Manuscript

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Christ Pantocrator seated in a capital "U" in an illuminated manuscript from the Badische Landesbibliothek, Germany (from c. 1220). Codex Bruchsal 1 68r.jpg
Christ Pantocrator seated in a capital "U" in an illuminated manuscript from the Badische Landesbibliothek, Germany (from c.1220).
Image of two facing pages of the illuminated manuscript of "Isagoge", fols. 42b and 43a. On the top of the left hand page is an illuminated letter "D" - initial of "De urinarum differencia negocium" (The matter of the differences of urines). Inside the letter is a picture of a master on bench pointing at a raised flask while lecturing on the "Book on urines" of Theophilus. The right hand page is only shown in part. On its very bottom is an illuminated letter "U" - initial of "Urina ergo est colamentum sanguinis" (Urine is the filtrate of the blood). Inside the letter is a picture of a master holding up a flask while explaining the diagnostic significance of urine to a student or a patient. HMD Collection, MS E 78. De urinarum differencia negocium between 1210 and 1230 ..JPG
Image of two facing pages of the illuminated manuscript of "Isagoge", fols. 42b and 43a. On the top of the left hand page is an illuminated letter "D" - initial of "De urinarum differencia negocium" (The matter of the differences of urines). Inside the letter is a picture of a master on bench pointing at a raised flask while lecturing on the "Book on urines" of Theophilus. The right hand page is only shown in part. On its very bottom is an illuminated letter "U" - initial of "Urina ergo est colamentum sanguinis" (Urine is the filtrate of the blood). Inside the letter is a picture of a master holding up a flask while explaining the diagnostic significance of urine to a student or a patient. HMD Collection, MS E 78.
Inside the letter is a picture of a master in cathedra expounding on the Aphorisms of Hippocrates. Initial "V" rendered as "U" of "Vita brevis, ars vero longa", or "Life is short, but the art is long". "Isagoge", fol. 15b. HMD Collection, MS E 78. Illuminated letter U between 1210 and 1230 ..JPG
Inside the letter is a picture of a master in cathedra expounding on the Aphorisms of Hippocrates. Initial "V" rendered as "U" of "Vita brevis, ars vero longa", or "Life is short, but the art is long". "Isagoge", fol. 15b. HMD Collection, MS E 78.

A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printed or reproduced in some indirect or automated way. [1] More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from its rendition as a printed version of the same. [2] Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures or illustrations.

Contents

Terminology

Manuscript, Codex Manesse. Most manuscripts were ruled with horizontal lines that served as the baselines on which the text was entered. Codex Manesse 193r - Albrecht von Rapperswil.jpg
Manuscript, Codex Manesse. Most manuscripts were ruled with horizontal lines that served as the baselines on which the text was entered.
10th-century minuscule manuscript of Thucydides's History of the Peloponnesian War Thucydides Manuscript.jpg
10th-century minuscule manuscript of Thucydides's History of the Peloponnesian War
First page of Satie's Sports et divertissements (published as a facsimile in 1923) Satie sports preface.jpg
First page of Satie's Sports et divertissements (published as a facsimile in 1923)

The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, [3] [4] while the forms MS., ms or ms. for singular, and MSS., mss or mss. for plural (with or without the full stop, all uppercase or all lowercase) are also accepted. [5] [6] [7] [8] The second s is not simply the plural; by an old convention, a doubling of the last letter of the abbreviation expresses the plural, just as pp. means "pages".

A manuscript may be a codex (i.e. bound as a book) or a scroll. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations.

Parts

Materials

Paleographic elements

Reproduction

The mechanical reproduction of a manuscript is called facsimile. Digital reproductions can be called (high-resolution) scans or digital images.

History

The Isha Upanishad manuscript MS Indic 37, Isa upanisad. Wellcome L0027330.jpg
The Isha Upanishad manuscript
Gharib al-Hadith, by Abu 'Ubaid al-Qasim ibn Sallam al-Harawi (d. 837 AD). The oldest known dated Arabic manuscript on paper in Leiden University Library, dated 319 AH (931 AD) Gharib al-Hadith-page0019.jpg
Gharib al-Hadith, by Abu 'Ubaid al-Qasim ibn Sallam al-Harawi (d. 837 AD). The oldest known dated Arabic manuscript on paper in Leiden University Library, dated 319 AH (931 AD)
Armenian manuscript Sargis Pitsak.jpg
Armenian manuscript

Before the inventions of printing, in China by woodblock and in Europe by movable type in a printing press, all written documents had to be both produced and reproduced by hand. Historically, manuscripts were produced in form of scrolls (volumen in Latin) or books (codex, plural codices). Manuscripts were produced on vellum and other parchment, on papyrus, and on paper. In Russia birch bark documents as old as from the 11th century have survived. In India, the palm leaf manuscript, with a distinctive long rectangular shape, was used from ancient times until the 19th century.

