Letter collection

Last updated August 07, 2024

A letter collection consists of a publication, usually a book, containing a compilation of letters written by a real person. Unlike an epistolary novel, a letter collection belongs to non-fiction literature. As a publication, a letter collection is distinct from an archive, which is a repository of original documents.

Usually, the original letters are written over the course of the lifetime of an important individual, noted either for their social position or their intellectual influence, and consist of messages to specific recipients. They might also be open letters intended for a broad audience. After these letters have served their original purpose, a letter collection gathers them to be republished as a group.^[1] Letter collections, as a form of life writing, serve a biographical purpose.^[2] They also typically select and organize the letters to serve an aesthetic or didactic aim, as in literary belles-lettres and religious epistles.^[3] The editor who chooses, organizes, and sometimes alters the letters plays a major role in the interpretation of the published collection.^[4] Letter collections have existed as a form of literature in most times and places where letter-writing played a prominent part of public life. Before the invention of printing, letter collections were recopied and circulated as manuscripts, like all literature.^[1]

Letter collections in history

Antiquity

In ancient Rome, Cicero (106 – 43 BC) is known for his Letters to Atticus, to Brutus, to friends, and to his brother.^[3] Seneca the Younger (c. 5 – 65 CE) and Pliny the Younger (c. 61 – c. 112 CE) both published their own letters. Seneca's Letters to Lucilius are strongly moralizing. Pliny's Epistulae have a self-consciously literary style.^[2] Ancient letter collections typically did not organize the letters chronologically.^[3]

Early Christianity is also associated with collected and published letters, typically referred to as epistles for their didactic focus. Paul the Apostle (c. 5 – c. 64/67 CE) is known for the Pauline epistles which make up thirteen books of the New Testament.^[3]

In late antiquity (340 – 600 CE), letter collections became particularly popular and widespread.^[5] Saint Augustine (354 – 430 CE) and Saint Jerome (c. 342-347 – 420 CE) are noted in this period for their prolific and influential theological letters.^[1]

Medieval and Renaissance Europe

Medieval European letter-writers were heavily influenced by Cicero in the development of rhetorical conventions ( ars dictaminis ) for letter-writing.^[2]

Petrarch (1304 – 1374 CE) added a greater level of personal autobiographical detail in his Epistolae familiares . Erasmus (1466 –1536 CE) and Justus Lipsius (1547 – 1606 CE) also promoted flexibility and enjoyable reading in letter-writing, rather than a rule-focused formula.^[2]

Eighteenth-century Europe

Published letters and diaries were particularly prominent in eighteenth-century British print, sometimes called "the defining genres of the period."^[6] Particularly popular were letter collections focused on the private lives of their writers, which would garner praise based on how well they could demonstrate the personal character of the author.^[7] Stylistically, eighteenth-century familiar letters were influenced more by the amusing Vincent Voiture (1597 – 1648) than the formal classics of Cicero, Pliny, and Seneca.^[7] The letters of Marie de Rabutin-Chantal (1626 – 1696) and her daughter were published beginning in 1725, and widely regarded across Europe as the model for witty, enjoyable letters.^[2]

Many eighteenth-century figures gained their reputations as eloquent writers primarily through their letters, such as the bluestockings Elizabeth Montagu and Mary Delany.^[8]

Twentieth-century letters

Letter collections were less prominent as literary publications in the twentieth century. Instead of being published during the writer's lifetime in order to build their reputation, the letters of twentieth-century artists were typically collected and published posthumously in order to cement their legacy. Some nineteenth-century authors, such as Charles Dickens, Mark Twain, and Edith Wharton, first had their letters published in the twentieth century as scholarly editions. Major collections by twentieth-century authors include those of Joseph Conrad, George Bernard Shaw, James Joyce, and Virginia Woolf.^[8] Other artists' letters in the twentieth century include The Letters of Vincent van Gogh (first published in 1914), Letters to a Young Poet by Rainer Maria Rilke (first published in 1929), and Letters to Milena by Franz Kafka (first published in 1952).

