish it from Saint Augustine's Confessions. Covering the first fifty-three years of Rousseau's life, up to 1765, it was completed in 1769, but not published until 1782, four years after Rousseau's death, even though Rousseau did read excerpts of his manuscript publicly at various salons and other meeting places.
Speak, Memory is a memoir by writer Vladimir Nabokov. The book includes individual essays published between 1936 and 1951 to create the first edition in 1951. Nabokov's revised and extended edition appeared in 1966.
The Book of Margery Kempe is a medieval text attributed to Margery Kempe, an English Christian mystic and pilgrim who lived at the turn of the fifteenth century. It details Kempe's life, her travels, her accounts of divine revelation including her visions of interacting with the Trinity, particularly Jesus, as well as other biblical figures. These interactions take place through a strong mental connection forged between Kempe and said biblical figures. The book is also notable for her claim to be present at key biblical events such as the Nativity, shown in chapter six of Book I, and the Crucifixion.
The non-fiction novel is a literary genre that, broadly speaking, depicts non-fictional elements, such as real historical figures and actual events, woven together with fictitious conversations and uses the storytelling techniques of fiction. The non-fiction novel is an otherwise loosely defined and flexible genre. The genre is sometimes referred to using the slang term "faction", a portmanteau of the words fact and fiction.
Spiritual autobiography is a genre of non-fiction prose that dominated Protestant writing during the seventeenth century, particularly in England, particularly that of Dissenters. The narrative generally follows the believer from a state of damnation to a state of grace; the most famous example is perhaps John Bunyan's Grace Abounding (1666). The first known spiritual autobiography is Confessions by Augustine of Hippo, or St. Augustine, which stands to this day as a classic when studying this genre.
Intersex, in humans and other animals, describes variations in sex characteristics including chromosomes, gonads, sex hormones, or genitals that, according to the UN Office of the High Commissioner for Human Rights, "do not fit typical binary notions of male or female bodies".
John Cowper Powys's (1872–1963) Autobiography, published in 1934, the year Powys returned to Britain from America, describes his first 60 years, and is considered one of his most important works.
Autobiografiction is a literary fiction genre that blends autobiography with fiction; it fictionalizes autobiographical experiences, often by altering them, attributing them to fictional characters or reinventing them into other experiences. The concept of autobiografiction was invented by Stephen Reynolds in 1906, and then researched and described in depth by Max Saunders in 2010.
Telling Secrets: a memoir (1991), is the third of four partial autobiographies written by Frederick Buechner. Published in 1991, the work considers in depth several scenes and events from the author's life, from his father’s suicide through to his time spent as a visiting professor at Wheaton College.
Walter Scott's "Memoirs", first published as "Memoir of the Early Life of Sir Walter Scott, Written by Himself" and also known as the Ashestiel fragment, is a short autobiographical work describing the author's ancestry, parentage, and life up to the age of 22. It is the most important source of information we have on Scott's early life. It was mainly written between 1808 and 1811, then revised and completed in 1826, and first published posthumously in 1837 as Chapter 1 of J. G. Lockhart's multi-volume Memoirs of the Life of Sir Walter Scott, Bart. It was re-edited in 1981 by David Hewitt.
Margery Kempe is a 1994 novel by New Narrative founding member Robert Glück. It is a retelling of Margery Kempe's purported writing, The Book of Margery Kempe, through a narrator named Bob who is in love with a man named L. It was republished in 2020 by New York Review Books.
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Quotations related to Autobiography at Wikiquote
The dictionary definition of autobiography at Wiktionary