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Historical fiction is a literary genre in which the plot takes place in a setting located in the past. Although the term is commonly used as a synonym for the historical novel, it can also be applied to other types of narrative, including theatre, opera, cinema and television, as well as video games and graphic novels.
An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the period depicted.Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. Some subgenres such as alternate history and historical fantasy insert speculative or ahistorical elements into a novel.
Works of historical fiction are sometimes criticized for lack of authenticity because of readerly or genre expectations for accurate period details. This tension between historical authenticity, or historicity, and fiction frequently becomes a point of comment for readers and popular critics, while scholarly criticism frequently goes beyond this commentary, investigating the genre for its other thematic and critical interests.
Historical fiction as a contemporary Western literary genre has its foundations in the early-19th-century works of Sir Walter Scott and his contemporaries in other national literatures such as the Frenchman Honoré de Balzac, the American James Fenimore Cooper, and a later Russian, Leo Tolstoy. However, the melding of "historical" and "fiction" in individual works of literature has a long tradition in most cultures; both western traditions (as early as Ancient Greek and Roman literature) as well as Eastern, in the form of oral and folk traditions (see mythology and folklore), which produced epics, novels, plays and other fictional works describing history for contemporary audiences.
Definitions differ as to what constitutes a historical novel. On the one hand the Historical Novel Society defines the genre as works "written at least fifty years after the events described",while critic Sarah Johnson delineates such novels as "set before the middle of the last [20th] century ... in which the author is writing from research rather than personal experience." Then again Lynda Adamson, in her preface to the bibliographic reference work World Historical Fiction, states that while a "generally accepted definition" for the historical novel is a novel "about a time period at least 25 years before it was written", she also suggests that some people read novels written in the past, like those of Jane Austen (1775–1817), as if they were historical novels.
Historical fiction sometimes encouraged movements of romantic nationalism. Walter Scott's Waverley novels created interest in Scottish history and still illuminate it.[ citation needed ] A series of novels by Józef Ignacy Kraszewski on the history of Poland popularized the country's history after it had lost its independence in the Partitions of Poland. Henryk Sienkiewicz wrote several immensely popular novels set in conflicts between the Poles and predatory Teutonic Knights, rebelling Cossacks and invading Swedes. He won the 1905 Nobel Prize in literature. He also wrote the popular novel, Quo Vadis , about Nero's Rome and the early Christians, which has been adapted several times for film, in 1913, 1924, 1951, 2001 to only name the most prominent. Sigrid Undset's Kristin Lavransdatter fulfilled a similar function for Norwegian history; Undset later won a Nobel Prize for Literature (1928).
Many early historical novels played an important role in the rise of European popular interest in the history of the Middle Ages. Victor Hugo's The Hunchback of Notre Dame often receives credit for fueling the movement to preserve the Gothic architecture of France, leading to the establishment of the Monuments historiques , the French governmental authority for historic preservation.Rita Monaldi and Francesco Sorti's historical mystery saga Imprimateur Secretum Veritas Mysterium has increased interest in European history and features famous castrato opera singer Atto Melani as a detective and spy. Although the story itself is fiction, many of the persona and events are not. The book is based on research by Monaldi and Sorti, who researched information from 17th-century manuscripts and published works concerning the siege of Vienna, the plague and papacy of Pope Innocent XI.
The genre of the historical novel has also permitted some authors, such as the Polish novelist Bolesław Prus in his sole historical novel, Pharaoh , to distance themselves from their own time and place to gain perspective on society and on the human condition, or to escape the depredations of the censor.
In some historical novels, major historic events take place mostly off-stage, while the fictional characters inhabit the world where those events occur. Robert Louis Stevenson's Kidnapped recounts mostly private adventures set against the backdrop of the Jacobite troubles in Scotland. Charles Dickens's Barnaby Rudge is set amid the Gordon Riots, and A Tale of Two Cities in the French Revolution.
In some works, the accuracy of the historical elements has been questioned, as in Alexandre Dumas' Queen Margot . Postmodern novelists such as John Barth and Thomas Pynchon operate with even more freedom, mixing historical characters and settings with invented history and fantasy, as in the novels The Sot-Weed Factor and Mason & Dixon respectively. A few writers create historical fiction without fictional characters. One example is the series Masters of Rome by Colleen McCullough.
Historical prose fiction has a long tradition in world literature. Three of the Four Classics of Chinese literature were set in the distant past: Shi Nai'an's 14th-century Water Margin concerns 12th-century outlaws; Luo Guanzhong's 14th-century Romance of the Three Kingdoms concerns the 3rd-century wars which ended the Han Dynasty; Wu Cheng'en's 16th-century Journey to the West concerns the 7th-century Buddhist pilgrim Xuanzang.