Relationship to authentic letters

Letter collections have not always been considered "literary" texts. In the nineteenth century, scholars like Adolf Deissmann promoted a distinction between a "real missive" and a "literary letter": a "real missive" was a private document focusing solely on a functional communication purpose, whereas a "literary letter" was written with the expectation of a wide audience and carried artistic value. In this distinction, real missives could be used as evidence of factual events, while literary letters required interpretation as works of art. Contemporary scholars, however, see all letters as having both historical information and artistic merit, both of which require careful contextualization.^[5]

In eighteenth century Europe, many works were written in an epistolary style without having been mailed as real letters: these included scholarly research and travel narratives, as well as epistolary novels.^[7] The term "familiar letters" was used to designate letter collections consisting of authentic correspondence which had been written for a private audience prior to publication.^[7]

Role of the collector

It was more common for authors to collect their own letters in Latin antiquity than in Greek antiquity. In Latin antiquity, Julius Caesar (100 – 44 BCE) published a self-organized letter collection, which does not survive today. Cicero also mentioned plans to collect his own letters, though he did not do so before his death. Pliny the Younger's letters are the oldest extant letter collection in which the letters were collected by the author himself.^[5]

Related Research Articles

An epistolary novel is a novel written as a series of letters between the fictional characters of a narrative. The term is often extended to cover novels that intersperse documents of other kinds with the letters, most commonly diary entries and newspaper clippings, and sometimes considered to include novels composed of documents even if they do not include letters at all. More recently, epistolaries may include electronic documents such as recordings and radio, blog posts, and e-mails. The word epistolary is derived from Latin from the Greek word epistolē, meaning a letter (see epistle). This type of fiction is also sometimes known by the German term Briefroman or more generally as epistolary fiction.

Quintus Horatius Flaccus, commonly known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. The rhetorician Quintilian regarded his Odes as the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."

A letter is a written message conveyed from one person to another through a medium. Something epistolary means that it is a form of letter writing. The term usually excludes written material intended to be read in its original form by large numbers of people, such as newspapers and placards, although even these may include material in the form of an "open letter". The typical form of a letter for many centuries, and the archetypal concept even today, is a sheet of paper that is sent to a correspondent through a postal system. A letter can be formal or informal, depending on its audience and purpose. Besides being a means of communication and a store of information, letter writing has played a role in the reproduction of writing as an art throughout history. Letters have been sent since antiquity and are mentioned in the Iliad. Historians Herodotus and Thucydides mention and use letters in their writings.

Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature flourished for the next six centuries. The classical era of Latin literature can be roughly divided into several periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.

Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo, better known as Pliny the Younger, was a lawyer, author, and magistrate of Ancient Rome. Pliny's uncle, Pliny the Elder, helped raise and educate him.

An epistle is a writing directed or sent to a person or group of people, usually an elegant and formal didactic letter. The epistle genre of letter-writing was common in ancient Egypt as part of the scribal-school writing curriculum. The letters in the New Testament from Apostles to Christians are usually referred to as epistles. Those traditionally attributed to Paul are known as Pauline epistles and the others as catholic epistles.

Publilius Syrus, was a Latin writer, best known for his sententiae. He was a Syrian from Antioch who was brought as a slave to Roman Italy. Syrus was brought to Rome on the same ship that brought a certain Manilius, astronomer - not the famous Manilius of the 1st century AD, and Staberius Eros the grammarian. By his wit and talent, Syrus won the favour of his master, who granted him manumission and educated him. He became a member of the Publilia gens. Publilius' name, due to the palatalization of 'l' between two 'i's in the Early Middle Ages, is often presented by manuscripts in corrupt form as 'Publius', Publius being a very common Roman praenomen.

The Pauline epistles, also known as Epistles of Paul or Letters of Paul, are the thirteen books of the New Testament attributed to Paul the Apostle, although the authorship of some is in dispute. Among these epistles are some of the earliest extant Christian documents. They provide an insight into the beliefs and controversies of early Christianity. As part of the canon of the New Testament, they are foundational texts for both Christian theology and ethics.

Pseudepigrapha are falsely attributed works, texts whose claimed author is not the true author, or a work whose real author attributed it to a figure of the past. The name of the author to whom the work is falsely attributed is often prefixed with the particle "pseudo-", such as for example "pseudo-Aristotle" or "pseudo-Dionysius": these terms refer to the anonymous authors of works falsely attributed to Aristotle and Dionysius the Areopagite, respectively.