Paper spread from China via the Islamic world to Europe by the 14th century, and by the late 15th century had largely replaced parchment for many purposes. When Greek or Latin works were published, numerous professional copies were made simultaneously by scribes in a scriptorium, each making a single copy from an original that was declaimed aloud.

The oldest written manuscripts have been preserved by the perfect dryness of their Middle Eastern resting places, whether placed within sarcophagi in Egyptian tombs, or reused as mummy-wrappings, discarded in the middens of Oxyrhynchus or secreted for safe-keeping in jars and buried (Nag Hammadi library) or stored in dry caves (Dead Sea scrolls). Manuscripts in Tocharian languages, written on palm leaves, survived in desert burials in the Tarim Basin of Central Asia. Volcanic ash preserved some of the Roman library of the Villa of the Papyri in Herculaneum.

Ironically, the manuscripts that were being most carefully preserved in the libraries of antiquity are virtually all lost. Papyrus has a life of at most a century or two in relatively moist Italian or Greek conditions; only those works copied onto parchment, usually after the general conversion to Christianity, have survived, and by no means all of those.

Originally, all books were in manuscript form. In China, and later other parts of East Asia, woodblock printing was used for books from about the 7th century. The earliest dated example is the Diamond Sutra of 868. In the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450.[ clarification needed ] Manuscript copying of books continued for a least a century, as printing remained expensive. Private or government documents remained hand-written until the invention of the typewriter in the late 19th century. Because of the likelihood of errors being introduced each time a manuscript was copied, the filiation of different versions of the same text is a fundamental part of the study and criticism of all texts that have been transmitted in manuscript.

In Southeast Asia, in the first millennium, documents of sufficiently great importance were inscribed on soft metallic sheets such as copperplate, softened by refiner's fire and inscribed with a metal stylus. In the Philippines, for example, as early as 900 AD, specimen documents were not inscribed by stylus, but were punched much like the style of today's dot-matrix printers.[ citation needed ] This type of document was rare compared to the usual leaves and bamboo staves that were inscribed. However, neither the leaves nor paper were as durable as the metal document in the hot, humid climate. In Burma, the kammavaca, Buddhist manuscripts, were inscribed on brass, copper or ivory sheets, and even on discarded monk robes folded and lacquered. In Italy some important Etruscan texts were similarly inscribed on thin gold plates: similar sheets have been discovered in Bulgaria. Technically, these are all inscriptions rather than manuscripts.

In the Western world, from the classical period through the early centuries of the Christian era, manuscripts were written without spaces between the words (scriptio continua), which makes them especially hard for the untrained to read. Extant copies of these early manuscripts written in Greek or Latin and usually dating from the 4th century to the 8th century, are classified according to their use of either all upper case or all lower case letters. Hebrew manuscripts, such as the Dead Sea scrolls make no such differentiation. Manuscripts using all upper case letters are called majuscule, those using all lower case are called minuscule. Usually, the majuscule scripts such as uncial are written with much more care. The scribe lifted his pen between each stroke, producing an unmistakable effect of regularity and formality. On the other hand, while minuscule scripts can be written with pen-lift, they may also be cursive, that is, use little or no pen-lift.

Islamic world

Islamic manuscripts were produced in different ways depending on their use and time period. Parchment (vellum) was a common way to produce manuscripts. [9] Manuscripts eventually transitioned to using paper in later centuries with the diffusion of paper making in the Islamic empire. When Muslims encountered paper in Central Asia, its use and production spread to Iran, Iraq, Syria, Egypt, and North Africa during the 8th century. [10]

Africa

In present-day Ethiopia about 250.000 old manuscripts from the Timbuktu libraries survive.

According to National Geographics around 700.000 manuscripts in Timbuktu alone has survived.