Classical Greek novelists were also "very fond of writing novels about people and places of the past".The Iliad has been described as historic fiction, since it treats historic events, although its genre is generally considered epic poetry. Pierre Vidal-Naquet has suggested that Plato laid the foundations for the historical novel through the myth of Atlantis contained in his dialogues Timaeus and Critias . The Tale of Genji (written before 1021) is a fictionalized account of Japanese court life about a century prior and its author asserted that her work could present a "fuller and therefore 'truer'" version of history.
One of the earliest examples of the historical novel in Europe is La Princesse de Clèves , a French novel which was published anonymously in March 1678. It is regarded by many as the beginning of the modern tradition of the psychological novel, and as a great classic work. Its author is generally held to be Madame de La Fayette. The action takes place between October 1558 and November 1559 at the royal court of Henry II of France. The novel recreates that era with remarkable precision. Nearly every character – except the heroine – is a historical figure. Events and intrigues unfold with great faithfulness to documentary record. In the United Kingdom the historical novel "appears to have developed" from La Princesse de Clèves, "and then via the Gothic novel".
Historical fiction rose to prominence in Europe during the early 19th century as part of the Romantic reaction to the Enlightenment, especially through the influence of the Scottish writer Sir Walter Scott, whose works were immensely popular throughout Europe. Jane Porter's 1803 novel Thaddeus of Warsaw is one of the earliest examples of the historical novel in English and went through at least 84 editions.including translation into French and German, The first true historical novel in English was in fact Maria Edgeworth's Castle Rackrent (1800).
In the 20th century György Lukács argued that Scott was the first fiction writer who saw history not just as a convenient frame in which to stage a contemporary narrative, but rather as a distinct social and cultural setting.Scott's Scottish novels such as Waverley (1814) and Rob Roy (1817) focused upon a middling character who sits at the intersection of various social groups in order to explore the development of society through conflict. Ivanhoe (1820) gained credit for renewing interest in the Middle Ages.
Many well-known writers from the United Kingdom published historical novels in the mid 19th century, the most notable include Thackeray's Vanity Fair , Charles Dickens's A Tale of Two Cities , George Eliot's Romola and Charles Kingsley's Westward Ho! and Hereward the Wake . The Trumpet-Major (1880) is Thomas Hardy's only historical novel, and is set in Weymouth during the Napoleonic wars;when the town was then anxious about the possibility of invasion by Napoleon.
In the United States, James Fenimore Cooper was a prominent author of historical novels who was influenced by Scott.His most famous novel is The Last of the Mohicans: A Narrative of 1757 (1826), the second book of the Leatherstocking Tales pentalogy. The Last of the Mohicans is set in 1757, during the French and Indian War (the Seven Years' War), when France and Great Britain battled for control of North America. The Scarlet Letter (1850) by Nathaniel Hawthorne, is perhaps the most famous 19th-century American historical novel. Set in 17th-century Puritan Boston, Massachusetts during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and struggles to create a new life of repentance and dignity.
In French literature, the most prominent inheritor of Scott's style of the historical novel was Balzac. ... as well as several television series, and many movies [have] worked the name 'Monte Cristo' into their titles."In 1829 Balzac published Les Chouans , a historical work in the manner of Sir Walter Scott. This was subsequently incorporated into La Comédie Humaine. The bulk La Comédie Humaine, however, takes place during the Bourbon Restoration and the July Monarchy, though there are several novels which take place during the French Revolution and others which take place of in the Middle Ages or the Renaissance, including About Catherine de Medici and The Elixir of Long Life. Victor Hugo's The Hunchback of Notre Dame (1831) furnishes another 19th-century example of the romantic-historical novel. Victor Hugo began writing The Hunchback of Notre-Dame in 1829, largely to make his contemporaries more aware of the value of the Gothic architecture, which was neglected and often destroyed to be replaced by new buildings, or defaced by replacement of parts of buildings in a newer style. The action takes place in 1482 and the title refers to the Notre Dame Cathedral in Paris, on which the story is centred. Alexandre Dumas also wrote several popular historical fiction novels, including The Count of Monte Cristo and The Three Musketeers . George Saintsbury stated: "Monte Cristo is said to have been at its first appearance, and for some time subsequently, the most popular book in Europe." This popularity has extended into modern times as well. The book was "translated into virtually all modern languages and has never been out of print in most of them. There have been at least twenty-nine motion pictures based on it
Tolstoy's War and Peace offers an example of 19th-century historical fiction used to critique contemporary history. Tolstoy read the standard histories available in Russian and French about the Napoleonic Wars, and used the novel to challenge those historical approaches. At the start of the novel's third volume he describes his work as blurring the line between fiction and history, in order to get closer to the truth.The novel is set 60 years before it was composed, and alongside researching the war through primary and secondary sources, he spoke with people who had lived through war during the French invasion of Russia in 1812; thus, the book is also, in part, ethnography fictionalized.
The Charterhouse of Parma by Marie-Henri Beyle (Stendhal) is an epic retelling of the story of an Italian nobleman who lives through the Napoleonic period in Italian history. It includes a description of the Battle of Waterloo by the principal character. Stendhal fought with Napoleon and participated in the French invasion of Russia.