The Correspondence ofPaul and Seneca, also known as the Letters of Paul and Seneca or Epistle to Seneca the Younger, is a collection of letters claiming to be between Paul the Apostle and Seneca the Younger. There are 8 epistles from Seneca, and 6 replies from Paul. They were purportedly authored from 58–64 CE during the reign of Roman Emperor Nero, but appear to have actually been written in the middle of the fourth century. Until the Renaissance, the epistles were seen as genuine, but scholars began to critically examine them in the 15th century, and today they are held to be inauthentic forgeries.

<i>Heroides</i> Epistolary poem collection by Ovid

The Heroides, or Epistulae Heroidum, is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines of Greek and Roman mythology in address to their heroic lovers who have in some way mistreated, neglected, or abandoned them. A further set of six poems, widely known as the Double Heroides and numbered 16 to 21 in modern scholarly editions, follows these individual letters and presents three separate exchanges of paired epistles: one each from a heroic lover to his absent beloved and from the heroine in return.

The Epistulae Morales ad Lucilium, also known as the Moral Epistles and Letters from a Stoic, is a letter collection of 124 letters that Seneca the Younger wrote at the end of his life, during his retirement, after he had worked for the Emperor Nero for more than ten years. They are addressed to Lucilius Junior, the then procurator of Sicily, who is known only through Seneca's writings. Regardless of how Seneca and Lucilius actually corresponded, it is clear that Seneca crafted the letters with a broad readership in mind.

Ars dictaminis is the art of letter-writing, which often intersects with the art of rhetoric.

An amanuensis is a person employed to write or type what another dictates or to copy what has been written by another. An amanuensis may also be a person who signs a document on behalf of another under the latter's authority.

Epistolography, or the art of writing letters, is a genre of Byzantine literature similar to rhetoric that was popular with the intellectual elite of the Byzantine age.

Christian views on the classics have varied throughout history. In the early years of Christianity, the writings of Classical and Hellenistic authors were widely spread by Christian teachers. However, during the Dark Ages, the decline in the study of this literature as a whole, as well as the waning of Christianity's popularity throughout Europe, resulted in the extinction of its effect in Christian life until the spread of Islam—the reintroduction of Classical texts—and the "rebirth" of Ancient Greek and Roman philosophies and arts during the Renaissance, where "artists and philosophers, each in their own way, combined Christian belief and ancient philosophy into a balanced, rational, humanistic system". Today, churches' views are generally consistent with those of Renaissance humanists' in that "Christians should be able to read the classics ... because it is part of the Western heritage ... [and] because it is part of Christianity’s inheritance."

Epistulae or Epistles are a specific genre of letter-writing composed in Latin. The term may also refer to specific works:

The Epistulae are a series of personal missives by Pliny the Younger directed to his friends and associates. These Latin letters are a unique testimony of Roman administrative history and everyday life in the 1st century. The style is very different from that in the Panegyricus, and some commentators maintain that Pliny initiated a new genre: the letter written for publication. The genre of the letter collection offers a different type of record than the more usual history; one that dispenses with objectivity but is no less valuable for it. Especially noteworthy among the letters are two in which he describes the eruption of Mount Vesuvius in 79 during which his uncle Pliny the Elder died, and one in which he asks the Emperor for instructions regarding official policy concerning Christians.

An epistolary poem, also called a verse letter or letter poem, is a poem in the form of an epistle or letter.

Eleanor Winsor Leach was the Ruth N. Halls Professor with the Department of Classical Studies at Indiana University. She was a trustee of the Vergilian Society in 1978–83 and was second and then first vice-president in 1989–92. Leach was the president of the Society of Classical Studies in 2005/6, and the chair of her department (1978–1985). She was very involved with academics and younger scholars – directing 26 dissertations, wrote letters for 200 tenure and promotion cases, and refereed more than 100 books and 200 articles. Leach's research interests included Roman painting, Roman sculpture, and Cicero and Pliny's Letters. She published three books and more than 50 articles. Leach's work had an interdisciplinary focus, reading Latin texts against their social, political, and cultural context. From the 1980s onwards, she combined her work on ancient literature with the study of Roman painting, monuments, and topography.