Approximately 1 million manuscripts have since managed to survive from the northern edges of Guinea and Ghana to the shores of the Mediterranean. [11]

Western world

After plummeting in the Early Middle Ages, the high and late medieval period witnessed a sharp increase of manuscript production. European Output of Manuscripts 500-1500.png
After plummeting in the Early Middle Ages, the high and late medieval period witnessed a sharp increase of manuscript production.
Lectionary 183 Lectionary 183 K068971.JPG
Lectionary 183

Most surviving pre-modern manuscripts use the codex format (as in a modern book), which had replaced the scroll by Late Antiquity. Parchment or vellum, as the best type of parchment is known, had also replaced papyrus, which was not nearly so long lived and has survived to the present only in the extremely dry conditions of Egypt, although it was widely used across the Roman world. Parchment is made of animal skin, normally calf, sheep, or goat, but also other animals. With all skins, the quality of the finished product is based on how much preparation and skill was put into turning the skin into parchment. Parchment made from calf or sheep was the most common in Northern Europe, while civilizations in Southern Europe preferred goatskin. [13] Often, if the parchment is white or cream in color and veins from the animal can still be seen, it is calfskin. If it is yellow, greasy or in some cases shiny, then it was made from sheepskin. [13]

For a step-by step process of how these books were prepared, including copying and illumination, watch this video provided by the Getty Museum.

Vellum comes from the Latin word vitulinum which means "of calf"/ "made from calf". For modern parchment makers and calligraphers, and apparently often in the past, the terms parchment and vellum are used based on the different degrees of quality, preparation and thickness, and not according to which animal the skin came from, and because of this, the more neutral term "membrane" is often used by modern academics, especially where the animal has not been established by testing. [13]

Because they are books, pre-modern manuscripts are best described using bibliographic rather than archival standards. The standard endorsed by the American Library Association is known as AMREMM. [14] A growing digital catalog of pre-modern manuscripts is Digital Scriptorium, hosted by the University of California at Berkeley.

Scripts

Merovingian script, or "Luxeuil minuscule", is named after an abbey in Western France, the Luxeuil Abbey, founded by the Irish missionary St Columba ca. kbook|last=Brown|first= Michelle P. |title =Anglo-Saxon Manuscripts|location= Toronto|date= 1991|isbn = 9780802077288|publisher = University of Toronto Press}}</ref> [15] Caroline minuscule is a calligraphic script developed as a writing standard in Europe so that the Latin alphabet could be easily recognized by the literate class from different regions. It was used in the Holy Roman Empire between approximately 800 and 1200. Codices, classical and Christian texts, and educational material were written in Carolingian minuscule throughout the Carolingian Renaissance. The script developed into blackletter and became obsolete, though its revival in the Italian renaissance forms the basis of more recent scripts. [13] In Introduction to Manuscript Studies, Clemens and Graham associate the beginning of this text coming from the Abby of Saint-Martin at Tours. [13]

Caroline Minuscule arrived in England in the second half of the 10th century. Its adoption there, replacing Insular script, was encouraged by the importation of continental European manuscripts by Saints Dunstan, Aethelwold, and Oswald. This script spread quite rapidly, being employed in many English centres for copying Latin texts. English scribes adapted the Carolingian script, giving it proportion and legibility. This new revision of the Caroline minuscule was called English Protogothic Bookhand. Another script that is derived from the Caroline Minuscule was the German Protogothic Bookhand. It originated in southern Germany during the second half of the 12th century. [16] All the individual letters are Caroline; but just as with English Protogothic Bookhand it evolved. This can be seen most notably in the arm of the letter h. It has a hairline that tapers out by curving to the left. When first read the German Protogothic h looks like the German Protogothic b. [17] Many more scripts sprang out of the German Protogothic Bookhand. After those came Bastard Anglicana, which is best described as: [13]

The coexistence in the Gothic period of formal hands employed for the copying of books and cursive scripts used for documentary purposes eventually resulted in cross-fertilization between these two fundamentally different writing styles. Notably, scribes began to upgrade some of the cursive scripts. A script that has been thus formalized is known as a bastard script (whereas a bookhand that has had cursive elements fused onto it is known as a hybrid script). The advantage of such a script was that it could be written more quickly than a pure bookhand; it thus recommended itself to scribes in a period when demand for books was increasing and authors were tending to write longer texts. In England during the fourteenth and fifteenth centuries, many books were written in the script known as Bastard Anglicana.

Genres

From ancient texts to medieval maps, anything written down for study would have been done with manuscripts. Some of the most common genres were bibles, religious commentaries, philosophy, law and government texts.

Biblical

"The Bible was the most studied book of the Middle Ages". [18] The Bible was the center of medieval religious life. Along with the Bible came scores of commentaries. Commentaries were written in volumes, with some focusing on just single pages of scripture. Across Europe, there were universities that prided themselves on their biblical knowledge. Along with universities, certain cities also had their own celebrities of biblical knowledge during the medieval period.