The Betrothed (1827) by Alessandro Manzoni has been called the most famous and widely read novel of the Italian language.The Betrothed was inspired by Walter Scott's Ivanhoe but, compared to its model, shows some innovations (two member of the lower class as principal characters, the past described without romantic idealization, an explicitly Christian message), somehow forerunning the realistic novel of the following decades. Set in northern Italy in 1628, during the oppressive years under Spanish rule, it is sometimes seen as a veiled attack on Austria, which controlled the region at the time the novel was written.
The critical and popular success of The Betrothed gave rise to a crowd of imitations and, in the age of unification, almost every Italian writer tried his hand at the genre; novels now almost forgotten, like Marco Visconti by Tommaso Grossi (Manzoni’s best friend) or Ettore Fieramosca by Massimo D’Azeglio (Manzoni’s son in law), were the best-sellers of their time. Many of these authors (like Niccolò Tommaseo, Francesco Domenico Guerrazzi and D’Azeglio himself) were patriots and politicians too, and in their novels the veiled politic message of Manzoni became explicit (the hero of Ettore Fieramosca fights to defend the honor of the Italian soldiers, mocked by some arrogant Frenchmen). Unfortunately, in them the narrative talent not equaled the patriotic passion, and their novels, full of rhetoric and melodramatic excesses, are today barely readable as historical documents. A significant exception is The Confessions of an Italian by Ippolito Nievo, an epic about the Venetian republic's fall and the Napoleonic age, told with satiric irony and youthful brio (Nievo wrote it when he was 26 years old).
A major 20th-century example of this genre is the German author Thomas Mann's Buddenbrooks (1901). This chronicles the decline of a wealthy north German merchant family over the course of four generations, incidentally portraying the manner of life and mores of the Hanseatic bourgeoisie in the years from 1835 to 1877. Mann drew deeply from the history of his own family, the Mann family of Lübeck, and their milieu. This was Mann's first novel, and with the publication of the 2nd edition in 1903, Buddenbrooks became a major literary success. The work led to a Nobel Prize in Literature for Mann in 1929; although the Nobel award generally recognises an author's body of work, the Swedish Academy's citation for Mann identified "his great novel Buddenbrooks" as the principal reason for his prize. –50), setting it in the historical context of the reign of Akhenaten (1353–1336 BC) in ancient Egypt.Mann also wrote, between 1926 and 1943, a four-part novel Joseph and His Brothers . In it Mann retells the familiar biblical stories of Genesis, from Jacob to Joseph (chapters 27
Robert Graves of Britain wrote several popular historical novels, including I, Claudius , King Jesus , The Golden Fleece and Count Belisarius . John Cowper Powys wrote two historical novels set in Wales, Owen Glendower (1941)and Porius (1951). The first deals with the rebellion of the Welsh Prince Owen Glendower (A.D.1400–16), while Porius takes place during the Dark Ages, in A.D. 499, just before the Anglo-Saxon Invasion of Britain. Powys suggests parallels with these historical periods and Britain in the late 1930s and during World War II.
Other significant British novelists include Georgette Heyer, Naomi Mitchison, and Mary Renault. Heyer essentially established the historical romance genre and its subgenre Regency romance, which was inspired by Jane Austen. To ensure accuracy, Heyer collected reference works and kept detailed notes on all aspects of Regency life. While some critics thought the novels were too detailed, others considered the level of detail to be Heyer's greatest asset; Heyer even recreated William the Conqueror's crossing into England for her novel The Conqueror . Naomi Mitchison's finest novel The Corn King and the Spring Queen (1931) is regarded by some as the best historical novel of the 20th century.Mary Renault is best known for her historical novels set in Ancient Greece. In addition to fictional portrayals of Theseus, Socrates, Plato and Alexander the Great, she wrote a non-fiction biography of Alexander. The Siege of Krishnapur (1973) by J. G. Farrell has been described as an "outstanding novel". Inspired by events such as the sieges of Cawnpore and Lucknow, the book details the siege of a fictional Indian town, Krishnapur, during the Indian Rebellion of 1857 from the perspective of the British residents. The main characters find themselves subject to the increasing strictures and deprivation of the siege, which reverses the "normal" structure of life where Europeans govern Asian subjects. The absurdity of the class system in a town no one can leave becomes a source of comic invention, though the text is serious in intent and tone.