References

1 2 3 Rosenthal, Joel T. (2014-06-03). "Letters and Letter Collections". Understanding Medieval Primary Sources: Using Historical Sources to Discover Medieval Europe. Routledge. ISBN 978-1-317-79631-2.
1 2 3 4 5 Bray, Bernard (2001). "Letters: General Survey". In Jolly, Margaretta (ed.). Encyclopedia of Life Writing: Autobiographical and Biographical Forms. Translated by Lamontagne, Monique. London: Routledge. pp. 551–553. ISBN 9781579582326.
1 2 3 4 Gibson, Roy (2012). "On the Nature of Ancient Letter Collections". The Journal of Roman Studies. 102: 56–78. doi:10.1017/S0075435812000019. ISSN 0075-4358. JSTOR 41724966. S2CID 162653390.
↑ Grasso, Linda M. (2008). "Reading Published Letter Collections as Literary Texts: Maria Chabot—Georgia O'Keeffe Correspondence, 1941–1949 as a Case Study". Legacy. 25 (2): 239–250. doi:10.1353/leg.0.0033. ISSN 0748-4321. JSTOR 25679657. S2CID 162838092.
1 2 3 Sogno, Cristiana; Storin, Bradley K.; Watts, Edward J. (2019). "Introduction: Greek and Latin Epistolography and Epistolary Collections in Late Antiquity". Late antique letter collections: a critical introduction and reference guide. Oakland, CA. pp. 1–11. ISBN 978-0-520-30841-1. OCLC 1140699517.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Taylor, Richard C. (2001). "Britain: Restoration and 18th-Century Diaries and Letters". In Jolly, Margaretta (ed.). Encyclopedia of Life Writing: Autobiographical and Biographical Forms. London: Routledge. pp. 137–138–553. ISBN 9781579582326.
1 2 3 4 Smith, Amy Elizabeth (1998). "Travel Narratives and the Familiar Letter Form in the Mid-Eighteenth Century". Studies in Philology. 95 (1): 80–86. ISSN 0039-3738. JSTOR 4174599.
1 2 Mittleman, Leslie B. (1990). "The Twentieth-Century English Letter: A Dying Art?". World Literature Today. 64 (2): 221–226 – via JSTOR.

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[Rosenthal2014-1] 1 2 3 Rosenthal, Joel T. (2014-06-03). "Letters and Letter Collections". Understanding Medieval Primary Sources: Using Historical Sources to Discover Medieval Europe. Routledge. ISBN 978-1-317-79631-2.

[ELW-lettersSurvey-2] 1 2 3 4 5 Bray, Bernard (2001). "Letters: General Survey". In Jolly, Margaretta (ed.). Encyclopedia of Life Writing: Autobiographical and Biographical Forms. Translated by Lamontagne, Monique. London: Routledge. pp. 551–553. ISBN 9781579582326.

[Gibson2012-3] 1 2 3 4 Gibson, Roy (2012). "On the Nature of Ancient Letter Collections". The Journal of Roman Studies. 102: 56–78. doi:10.1017/S0075435812000019. ISSN 0075-4358. JSTOR 41724966. S2CID 162653390.

[4] Grasso, Linda M. (2008). "Reading Published Letter Collections as Literary Texts: Maria Chabot—Georgia O'Keeffe Correspondence, 1941–1949 as a Case Study". Legacy. 25 (2): 239–250. doi:10.1353/leg.0.0033. ISSN 0748-4321. JSTOR 25679657. S2CID 162838092.

[LALC-5] 1 2 3 Sogno, Cristiana; Storin, Bradley K.; Watts, Edward J. (2019). "Introduction: Greek and Latin Epistolography and Epistolary Collections in Late Antiquity". Late antique letter collections: a critical introduction and reference guide. Oakland, CA. pp. 1–11. ISBN 978-0-520-30841-1. OCLC 1140699517.{{cite book}}: CS1 maint: location missing publisher (link)

[ELW-18thC-Britain-6] Taylor, Richard C. (2001). "Britain: Restoration and 18th-Century Diaries and Letters". In Jolly, Margaretta (ed.). Encyclopedia of Life Writing: Autobiographical and Biographical Forms. London: Routledge. pp. 137–138–553. ISBN 9781579582326.

[Smith1998-7] 1 2 3 4 Smith, Amy Elizabeth (1998). "Travel Narratives and the Familiar Letter Form in the Mid-Eighteenth Century". Studies in Philology. 95 (1): 80–86. ISSN 0039-3738. JSTOR 4174599.

[:0-8] 1 2 Mittleman, Leslie B. (1990). "The Twentieth-Century English Letter: A Dying Art?". World Literature Today. 64 (2): 221–226 – via JSTOR.

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