Book of hours

The Pentecost, from an illuminated Catholic liturgical manuscript, c.1310-1320 Pentecost 01.jpg
The Pentecost, from an illuminated Catholic liturgical manuscript, c.1310-1320

A book of hours is a type of devotional text which was widely popular during the Middle Ages. They are the most common type of surviving medieval illuminated manuscripts. Each book of hours contain a similar collection of texts, prayers, and psalms but decoration can vary between each and each example. Many have minimal illumination, often restricted to ornamented initials, but books of hours made for wealthier patrons can be extremely extravagant with full-page miniatures. These books were used for owners to recite prayers privately eight different times, or hours, of the day. [19]

Liturgical books and calendars

Along with Bibles, large numbers of manuscripts made in the Middle Ages were revieved in Church[ clarification needed ]. Due to the complex church system of rituals and worship these books were the most elegantly written and finely decorated of all medieval manuscripts. Liturgical books usually came in two varieties. Those used during mass and those for divine office. [13]

Most liturgical books came with a calendar in the front. This served as a quick reference point for important dates in Jesus' life and to tell church officials which saints were to be honored and on what day. The format of the liturgical calendar was as follows:

an example of a medieval liturgical calendar

January, August, DecemberMarch, May, July, OctoberApril, June, September, NovemberFebruary
Kal. (1)Kal. (1)Kal. (1)Kal. (1)
IV Non. (2)VI Non. (2)IV Non. (2)IV Non. (2)
III Non. (3)V Non. (3)III Non. (3)III Non. (3)
II Non. (4)IV Non. (4)II Non. (4)II Non. (4)
Non. (5)III Non. (5)Non. (5)Non. (5)
VIII Id. (6)II Non. (6)VIII Id. (6)VIII Id. (6)
VII Id. (7)Non. (7)VII Id. (7)VII Id. (7)
VI Id. (8)VIII Id. (8)VI Id. (8)VI Id. (8)
V Id. (9)VII Id. (9)V Id. (9)V Id. (9)
IV Id. (10)VII Id. (10)IV Id. (10)IV Id. (10)
III Id. (11)V Id. (11)III Id. (11)III Id. (11)
II Id. (12)IV Id. (12)II Id. (12)II Id. (12)
Id (13)III Id. (13)Id. (13)Id. (13)
XIX Kal. (14)II Id. (14)XVIII Kal. (14)XVI Kal. (14)
XVIII Kal. (15)Id. (15)XVII Kal. (15)XV Kal. (15)
XVII Kal. (16)XVII Kal. (16)XVI Kal. (16)XIV Kal. (16)
XVI Kal. (17)XVI Kal. (17)XV Kal. (17)XIII Kal. (17)
XV Kal. (18)XV Kal. (18)XIV Kal. (18)XII Kal. (18)
XIV Kal. (19)XIV Kal. (19)XIII Kal. (19)XI Kal. (19)
XIII Kal. (20)XIII Kal. (20XII Kal. (20)X Kal. (20)
XII Kal. (21)XII Kal. (21)XI Kal. (21)IX Kal. (21)
XI Kal. (22)XI Kal. (22)X Kal. (22)VIII Kal. (22)
X Kal. (23)X Kal. (23)IX Kal. (23)VII Kal. (23)
IX Kal. (24)IX Kal. (24)VIII Kal. (24)VI Kal (the extra day in a leap year)
VIII Kal. (25)VIII Kal. (25)VII Kal. (25)VI Kal. (24/25)
VII Kal. (26)VII Kal. (26)VI Kal. (26)V Kal. (25/26)
VI Kal. (27)VI Kal. (27)V Kal. (28)V Kal. (26/27)
V Kal. (28)V Kal. (28)V Kal. (28)V Kal. (27/28)
IV Kal. (29)IV Kal. (29)III Kal. (29)III Kal. (28/29)
III Kal. (30)III Kal. (30)II Kal. (30)
II Kal. (31)II Kal. (31)

Almost all medieval calendars give each day's date according to the Roman method of reckoning time. In the Roman system, each month had three fixed points known as Kalends (Kal), the Nones and the Ides. The Nones fell on the fifth of the month in January, February, April, June, August, September, November and December, but on the seventh of the month in March, May, July and October. The Ides fell on the thirteenth in those months in which the Nones fell on the fifth, and the fifteenth in the other four months. All other days were dated by the number of days by which they preceded one of those fixed points. [13] [20]

Modern variations

In the context of library science, a manuscript is defined as any hand-written item in the collections of a library or an archive. For example, a library's collection of hand-written letters or diaries is considered a manuscript collection. Such manuscript collections are described in finding aids, similar to an index or table of contents to the collection, in accordance with national and international content standards such as DACS and ISAD(G).