Though the genre has evolved since its inception, the historical novel remains popular with authors and readers to this day and bestsellers include Patrick O'Brian's Aubrey–Maturin series, Ken Follett's Pillars of the Earth , and Neal Stephenson's Baroque Cycle . A development in British and Irish writing in the past 25 years has been the renewed interest in the First World War. Works include William Boyd's An Ice-Cream War ; Sebastian Faulks' Birdsong and The Girl at the Lion d'Or (concerned with the War's consequences); Pat Barker's Regeneration Trilogy and Sebastian Barry's A Long Long Way . William Golding wrote a number of historical novels. The Inheritors (1955) is set in prehistoric times and shows "new people" (generally identified with Homo sapiens sapiens ), triumphing over a gentler race (generally identified with Neanderthals) by deceit and violence. The Spire (1964) follows the building (and near collapse) of a huge spire onto a medieval cathedral (generally assumed to be Salisbury Cathedral); the spire symbolizing both spiritual aspiration and worldly vanity. The Scorpion God (1971) consists of three novellas, the first set in a prehistoric African hunter-gatherer band ('Clonk, Clonk'), the second in an ancient Egyptian court ('The Scorpion God') and the third in the court of a Roman emperor ('Envoy Extraordinary'). The trilogy To the Ends of the Earth , which includes the Rites of Passage (1980), Close Quarters (1987), and Fire Down Below (1989), describes sea voyages in the early 19th century.
American Nobel laureate William Faulkner's novel Absalom, Absalom (1936) is set before, during, and after the American Civil War. Kenneth Roberts wrote several books set around the events of the American Revolution, of which Northwest Passage (1937), Oliver Wiswell (1940), and Lydia Bailey (1947) all became best-sellers in the 1930s and 1940s. The following American authors have also written historical novels in the 20th century: Gore Vidal, John Barth, Norman Mailer, E.L. Doctorow, William Kennedy.
In Italy, the tradition of the historical fiction has flourished also in the contemporary age, and moreover the Nineteenth century has caught the writers’ interest. Southern novelists like Giuseppe Tomasi di Lampedusa (The leopard), Francesco Iovine (Lady Ava), Carlo Alianello (The heritage of the prioress) and, more recently, Andrea Camilleri (The Preston brewer) have retold the events of the Italian Unification, often overturning their traditional image, heroic and progressive. The conservative Riccardo Bacchelli in The devil at the long point and the communist Vasco Pratolini in Metello had described, by two ideologically opposite points of view, the birth of the Italian Socialism. Bacchelli is also the author of The mill on the Po , the powerful, also if a little farraginous, saga of a family of millers, from Napoleon to the First World War, one of the most epic novels of the last century.
In 1980, Umberto Eco achieved international success with The name of the rose , a novel set in an Italian abbey in 1327 and readable both as a historical mystery, as an allegory of the Italy in the “Years of Lead” and as an erudite joke. The Eco’s example, like the one of Manzoni before it, relaunched the interest of Italian public and writers for the genre and many novelists who till then had cultivated the contemporary novel, turned their hand to the stories set in the far centuries. So it was for Fulvio Tomizza (The evil coming from North, about the Reformation), Dacia Maraini (The silent duchess, about the female condition in the Eighteenth century) and Sebastiano Vassalli (The chimera, about the witch hunt). Among the writers emerged in the last years, Ernesto Ferrero ( N ) and Valerio Manfredi (The last legion) worth a mention.
Fani Popova–Mutafova (1902-1977) was a Bulgarian author who is considered by many to have been the best-selling Bulgarian historical fiction author ever.Her books sold in record numbers in the 1930s and the early 1940s. However, she was eventually sentenced to seven years of imprisonment by the Bulgarian communist regime because of some of her writings celebrating Hitler, and though released after only eleven months for health reasons, was forbidden to publish anything between 1943 and 1972. Stoyan Zagorchinov (1889–1969) also a Bulgarian writer, author of "Last Day, God's Day" trilogy and "Ivaylo", continuing the tradition in the Bulgarian historical novel, led by Ivan Vazov. Yana Yazova (1912–1974) also has several novels that can be considered historical as "Alexander of Macedon", her only novel on non-Bulgarian thematic, as well as her trilogy "Balkani". Vera Mutafchieva (1929–2009) is the author of historical novels which were translated into 11 languages. Anton Donchev (1930–) is an old living author, whose first independent novel, Samuel's Testimony, was published in 1961. His second book, Time of Parting , which dealt with the Islamization of the population in the Rhodopes during the XVII century was written in 1964. The novel was adapted in the serial movie "Time of Violence", divided into two parts with the subtitles ("The Threat" and "The Violence") by 1987 by the director Lyudmil Staykov. In June 2015, "Time of Violence" was chosen as the most beloved film of Bulgarian viewers in "Laced Shoes of Bulgarian Cinema", a large-scale consultation with the audience of Bulgarian National Television.
A 20th-century variant of the historical novel is documentary fiction, which incorporates "not only historical characters and events, but also reports of everyday events" found in contemporary newspapers.Examples of this variant form of historical novel include U.S.A. (1938), and Ragtime (1975) by E.L. Doctorow.
Memoirs of Hadrian by the Belgian-born French writer Marguerite Yourcenar is about the life and death of Roman Emperor Hadrian. First published in France in French in 1951 as Mémoires d'Hadrien, the book was an immediate success, meeting with enormous critical acclaim.Margaret George has written fictional biographies about historical persons in The Memoirs of Cleopatra (1997) and Mary, called Magdalene (2002). An earlier example is Peter I (1929–34) by Aleksey Nikolayevich Tolstoy, and I, Claudius (1934) and King Jesus (1946) by Robert Graves. Other recent biographical novel series, include Conqueror and Emperor by Conn Iggulden and Cicero Trilogy by Robert Harris.
Historical mysteries or "historical whodunits" are set by their authors in the distant past, with a plot that which involves the solving of a mystery or crime (usually murder). Though works combining these genres have existed since at least the early 1900s, many credit Ellis Peters's Cadfael Chronicles (1977–1994) with popularizing them. These are set between 1137 and 1145 A.D.The increasing popularity of this type of fiction in subsequent decades has created a distinct subgenre recognized by both publishers and libraries.
Romantic themes have also been portrayed, such as Doctor Zhivago by Boris Pasternak and Gone with the Wind by Margaret Mitchell. One of the first popular historical romances appeared in 1921, when Georgette Heyer published The Black Moth, which is set in 1751. It was not until 1935 that she wrote the first of her signature Regency novels, set around the English Regency period (1811–1820), when the Prince Regent ruled England in place of his ill father, George III. Heyer's Regency novels were inspired by Jane Austen's novels of the late 18th and early 19th century. Because Heyer's writing was set in the midst of events that had occurred over 100 years previously, she included authentic period detail in order for her readers to understand.Where Heyer referred to historical events, it was as background detail to set the period, and did not usually play a key role in the narrative. Heyer's characters often contained more modern-day sensibilities, and more conventional characters in the novels would point out the heroine's eccentricities, such as wanting to marry for love.
Some historical novels explore life at sea, including C.S. Forester's Hornblower series, Patrick O'Brian's Aubrey-Maturin series, Alexander Kent's The Bolitho Novels, Dudley Pope's Lord Ramage's series, all of which all deal with the Napoleonic Wars. There are also adventure novels with pirate characters like Robert Louis Stevenson's Treasure Island (1883), Emilio Salgari's Sandokan (1895–1913) and Captain Blood (1922) by Rafael Sabatini. Recent examples of historical novels about pirates are The Adventures of Hector Lynch by Tim Severin, The White Devil (Белият Дявол) by Hristo Kalchev and The Pirate Devlin novels by Mark Keating.
The Plot Against America is a novel by Philip Roth published in 2004. It is an alternative history in which Franklin Delano Roosevelt is defeated in the presidential election of 1940 by Charles Lindbergh and a fascist, anti-semitic government is established. There are other examples, such as Robert Silverberg's Roma Eterna , in which the Roman Empire survives to the present day and time travel to the past, such as the "Company" stories of Kage Baker. There are authors who write in both subgenres, like Harry Turtledove in his Timeline 191 series and "The Guns of the South" novel, respectively. Isaac Asimov's short story What If-- is about a couple who can explore alternate realities by means of a television-like device. This idea can also be found in Asimov's 1955 novel The End of Eternity . In that novel, the "Eternals" can change the realities of the world, without people being aware of it.
There is also a historical fantasy subgenre. Poul Anderson has a number of historical fantasy novels set in Viking times including The Broken Sword and Hrolf Kraki's Saga . Otherwise space opera author C. J. Cherryh has a whole historical fantasy series The Russian Stories set in Medieval Kievan Rus times. Guy Gavriel Kay has number of historical fantasy novels as "The Lions of Al-Rassan" set in Renaissance Spain and "The Sarantine Mosaic" in Ancient Greece. David Gemmel has only two historical fantasy series. The first is the Greek series , which are about Parmenion, a general of Alexander the Great. The story is loosely based on historic events, but adds fantasy elements such as supernatural creatures and sorcery. His posthumous Troy Series features a fictional version of the Trojan War. The Sevenwaters Trilogy (later expanded) by Juliet Marillier is set in 9th-century Ireland.
A prominent subgenre within historical fiction is the children's historical novel. Often following a pedagogical bent, children's historical fiction may follow the conventions of many of the other subgenres of historical fiction. A number of such works include elements of historical fantasy or time travel to facilitate the transition between the contemporary world and the past in the tradition of children's portal fiction. Sometimes publishers will commission series of historical novels that explore different periods and times. Among the most popular contemporary series include the American Girl novels and the Magic Tree House series. A prominent award within children's historical fiction is the Scott O'Dell Award for Historical Fiction.
Historical narratives have find their way also in comics and graphic novels. There are Prehistorical elements in jungle comics like Akim and Rahan. Ancient Greece inspired graphic novels are 300 created by Frank Miller, centered around Battle of Thermopylae, and Age of Bronze series by Eric Shanower, that retells Trojan War. Historical subjects can also be found in manhua comics like Three Kingdoms and Sun Zi's Tactics by Lee Chi Ching, Weapons of the Gods by Wong Yuk Long as well as The Ravages of Time by Chan Mou. There are also straight Samurai manga series like Path of the Assassin , Vagabond , Rurouni Kenshin and Azumi . Several comics and graphic novels have been produced into anime series or a movie adaptations like Azumi and 300 .