In other contexts, however, the use of the term "manuscript" no longer necessarily means something that is hand-written. By analogy a typescript has been produced on a typewriter. [21]

Publishing

In book, magazine, and music publishing, a manuscript is an autograph or copy of a work, written by an author, composer or copyist. Such manuscripts generally follow standardized typographic and formatting rules, in which case they can be called fair copy (whether original or copy). The staff paper commonly used for handwritten music is, for this reason, often called "manuscript paper".

Film and theatre

In film and theatre, a manuscript, or script for short, is an author's or dramatist's text, used by a theatre company or film crew during the production of the work's performance or filming. More specifically, a motion picture manuscript is called a screenplay; a television manuscript, a teleplay; a manuscript for the theatre, a stage play; and a manuscript for audio-only performance is often called a radio play, even when the recorded performance is disseminated via non-radio means.

Insurance

In insurance, a manuscript policy is one that is negotiated between the insurer and the policyholder, as opposed to an off-the-shelf form supplied by the insurer.

Repositories

Major U.S. repositories of medieval manuscripts include:

Many[ which? ] European libraries have far larger collections.

See also

Examples

General

Related Research Articles

Book Medium for recording information in the form of writing or images

A book is a medium for recording information in the form of writing or images, typically composed of many pages bound together and protected by a cover. The technical term for this physical arrangement is codex. In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.

Codex Historical ancestor of the modern book

The codex was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges in a form analogous to modern bookbinding by a variety of methods over the centuries. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages.

Palimpsest In textual studies, a manuscript page whose text has been erased so that the page can be reused

In textual studies, a palimpsest is a manuscript page, either from a scroll or a book, from which the text has been scraped or washed off so that the page can be reused for another document. Parchment was made of lamb, calf, or goat kid skin and was expensive and not readily available, so in the interest of economy a page was often re-used by scraping off the previous writing. In colloquial usage, the term palimpsest is also used in architecture, archaeology and geomorphology to denote an object made or worked upon for one purpose and later reused for another, for example a monumental brass the reverse blank side of which has been re-engraved.

Parchment Writing material made from untanned skins of animals

Parchment is a writing material made from specially prepared untanned skins of animals—primarily sheep, calves, and goats. It has been used as a writing medium for over two millennia. Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves.

Palaeography Study of historic handwriting

Palaeography (UK) or paleography is the study of historic writing systems and the deciphering and dating of historical manuscripts, including the analysis of historic handwriting. It is concerned with the forms and processes of writing; not the textual content of documents. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural context of writing, including the methods with which writing and books were produced, and the history of scriptoria.

Vellum Animal skin used as a writing material

Vellum is prepared animal skin or "membrane", typically used as a material for writing on. Parchment is another term for this material, and if vellum is distinguished from this, it is by its being made from calfskin, as opposed to that from other animals, or otherwise being of higher quality. Vellum is prepared for writing or printing on, to produce single pages, scrolls, codices or books. The word is borrowed from Old French vélin 'calfskin', from the Latin word vitulinum 'made from calf'.

Scribe

A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of automatic printing.

Illuminated manuscript Manuscript in which the text is supplemented by the addition of decoration

An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders (marginalia), and miniature illustrations. In the strictest definition, the term refers only to manuscripts decorated with either gold or silver; but in both common usage and modern scholarship, the term refers to any decorated or illustrated manuscript from Western traditions. Comparable Far Eastern and Mesoamerican works are described as painted. Islamic manuscripts may be referred to as illuminated, illustrated, or painted, though using essentially the same techniques as Western works.

Scriptorium Room in medieval European monasteries for writing

Scriptorium, literally "a place for writing", is commonly used to refer to a room in medieval European monasteries devoted to the writing, copying and illuminating of manuscripts commonly handled by monastic scribes.

<i>Book of Deer</i>

The Book of Deer is a 10th-century Latin Gospel Book with early 12th-century additions in Latin, Old Irish and Scottish Gaelic. It is noted for containing the earliest surviving Gaelic writing from Scotland.