Historical drama film stories are based upon historical events and famous people. Some historical dramas are docudramas, which attempt an accurate portrayal of a historical event or biography, to the degree that the available historical research will allow. Other historical dramas are fictionalized tales that are based on an actual person and their deeds, such as Braveheart , which is loosely based on the 13th-century knight William Wallace's fight for Scotland's independence. For films pertaining to the history of East Asia, Central Asia, and South Asia, there are historical period drama films set in Asia, also known as Jidaigeki in Japan. Wuxia films like The Hidden Power of the Dragon Sabre (1984) and Crouching Tiger, Hidden Dragon (2000), based on novels by Jin Yong and Wang Dulu, have also been produced. Zhang Yimou has directed several acclaimed wuxia films like Hero (2002), House of Flying Daggers (2004) and Curse of the Golden Flower (2006). Although largely fictional some wuxia films are considered historical drama. Samurai films like Zatoichi and Lone Wolf and Cub series also fall under historical drama umbrella. Peplum films also known as sword-and-sandal, is a genre of largely Italian-made historical or biblical epics (costume dramas) that dominated the Italian film industry from 1958 to 1965. Most pepla featured a superhumanly strong man as the protagonist, such as Hercules, Samson, Goliath, Ursus or Italy's own popular folk hero Maciste. These supermen often rescued captive princesses from tyrannical despots and fought mythological creatures. Not all the films were fantasy-based, however. Many featured actual historical personalities such as Julius Caesar, Cleopatra, and Hannibal, although great liberties were taken with the storylines. Gladiators, pirates, knights, Vikings, and slaves rebelling against tyrannical kings were also popular subjects. There are also films based on Medieval narratives like Ridley Scott's historical epics Robin Hood (2010) and Kingdom of Heaven (2005) and the subgenred films based on the Arthurian legend such as Pendragon: Sword of His Father (2008) and King Arthur (2004).
Many historical narratives have been expanded into television series. Notable ancient history inspired TV series include: Rome , Spartacus , Egypt , The Last Kingdom and I Claudius . Tudor England is also a very prominent subject in television series like The Tudors , The Virgin Queen and Elizabeth I . Programs about the Napoleonic Wars have also been produced, like Sharpe and Hornblower . Historical soap operas have also been popular, including the Turkish TV series The Magnificent Century and Once Upon A Time In The Ottoman Empire: Rebellion . Chinese studios have also produced television series like The Legend and the Hero , its sequel series , King's War and The Qin Empire . There have also been produced pure Wuxia television series, many based on works by Jin Yong like Condor Trilogy and Swordsman , also Lu Xiaofeng and Chu Liuxiang by Gu Long. They have been very popular in China, but largely unnoticed in Western media.
History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres.For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. Shakespeare wrote numerous history plays, some included in the First Folio as histories, and other listed as tragedies, or Roman plays. Among the most famous histories are Richard III , and Henry IV, Part 1 , Henry IV, Part 2 , and Henry V . Other plays that feature historical characters, are the tragedy Macbeth , set in the mid-11th century during the reigns of Duncan I of Scotland and Edward the Confessor, and the Roman plays Coriolanus , Julius Caesar , and Antony and Cleopatra . Another tragedy King Lear , is based on British legend, as is the romanc Cymbeline, King of Britain, which is set in Ancient Britain.
Other playwrights contemporary to Shakespeare, such as Christopher Marlowe, also dramatized historical topics.Marlowe wrote Edward the Second which deals with the deposition of King Edward II by his barons and the Queen, who resent the undue influence the king's favourites have in court and state affairs, and The Massacre at Paris , which dramatizes the events of the Saint Bartholomew's Day Massacre in France in 1572. Marlowe's Tamburlaine the Great (1587 or 1588) is a play in two parts, loosely based on the life of the Central Asian emperor, Timur "the lame".
History plays also appear elsewhere in other western literature. The German authors Goethe and Schiller wrote a number of historical plays, including Goethe's Egmont (1788), which is set in the 16th century, and is heavily influenced by Shakespearean tragedy, and Schiller's Mary Stuart , which depicts the last days of Mary, Queen of Scots (1800). This play formed the basis for Donizetti's opera Maria Stuarda (1834). Beethoven wrote incidental music for Egmont.
Later Irish author George Bernard Shaw wrote several histories, including Caesar and Cleopatra (1898) and Saint Joan , which based on the life and trial of Joan of Arc. Published in 1924, not long after the canonization of Joan of Arc by the Roman Catholic Church, the play dramatises what is known of her life based on the substantial records of her trial. One of the most famous 20th-century history plays is The Life of Galileo by Bertolt Brecht which dramatises the latter period of the life of Galileo Galilei, the great Italian natural philosopher, who was persecuted by the Roman Catholic Church for the promulgation of his scientific discoveries; for details, see Galileo affair. The play embraces such themes as the conflict between dogmatism and scientific evidence, as well as interrogating the values of constancy in the face of oppression.
More recently British dramatist Howard Brenton has written several histories. He gained notoriety for his play The Romans in Britain , first staged at the National Theatre in October 1980, which drew parallels between the Roman invasion of Britain in 54BC and the contemporary British military presence in Northern Ireland. Its concerns with politics were, however, overshadowed by controversy surrounding a rape scene. Brenton also wrote Anne Boleyn a play on the life of Anne Boleyn, which premiered at Shakespeare's Globe in 2010. Anne Boleyn is portrayed as a significant force in the political and religious in-fighting at court and a furtherer of the cause of Protestantism in her enthusiasm for the Tyndale Bible.
One of the first operas to use historical events and people is Claudio Monteverdi's L'incoronazione di Poppea, which was first performed in Venice during the 1643 carnival season. it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. George Frederick Handel also wrote several operas based on historical characters, including Giulio Cesare (1724), Tamerlano (1724) and Rodelinda (1725).
Historical subjects for operas also developed during the 19th century. Usually with 4 or 5 acts, they are large-scale casts and orchestras, and spectacular staging. Several operas by Gaspare Spontini, Luigi Cherubini, and Gioachino Rossini can be regarded as precursors to French grand opera. These include Spontini's La vestale (1807) and Fernand Cortez (1809, revised 1817), Cherubini's Les Abencérages (1813), and Rossini's Le siège de Corinthe (1827) and Moïse et Pharaon (1828). All of these have some of the characteristics of size and spectacle that are normally associated with French grand opera. Another important forerunner was Il crociato in Egitto by Meyerbeer, who eventually became the acknowledged king of the grand opera genre. Amongst the most important opera composers on historical topics are Giuseppe Verdi, and Richard Wagner.
Russian composers also wrote operas based on historical figures, including Boris Godunov by Modest Mussorgsky (1839–1881), which was composed between 1868 and 1873, and is considered his masterpiece.Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605). Equally famous is Alexander Borodin's Prince Igor , the libretto for which the composer developed from the Ancient Russian epic The Lay of Igor's Host, which recounts the campaign of Rus prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185.
Historical reenactment is an educational or entertainment activity in which people follow a plan to recreate aspects of a historical event or period. This may be as narrow as a specific moment from a battle, such as the reenactment of Pickett's Charge presented during the Great Reunion of 1913, or as broad as an entire period, such as Regency reenactment or The 1920s Berlin Project.
The Marxist literary critic, essayist, and social theorist György Lukács wrote extensively on the aesthetic and political significance of the historical novel. In 1937's Der historische Roman, published originally in Russian, Lukács developed critical readings of several historical novels by various authors, including Gottfried Keller, Charles Dickens, and Gustave Flaubert. He interprets the advent of the "genuinely" historical novel at the beginning of the 19th century in terms of two developments, or processes. The first is the development of a specific genre in a specific medium—the historical novel's unique stylistic and narrative elements. The second is the development of a representative, organic artwork that can capture the fractures, contradictions, and problems of the particular productive mode of its time (i.e., developing, early, entrenched capitalism).
Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—either professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.
The historical mystery or historical whodunit is a subgenre of two literary genres, historical fiction and mystery fiction. These works are set in a time period considered historical from the author's perspective, and the central plot involves the solving of a mystery or crime. Though works combining these genres have existed since at least the early 20th century, many credit Ellis Peters's Cadfael Chronicles (1977–1994) for popularizing what would become known as the historical mystery. The increasing popularity and prevalence of this type of fiction in subsequent decades has spawned a distinct subgenre recognized by the publishing industry and libraries. Publishers Weekly noted in 2010 of the genre, "The past decade has seen an explosion in both quantity and quality. Never before have so many historical mysteries been published, by so many gifted writers, and covering such a wide range of times and places." Editor Keith Kahla concurs, "From a small group of writers with a very specialized audience, the historical mystery has become a critically acclaimed, award-winning genre with a toehold on the New York Times bestseller list."
Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.
Although the genre is very old, the romance novel or romantic novel discussed in this article is the mass-market version. Novels of this type of genre fiction place their primary focus on the relationship and romantic love between two people, and must have an "emotionally satisfying and optimistic ending."
A campaign setting is usually a fictional world which serves as a setting for a role-playing game or wargame campaign. A campaign is a series of individual adventures, and a campaign setting is the world in which such adventures and campaigns take place. Usually a campaign setting is designed for a specific game or a specific genre of game. There are numerous campaign settings available both in print and online. In addition to published campaign settings available for purchase, many game masters create their own settings, often referred to as "homebrew" settings or worlds.
A literary genre is a category of literary composition. Genres may be determined by literary technique, tone, content, or even length. The distinctions between genres and categories are flexible and loosely defined, often with subgroups.