<i>Textus Roffensis</i>

The Textus Roffensis, fully titled the Textus de Ecclesia Roffensi per Ernulphum episcopum and sometimes also known as the Annals of Rochester, is a mediaeval manuscript that consists of two separate works written between 1122 and 1124. It is catalogued as "Rochester Cathedral Library, MS A.3.5" and is currently on display in a new exhibition at Rochester Cathedral, Rochester, Kent. It is thought that the main text of both manuscripts was written by a single scribe, although the English glosses to the two Latin entries were made by a second hand. The annotations might indicate that the manuscript was consulted in some post-Conquest trials. However, the glosses are very sparse and just clarify a few uncertain terms. For example, the entry on f. 67r merely explains that the triplex iudiciu(m) is called in English, ofraceth ordel.

Armenian illuminated manuscripts

Armenian illuminated manuscripts form a separate tradition, related to other forms of Medieval Armenian art, but also to the Byzantine tradition. The earliest surviving examples date from the Golden Age of Armenian art and literature in the 5th century. Early Armenian Illuminated manuscripts are remarkable for their festive designs to the Armenian culture; they make one feel the power of art and the universality of its language. The greatest Armenian miniaturist, Toros Roslin, lived in the 13th century.

Manuscript culture uses manuscripts to store and disseminate information; in the West, it generally preceded the age of printing. In early manuscript culture, monks copied manuscripts by hand. They copied not just religious works, but a variety of texts including some on astronomy, herbals, and bestiaries. Medieval manuscript culture deals with the transition of the manuscript from the monasteries to the market in the cities, and the rise of universities. Manuscript culture in the cities created jobs built around the making and trade of manuscripts, and typically was regulated by universities. Late manuscript culture was characterized by a desire for uniformity, well-ordered and convenient access to the text contained in the manuscript, and ease of reading aloud. This culture grew out of the Fourth Lateran Council (1215) and the rise of the Devotio Moderna. It included a change in materials, and was subject to remediation by the printed book, while also influencing it.

Biblical manuscript A handwritten copy of a portion of the text of the Bible

A biblical manuscript is any handwritten copy of a portion of the text of the Bible. Biblical manuscripts vary in size from tiny scrolls containing individual verses of the Jewish scriptures to huge polyglot codices containing both the Hebrew Bible (Tanakh) and the New Testament, as well as extracanonical works.

The conservation and restoration of illuminated manuscripts is the care and treatment of illuminated manuscripts which have cultural and historical significance so that they may be viewed, read, and studied now and in the future. It is a specialty case of the conservation and restoration of parchment within the field of conservation and restoration of books, manuscripts, documents and ephemera.

Codex Ebnerianus

Codex Ebnerianus, Minuscule 105, δ 257 (Soden), is a Greek language illuminated manuscript of the New Testament, though missing the Book of Revelation.

Oxford, Bodleian Library, Rawlinson B 502 is a medieval Irish manuscript which presently resides in the Bodleian Library, Oxford. It ranks as one of the three major surviving Irish manuscripts to have been produced in pre-Norman Ireland, the two other works being the Lebor na hUidre and the Book of Leinster. Some scholars have also called it the Book of Glendalough, in Irish Lebar Glinne Dá Locha, after several allusions in medieval and early modern sources to a manuscript of that name. However, there is currently no agreement as to whether Rawlinson B 502, more precisely its second part, is to be identified as the manuscript referred to by that title.

Humanist minuscule Handwriting style

Humanist minuscule is a handwriting or style of script that was invented in secular circles in Italy, at the beginning of the fifteenth century. "Few periods in Western history have produced writing of such great beauty", observes the art historian Millard Meiss. The new hand was based on Carolingian minuscule, which Renaissance humanists, obsessed with the revival of antiquity and their role as its inheritors, took to be ancient Roman:

[W]hen they handled manuscript books copied by eleventh- and twelfth-century scribes, Quattrocento literati thought they were looking at texts that came right out of the bookshops of ancient Rome".

Trinity Carol Roll

The Trinity Carol Roll is a 15th-century manuscript of thirteen English carols held by the Wren Library at Trinity College, Cambridge. It is the earliest surviving example of polyphonic music written in English. Compiled after 1415, it contains the earliest of two manuscript sources for the Agincourt Carol which tells of Henry V's victory at the Battle of Agincourt, as well as several early Christmas carols. The majority of texts are in Middle English with some of the carols alternating between Latin and Middle English, a common form for carols of the period known as macaronic.

References

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  17. Clemens, Raymond, and Timothy Graham. "German Protogothic Bookhand." In Introduction to Manuscript Studies. Ithaca: Cornell University Press, 2008. 149-150.
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