Regency romances are a subgenre of romance novels set during the period of the British Regency (1811–1820) or early 19th century. Rather than simply being versions of contemporary romance stories transported to a historical setting, Regency romances are a distinct genre with their own plot and stylistic conventions. These derive not so much from the 19th-century contemporary works of Jane Austen, but rather from Georgette Heyer, who wrote over two dozen novels set in the Regency starting in 1935 until her death in 1974, and from the fiction genre known as the novel of manners. In particular, the more traditional Regencies feature a great deal of intelligent, fast-paced dialogue between the protagonists and very little explicit sex or discussion of sex.
The fantasy of manners is a subgenre of fantasy literature that also partakes of the nature of a comedy of manners. Such works generally take place in an urban setting and within the confines of a fairly elaborate, and almost always hierarchical, social structure. The term was first used in print by science fiction critic Donald G. Keller in an article, The Manner of Fantasy, in the April, 1991 issue of The New York Review of Science Fiction; author Ellen Kushner has said that she suggested the term to Keller. The subgenre, or a close relative to it, has also been called mannerpunk, a tongue-in-cheek reference to the cyberpunk subgenre of science fiction.
Paranormal romance is a subgenre of both romantic fiction and speculative fiction. Paranormal romance focuses on romantic love and includes elements beyond the range of scientific explanation, blending together themes from the speculative fiction genres of fantasy, science fiction, and horror. Paranormal romance may range from traditional category romances, such as those published by Harlequin Mills & Boon, with a paranormal setting to stories where the main emphasis is on a science fiction or fantasy-based plot with a romantic subplot included. Common hallmarks are romantic relationships between humans and vampires, shapeshifters, ghosts, and other entities of a fantastic or otherworldly nature.
Historical romance is a broad category of fiction in which the plot takes place in a setting located in the past. Walter Scott helped popularize this genre in the early 19th-century, with works such as Rob Roy and Ivanhoe. Literary fiction historical romances continue to be published, and a notable recent example is Wolf Hall (2009), a multi-award-winning novel by English historical novelist Hilary Mantel. It is also a genre of mass-market fiction, which is related to the broader romantic love genre.
Fantasy is a genre of speculative fiction set in a fictional universe, often inspired by real world myth and folklore. Its roots are in oral traditions, which then became literature and drama. From the twentieth century it has expanded further into various media, including film, television, graphic novels, manga and video games.
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel. Other European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo, en roman." Most European languages use the word "romance" for extended narratives.
Gaslamp fantasy is a subgenre of both fantasy and historical fiction. Generally speaking, this particular realm of fantasy employs either a Victorian or Edwardian setting. The gaslamp fantasy genre is not to be confused with steampunk, which usually has more of a super-science edge and uchronic tone. Gaslamp fantasy also differs from classical Victorian/Edwardian faerie or pure fantasy in the J.R.R. Tolkien or Lewis Carroll style or from historical crime-novels in the Anne Perry or June Thomson style by the supernatural elements, themes, and subjects it features. Many of its tropes, themes, and stock characters derive from Gothic literature—a long-established genre composed of both romantic and horrific traits and motivated by the desire to rouse fear, apprehension, and other intense emotions within the reader—and could be described as an attempt to modernize literary Gothicism.
Urban Gothic is a subgenre of Gothic fiction, film horror and television dealing with industrial and post-industrial urban society. It was pioneered in the mid-19th century in Britain, Ireland and the United States and developed in British novels such as Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), and Irish novels such as Oscar Wilde's The Picture of Dorian Gray (1890), and Bram Stoker's Dracula (1897). In the twentieth century, urban Gothic influenced the creation of the subgenres of Southern Gothic and suburban Gothic. From the 1980s, interest in the urban Gothic revived with books like Anne Rice's Vampire Chronicles and a number of graphic novels that drew on dark city landscapes, leading to adaptations in film including Batman (1989), The Crow (1994) and From Hell (2001), as well as influencing films like Seven (1995).
The following outline is provided as an overview of and topical guide to science fiction:
The following outline is provided as an overview of and topical guide to fantasy:
Gods and demons fiction is a subgenre of fantasy fiction that revolves around the deities, immortals, and monsters of Chinese mythology. The term shenmo xiaoshuo, which was coined in the early 20th century by the writer and literary historian Lu Xun, literally means "fiction of gods and demons". Works of shenmo fiction include the novels Journey to the West and The Investiture of the Gods.
Nautical fiction, frequently also naval fiction, sea fiction, naval adventure fiction or maritime fiction, is a genre of literature with a setting on or near the sea, that focuses on the human relationship to the sea and sea voyages and highlights nautical culture in these environments. The settings of nautical fiction vary greatly, including merchant ships, liners, naval ships, fishing vessels, life boats, etc., along with sea ports and fishing villages. When describing nautical fiction, scholars most frequently refer to novels, novellas, and short stories, sometimes under the name of sea novels or sea stories. These works are sometimes adapted for the theatre, film and television.
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